Ezra Artwork

"Now in the first year of Cyrus king of Persia, that the word of the LORD by the mouth of Jeremiah might be fulfilled, the LORD stirred up the spirit of Cyrus king of Persia, that he made a proclamation throughout all his kingdom, and put it also in writing, saying," - Ezra 1:1

Explore Ezra through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzraEzra 1Ezra 1:1
Ezra 2:44 - "The children of Keros, the children of Siaha, the children of Padon,"

Ezra 2:44 - "The children of Keros, the children of Siaha, the children of Padon,"

Ezra 2:56 - "The children of Jaalah, the children of Darkon, the children of Giddel,"

Ezra 2:56 - "The children of Jaalah, the children of Darkon, the children of Giddel,"

Ezra 7:4 - "The son of Zerahiah, the son of Uzzi, the son of Bukki,"

Ezra 7:4 - "The son of Zerahiah, the son of Uzzi, the son of Bukki,"

Ezra 2:21 - "The children of Beth-lehem, an hundred twenty and three."

Ezra 2:21 - "The children of Beth-lehem, an hundred twenty and three."

Ezra 2:45 - "The children of Lebanah, the children of Hagabah, the children of Akkub,"

Ezra 2:45 - "The children of Lebanah, the children of Hagabah, the children of Akkub,"

Ezra 2:53 - "The children of Barkos, the children of Sisera, the children of Thamah,"

Ezra 2:53 - "The children of Barkos, the children of Sisera, the children of Thamah,"

Ezra 2:11 - "The children of Bebai, six hundred twenty and three." An image representation of the narrative from Ezra 2:11 - 'The children of Bebai, six hundred twenty and three.' The image is in the style of art typically seen in the late 19th century, with sharp contrasts and a focus on the depictions of figures. The children are painted in a variety of diverse backgrounds together to represent the six hundred twenty three children from the passage, primarily using traditional oil painting techniques.

Ezra 2:11 - "The children of Bebai, six hundred twenty and three."

Ezra 2:48 - "The children of Rezin, the children of Nekoda, the children of Gazzam," A vivid and eye-catching depiction of a scene inspired by Ezra 2:48, 'The children of Rezin, the children of Nekoda, the children of Gazzam'. This piece will envisage unique character representations for each set of children, revealing distinct personalities and united bonds. The overall rendering should embrace digital art techniques, employing vivid colors, fine lines and fluid shapes to visually communicate the narrative. The background will offer a subtle, ancient setting that infuses an element of historical context.

Ezra 2:48 - "The children of Rezin, the children of Nekoda, the children of Gazzam,"

Ezra 2:15 - "The children of Adin, four hundred fifty and four." Illustrate a scene that represents the biblical verse, Ezra 2:15 - 'The children of Adin, four hundred fifty and four.' The scene should be in a digital art style with vibrant colors. Perhaps it could depict a diverse group of children gathered together in a peaceful setting, symbolizing unity and harmony. Ideally, it would convey a sense of hope and resilience, inherent in the human spirit as suggested by the verse. All elements should be interpreted as a translation of the verse concept, not a literal representation of any actual individuals.

Ezra 2:15 - "The children of Adin, four hundred fifty and four."

Ezra 8:32 - "And we came to Jerusalem, and abode there three days." Illustrate the scene from the biblical passage Ezra 8:32 - 'And we came to Jerusalem, and abode there three days.' The scene is set in the ancient city of Jerusalem, with its characteristic architecture, such as stone buildings and city walls. There are a group of people, diverse in gender and descent, representing the travelers who have arrived in the city. They are showing expressions of awe, relief, and anticipation. The image should have the detail and precision typical of digital art, including clean lines, crisp colors, and defined shapes.

Ezra 8:32 - "And we came to Jerusalem, and abode there three days."

Ezra 2:49 - "The children of Uzza, the children of Paseah, the children of Besai," Depiction of a scene inspired by Ezra 2:49 - 'The children of Uzza, the children of Paseah, the children of Besai,'. The image should evoke feelings of ancient times and religious connotations. Represent the 'children' from different descents like Caucasian, Middle-Eastern, Black, and South Asian, each appearing from diverse genders. The image should embrace a modern understanding of ancient biblical times, not adhering to any specific art style but translated into the language of non-specific digital art.

Ezra 2:49 - "The children of Uzza, the children of Paseah, the children of Besai,"

Ezra 2:50 - "The children of Asnah, the children of Mehunim, the children of Nephusim," Illustrate a scene representing the biblical verse, Ezra 2:50 - 'The children of Asnah, the children of Mehunim, the children of Nephusim,' in the manner of digital art. The image should depict groups of children with Hebrew clothing, each group representing the descendants of Asnah, Mehunim, and Nephusim. The groups should be distinguishable based on different traditional attire color schemes and accessories for each group. Let the backdrop be a pristine Middle Eastern landscape, with sand dunes and a clear blue sky.

Ezra 2:50 - "The children of Asnah, the children of Mehunim, the children of Nephusim,"

Ezra 2:32 - "The children of Harim, three hundred and twenty."

Ezra 2:32 - "The children of Harim, three hundred and twenty."

Ezra 2:23 - "The men of Anathoth, an hundred twenty and eight."

Ezra 2:23 - "The men of Anathoth, an hundred twenty and eight."

Ezra 2:16 - "The children of Ater of Hezekiah, ninety and eight." A conceptual depiction of Ezra 2:16 passage - 'The children of Ater of Hezekiah, ninety and eight' using digital art techniques. Imagine an abstract scene with implications of antiquity, ancient Near Eastern culture, and familial connections. A large group of people is assembled, wear traditional clothing from the time period specified in the passage. Playing with the number '98', integrate this concept into the artistry of the image subtly. Make use of bright, saturated colours to give the image a vibrant, digital art aesthetic, and consider the utilization of geometric patterns and shapes to enhance the modern art feel.

Ezra 2:16 - "The children of Ater of Hezekiah, ninety and eight."

Ezra 2:30 - "The children of Magbish, an hundred fifty and six." An image that illustrates the verse 'The children of Magbish, an hundred fifty and six.' from Ezra 2:30 in the Bible. The scene depicts one hundred fifty-six children, arranged in a way that communicates the magnitude of the number. The visual aesthetic should echo traditional Biblical illustration methods but in a digital medium. The children exhibit a range of emotions, ages, and appearances, embodying the diversity of human life. Rendering methods should resemble the digitally created art but without imitating the specific style of any modern artist or creative professional.

Ezra 2:30 - "The children of Magbish, an hundred fifty and six."

Ezra 2:37 - "The children of Immer, a thousand fifty and two."

Ezra 2:37 - "The children of Immer, a thousand fifty and two."

Ezra 7:21 - "And I, even I Artaxerxes the king, do make a decree to all the treasurers which are beyond the river, that whatsoever Ezra the priest, the scribe of the law of the God of heaven, shall require of you, it be done speedily,"

Ezra 7:21 - "And I, even I Artaxerxes the king, do make a decree to all the treasurers which are beyond the river, that whatsoever Ezra the priest, the scribe of the law of the God of heaven, shall require of you, it be done speedily,"

Ezra 10:28 - "Of the sons also of Bebai; Jehohanan, Hananiah, Zabbai, and Athlai."

Ezra 10:28 - "Of the sons also of Bebai; Jehohanan, Hananiah, Zabbai, and Athlai."

Ezra 10:31 - "And of the sons of Harim; Eliezer, Ishijah, Malchiah, Shemaiah, Shimeon,"

Ezra 10:31 - "And of the sons of Harim; Eliezer, Ishijah, Malchiah, Shemaiah, Shimeon,"

Ezra 2:35 - "The children of Senaah, three thousand and six hundred and thirty."

Ezra 2:35 - "The children of Senaah, three thousand and six hundred and thirty."

Ezra 10:21 - "And of the sons of Harim; Maaseiah, and Elijah, and Shemaiah, and Jehiel, and Uzziah."

Ezra 10:21 - "And of the sons of Harim; Maaseiah, and Elijah, and Shemaiah, and Jehiel, and Uzziah."

Ezra 2:43 - "¶ The Nethinims: the children of Ziha, the children of Hasupha, the children of Tabbaoth,"

Ezra 2:43 - "¶ The Nethinims: the children of Ziha, the children of Hasupha, the children of Tabbaoth,"

Ezra 2:7 - "The children of Elam, a thousand two hundred fifty and four." Create an image depicting the narrative of Ezra 2:7, 'The children of Elam, a thousand two hundred fifty and four.' The scene to be portrayed should be rich in history and culture suggestive of the ancient Middle East period, with a large group of people indicating the mentioned population. The individuals should range in age from young children to elders, and should be diverse in gender with an equal mix of men and women. The artistic style of the image should be reminiscent of classic period works such as those of Rembrandt, Caravaggio, or Vermeer, with a strong emphasis on light, color, and texture. However, this should be created digitally, adopting the high contrast, vibrant colors, and intricate detailing commonly found in digital art.

Ezra 2:7 - "The children of Elam, a thousand two hundred fifty and four."

Ezra 2:38 - "The children of Pashur, a thousand two hundred forty and seven." A vivid scene inspired by the passage Ezra 2:38 - 'The children of Pashur, a thousand two hundred forty and seven.' Expect a conceptually abstract representation with a digital art style. Visualize distinctive figures, each one unique, appearing as numerous as stated in the passage. The scene blends elements of ancient biblical times with the modern aesthetics of digital art to encapsulate the dichotomy of history and contemporary aesthetics.

Ezra 2:38 - "The children of Pashur, a thousand two hundred forty and seven."

Ezra 10:24 - "Of the singers also; Eliashib: and of the porters; Shallum, and Telem, and Uri." A vivid, digital-art styled depiction of a Biblical scene from Ezra 10:24. In this scene, four characters are present: Eliashib, a figure associated with the singers, stands center stage with a soothing aura encapsulating his being. Porters Shallum, Telem, and Uri hover in the background, each carrying ancient items or materials, thus symbolizing their role. The setting is ancient, yet the colors and visualization is detailed and vibrant, typical of digital art. The contrast between the ancient scene and the modern style should be a fascinating paradox.

Ezra 10:24 - "Of the singers also; Eliashib: and of the porters; Shallum, and Telem, and Uri."

Ezra 2:40 - "¶ The Levites: the children of Jeshua and Kadmiel, of the children of Hodaviah, seventy and four." An interpretation of Ezra 2:40 - 'The Levites: the children of Jeshua and Kadmiel, of the children of Hodaviah, seventy and four.' Designed with a minimalistic approach and modern tones, with an emphasis on realism.

Ezra 2:40 - "¶ The Levites: the children of Jeshua and Kadmiel, of the children of Hodaviah, seventy and four."

Ezra 2:10 - "The children of Bani, six hundred forty and two."

Ezra 2:10 - "The children of Bani, six hundred forty and two."

Ezra 2:41 - "¶ The singers: the children of Asaph, an hundred twenty and eight."

Ezra 2:41 - "¶ The singers: the children of Asaph, an hundred twenty and eight."

Ezra 2:46 - "The children of Hagab, the children of Shalmai, the children of Hanan,"

Ezra 2:46 - "The children of Hagab, the children of Shalmai, the children of Hanan,"