Ruth Artwork

"Now it came to pass in the days when the judges ruled, that there was a famine in the land. And a certain man of Beth-lehem-judah went to sojourn in the country of Moab, he, and his wife, and his two sons." - Ruth 1:1

Explore Ruth through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RuthRuth 1Ruth 1:1
Ruth 3:8 - "¶ And it came to pass at midnight, that the man was afraid, and turned himself: and, behold, a woman lay at his feet."

Ruth 3:8 - "¶ And it came to pass at midnight, that the man was afraid, and turned himself: and, behold, a woman lay at his feet."

Ruth 3:12 - "And now it is true that I am thy near kinsman: howbeit there is a kinsman nearer than I."

Ruth 3:12 - "And now it is true that I am thy near kinsman: howbeit there is a kinsman nearer than I."

Ruth 3:6 - "¶ And she went down unto the floor, and did according to all that her mother in law bade her." Illustrate a scene based on Ruth 3:6, where a Caucasian woman is seen moving towards the floor in a humble abode, and portraying obedience to her mother-in-law's advice. The environment should be Middle-Eastern, with remnants of an old-world charm tied with unique cultural details. The artwork should have a balanced use of shadows and light resembling common observations in digital art.

Ruth 3:6 - "¶ And she went down unto the floor, and did according to all that her mother in law bade her."

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz." Illustrate a scene inspired by Ruth 2:1 from the Bible, where a man named Boaz, portrayed as a wealthy, powerful figure from the family of Elimelech, is introduced. Naomi, a woman presumably known to him through her husband, is also a central character. The imagery should hearken to traditional visuals associated with biblical narratives, yet revealed through a digital medium of art.

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz."

Ruth 4:8 - "Therefore the kinsman said unto Boaz, Buy it for thee. So he drew off his shoe."

Ruth 4:8 - "Therefore the kinsman said unto Boaz, Buy it for thee. So he drew off his shoe."

Ruth 1:5 - "And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband." Visual representation of Ruth 1:5 from the Bible: 'And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband.' Scene showcases a somber atmosphere, where a sorrowful Middle-Eastern woman is standing alone, clutching onto the clothing of what seems like abandoned men's attire. This suggests the departure of her two sons and husband, showcasing the interpretation of the biblical verse in a poignant digital art style.

Ruth 1:5 - "And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 4:2 - "And he took ten men of the elders of the city, and said, Sit ye down here. And they sat down."

Ruth 2:17 - "So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley." A representation of a biblical scene inspired by Ruth 2:17 where a woman, possibly of Middle-Eastern descent to align with the geographical context, is seen gleaning in the field until evening. She is busy beating the grain she has collected, which amounts to about an ephah of barley. The lighting in the scene signifies the shift from daylight to dusk, casting elongated shadows and imbuing the landscape with a golden hue typical of a sunset. The style of the scene is reminiscent of pre-1912 works, especially those capturing rustic and rural scenery, and is executed in digital art.

Ruth 2:17 - "So she gleaned in the field until even, and beat out that she had gleaned: and it was about an ephah of barley."

Ruth 2:6 - "And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:" Visualize a scene from a biblical narration. A young woman with Middle-Eastern features, wearing traditional attire, stands in a vast field of tall golden grain, having just returned from Moab. Her face reflects resolve and determination as she steps into her new life with Naomi. The overseer of the reapers, a South Asian man with strong physique, dressed in rustic work clothes, watches her with curiosity. The scene is bathed in a warm, gentle, afternoon sunlight. Imagine this tableau in high resolution, depicting the merging of organic shapes and crisp lines, typical of traditional parchment illustrations but with the vibrancy and depth characteristic of modern digital art.

Ruth 2:6 - "And the servant that was set over the reapers answered and said, It is the Moabitish damsel that came back with Naomi out of the country of Moab:"

Ruth 3:2 - "And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor." An illustration of a scene from Ruth 3:2 in the vein of 19th-century lithography. In this scene, a man, possibly originating from the Middle Eastern descent is seen winnowing barley at night in a threshing floor. He wears traditional clothing suitable for the period and carries an air of quiet concentration. The maidens, a diverse group of women from various descents and age groups watch him from a distance, their expressions ranging from curiosity to admiration. The moonlight bathes the scene in a soft glow, casting long, dramatic shadows that merge with the mounds of grain. This is not a replication but an original interpretation of the biblical scene.

Ruth 3:2 - "And now is not Boaz of our kindred, with whose maidens thou wast? Behold, he winnoweth barley to night in the threshingfloor."

Ruth 3:15 - "Also he said, Bring the vail that thou hast upon thee, and hold it. And when she held it, he measured six measures of barley, and laid it on her: and she went into the city." Translate the biblical verse Ruth 3:15 into a visual scene. Depict a Middle Eastern woman holding a large vail, with a man measuring six measures of barley and then placing it on her. Show the woman then walking into an ancient city setting. The entire scene should be represented in a digital art style.

Ruth 3:15 - "Also he said, Bring the vail that thou hast upon thee, and hold it. And when she held it, he measured six measures of barley, and laid it on her: and she went into the city."

Ruth 2:16 - "And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not."

Ruth 2:16 - "And let fall also some of the handfuls of purpose for her, and leave them, that she may glean them, and rebuke her not."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 2:4 - "¶ And, behold, Boaz came from Beth-lehem, and said unto the reapers, The LORD be with you. And they answered him, The LORD bless thee."

Ruth 1:20 - "And she said unto them, Call me not Naomi, call me Mara: for the Almighty hath dealt very bitterly with me."

Ruth 1:20 - "And she said unto them, Call me not Naomi, call me Mara: for the Almighty hath dealt very bitterly with me."

Ruth 4:3 - "And he said unto the kinsman, Naomi, that is come again out of the country of Moab, selleth a parcel of land, which was our brother Elimelech's:"

Ruth 4:3 - "And he said unto the kinsman, Naomi, that is come again out of the country of Moab, selleth a parcel of land, which was our brother Elimelech's:"

Ruth 2:23 - "So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law." Depict a traditional biblical scene inspired from the book of Ruth 2:23. The scene should reflect a young woman diligently working alongside other maidens in a lavish barley field stretching towards the horizon. The moment is captured towards the end of the harvest season where sheaves of golden wheat sway in the gentle breeze. In the periphery, her mother-in-law can be seen in a humble dwelling, observing the hardworking young woman. To replicate the look of digital art, emulate the vibrant color palette, detailed textures, and clear, sharp lines typically found in this medium.

Ruth 2:23 - "So she kept fast by the maidens of Boaz to glean unto the end of barley harvest and of wheat harvest; and dwelt with her mother in law."

Ruth 4:14 - "And the women said unto Naomi, Blessed be the LORD, which hath not left thee this day without a kinsman, that his name may be famous in Israel."

Ruth 4:14 - "And the women said unto Naomi, Blessed be the LORD, which hath not left thee this day without a kinsman, that his name may be famous in Israel."

Ruth 2:12 - "The LORD recompense thy work, and a full reward be given thee of the LORD God of Israel, under whose wings thou art come to trust."

Ruth 2:12 - "The LORD recompense thy work, and a full reward be given thee of the LORD God of Israel, under whose wings thou art come to trust."

Ruth 4:17 - "And the women her neighbours gave it a name, saying, There is a son born to Naomi; and they called his name Obed: he is the father of Jesse, the father of David."

Ruth 4:17 - "And the women her neighbours gave it a name, saying, There is a son born to Naomi; and they called his name Obed: he is the father of Jesse, the father of David."

Ruth 2:3 - "And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech."

Ruth 2:3 - "And she went, and came, and gleaned in the field after the reapers: and her hap was to light on a part of the field belonging unto Boaz, who was of the kindred of Elimelech."

Ruth 1:17 - "Where thou diest, will I die, and there will I be buried: the LORD do so to me, and more also, if ought but death part thee and me."

Ruth 1:17 - "Where thou diest, will I die, and there will I be buried: the LORD do so to me, and more also, if ought but death part thee and me."

Ruth 1:2 - "And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there." An image inspired by the biblical passage Ruth 1:2. Depict a family, consisting of a man, woman (his wife), and their two sons, originally from Bethlehem in Judah, now settling in the country of Moab. They are Ephrathites, highlighting their origins. The style should be resembling early 20th-century digital art, characterized by sharp, distinct line work, solid colors, and flat shading.

Ruth 1:2 - "And the name of the man was Elimelech, and the name of his wife Naomi, and the name of his two sons Mahlon and Chilion, Ephrathites of Beth-lehem-judah. And they came into the country of Moab, and continued there."

Ruth 1:9 - "The LORD grant you that ye may find rest, each of you in the house of her husband. Then she kissed them; and they lifted up their voice, and wept."

Ruth 1:9 - "The LORD grant you that ye may find rest, each of you in the house of her husband. Then she kissed them; and they lifted up their voice, and wept."

Ruth 4:12 - "And let thy house be like the house of Pharez, whom Tamar bare unto Judah, of the seed which the LORD shall give thee of this young woman."

Ruth 4:12 - "And let thy house be like the house of Pharez, whom Tamar bare unto Judah, of the seed which the LORD shall give thee of this young woman."

Ruth 1:7 - "Wherefore she went forth out of the place where she was, and her two daughters in law with her; and they went on the way to return unto the land of Judah." A depiction of a profound biblical event inspired by the book of Ruth 1:7. Three women are embarking on a journey. The eldest one carries an aura of wisdom and resilience, leading her two younger companions. They're seen stepping out of a place, possibly a humble dwelling, revealing determination in their collective gesture. The surrounding landscape unfurls the path ahead towards their destination, the land of Judah. This scene should be set in the context of ancient times and be depicted in the style of digital art, preferably using vibrant colors and sharp contours to illustrate their courage and determination.

Ruth 1:7 - "Wherefore she went forth out of the place where she was, and her two daughters in law with her; and they went on the way to return unto the land of Judah."

Ruth 1:11 - "And Naomi said, Turn again, my daughters: why will ye go with me? are there yet any more sons in my womb, that they may be your husbands?" An evocative scene from the Biblical content Ruth 1:11, where Naomi beseeches her daughters to reconsider traveling with her. 'Why will you go with me? Do I have more sons in my womb to become your husbands?' she questions them. She's painted in the styles reminiscent of the artistry before 1912, such as the intense emotions seen in Baroque art, the intimacy and detail of the Renaissance, and the symbolic nature of Gothic art, applied using modern digital art techniques. Highlights include the expressions on their faces, the older woman's outstretched hand warding off the younger women, and the desolate backdrop to signify the harsh journey that lies ahead.

Ruth 1:11 - "And Naomi said, Turn again, my daughters: why will ye go with me? are there yet any more sons in my womb, that they may be your husbands?"

Ruth 4:9 - "¶ And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi." Visualize a biblical scene from Ruth 4:9, 'And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi'. The setting is an ancient marketplace with Boaz, a Middle-Eastern man, addressing a diverse crowd of elders and people which includes Black, Caucasian, Hispanic, and South Asian individuals. Boaz is seen in the act of making an important announcement. The art should resonate with the aesthetics and techniques of digital art, rich in color and detail.

Ruth 4:9 - "¶ And Boaz said unto the elders, and unto all the people, Ye are witnesses this day, that I have bought all that was Elimelech's, and all that was Chilion's and Mahlon's, of the hand of Naomi."

Ruth 3:11 - "And now, my daughter, fear not; I will do to thee all that thou requirest: for all the city of my people doth know that thou art a virtuous woman." Illustrate a scene from the Book of Ruth, chapter 3, verse 11. The image should portray the moment when these words are spoken: 'And now, my daughter, fear not; I will do to thee all that thou requirest: for all the city of my people doth know that thou art a virtuous woman.' The scene should be set in an ancient Middle Eastern city with Middle Eastern individuals dressed in traditional attire. The style should emulate that of the pre-1912 period art, focusing on detail and realistic depictions.

Ruth 3:11 - "And now, my daughter, fear not; I will do to thee all that thou requirest: for all the city of my people doth know that thou art a virtuous woman."

Ruth 4:6 - "¶ And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it." Illustrate the scene depicted in Ruth 4:6, which says 'And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it.'. Imagine two people situated in an Antiquity Middle-Eastern environment. The main character, a middle-aged Caucasian man with a long beard and dressed in traditional clothing, is expressing deep anguish and regret. The other character, a mature Hispanic man also in conventional apparel, is intently listening while radiating understanding and compassion. Remember to display in the detail the historical architectural structures, and the warm desert scene in the background, to convey the era and locale. Your illustration should be in a contemporary digital art format.

Ruth 4:6 - "¶ And the kinsman said, I cannot redeem it for myself, lest I mar mine own inheritance: redeem thou my right to thyself; for I cannot redeem it."

Ruth 3:18 - "Then said she, Sit still, my daughter, until thou know how the matter will fall: for the man will not be in rest, until he have finished the thing this day."

Ruth 3:18 - "Then said she, Sit still, my daughter, until thou know how the matter will fall: for the man will not be in rest, until he have finished the thing this day."