Zephaniah Artwork

"The word of the LORD which came unto Zephaniah the son of Cushi, the son of Gedaliah, the son of Amariah, the son of Hizkiah, in the days of Josiah the son of Amon, king of Judah." - Zephaniah 1:1

Explore Zephaniah through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
ZephaniahZephaniah 1Zephaniah 1:1
Zephaniah 1:1 - "The word of the LORD which came unto Zephaniah the son of Cushi, the son of Gedaliah, the son of Amariah, the son of Hizkiah, in the days of Josiah the son of Amon, king of Judah."

Zephaniah 1:1 - "The word of the LORD which came unto Zephaniah the son of Cushi, the son of Gedaliah, the son of Amariah, the son of Hizkiah, in the days of Josiah the son of Amon, king of Judah."

Zephaniah 3:1 - "Woe to her that is filthy and polluted, to the oppressing city!" Create an image interpretation of a verse from Zephaniah 3:1, 'Woe to her that is filthy and polluted, to the oppressing city!' Visualize a city that appears oppressive and degraded, with heavy pollution evident in the air and litter and decay on its streets. Render the image with the clarity, precision, and rich color palette typical of digital art.

Zephaniah 3:1 - "Woe to her that is filthy and polluted, to the oppressing city!"

Jeremiah 29:29 - "And Zephaniah the priest read this letter in the ears of Jeremiah the prophet."

Jeremiah 29:29 - "And Zephaniah the priest read this letter in the ears of Jeremiah the prophet."

Zephaniah 2:12 - "¶ Ye Ethiopians also, ye shall be slain by my sword." An illustrative interpretation of Zephaniah 2:12 - '¶ Ye Ethiopians also, ye shall be slain by my sword.' in a vivid, striking and highly detailed style, reminiscent of the digital art genre. The scene could feature an allegorical representation of the verse, abstract sword imagery, and symbolic elements to evoke the intensity of the biblical message.

Zephaniah 2:12 - "¶ Ye Ethiopians also, ye shall be slain by my sword."

Zephaniah 2:6 - "And the sea coast shall be dwellings and cottages for shepherds, and folds for flocks." A tranquil biblical scene inspired by Zephaniah 2:6. This ancient landscape features a serene sea coast stretching into the horizon. Dotting this idyllic scenery are various dwellings and quaint cottages, nestled comfortably amidst this coastal haven. To provide a wholesome rural setting, let's portray shepherds of Middle-Eastern descent going about their daily duties, tending to their flocks whose folds find home amidst the cottages. Distant waves lapping against the shore and clear skies above add beauty to this picture. The visual interpretation is in a digital art format, showcasing bright colors and a mix of realism and stylized presentation.

Zephaniah 2:6 - "And the sea coast shall be dwellings and cottages for shepherds, and folds for flocks."

Zechariah 6:14 - "And the crowns shall be to Helem, and to Tobijah, and to Jedaiah, and to Hen the son of Zephaniah, for a memorial in the temple of the LORD."

Zechariah 6:14 - "And the crowns shall be to Helem, and to Tobijah, and to Jedaiah, and to Hen the son of Zephaniah, for a memorial in the temple of the LORD."

1 Chronicles 6:36 - "The son of Elkanah, the son of Joel, the son of Azariah, the son of Zephaniah,"

1 Chronicles 6:36 - "The son of Elkanah, the son of Joel, the son of Azariah, the son of Zephaniah,"

Zephaniah 1:16 - "A day of the trumpet and alarm against the fenced cities, and against the high towers." An artistic interpretation of Zephaniah 1:16: 'A day of the trumpet and alarm against the fenced cities, and against the high towers.' Visually depict a scene where a city with high walls and towers is shown in vibrant, detailed style. This city should be facing a momentous event, signaled by the sound of a loud trumpet alarm. Surrounding atmosphere should be tense and ominous. The artistic style should mimic the complexity and precision found commonly in digital art. Convey the same energy and precision in your depiction, using vibrant colors and crisp lines.

Zephaniah 1:16 - "A day of the trumpet and alarm against the fenced cities, and against the high towers."

Zephaniah 2:1 - "Gather yourselves together, yea, gather together, O nation not desired;"

Zephaniah 2:1 - "Gather yourselves together, yea, gather together, O nation not desired;"

Zephaniah 1:2 - "I will utterly consume all things from off the land, saith the LORD."

Zephaniah 1:2 - "I will utterly consume all things from off the land, saith the LORD."

Zephaniah 3:16 - "In that day it shall be said to Jerusalem, Fear thou not: and to Zion, Let not thine hands be slack."

Zephaniah 3:16 - "In that day it shall be said to Jerusalem, Fear thou not: and to Zion, Let not thine hands be slack."

Zephaniah 3:18 - "I will gather them that are sorrowful for the solemn assembly, who are of thee, to whom the reproach of it was a burden." An image representation of the biblical scripture Zephaniah 3:18 - 'I will gather them that are sorrowful for the solemn assembly, who are of thee, to whom the reproach of it was a burden.', displayed in a modern visual interpretation. This includes a compassionate figure gathering together melancholic individuals under a solemn setting, possibly in the dusk with warm muted tones. The surrounding environment should evoke feelings of burden and reproach, perhaps through heavy clouds or a sparse landscape. The style should embrace the visual cues of digital art, with sharp lines, enhanced contrasts and vibrant colours.

Zephaniah 3:18 - "I will gather them that are sorrowful for the solemn assembly, who are of thee, to whom the reproach of it was a burden."

Zephaniah 1:6 - "And them that are turned back from the LORD; and those that have not sought the LORD, nor enquired for him." Create an image depicting a scene inspired by the verse Zephaniah 1:6 - 'And them that are turned back from the LORD; and those that have not sought the LORD, nor enquired for him.' The style should reflect that of digital art, accentuating bold colors and precise lines.

Zephaniah 1:6 - "And them that are turned back from the LORD; and those that have not sought the LORD, nor enquired for him."

Zephaniah 3:12 - "I will also leave in the midst of thee an afflicted and poor people, and they shall trust in the name of the LORD." Render the verse Zephaniah 3:12 - 'I will also leave in the midst of thee an afflicted and poor people, and they shall trust in the name of the LORD.' This scene should depict a group of diverse people, hailing from various descents such as Hispanic, Middle-Eastern, and South Asian. They are should be in a state of affliction and poverty yet show signs of hope and trust. Make sure to represent the feel of digital art without violating any styling policy.

Zephaniah 3:12 - "I will also leave in the midst of thee an afflicted and poor people, and they shall trust in the name of the LORD."

Zephaniah 1:5 - "And them that worship the host of heaven upon the housetops; and them that worship and that swear by the LORD, and that swear by Malcham;"

Zephaniah 1:5 - "And them that worship the host of heaven upon the housetops; and them that worship and that swear by the LORD, and that swear by Malcham;"

Zephaniah 2:10 - "This shall they have for their pride, because they have reproached and magnified themselves against the people of the LORD of hosts."

Zephaniah 2:10 - "This shall they have for their pride, because they have reproached and magnified themselves against the people of the LORD of hosts."

Jeremiah 52:24 - "¶ And the captain of the guard took Seraiah the chief priest, and Zephaniah the second priest, and the three keepers of the door:" An evocative rendering of a scene derived from the Book of Jeremiah: Chapter 52, verse 24. The scene involves the captain of the guard, depicted as a stern figure in heavy armor. Alongside him, the portrayals of Seraiah (the chief priest) and Zephaniah (the second priest) are shown, both appearing in ornate, traditional religious attires of biblical times. Also present in the scene are the three keepers of the door. The poses of all five characters suggest a significant moment, perhaps fraught with tension. Please generate this scene using the visual language of pre-1912 impressionistic art, executed as if in brush strokes on a digital canvas.

Jeremiah 52:24 - "¶ And the captain of the guard took Seraiah the chief priest, and Zephaniah the second priest, and the three keepers of the door:"

2 Kings 25:18 - "¶ And the captain of the guard took Seraiah the chief priest, and Zephaniah the second priest, and the three keepers of the door:"

2 Kings 25:18 - "¶ And the captain of the guard took Seraiah the chief priest, and Zephaniah the second priest, and the three keepers of the door:"

Zephaniah 1:11 - "Howl, ye inhabitants of Maktesh, for all the merchant people are cut down; all they that bear silver are cut off." Visualize the Biblical verse Zephaniah 1:11 - 'Howl, ye inhabitants of Maktesh, for all the merchant people are cut down; all they that bear silver are cut off.' in the form of a digital era graphic representation. Ensure to capture the intensity and gravity of the scene as the inhabitants of Maktesh react to their fallen state, and the despair of the merchant people and silver bearers is apparent.

Zephaniah 1:11 - "Howl, ye inhabitants of Maktesh, for all the merchant people are cut down; all they that bear silver are cut off."

Zephaniah 3:14 - "¶ Sing, O daughter of Zion; shout, O Israel; be glad and rejoice with all the heart, O daughter of Jerusalem."

Zephaniah 3:14 - "¶ Sing, O daughter of Zion; shout, O Israel; be glad and rejoice with all the heart, O daughter of Jerusalem."

Zephaniah 3:2 - "She obeyed not the voice; she received not correction; she trusted not in the LORD; she drew not near to her God."

Zephaniah 3:2 - "She obeyed not the voice; she received not correction; she trusted not in the LORD; she drew not near to her God."

Zephaniah 3:4 - "Her prophets are light and treacherous persons: her priests have polluted the sanctuary, they have done violence to the law." A vivid depiction inspired by the Biblical verse, Zephaniah 3:4. The scene illustrates prophets as ethereal, light-filled figures with mutable appearances, hinting at their treacherous nature. Also included are priests shown in the act of desecrating a sacred sanctuary, symbolizing pollution and the violation of revered statutes. They are seen infringing a physical representation of the law. The scene should capture the essence of digital art, characterized by vibrant colors, sharp contrasts, and meticulous details.

Zephaniah 3:4 - "Her prophets are light and treacherous persons: her priests have polluted the sanctuary, they have done violence to the law."

Zephaniah 3:10 - "From beyond the rivers of Ethiopia my suppliants, even the daughter of my dispersed, shall bring mine offering."

Zephaniah 3:10 - "From beyond the rivers of Ethiopia my suppliants, even the daughter of my dispersed, shall bring mine offering."

Zephaniah 3:3 - "Her princes within her are roaring lions; her judges are evening wolves; they gnaw not the bones till the morrow." Illustrate the verse Zephaniah 3:3 - "Her princes within her are roaring lions; her judges are evening wolves; they gnaw not the bones till the morrow". The visual representation should be digital art. Emphasize the dramatic contrast between the metaphorical roaring lions and evening wolves, locking their intense gaze on the uneaten bones. Pay special attention to the intricate details such as the animals’ menacing expressions and the lingering tension before the dawn. Merge the elements of the verse into an engaging and thought-provoking scene. Use bright colors to highlight the ferocity of the animals and darker hues to capture the intensity of the evening period and its waiting tension.

Zephaniah 3:3 - "Her princes within her are roaring lions; her judges are evening wolves; they gnaw not the bones till the morrow."

Zephaniah 3:9 - "For then will I turn to the people a pure language, that they may all call upon the name of the LORD, to serve him with one consent."

Zephaniah 3:9 - "For then will I turn to the people a pure language, that they may all call upon the name of the LORD, to serve him with one consent."

Zephaniah 2:4 - "¶ For Gaza shall be forsaken, and Ashkelon a desolation: they shall drive out Ashdod at the noon day, and Ekron shall be rooted up."

Zephaniah 2:4 - "¶ For Gaza shall be forsaken, and Ashkelon a desolation: they shall drive out Ashdod at the noon day, and Ekron shall be rooted up."

Zephaniah 1:8 - "And it shall come to pass in the day of the LORD'S sacrifice, that I will punish the princes, and the king's children, and all such as are clothed with strange apparel." Visual representation of a biblical scene described in Zephaniah 1:8, 'And it shall come to pass in the day of the LORD'S sacrifice, that I will punish the princes, and the king's children, and all such as are clothed with strange apparel.' The scene showcases a heavenly, perhaps divine entity displaying wrath upon nobles and royal children, and people adorned in unusual outfits. The style carries an echo of religious paintings from the medieval period, with heavy emphasis on details, symbolism and rich colors, but recreated in a modern digital form.

Zephaniah 1:8 - "And it shall come to pass in the day of the LORD'S sacrifice, that I will punish the princes, and the king's children, and all such as are clothed with strange apparel."

Zephaniah 1:9 - "In the same day also will I punish all those that leap on the threshold, which fill their masters' houses with violence and deceit." Generate an image depicting a scene from the biblical passage Zephaniah 1:9, which reads - 'In the same day also will I punish all those that leap on the threshold, which fill their masters' houses with violence and deceit'. The image should reflect the dramatic and intense nature of the passage. This scene should feature individuals leaping over a threshold, their faces filled with fear and apprehension. The houses of their masters should be brimming with visual symbols of violence and deceit; for instance, a background filled with ominous shadows, and symbolic clutter that implies wrongdoing. The style should be digital art but avoid referencing any modern artist or style.

Zephaniah 1:9 - "In the same day also will I punish all those that leap on the threshold, which fill their masters' houses with violence and deceit."

Zephaniah 2:13 - "And he will stretch out his hand against the north, and destroy Assyria; and will make Nineveh a desolation, and dry like a wilderness." Create a vivid representation of an ancient biblical event depicted in Zephaniah 2:13, where a divine hand extends towards the north, prophesying the destruction of Assyria and leaving the city of Nineveh in ruins, resembling a desolate, arid wilderness. Draw this using digital art-style elements to emphasize the story's drama and emotion. The image should spotlight the divine hand as the main focus, stretching towards an illustrated compass indicating 'north'. Assyria and Nineveh should be visualized as miniature detailed cities that are undergoing transformation into a bleak, barren wilderness.

Zephaniah 2:13 - "And he will stretch out his hand against the north, and destroy Assyria; and will make Nineveh a desolation, and dry like a wilderness."

Zephaniah 1:15 - "That day is a day of wrath, a day of trouble and distress, a day of wasteness and desolation, a day of darkness and gloominess, a day of clouds and thick darkness," Visualize a scene inspired by the biblical passage from Zephaniah 1:15: 'That day is a day of wrath, a day of trouble and distress, a day of wasteness and desolation, a day of darkness and gloominess, a day of clouds and thick darkness,'. The scene should capture the essence of this ominous prophecy using the visual techniques and colors typically employed in digital art.

Zephaniah 1:15 - "That day is a day of wrath, a day of trouble and distress, a day of wasteness and desolation, a day of darkness and gloominess, a day of clouds and thick darkness,"