1 Chronicles 4 Artwork

"The sons of Judah; Pharez, Hezron, and Carmi, and Hur, and Shobal." - 1 Chronicles 4:1

Explore 1 Chronicles 4 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
1 Chronicles1 Chronicles 41 Chronicles 4:1
1 Chronicles 4:2 - "And Reaiah the son of Shobal begat Jahath; and Jahath begat Ahumai, and Lahad. These are the families of the Zorathites."

1 Chronicles 4:2 - "And Reaiah the son of Shobal begat Jahath; and Jahath begat Ahumai, and Lahad. These are the families of the Zorathites."

1 Chronicles 4:23 - "These were the potters, and those that dwelt among plants and hedges: there they dwelt with the king for his work."

1 Chronicles 4:23 - "These were the potters, and those that dwelt among plants and hedges: there they dwelt with the king for his work."

1 Chronicles 4:19 - "And the sons of his wife Hodiah the sister of Naham, the father of Keilah the Garmite, and Eshtemoa the Maachathite."

1 Chronicles 4:19 - "And the sons of his wife Hodiah the sister of Naham, the father of Keilah the Garmite, and Eshtemoa the Maachathite."

1 Chronicles 4:20 - "And the sons of Shimon were, Amnon, and Rinnah, Ben-hanan, and Tilon. And the sons of Ishi were, Zoheth, and Ben-zoheth." Visualize an instance from religious text, specifically from 1 Chronicles 4:20 - 'And the sons of Shimon were, Amnon, and Rinnah, Ben-hanan, and Tilon. And the sons of Ishi were, Zoheth, and Ben-zoheth.' Represent this scene as a digital art piece with elements of antiquity as if derived from an ancient holy scripture.

1 Chronicles 4:20 - "And the sons of Shimon were, Amnon, and Rinnah, Ben-hanan, and Tilon. And the sons of Ishi were, Zoheth, and Ben-zoheth."

1 Chronicles 4:37 - "And Ziza the son of Shiphi, the son of Allon, the son of Jedaiah, the son of Shimri, the son of Shemaiah;"

1 Chronicles 4:37 - "And Ziza the son of Shiphi, the son of Allon, the son of Jedaiah, the son of Shimri, the son of Shemaiah;"

1 Chronicles 13:4 - "And all the congregation said that they would do so: for the thing was right in the eyes of all the people."

1 Chronicles 13:4 - "And all the congregation said that they would do so: for the thing was right in the eyes of all the people."

1 Chronicles 4:39 - "¶ And they went to the entrance of Gedor, even unto the east side of the valley, to seek pasture for their flocks." A picturesque biblical scene portraying the entrance of Gedor located on the eastern side of a verdant valley. A group of individuals of varied descents, such as Caucasian, Hispanic, and Middle Eastern are engaging in the time-honored task of seeking together the lush green pastures for their vast flocks. Sunbeams are creeping along the horizon and illuminating the landscape, signifying an early morning setting. The texture and tones of the art should emulate the distinct and vivid quality common in digital artwork.

1 Chronicles 4:39 - "¶ And they went to the entrance of Gedor, even unto the east side of the valley, to seek pasture for their flocks."

1 Chronicles 4:9 - "¶ And Jabez was more honourable than his brethren: and his mother called his name Jabez, saying, Because I bare him with sorrow."

1 Chronicles 4:9 - "¶ And Jabez was more honourable than his brethren: and his mother called his name Jabez, saying, Because I bare him with sorrow."

1 Chronicles 5:4 - "The sons of Joel; Shemaiah his son, Gog his son, Shimei his son," Depict a digital art illustration of a family lineage unfolding. The characters include; Joel, his son Shemaiah, Shemaiah's son Gog, and Gog's son Shimei. Each character is featured in an individual portrait within a larger composition, showcasing the progression of generations from Joel to Shimei.

1 Chronicles 5:4 - "The sons of Joel; Shemaiah his son, Gog his son, Shimei his son,"

1 Chronicles 22:4 - "Also cedar trees in abundance: for the Zidonians and they of Tyre brought much cedar wood to David." A scene from the ancient times as captured in 1 Chronicles 22:4, portraying an abundant supply of cedar trees. Nearby, the Zidonians and people of Tyre are vividly depicted, engaged in the strenuous yet fulfilling task of delivering massive quantities of cedar wood to a figure who represents King David. Craft this in the form of a digital art illustration, meticulously emphasizing the details such as the textures of the bark, the rough hands of the workers, and the majesty of the waiting figure.

1 Chronicles 22:4 - "Also cedar trees in abundance: for the Zidonians and they of Tyre brought much cedar wood to David."

1 Chronicles 4:31 - "And at Beth-marcaboth, and Hazar-susim, and at Beth-birei, and at Shaaraim. These were their cities unto the reign of David."

1 Chronicles 4:31 - "And at Beth-marcaboth, and Hazar-susim, and at Beth-birei, and at Shaaraim. These were their cities unto the reign of David."

1 Chronicles 4:17 - "And the sons of Ezra were, Jether, and Mered, and Epher, and Jalon: and she bare Miriam, and Shammai, and Ishbah the father of Eshtemoa." An artistic digital rendering of a historical narrative. Depicting the scene from 1 Chronicles 4:17 with the sons of Ezra - Jether, Mered, Epher, and Jalon. Nearby, a woman bearing the children Miriam, Shammai, and Ishbah, who is the father of Eshtemoa. This scenario should evoke a sense of biblical times, with traditional ancient clothing and surrounding settings that are typical of the era.

1 Chronicles 4:17 - "And the sons of Ezra were, Jether, and Mered, and Epher, and Jalon: and she bare Miriam, and Shammai, and Ishbah the father of Eshtemoa."

1 Chronicles 4:40 - "And they found fat pasture and good, and the land was wide, and quiet, and peaceable; for they of Ham had dwelt there of old." A serene landscape representing 1 Chronicles 4:40: 'And they found fat pasture and good, and the land was wide, and quiet, and peaceable; for they of Ham had dwelt there of old.' The scenery should showcase expansive lush pastures, a sense of tranquility that the land offers, the silent vastness, and the ancient presence of the people of Ham. The representation should convey the calm and peace associated with the verse and the style should be reminiscent of digital art.

1 Chronicles 4:40 - "And they found fat pasture and good, and the land was wide, and quiet, and peaceable; for they of Ham had dwelt there of old."

1 Chronicles 14:4 - "Now these are the names of his children which he had in Jerusalem; Shammua, and Shobab, Nathan, and Solomon," An artistic digital rendering of a biblical scene, with specific emphasis on the representation of four young men named Shammua, Shobab, Nathan, and Solomon. They are all illustrated in an ancient Jerusalem setting. The environment is steeped in historical detail, mirroring the period accurately. Each man possesses unique features and attire, distinctively setting them apart from each other and reflecting their individual characters. The overall scene should bring to life the historical essence of 1 Chronicles 14:4.

1 Chronicles 14:4 - "Now these are the names of his children which he had in Jerusalem; Shammua, and Shobab, Nathan, and Solomon,"

1 Chronicles 11:4 - "¶ And David and all Israel went to Jerusalem, which is Jebus; where the Jebusites were, the inhabitants of the land." Depict a scene derived from the 1 Chronicles 11:4, 'And David and all Israel went to Jerusalem, which is Jebus; where the Jebusites were, the inhabitants of the land.' This biblical scene should be set in an old-era Jerusalem city, with the central figure, a middle-eastern man who we can assume to be David, leading a diverse group of people, male and female, from Caucasian, Hispanic, Black, South Asian ethnic backgrounds. These people represent 'all Israel'. In the background, show the city of Jerusalem, filled with Jebusites, who are also portrayed diversely in terms of descent and gender. Translate this scene into a digital art rendition.

1 Chronicles 11:4 - "¶ And David and all Israel went to Jerusalem, which is Jebus; where the Jebusites were, the inhabitants of the land."

1 Chronicles 4:22 - "And Jokim, and the men of Chozeba, and Joash, and Saraph, who had the dominion in Moab, and Jashubi-lehem. And these are ancient things."

1 Chronicles 4:22 - "And Jokim, and the men of Chozeba, and Joash, and Saraph, who had the dominion in Moab, and Jashubi-lehem. And these are ancient things."

1 Chronicles 12:4 - "And Ismaiah the Gibeonite, a mighty man among the thirty, and over the thirty; and Jeremiah, and Jahaziel, and Johanan, and Josabad the Gederathite," Create an image that illustrates the scene from the religious text '1 Chronicles 12:4' featuring Ismaiah the Gibeonite - a mighty man, standing among and over thirty others, and the figures of Jeremiah, Jahaziel, Johanan, and Josabad the Gederathite. Render this scene in the style of elaborate, vibrant, and detailed art reminiscent of the digital medium.

1 Chronicles 12:4 - "And Ismaiah the Gibeonite, a mighty man among the thirty, and over the thirty; and Jeremiah, and Jahaziel, and Johanan, and Josabad the Gederathite,"

1 Chronicles 9:4 - "Uthai the son of Ammihud, the son of Omri, the son of Imri, the son of Bani, of the children of Pharez the son of Judah."

1 Chronicles 9:4 - "Uthai the son of Ammihud, the son of Omri, the son of Imri, the son of Bani, of the children of Pharez the son of Judah."

1 Chronicles 2:4 - "And Tamar his daughter in law bare him Pharez and Zerah. All the sons of Judah were five."

1 Chronicles 2:4 - "And Tamar his daughter in law bare him Pharez and Zerah. All the sons of Judah were five."

1 Chronicles 4:27 - "And Shimei had sixteen sons and six daughters; but his brethren had not many children, neither did all their family multiply, like to the children of Judah." A digital art depiction of an ancient scene, portrays Shimei with his sixteen sons and six daughters, surrounded by his family. The family seems to be less in number, subtly highlighting the biblical prose that their family did not multiply as much as the children of Judah. The scene maintains the texture and context of the time referenced in 1 Chronicles 4:27, with traditional clothing and background elements reflective of that era. The characters are depicted with a range of emotions, capturing the complex family dynamics.

1 Chronicles 4:27 - "And Shimei had sixteen sons and six daughters; but his brethren had not many children, neither did all their family multiply, like to the children of Judah."

1 Chronicles 17:4 - "Go and tell David my servant, Thus saith the LORD, Thou shalt not build me an house to dwell in:"

1 Chronicles 17:4 - "Go and tell David my servant, Thus saith the LORD, Thou shalt not build me an house to dwell in:"

1 Chronicles 16:4 - "¶ And he appointed certain of the Levites to minister before the ark of the LORD, and to record, and to thank and praise the LORD God of Israel:" Render a digital art style image visualizing an ancient scene from the scripture '1 Chronicles 16:4'. Depict Levites, a diverse group of men of varying descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, engaging in their religious duties. They are stationed before a significant religious artifact known as the Ark of the Lord. One of them is recording, another is expressing gratitude and the rest of them are praising. Ensure the ambiance reflects the reverence and solemnity of this religious ritual.

1 Chronicles 16:4 - "¶ And he appointed certain of the Levites to minister before the ark of the LORD, and to record, and to thank and praise the LORD God of Israel:"

1 Chronicles 26:4 - "Moreover the sons of Obed-edom were, Shemaiah the firstborn, Jehozabad the second, Joah the third, and Sacar the fourth, and Nethaneel the fifth," Create an image interpreting a scene from the biblical quote 1 Chronicles 26:4, where the sons of Obed-edom, namely Shemaiah the firstborn, Jehozabad the second, Joah the third, Sacar the fourth, and Nethaneel the fifth, are shown in a sequence. Use the visual elements of pre-1912 era artists and the medium of digital art to simulate the style.

1 Chronicles 26:4 - "Moreover the sons of Obed-edom were, Shemaiah the firstborn, Jehozabad the second, Joah the third, and Sacar the fourth, and Nethaneel the fifth,"

1 Chronicles 21:4 - "Nevertheless the king's word prevailed against Joab. Wherefore Joab departed, and went throughout all Israel, and came to Jerusalem."

1 Chronicles 21:4 - "Nevertheless the king's word prevailed against Joab. Wherefore Joab departed, and went throughout all Israel, and came to Jerusalem."

1 Chronicles 23:4 - "Of which, twenty and four thousand were to set forward the work of the house of the LORD; and six thousand were officers and judges:" Create a digital art representation of a scene inspired by 1 Chronicles 23:4. It shows twenty and four thousand individuals engaged in the construction of a grand house, symbolizing the house of the LORD. Another group of six thousand individuals are appointed as officers and judges, draped in garments denoting their roles. The depiction captures the enormity of the task and the dedication of the workers. The setting is ancient, with the architecture and clothing styles reflecting this time period. The scene is filled with a sense of purpose and measured hustle.

1 Chronicles 23:4 - "Of which, twenty and four thousand were to set forward the work of the house of the LORD; and six thousand were officers and judges:"

1 Chronicles 19:4 - "Wherefore Hanun took David's servants, and shaved them, and cut off their garments in the midst hard by their buttocks, and sent them away."

1 Chronicles 19:4 - "Wherefore Hanun took David's servants, and shaved them, and cut off their garments in the midst hard by their buttocks, and sent them away."

1 Chronicles 29:4 - "Even three thousand talents of gold, of the gold of Ophir, and seven thousand talents of refined silver, to overlay the walls of the houses withal:" An image showcasing three thousand talents of gold, representative of gold from Ophir, and seven thousand talents of Refined silver. These dazzling precious metals are being used, according to an ancient design scheme, to overlay the walls of numerous houses. These houses exude historical magnificence and opulence, creating a sight that captivates the viewer's eye. This scene replicates a biblical illustration and should be executed in the form of digital art.

1 Chronicles 29:4 - "Even three thousand talents of gold, of the gold of Ophir, and seven thousand talents of refined silver, to overlay the walls of the houses withal:"

1 Chronicles 4:42 - "And some of them, even of the sons of Simeon, five hundred men, went to mount Seir, having for their captains Pelatiah, and Neariah, and Rephaiah, and Uzziel, the sons of Ishi." Depict a biblical scene, based on '1 Chronicles 4:42', showing five hundred men, sons of Simeon, marching to Mount Seir. Their leaders, Pelatiah, Neariah, Rephaiah, and Uzziel, sons of Ishi, are boldly leading the caravan. The overall scene gives a strong impression of determination, solemnity, and purpose. To give it a modern twist, render the entire scene in the style of digital art, emphasizing crisp lines, vibrant colors, and intricate detail. Try to infuse this historical narrative with a touch of contemporary visual language.

1 Chronicles 4:42 - "And some of them, even of the sons of Simeon, five hundred men, went to mount Seir, having for their captains Pelatiah, and Neariah, and Rephaiah, and Uzziel, the sons of Ishi."

1 Chronicles 1:1 - "Adam, Sheth, Enosh,"

1 Chronicles 1:1 - "Adam, Sheth, Enosh,"

2 Chronicles 4:1 - "Moreover he made an altar of brass, twenty cubits the length thereof, and twenty cubits the breadth thereof, and ten cubits the height thereof."

2 Chronicles 4:1 - "Moreover he made an altar of brass, twenty cubits the length thereof, and twenty cubits the breadth thereof, and ten cubits the height thereof."