Numbers Artwork

"And the LORD spake unto Moses in the wilderness of Sinai, in the tabernacle of the congregation, on the first day of the second month, in the second year after they were come out of the land of Egypt, saying," - Numbers 1:1

Explore Numbers through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NumbersNumbers 1Numbers 1:1
pharaoh of egypt looking at the vast numbers of israelites A historical representation of an Egyptian Pharaoh, portrayed as a Black man, standing on a high vantage point, looking out over a sweeping landscape filled with a vast number of Israelites depicted as a diverse mix of races and genders. Render this scene in a medium reminiscent of traditional oil painting, with a reverential and respectful tone towards Christianity. Do not incorporate any text or words into the image. The art should generate a sense of devotion and piety.

pharaoh of egypt looking at the vast numbers of israelites

Numbers 26:8 - "And the sons of Pallu; Eliab."

Numbers 26:8 - "And the sons of Pallu; Eliab."

Numbers 31:46 - "And sixteen thousand persons;)" Illustrate a scene depicting 'Numbers 31:46 - And sixteen thousand persons', conceived in the modern realm of digital art. Highlight a vast array of people, approximately sixteen thousand, scattered in an undefined space. Using a mix of ephemeral pixel and gradient effects to represent the human bodies, incorporate variety to illustrate a congregation of diverse humanity. Note: This is not a reference to religious scripture but an artistic interpretation of the concept of 'sixteen thousand persons'.

Numbers 31:46 - "And sixteen thousand persons;)"

Numbers 1:7 - "Of Judah; Nahshon the son of Amminadab."

Numbers 1:7 - "Of Judah; Nahshon the son of Amminadab."

Numbers 26:46 - "And the name of the daughter of Asher was Sarah." Create a digitized representation showcasing the biblical scene from Numbers 26:46 in the Christian Bible, suggesting that 'The name of the daughter of Asher is Sarah.' Depict a Middle-Eastern young woman, presumably named Sarah, likely clad in traditional ancient clothing, nestled in the arid landscape of the Middle East during the Biblical era. Use bold colors, geometric shapes, pixelated forms, or other features indicative of digital art. Keep the setting consistent with the historical and cultural context of the narrative.

Numbers 26:46 - "And the name of the daughter of Asher was Sarah."

Numbers 31:33 - "And threescore and twelve thousand beeves,"

Numbers 31:33 - "And threescore and twelve thousand beeves,"

Numbers 31:34 - "And threescore and one thousand asses," Create a digital art image showcasing a mass of sixty-one thousand donkeys, rendered in crisp, vibrant detail. The diverse sea of donkeys should fill the entire landscape, their forms elegantly depicted with precision associated with digital artistry. The depiction should be grand in scale emphasizing the vast number of donkeys represented.

Numbers 31:34 - "And threescore and one thousand asses,"

Numbers 25:17 - "Vex the Midianites, and smite them:" Create an image inspired by a biblical verse, Number 25:17 - 'Vex the Midianites, and smite them:', with a subdued color palette, intricate line work and digital hatching. The visual depiction should evoke the turmoil of the era and the conflict inherent in the verse, in a digital art style.

Numbers 25:17 - "Vex the Midianites, and smite them:"

Numbers 1:15 - "Of Naphtali; Ahira the son of Enan." Create an image depicting a verse from Numbers 1:15 - "Of Naphtali; Ahira the son of Enan." This should be represented in a modern digital art style. The scene can depict a symbolic interpretation of Naphtali and Ahira, utilizing bold colors, clear imagery and striking contrasts typically seen in digital art.

Numbers 1:15 - "Of Naphtali; Ahira the son of Enan."

Numbers 1:14 - "Of Gad; Eliasaph the son of Deuel." An artistic interpretation of a biblical scene from Numbers 1:14 - 'Of Gad; Eliasaph the son of Deuel.' Render this in the distinct likeness of digital art featuring a rich array of textures, pigments, and controlled lighting.

Numbers 1:14 - "Of Gad; Eliasaph the son of Deuel."

Numbers 31:44 - "And thirty and six thousand beeves,"

Numbers 31:44 - "And thirty and six thousand beeves,"

Numbers 1:11 - "Of Benjamin; Abidan the son of Gideoni."

Numbers 1:11 - "Of Benjamin; Abidan the son of Gideoni."

Numbers 1:9 - "Of Zebulun; Eliab the son of Helon." A digital art interpretation of the biblical verse, Numbers 1:9 - "Of Zebulun; Eliab the son of Helon." This should depict the ancient scene, perhaps with symbolic features representing 'Zebulun' and 'Eliab the son of Helon'. The style should reflect a modern, digital aesthetic while maintaining a reverence for the traditional biblical narrative.

Numbers 1:9 - "Of Zebulun; Eliab the son of Helon."

Numbers 26:11 - "Notwithstanding the children of Korah died not." Create a digital art representation of a biblical scene from Numbers 26:11 with the theme 'Notwithstanding the children of Korah died not.' The scene can include elements of Middle-Eastern architecture, ancient attire, and symbols that reference the culture and time. The color palette should be rich and intense, reflecting the vibrant aesthetic often associated with digital art.

Numbers 26:11 - "Notwithstanding the children of Korah died not."

Numbers 1:13 - "Of Asher; Pagiel the son of Ocran." Visualize a digital art interpretation of a biblical scene from Numbers 1:13 - 'Of Asher; Pagiel the son of Ocran.' This scene might depict the character of Pagiel, presented as the son of Ocran, belonging to the tribe of Asher. Please exemplify mid-saturated colors, fine details and crisp lines-specific characteristics of digital art.

Numbers 1:13 - "Of Asher; Pagiel the son of Ocran."

Numbers 32:35 - "And Atroth, Shophan, and Jaazer, and Jogbehah," A digital art representation of a landscape featuring the ancient cities mentioned in Numbers 32:35 - 'And Atroth, Shophan, and Jaazer, and Jogbehah'. Show these settlements in a desert environment, possibly with ancient architecture like stone walls, clay houses, and a towering gate. Please display the names of these places in stylized letters floating in the sky.

Numbers 32:35 - "And Atroth, Shophan, and Jaazer, and Jogbehah,"

Numbers 1:6 - "Of Simeon; Shelumiel the son of Zurishaddai." Display a digital art depiction of a scene inspired by the verse from Numbers 1:6. The scene features a character named Shelumiel, son of Zurishaddai, from the tribe of Simeon. The era is ancient, and the atmosphere should carry a sense of reverence, peace, and spiritual significance.

Numbers 1:6 - "Of Simeon; Shelumiel the son of Zurishaddai."

Numbers 1:12 - "Of Dan; Ahiezer the son of Ammishaddai." An image inspired by the biblical verse Numbers 1:12 - 'Of Dan; Ahiezer the son of Ammishaddai.' In the visual, there should be symbolic representations of the tribe of Dan (perhaps a snake or eagle), and a figure representing Ahiezer, the son of Ammishaddai. The scene should be rendered with the characteristics of digital art, including crisp lines, vibrant colors, and intricate detailing.

Numbers 1:12 - "Of Dan; Ahiezer the son of Ammishaddai."

Numbers 1:8 - "Of Issachar; Nethaneel the son of Zuar." Visualize numbers 1:8 - 'Of Issachar; Nethaneel the son of Zuar.' in a modern digital art style. The scene should portray an ancient atmosphere, with an emphasis on typography to highlight the words specifically. Both Issachar and Nethaneel should be represented symbolically, rather than as human figures. Think of it like telling a story through symbols and atmosphere, infused with a mixture of ancient culture and modern digital art aesthetic.

Numbers 1:8 - "Of Issachar; Nethaneel the son of Zuar."

Numbers 7:70 - "One kid of the goats for a sin offering:" A vivid and detailed digital art interpretation of a scene inspired by Numbers 7:70 from the Bible, depicting a lone kid goat in a tranquil setting, symbolizing a sin offering.

Numbers 7:70 - "One kid of the goats for a sin offering:"

Numbers 8:5 - "¶ And the LORD spake unto Moses, saying," A digital style rendition of the biblical scene where the LORD communicates with Moses. This scenario comes from the Book of Numbers, specifically chapter 8, verse 5. It emanates a divine aura, representing the heavenly voice. Moses listens attentively, embodying an aura of humility and devotion. The composition should include elements of the desert environment in the background. However, the main focus remains the communication between the LORD and Moses.

Numbers 8:5 - "¶ And the LORD spake unto Moses, saying,"

Numbers 33:34 - "And they removed from Jotbathah, and encamped at Ebronah." An atmospheric digital art scene illustrating Numbers 33:34 from the Bible: 'And they removed from Jotbathah, and encamped at Ebronah.' Show a group of diverse people packing up their belongings from the city of Jotbathah, a city glimpsed in the background. Showcase elements like camels, tents, and artifact-filled carts under the heated desert sun to display their exodus. In the distance, the city of Ebronah can be faintly seen, perhaps atop a hill or beyond a stretch of desert, indicating the group's next destination.

Numbers 33:34 - "And they removed from Jotbathah, and encamped at Ebronah."

Numbers 15:37 - "¶ And the LORD spake unto Moses, saying,"

Numbers 15:37 - "¶ And the LORD spake unto Moses, saying,"

Numbers 16:36 - "¶ And the LORD spake unto Moses, saying,"

Numbers 16:36 - "¶ And the LORD spake unto Moses, saying,"

Numbers 13:10 - "Of the tribe of Zebulun, Gaddiel the son of Sodi."

Numbers 13:10 - "Of the tribe of Zebulun, Gaddiel the son of Sodi."

Numbers 7:76 - "One kid of the goats for a sin offering:" Visualize a digital art interpretation of a biblical scene from Numbers 7:76 - 'One kid of the goats for a sin offering'. Picture a young goat in a mystical, solemn environment. The composition of the image should evoke a sense of quiet solemnity and forgiveness.

Numbers 7:76 - "One kid of the goats for a sin offering:"

Numbers 33:43 - "And they departed from Punon, and pitched in Oboth." A scene inspired by the verse Numbers 33:43 - 'And they departed from Punon, and pitched in Oboth.' It starts with a pathway leading away from an ancient city named Punon depicted with sandstone buildings and palm trees, representing a Middle-Eastern setting. This leads to a group of people setting up camp, pitching tents, cooking food over an open fire, and gathering to rest in an area signed as Oboth. The people are a mix of Caucasian, Hispanic, black, and Middle-Eastern descent, including both genders, to represent diversity. The style is modern digital art with vibrant colours and sharp lines.

Numbers 33:43 - "And they departed from Punon, and pitched in Oboth."

Numbers 33:13 - "And they departed from Dophkah, and encamped in Alush." A digital art-inspired depiction of a scene from the number 33:13. This scene portrays a large group of people leaving a place named Dophkah, which is represented by a lively and bustling cityscape in the background. They are journeying towards another location named Alush, hinted by a distant, promising horizon in the distance. Their silhouettes add a dramatic mood to the scene, shadowed against the contrasting vibrant hues of the departure city and their future encampment. The whole image is teeming with pixelated textures and geometrical shapes typical of digital art.

Numbers 33:13 - "And they departed from Dophkah, and encamped in Alush."

Numbers 34:1 - "And the LORD spake unto Moses, saying,"

Numbers 34:1 - "And the LORD spake unto Moses, saying,"

Numbers 28:1 - "And the LORD spake unto Moses, saying,"

Numbers 28:1 - "And the LORD spake unto Moses, saying,"