Ezra 1 Artwork

"Now in the first year of Cyrus king of Persia, that the word of the LORD by the mouth of Jeremiah might be fulfilled, the LORD stirred up the spirit of Cyrus king of Persia, that he made a proclamation throughout all his kingdom, and put it also in writing, saying," - Ezra 1:1

Explore Ezra 1 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzraEzra 1Ezra 1:1
Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah," A historical scene imagined according to the lines from Ezra 7:1 - 'Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah'. Showcase an imposing king upon his throne in the grand halls of Persia. Close by stands Ezra, a young man of solemn and determined demeanor. Use a visual aesthetic inspired by detailed and vibrant digital art.

Ezra 7:1 - "Now after these things, in the reign of Artaxerxes king of Persia, Ezra the son of Seraiah, the son of Azariah, the son of Hilkiah,"

Ezra 1:9 - "And this is the number of them: thirty chargers of gold, a thousand chargers of silver, nine and twenty knives,"

Ezra 1:9 - "And this is the number of them: thirty chargers of gold, a thousand chargers of silver, nine and twenty knives,"

Ezra 1:10 - "Thirty basons of gold, silver basons of a second sort four hundred and ten, and other vessels a thousand." Visualization of a biblical verse, Ezra 1:10. Imagine thirty golden bowls, each intricately designed and glinting in the subtle light. Accompanying them are silver basins of a second variant, totaling four hundred and ten in number. Each portrays a depth of handicraft and artistic brilliance. Furthermore, there are a thousand other artifacts, their details and materials unknown but equally impressive in their craftsmanship. This image doesn't adhere to a particular artistic style but rather follows its own pace, combining elements of light, shadow, and texture to breathe life into the ancient scripture in a digital art format.

Ezra 1:10 - "Thirty basons of gold, silver basons of a second sort four hundred and ten, and other vessels a thousand."

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time." An illustration of a scene inspired by Ezra 7:12, featuring a prominent public figure, referred to as 'king of kings', addressing Ezra, a priest and scribe. Both figures are set in an ethereal background suggestive of heavenly realms. The setting is peaceful, timeless, and serene. This scene captured using attributes typical of traditional ink and quill scribings, then bridging the gap between past and present by rendering it with hues and techniques representative of digital art.

Ezra 7:12 - "Artaxerxes, king of kings, unto Ezra the priest, a scribe of the law of the God of heaven, perfect peace, and at such a time."

Ezra 10:1 - "Now when Ezra had prayed, and when he had confessed, weeping and casting himself down before the house of God, there assembled unto him out of Israel a very great congregation of men and women and children: for the people wept very sore."

Ezra 10:1 - "Now when Ezra had prayed, and when he had confessed, weeping and casting himself down before the house of God, there assembled unto him out of Israel a very great congregation of men and women and children: for the people wept very sore."

Ezra 8:1 - "These are now the chief of their fathers, and this is the genealogy of them that went up with me from Babylon, in the reign of Artaxerxes the king." Illustrate the biblical verse Ezra 8:1 - 'These are now the chief of their fathers, and this is the genealogy of them that went up with me from Babylon, in the reign of Artaxerxes the king.' Visualize a group of distinguished individuals making a journey from a historic city, during the reign of a king. In the background, immerse a stylized representation of a genealogical tree showing their lineage. All this represented in a vintage pixelated art style frequently used in early digital video games.

Ezra 8:1 - "These are now the chief of their fathers, and this is the genealogy of them that went up with me from Babylon, in the reign of Artaxerxes the king."

Nehemiah 12:1 - "Now these are the priests and the Levites that went up with Zerubbabel the son of Shealtiel, and Jeshua: Seraiah, Jeremiah, Ezra,"

Nehemiah 12:1 - "Now these are the priests and the Levites that went up with Zerubbabel the son of Shealtiel, and Jeshua: Seraiah, Jeremiah, Ezra,"

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware." A meticulously detailed portrayal of a pivotal moment from the biblical account of Ezra 10:5. Central to the scene is Ezra himself, rising to stand amidst an array of distinguished figures, a diverse group of chief priests and Levites, and a gathering of people from all walks of life in Israel. The diverse crowd includes men and women of different descents, including Caucasian, Black, Middle-Eastern, and South Asian origins. They are shown taking an oath, their faces etched with solemn resolve. This momentous occasion is illustrated in a style reminiscent of early 20th-century photo-realism, crafted in a digital medium.

Ezra 10:5 - "Then arose Ezra, and made the chief priests, the Levites, and all Israel, to swear that they should do according to this word. And they sware."

Ezra 6:1 - "Then Darius the king made a decree, and search was made in the house of the rolls, where the treasures were laid up in Babylon."

Ezra 6:1 - "Then Darius the king made a decree, and search was made in the house of the rolls, where the treasures were laid up in Babylon."

1 Chronicles 4:17 - "And the sons of Ezra were, Jether, and Mered, and Epher, and Jalon: and she bare Miriam, and Shammai, and Ishbah the father of Eshtemoa." An artistic digital rendering of a historical narrative. Depicting the scene from 1 Chronicles 4:17 with the sons of Ezra - Jether, Mered, Epher, and Jalon. Nearby, a woman bearing the children Miriam, Shammai, and Ishbah, who is the father of Eshtemoa. This scenario should evoke a sense of biblical times, with traditional ancient clothing and surrounding settings that are typical of the era.

1 Chronicles 4:17 - "And the sons of Ezra were, Jether, and Mered, and Epher, and Jalon: and she bare Miriam, and Shammai, and Ishbah the father of Eshtemoa."

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 7:10 - "For Ezra had prepared his heart to seek the law of the LORD, and to do it, and to teach in Israel statutes and judgments."

Ezra 10:40 - "Machnadebai, Shashai, Sharai," A depiction of the biblical text Ezra 10:40 - "Machnadebai, Shashai, Sharai," using a modern digital art technique, with vibrant colors and bold lines to represent the names as abstract symbols or shapes.

Ezra 10:40 - "Machnadebai, Shashai, Sharai,"

Ezra 10:32 - "Benjamin, Malluch, and Shemariah." An image depicting the biblical names 'Benjamin', 'Malluch', and 'Shemariah', illustrated in a modern, vibrant and geometric design style, similar to the aesthetics common in digital art. The names are rendered with decorative typography amidst a visually intriguing background that reflects the timeless wisdom and spiritual significance associated with these biblical references.

Ezra 10:32 - "Benjamin, Malluch, and Shemariah."

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau," The biblical names 'Mattaniah', 'Mattenai', and 'Jaasau', represented visually. Conjure these names in the medium of synthetic visual art, reminiscent of the crafted, yet ethereal fluidity often associated with traditional ink calligraphy.

Ezra 10:37 - "Mattaniah, Mattenai, and Jaasau,"

Ezra 10:38 - "And Bani, and Binnui, Shimei," Illustrate the Biblical verse Ezra 10:38 - 'And Bani, and Binnui, Shimei,'. Use the design principles associated with digital art including bold colors, clean lines, and geometric shapes.

Ezra 10:38 - "And Bani, and Binnui, Shimei,"

Ezra 3:1 - "And when the seventh month was come, and the children of Israel were in the cities, the people gathered themselves together as one man to Jerusalem."

Ezra 3:1 - "And when the seventh month was come, and the children of Israel were in the cities, the people gathered themselves together as one man to Jerusalem."

Ezra 4:1 - "Now when the adversaries of Judah and Benjamin heard that the children of the captivity builded the temple unto the LORD God of Israel;" A scene inspired by Ezra 4:1; adversaries of Judah and Benjamin hear that the children, who have escaped captivity, are building a temple dedicated to the LORD God of Israel. The landscape should visually emphasize the tension between the adversaries and the builders. The style should evoke feelings similar to traditional oil paintings, with strong use of hefty brushstrokes and bold colors, as we are unable to reproduce styles from the most common digital art era.

Ezra 4:1 - "Now when the adversaries of Judah and Benjamin heard that the children of the captivity builded the temple unto the LORD God of Israel;"

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:20 - "The children of Gibbar, ninety and five."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:24 - "The children of Azmaveth, forty and two."

Ezra 2:54 - "The children of Neziah, the children of Hatipha." A scene from the Bible, Ezra 2:54, illustrating 'The children of Neziah, the children of Hatipha.' Render this missionary scene in a style that evokes the novel qualities of digital art, with luminous colors, sharp lines, and intricate details. Capture the sensations of the period in a way that feels simultaneously ancient and modern, presenting these biblical figures in a fresh, innovative light.

Ezra 2:54 - "The children of Neziah, the children of Hatipha."

Ezra 2:39 - "The children of Harim, a thousand and seventeen." An illustration of children numbering a thousand and seventeen, inspired by the scripture Ezra 2:39. The image captures the essence of unity and joy amongst the children. They are diverse in terms of descent, including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian foregrounded in a peaceful landscape. Being embodied in a digital medium, the work has the clean lines, bright and contrasting color palette, and pixel precision that characterizes digital art.

Ezra 2:39 - "The children of Harim, a thousand and seventeen."

Ezra 2:18 - "The children of Jorah, an hundred and twelve." Illustration of a biblical passage from Ezra 2:18 - 'The children of Jorah, an hundred and twelve.' The image shows a gathering of 112 children, of various ages, in ancient Middle Eastern attire. They represent a mix of races including Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and white. The scene is set against an Old Testament landscape. Capture it in a digital medium, resembling the style of pre-1912 artwork using vivid colors and bold strokes. Convey the feeling of community and unity among these children, as well as the deep symbolism this image carries.

Ezra 2:18 - "The children of Jorah, an hundred and twelve."

Ezra 2:22 - "The men of Netophah, fifty and six." A visual interpretation of a biblical verse, Ezra 2:22 - 'The men of Netophah, fifty and six.' This includes a depiction of the ancient city of Netophah with fifty-six men visible in the cityscape. The image should be conveyed in a digital type of art style that might employ vibrant colors, clean lines, and elements of abstraction.

Ezra 2:22 - "The men of Netophah, fifty and six."

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Nehemiah 12:33 - "And Azariah, Ezra, and Meshullam,"

Ezra 10:39 - "And Shelemiah, and Nathan, and Adaiah,"

Ezra 10:39 - "And Shelemiah, and Nathan, and Adaiah,"

Ezra 10:35 - "Benaiah, Bedeiah, Chelluh,"

Ezra 10:35 - "Benaiah, Bedeiah, Chelluh,"

Ezra 10:36 - "Vaniah, Meremoth, Eliashib," An artistic representation of the Biblical verse Ezra 10:36 - 'Vaniah, Meremoth, Eliashib,'. The art style is reflective of the tradition of pre-1912 painting, with an emphasis on line, shape, and color. However, the final composition has the polished finish commonly associated with digital art.

Ezra 10:36 - "Vaniah, Meremoth, Eliashib,"

Ezra 10:41 - "Azareel, and Shelemiah, Shemariah," A digital art interpretation of Ezra 10:41, featuring the figures of Azareel, Shelemiah, and Shemariah. The scene could be set within an ancient biblical context with characteristic architecture and attire. Azareel, Shelemiah, and Shemariah are prominently displayed, perhaps engaged in a conversation or prayer.

Ezra 10:41 - "Azareel, and Shelemiah, Shemariah,"

Ezra 10:42 - "Shallum, Amariah, and Joseph." The biblical phrase 'Shallum, Amariah, and Joseph' as depicted in a modern digital art style. Imagine this as a visual representation where the names could be transformed into symbolic representations or characters. Each name could have its unique element in the image, hinting at their biblical personalities.

Ezra 10:42 - "Shallum, Amariah, and Joseph."

Ezra 10:10 - "And Ezra the priest stood up, and said unto them, Ye have transgressed, and have taken strange wives, to increase the trespass of Israel." Create a digital artwork inspired by the passage from Ezra 10:10 - 'And Ezra the priest stood up, and said unto them, Ye have transgressed, and have taken strange wives, to increase the trespass of Israel.' The scene should feature a priest addressing a crowd, expressing a strong emotion of admonishment. The crowd, bearing remorseful expressions, should be depicted with a mix of individuals symbolizing the 'strange wives.' The setting should evoke a time of ancient biblical history.

Ezra 10:10 - "And Ezra the priest stood up, and said unto them, Ye have transgressed, and have taken strange wives, to increase the trespass of Israel."