Ruth Artwork

"Now it came to pass in the days when the judges ruled, that there was a famine in the land. And a certain man of Beth-lehem-judah went to sojourn in the country of Moab, he, and his wife, and his two sons." - Ruth 1:1

Explore Ruth through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RuthRuth 1Ruth 1:1
Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:" An illustration of a scene from the Book of Ruth, specifically Ruth 2:15. In the scene, a woman called Ruth has risen up to glean in the fields. A man, Boaz, is commanding his young servants: he's stating that she should be allowed to glean even among the sheaves and not to reproach her. Render this image in vibrant colors, with a lot of detail and depth, reminiscent of some aspects of digital art. The setting should be an ancient Middle-Eastern field, offering a glimpse into agricultural life of the era. Ruth is a Middle-Eastern woman and Boaz is a Middle-Eastern man.

Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:"

Ruth 3:1 - "Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?" Depict a scene depicting a biblical event from the book of Ruth. Include the characters of Naomi and Ruth in an earnest conversation. Naomi, the older woman, is telling her daughter-in-law, Ruth, about her hopes for Ruth's future. The image should resemble the style of detailed illustrations found in ancient manuscripts, with attention to the color and texture typically observed in such artworks. Both Naomi and Ruth should exhibit features of ancient Middle-Eastern descent. The entire scene is to be encapsulated within an intricate ornamental border, similar to those found in illuminated manuscripts of the past. Strategically positioned within the artwork, include the quote from Ruth 3:1: 'Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?'

Ruth 3:1 - "Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?"

Ruth 3:9 - "And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman." A historical scene inspired by the scripture Ruth 3:9, where a man is asking a woman, who identifies herself as Ruth, her identity. Ruth, donned in traditional clothing, humbly requests protection, symbolized by him spreading his skirt over her. All this dialogue happens under the serene blue sky. The style should mimic the aesthetics and techniques used prior to 1912 but done in digital medium.

Ruth 3:9 - "And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman."

Ruth 1:14 - "And they lifted up their voice, and wept again: and Orpah kissed her mother in law; but Ruth clave unto her."

Ruth 1:14 - "And they lifted up their voice, and wept again: and Orpah kissed her mother in law; but Ruth clave unto her."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son." A digital art interpretation of a scene from the Bible, specifically Ruth 4:13. Depict an ancient Middle-Eastern setting with a landscape of rolling hills and olive trees under a crepuscular sky. Illustrate Boaz, a Middle-Eastern male with a full beard, wearing a simple, traditional robe of earthy colors, standing gently near Ruth. In the same frame, picture Ruth, a Middle-Eastern female, in a robe of rich, vibrant colors, holding an infant lovingly in her arms. Show a sense of contentment and blessing in their expressions. Embed symbolism of fertility such as sprouting plants or wheat fields.

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son."

Ruth 1:22 - "So Naomi returned, and Ruth the Moabitess, her daughter in law, with her, which returned out of the country of Moab: and they came to Beth-lehem in the beginning of barley harvest."

Ruth 1:22 - "So Naomi returned, and Ruth the Moabitess, her daughter in law, with her, which returned out of the country of Moab: and they came to Beth-lehem in the beginning of barley harvest."

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron," Visual representation of Ruth 4:18 from the Bible - 'Now these are the generations of Pharez: Pharez begat Hezron,' depicted in modern digital art form with emphasis on symbolic representation of generations

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed," An intimate scene depicting a moment from Ruth 4:21 - 'And Salmon begat Boaz, and Boaz begat Obed,' but instead of traditional methods, the art is rendered in a digital fashion. This image maintains the essence of ancient times, with a contemporary touch from current digital techniques. Fine lines and soft colors compose the setting, characters, and objects from this biblical period.

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance." An illustration from the book of Ruth, chapter 4 verse 5 featuring the dramatic moment when Boaz reveals the obligation to purchase the field from Naomi and Ruth the Moabitess, the wife of the deceased, in order to preserve the name of the dead on their inheritance. The image is set against a Middle Eastern landscape with a field as the focal point. The figures should be depicted in a way that captures their emotional exchange. They both appear to be in deep, serious conversation. Use a vibrant but dramatic color palette similar to that of digital art.

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance."

Ruth 2:2 - "And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter."

Ruth 2:2 - "And Ruth the Moabitess said unto Naomi, Let me now go to the field, and glean ears of corn after him in whose sight I shall find grace. And she said unto her, Go, my daughter."

Ruth 3:17 - "And she said, These six measures of barley gave he me; for he said to me, Go not empty unto thy mother in law." A scene from the story of Ruth, taken from the Christian Bible, chapter 3, verse 17. Ruth, a Middle-Eastern woman wearing traditional ancient attire, stands in a rural setting holding six measures of barley in her hands. This is the bounty she has been given, not to return to her mother-in-law empty-handed. A mix of warm and earthy tones describes this scene. These elements are contrasted by the technological aesthetics of digital art, incorporating elements like pixelation, gradients, and vibrant use of colors.

Ruth 3:17 - "And she said, These six measures of barley gave he me; for he said to me, Go not empty unto thy mother in law."

Ruth 4:4 - "And I thought to advertise thee, saying, Buy it before the inhabitants, and before the elders of my people. If thou wilt redeem it, redeem it: but if thou wilt not redeem it, then tell me, that I may know: for there is none to redeem it beside thee; and I am after thee. And he said, I will redeem it." An illustration of a pivotal moment from the Book of Ruth, specifically Ruth 4:4. Show a traditional marketplace scene where two men are in earnest conversation, under the watchful gaze of nearby townsfolk and elders. One is offering the opportunity of redemption to the other, both contrasting against the bustling background. Emulate the style of stained glass to capture the almost spiritual solemnity of the situation with vibrant, sharply divided colors and bold outlines. Use geometrical patterns to portray the backdrop of the marketplace and the people to maintain the digital art theme.

Ruth 4:4 - "And I thought to advertise thee, saying, Buy it before the inhabitants, and before the elders of my people. If thou wilt redeem it, redeem it: but if thou wilt not redeem it, then tell me, that I may know: for there is none to redeem it beside thee; and I am after thee. And he said, I will redeem it."

Ruth 1:16 - "And Ruth said, Intreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God:"

Ruth 1:16 - "And Ruth said, Intreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God:"

Ruth 1:3 - "And Elimelech Naomi's husband died; and she was left, and her two sons."

Ruth 1:3 - "And Elimelech Naomi's husband died; and she was left, and her two sons."

Ruth 4:16 - "And Naomi took the child, and laid it in her bosom, and became nurse unto it." A sentimental biblical scene inspired by Ruth 4:16 — 'And Naomi took the child, and laid it in her bosom, and became nurse unto it.' The image vividly displays Naomi, a middle-aged Middle-Eastern woman with tender eyes, cradling a newborn baby in her arms, her face radiating maternal warmth. The setting is a simple, humble dwelling typical of the ancient Middle East, providing a stark yet comforting backdrop. The use of energetic lines and stark contrasts resemble that of digital art. The overall essence of the image is a deep sense of compassion and motherly love.

Ruth 4:16 - "And Naomi took the child, and laid it in her bosom, and became nurse unto it."

Ruth 4:10 - "Moreover Ruth the Moabitess, the wife of Mahlon, have I purchased to be my wife, to raise up the name of the dead upon his inheritance, that the name of the dead be not cut off from among his brethren, and from the gate of his place: ye are witnesses this day." Create a digital illustration showcasing a biblical scene inspired by the book of Ruth 4:10. In the scene, depict Ruth, a South Asian woman dressed in traditional Moabite garb, standing beside her husband Mahlon, a Caucasian man in ancient attire. Behind them is a symbolic gate to represent 'the gate of his place'. The atmosphere should be solemn and a small crowd of diverse witnesses, both men and women from different descents gathered around, observing testament to their union. The overall mood should be evoking compassion, loyalty and faithfulness towards traditions.

Ruth 4:10 - "Moreover Ruth the Moabitess, the wife of Mahlon, have I purchased to be my wife, to raise up the name of the dead upon his inheritance, that the name of the dead be not cut off from among his brethren, and from the gate of his place: ye are witnesses this day."

Ruth 2:3 – "So she went out, entered a field and began to glean behind the harvesters."

Ruth 2:3 – "So she went out, entered a field and began to glean behind the harvesters."

Ruth 1:18 - "When she saw that she was stedfastly minded to go with her, then she left speaking unto her." An illustration of a moment from Ruth 1:18, where one person is determined to continue on a journey, leading to the other person ceasing communication. This scene should be in the medium of a historical stained glass window.

Ruth 1:18 - "When she saw that she was stedfastly minded to go with her, then she left speaking unto her."

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 2:5 - "Then said Boaz unto his servant that was set over the reapers, Whose damsel is this?"

Ruth 1:10 - "And they said unto her, Surely we will return with thee unto thy people."

Ruth 1:10 - "And they said unto her, Surely we will return with thee unto thy people."

Ruth 1:16-17 - "But Ruth replied, "Don't urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God. Where you die I will die, and there I will be buried. May the LORD deal with me, be it ever so severely, if even death separates you and me."" Represent the Biblical scene from Ruth 1:16-17. Visualise Ruth as she fervently expresses her devotion, "Don't urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God. Where you die I will die, and there I will be buried. May the LORD deal with me, be it ever so severely, if even death separates you and me.". Maintain the religious and historical undertone while using digital art style.

Ruth 1:16-17 - "But Ruth replied, "Don't urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God. Where you die I will die, and there I will be buried. May the LORD deal with me, be it ever so severely, if even death separates you and me.""

Matthew 1:5 - "And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;" An interpretation of the biblical passage, Matthew 1:5 which states 'And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;'. The depiction should ideally show three seminal moments in this lineage. The first moment where Salmon introduces Booz of Rachab, then Booz introducing Obed of Ruth, and finally, Obed introducing Jesse. Each male figure should appear Middle Eastern to align with the geographical region of these biblical figures. Preferably, there should be some visual representation of their respective mothers too. The artistic approach should be inspired by the realm of digital art, encapsulating the modernity of the medium while maintaining the ancient ethos of the text.

Matthew 1:5 - "And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;"

Ruth 3:5 - "And she said unto her, All that thou sayest unto me I will do."

Ruth 3:5 - "And she said unto her, All that thou sayest unto me I will do."