Ezra Artwork

"Now in the first year of Cyrus king of Persia, that the word of the LORD by the mouth of Jeremiah might be fulfilled, the LORD stirred up the spirit of Cyrus king of Persia, that he made a proclamation throughout all his kingdom, and put it also in writing, saying," - Ezra 1:1

Explore Ezra through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time."

An illustration of a scene inspired by Ezra 7:12, featuring a prominent public figure, referred to as 'king of kings', addressing Ezra, a priest and scribe. Both figures are set in an ethereal background suggestive of heavenly realms. The setting is peaceful, timeless, and serene. This scene captured using attributes typical of traditional ink and quill scribings, then bridging the gap between past and present by rendering it with hues and techniques representative of digital art.

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time."

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware."

A meticulously detailed portrayal of a pivotal moment from the biblical account of Ezra 10:5. Central to the scene is Ezra himself, rising to stand amidst an array of distinguished figures, a diverse group of chief priests and Levites, and a gathering of people from all walks of life in Israel. The diverse crowd includes men and women of different descents, including Caucasian, Black, Middle-Eastern, and South Asian origins. They are shown taking an oath, their faces etched with solemn resolve. This momentous occasion is illustrated in a style reminiscent of early 20th-century photo-realism, crafted in a digital medium.

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware."

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah,"

A historical scene imagined according to the lines from Ezra 7:1 - 'Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah'. Showcase an imposing king upon his throne in the grand halls of Persia. Close by stands Ezra, a young man of solemn and determined demeanor. Use a visual aesthetic inspired by detailed and vibrant digital art.

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah,"

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 10:40 - "Machnadebai, Shashai, Sharai,"

A depiction of the biblical text Ezra 10:40 - "Machnadebai, Shashai, Sharai," using a modern digital art technique, with vibrant colors and bold lines to represent the names as abstract symbols or shapes.

Ezra 10:40 - "Machnadebai, Shashai, Sharai,"

Ezra 10:32 - "Benjamin, Malluch, and Shemariah."

An image depicting the biblical names 'Benjamin', 'Malluch', and 'Shemariah', illustrated in a modern, vibrant and geometric design style, similar to the aesthetics common in digital art. The names are rendered with decorative typography amidst a visually intriguing background that reflects the timeless wisdom and spiritual significance associated with these biblical references.

Ezra 10:32 - "Benjamin, Malluch, and Shemariah."

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau,"

The biblical names 'Mattaniah', 'Mattenai', and 'Jaasau', represented visually. Conjure these names in the medium of synthetic visual art, reminiscent of the crafted, yet ethereal fluidity often associated with traditional ink calligraphy.

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau,"

Ezra 10:38 - "And Bani, and Binnui, Shimei,"

Illustrate the Biblical verse Ezra 10:38 - 'And Bani, and Binnui, Shimei,'. Use the design principles associated with digital art including bold colors, clean lines, and geometric shapes.

Ezra 10:38 - "And Bani, and Binnui, Shimei,"

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:54 - "The children of Neziah, the children of Hatipha."

A scene from the Bible, Ezra 2:54, illustrating 'The children of Neziah, the children of Hatipha.' Render this missionary scene in a style that evokes the novel qualities of digital art, with luminous colors, sharp lines, and intricate details. Capture the sensations of the period in a way that feels simultaneously ancient and modern, presenting these biblical figures in a fresh, innovative light.

Ezra 2:54 - "The children of Neziah, the children of Hatipha."

Ezra 2:39 - "The children of Harim, a thousand and seventeen."

An illustration of children numbering a thousand and seventeen, inspired by the scripture Ezra 2:39. The image captures the essence of unity and joy amongst the children. They are diverse in terms of descent, including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian foregrounded in a peaceful landscape. Being embodied in a digital medium, the work has the clean lines, bright and contrasting color palette, and pixel precision that characterizes digital art.

Ezra 2:39 - "The children of Harim, a thousand and seventeen."

Ezra 2:18 - "The children of Jorah, an hundred and twelve."

Illustration of a biblical passage from Ezra 2:18 - 'The children of Jorah, an hundred and twelve.' The image shows a gathering of 112 children, of various ages, in ancient Middle Eastern attire. They represent a mix of races including Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and white. The scene is set against an Old Testament landscape. Capture it in a digital medium, resembling the style of pre-1912 artwork using vivid colors and bold strokes. Convey the feeling of community and unity among these children, as well as the deep symbolism this image carries.

Ezra 2:18 - "The children of Jorah, an hundred and twelve."

Ezra 2:22 - "The men of Netophah, fifty and six."

A visual interpretation of a biblical verse, Ezra 2:22 - 'The men of Netophah, fifty and six.' This includes a depiction of the ancient city of Netophah with fifty-six men visible in the cityscape. The image should be conveyed in a digital type of art style that might employ vibrant colors, clean lines, and elements of abstraction.

Ezra 2:22 - "The men of Netophah, fifty and six."

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Ezra 10:39 - "And Shelemiah, and Nathan, and Adaiah,"

Ezra 10:39 - "And Shelemiah, and Nathan, and Adaiah,"

Ezra 10:35 - "Benaiah, Bedeiah, Chelluh,"

Ezra 10:35 - "Benaiah, Bedeiah, Chelluh,"

Ezra 10:36 - "Vaniah, Meremoth, Eliashib,"

An artistic representation of the Biblical verse Ezra 10:36 - 'Vaniah, Meremoth, Eliashib,'. The art style is reflective of the tradition of pre-1912 painting, with an emphasis on line, shape, and color. However, the final composition has the polished finish commonly associated with digital art.

Ezra 10:36 - "Vaniah, Meremoth, Eliashib,"

Ezra 10:41 - "Azareel, and Shelemiah, Shemariah,"

A digital art interpretation of Ezra 10:41, featuring the figures of Azareel, Shelemiah, and Shemariah. The scene could be set within an ancient biblical context with characteristic architecture and attire. Azareel, Shelemiah, and Shemariah are prominently displayed, perhaps engaged in a conversation or prayer.

Ezra 10:41 - "Azareel, and Shelemiah, Shemariah,"

Ezra 10:42 - "Shallum, Amariah, and Joseph."

The biblical phrase 'Shallum, Amariah, and Joseph' as depicted in a modern digital art style. Imagine this as a visual representation where the names could be transformed into symbolic representations or characters. Each name could have its unique element in the image, hinting at their biblical personalities.

Ezra 10:42 - "Shallum, Amariah, and Joseph."

Ezra 10:10 - "And Ezra the priest stood up, and said unto them, Ye have transgressed, and have taken strange wives, to increase the trespass of Israel."

Create a digital artwork inspired by the passage from Ezra 10:10 - 'And Ezra the priest stood up, and said unto them, Ye have transgressed, and have taken strange wives, to increase the trespass of Israel.' The scene should feature a priest addressing a crowd, expressing a strong emotion of admonishment. The crowd, bearing remorseful expressions, should be depicted with a mix of individuals symbolizing the 'strange wives.' The setting should evoke a time of ancient biblical history.

Ezra 10:10 - "And Ezra the priest stood up, and said unto them, Ye have transgressed, and have taken strange wives, to increase the trespass of Israel."

Ezra 10:34 - "Of the sons of Bani; Maadai, Amram, and Uel,"

Ezra 10:34 - "Of the sons of Bani; Maadai, Amram, and Uel,"

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 2:27 - "The men of Michmas, an hundred twenty and two."

Visualize 'The men of Michmas, one hundred and twenty two' in a medium akin to digital art, featuring a variety of individuals of diverse descents such as Hispanic, Caucasian, Black, Middle-Eastern, South Asian standing in a vast landscape. They are dressed in traditional clothing from their respective cultures, each carrying tools or items representative of their trades or professions. Some are conversing, others are working or resting, creating a lively tableau of humanity.

Ezra 2:27 - "The men of Michmas, an hundred twenty and two."

Ezra 7:11 - "¶ Now this is the copy of the letter that the king Artaxerxes gave unto Ezra the priest, the scribe, even a scribe of the words of the commandments of the LORD, and of his statutes to Israel."

Illustrate an ancient scene representing the biblic text, Ezra 7:11. Show a lifelike depiction of a regally dressed man, presumably like a king, giving a scroll to a man robed as a priest, who also appears to be a scribe. The priest/scribe is attentively taking notes, writing down words as if they contain important commandments. A subtle glowing aura should surround the commands on the scroll, implying that they are divinely inspired. Keep the style digital and visually rich, but rooted in realism.

Ezra 7:11 - "¶ Now this is the copy of the letter that the king Artaxerxes gave unto Ezra the priest, the scribe, even a scribe of the words of the commandments of the LORD, and of his statutes to Israel."

Nehemiah 12:13 - "Of Ezra, Meshullam; of Amariah, Jehohanan;"

Create an image that depicts the biblical verse, Nehemiah 12:13 - 'Of Ezra, Meshullam; of Amariah, Jehohanan;' in a modern context. Use a digital medium to convey the verse, favoring clean lines, bright colors, and abstract forms to symbolize the individuals mentioned within the verse.

Nehemiah 12:13 - "Of Ezra, Meshullam; of Amariah, Jehohanan;"

Ezra 2:29 - "The children of Nebo, fifty and two."

Visualize an interpretation of the biblical quote 'The children of Nebo, fifty and two.' The setting takes place in the ancient city of Nebo. Fifty-two children of diverse descents and both genders are spread across the scene. They are joyfully engaged in outdoor activities like playing a game of catch, drawing in the sand, and exchanging tales under the vast expanse of the clear blue sky. The city in the background has a historic view with stone buildings and clay pots. Use the medium and techniques resembling ancient fresco painting to provide an 'aged' look to the modern digitally designed art piece.

Ezra 2:29 - "The children of Nebo, fifty and two."

Ezra 10:20 - "And of the sons of Immer; Hanani, and Zebadiah."

A detailed depiction inspired by the biblical verse Ezra 10:20 - 'And of the sons of Immer; Hanani, and Zebadiah.' Render the visualization in a digital art format, showcasing the landscape and climate of ancient times combining it with potentially symbolic representation of the two sons, Hanani, and Zebadiah.

Ezra 10:20 - "And of the sons of Immer; Hanani, and Zebadiah."

Ezra 2:51 - "The children of Bakbuk, the children of Hakupha, the children of Harhur,"

A visual representation of Ezra 2:51 - 'The children of Bakbuk, the children of Hakupha, the children of Harhur,' where it is shown as a piece of traditional art with vivid colors and deep contrasts like religious illuminated manuscripts.

Ezra 2:51 - "The children of Bakbuk, the children of Hakupha, the children of Harhur,"

Ezra 7:2 - "The son of Shallum, the son of Zadok, the son of Ahitub,"

Ezra 7:2 - "The son of Shallum, the son of Zadok, the son of Ahitub,"