Ruth 1 Artwork

"Now it came to pass in the days when the judges ruled, that there was a famine in the land. And a certain man of Beth-lehem-judah went to sojourn in the country of Moab, he, and his wife, and his two sons." - Ruth 1:1

Explore Ruth 1 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
RuthRuth 1Ruth 1:1
Ruth 3:1 - "Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?" Depict a scene depicting a biblical event from the book of Ruth. Include the characters of Naomi and Ruth in an earnest conversation. Naomi, the older woman, is telling her daughter-in-law, Ruth, about her hopes for Ruth's future. The image should resemble the style of detailed illustrations found in ancient manuscripts, with attention to the color and texture typically observed in such artworks. Both Naomi and Ruth should exhibit features of ancient Middle-Eastern descent. The entire scene is to be encapsulated within an intricate ornamental border, similar to those found in illuminated manuscripts of the past. Strategically positioned within the artwork, include the quote from Ruth 3:1: 'Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?'

Ruth 3:1 - "Then Naomi her mother in law said unto her, My daughter, shall I not seek rest for thee, that it may be well with thee?"

Ruth 1:14 - "And they lifted up their voice, and wept again: and Orpah kissed her mother in law; but Ruth clave unto her."

Ruth 1:14 - "And they lifted up their voice, and wept again: and Orpah kissed her mother in law; but Ruth clave unto her."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 1:4 - "And they took them wives of the women of Moab; the name of the one was Orpah, and the name of the other Ruth: and they dwelled there about ten years."

Ruth 1:22 - "So Naomi returned, and Ruth the Moabitess, her daughter in law, with her, which returned out of the country of Moab: and they came to Beth-lehem in the beginning of barley harvest."

Ruth 1:22 - "So Naomi returned, and Ruth the Moabitess, her daughter in law, with her, which returned out of the country of Moab: and they came to Beth-lehem in the beginning of barley harvest."

Ruth 1:3 - "And Elimelech Naomi's husband died; and she was left, and her two sons."

Ruth 1:3 - "And Elimelech Naomi's husband died; and she was left, and her two sons."

Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:" An illustration of a scene from the Book of Ruth, specifically Ruth 2:15. In the scene, a woman called Ruth has risen up to glean in the fields. A man, Boaz, is commanding his young servants: he's stating that she should be allowed to glean even among the sheaves and not to reproach her. Render this image in vibrant colors, with a lot of detail and depth, reminiscent of some aspects of digital art. The setting should be an ancient Middle-Eastern field, offering a glimpse into agricultural life of the era. Ruth is a Middle-Eastern woman and Boaz is a Middle-Eastern man.

Ruth 2:15 - "And when she was risen up to glean, Boaz commanded his young men, saying, Let her glean even among the sheaves, and reproach her not:"

Ruth 1:10 - "And they said unto her, Surely we will return with thee unto thy people."

Ruth 1:10 - "And they said unto her, Surely we will return with thee unto thy people."

Ruth 1:18 - "When she saw that she was stedfastly minded to go with her, then she left speaking unto her." An illustration of a moment from Ruth 1:18, where one person is determined to continue on a journey, leading to the other person ceasing communication. This scene should be in the medium of a historical stained glass window.

Ruth 1:18 - "When she saw that she was stedfastly minded to go with her, then she left speaking unto her."

Ruth 3:9 - "And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman." A historical scene inspired by the scripture Ruth 3:9, where a man is asking a woman, who identifies herself as Ruth, her identity. Ruth, donned in traditional clothing, humbly requests protection, symbolized by him spreading his skirt over her. All this dialogue happens under the serene blue sky. The style should mimic the aesthetics and techniques used prior to 1912 but done in digital medium.

Ruth 3:9 - "And he said, Who art thou? And she answered, I am Ruth thine handmaid: spread therefore thy skirt over thine handmaid; for thou art a near kinsman."

Matthew 1:5 - "And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;" An interpretation of the biblical passage, Matthew 1:5 which states 'And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;'. The depiction should ideally show three seminal moments in this lineage. The first moment where Salmon introduces Booz of Rachab, then Booz introducing Obed of Ruth, and finally, Obed introducing Jesse. Each male figure should appear Middle Eastern to align with the geographical region of these biblical figures. Preferably, there should be some visual representation of their respective mothers too. The artistic approach should be inspired by the realm of digital art, encapsulating the modernity of the medium while maintaining the ancient ethos of the text.

Matthew 1:5 - "And Salmon begat Booz of Rachab; and Booz begat Obed of Ruth; and Obed begat Jesse;"

Ruth 1:16 - "And Ruth said, Intreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God:"

Ruth 1:16 - "And Ruth said, Intreat me not to leave thee, or to return from following after thee: for whither thou goest, I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God:"

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz." Illustrate a scene inspired by Ruth 2:1 from the Bible, where a man named Boaz, portrayed as a wealthy, powerful figure from the family of Elimelech, is introduced. Naomi, a woman presumably known to him through her husband, is also a central character. The imagery should hearken to traditional visuals associated with biblical narratives, yet revealed through a digital medium of art.

Ruth 2:1 - "And Naomi had a kinsman of her husband's, a mighty man of wealth, of the family of Elimelech; and his name was Boaz."

Ruth 1:5 - "And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband." Visual representation of Ruth 1:5 from the Bible: 'And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband.' Scene showcases a somber atmosphere, where a sorrowful Middle-Eastern woman is standing alone, clutching onto the clothing of what seems like abandoned men's attire. This suggests the departure of her two sons and husband, showcasing the interpretation of the biblical verse in a poignant digital art style.

Ruth 1:5 - "And Mahlon and Chilion died also both of them; and the woman was left of her two sons and her husband."

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son." A digital art interpretation of a scene from the Bible, specifically Ruth 4:13. Depict an ancient Middle-Eastern setting with a landscape of rolling hills and olive trees under a crepuscular sky. Illustrate Boaz, a Middle-Eastern male with a full beard, wearing a simple, traditional robe of earthy colors, standing gently near Ruth. In the same frame, picture Ruth, a Middle-Eastern female, in a robe of rich, vibrant colors, holding an infant lovingly in her arms. Show a sense of contentment and blessing in their expressions. Embed symbolism of fertility such as sprouting plants or wheat fields.

Ruth 4:13 - "¶ So Boaz took Ruth, and she was his wife: and when he went in unto her, the LORD gave her conception, and she bare a son."

Ruth 1:16-17 - "But Ruth replied, "Don't urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God. Where you die I will die, and there I will be buried. May the LORD deal with me, be it ever so severely, if even death separates you and me."" Represent the Biblical scene from Ruth 1:16-17. Visualise Ruth as she fervently expresses her devotion, "Don't urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God. Where you die I will die, and there I will be buried. May the LORD deal with me, be it ever so severely, if even death separates you and me.". Maintain the religious and historical undertone while using digital art style.

Ruth 1:16-17 - "But Ruth replied, "Don't urge me to leave you or to turn back from you. Where you go I will go, and where you stay I will stay. Your people will be my people and your God my God. Where you die I will die, and there I will be buried. May the LORD deal with me, be it ever so severely, if even death separates you and me.""

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:22 - "And Naomi said unto Ruth her daughter in law, It is good, my daughter, that thou go out with his maidens, that they meet thee not in any other field."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:21 - "And Ruth the Moabitess said, He said unto me also, Thou shalt keep fast by my young men, until they have ended all my harvest."

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 2:8 - "Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:"

Ruth 1:20 - "And she said unto them, Call me not Naomi, call me Mara: for the Almighty hath dealt very bitterly with me."

Ruth 1:20 - "And she said unto them, Call me not Naomi, call me Mara: for the Almighty hath dealt very bitterly with me."

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron," Visual representation of Ruth 4:18 from the Bible - 'Now these are the generations of Pharez: Pharez begat Hezron,' depicted in modern digital art form with emphasis on symbolic representation of generations

Ruth 4:18 - "¶ Now these are the generations of Pharez: Pharez begat Hezron,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:20 - "And Amminadab begat Nahshon, and Nahshon begat Salmon,"

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed," An intimate scene depicting a moment from Ruth 4:21 - 'And Salmon begat Boaz, and Boaz begat Obed,' but instead of traditional methods, the art is rendered in a digital fashion. This image maintains the essence of ancient times, with a contemporary touch from current digital techniques. Fine lines and soft colors compose the setting, characters, and objects from this biblical period.

Ruth 4:21 - "And Salmon begat Boaz, and Boaz begat Obed,"

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance." An illustration from the book of Ruth, chapter 4 verse 5 featuring the dramatic moment when Boaz reveals the obligation to purchase the field from Naomi and Ruth the Moabitess, the wife of the deceased, in order to preserve the name of the dead on their inheritance. The image is set against a Middle Eastern landscape with a field as the focal point. The figures should be depicted in a way that captures their emotional exchange. They both appear to be in deep, serious conversation. Use a vibrant but dramatic color palette similar to that of digital art.

Ruth 4:5 - "Then said Boaz, What day thou buyest the field of the hand of Naomi, thou must buy it also of Ruth the Moabitess, the wife of the dead, to raise up the name of the dead upon his inheritance."

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:19 - "And Hezron begat Ram, and Ram begat Amminadab,"

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 4:22 - "And Obed begat Jesse, and Jesse begat David."

Ruth 1:17 - "Where thou diest, will I die, and there will I be buried: the LORD do so to me, and more also, if ought but death part thee and me."

Ruth 1:17 - "Where thou diest, will I die, and there will I be buried: the LORD do so to me, and more also, if ought but death part thee and me."

Ruth 1:1 - "Now it came to pass in the days when the judges ruled, that there was a famine in the land. And a certain man of Beth-lehem-judah went to sojourn in the country of Moab, he, and his wife, and his two sons."

Ruth 1:1 - "Now it came to pass in the days when the judges ruled, that there was a famine in the land. And a certain man of Beth-lehem-judah went to sojourn in the country of Moab, he, and his wife, and his two sons."

Ruth 1:7 - "Wherefore she went forth out of the place where she was, and her two daughters in law with her; and they went on the way to return unto the land of Judah." A depiction of a profound biblical event inspired by the book of Ruth 1:7. Three women are embarking on a journey. The eldest one carries an aura of wisdom and resilience, leading her two younger companions. They're seen stepping out of a place, possibly a humble dwelling, revealing determination in their collective gesture. The surrounding landscape unfurls the path ahead towards their destination, the land of Judah. This scene should be set in the context of ancient times and be depicted in the style of digital art, preferably using vibrant colors and sharp contours to illustrate their courage and determination.

Ruth 1:7 - "Wherefore she went forth out of the place where she was, and her two daughters in law with her; and they went on the way to return unto the land of Judah."

Ruth 1:11 - "And Naomi said, Turn again, my daughters: why will ye go with me? are there yet any more sons in my womb, that they may be your husbands?" An evocative scene from the Biblical content Ruth 1:11, where Naomi beseeches her daughters to reconsider traveling with her. 'Why will you go with me? Do I have more sons in my womb to become your husbands?' she questions them. She's painted in the styles reminiscent of the artistry before 1912, such as the intense emotions seen in Baroque art, the intimacy and detail of the Renaissance, and the symbolic nature of Gothic art, applied using modern digital art techniques. Highlights include the expressions on their faces, the older woman's outstretched hand warding off the younger women, and the desolate backdrop to signify the harsh journey that lies ahead.

Ruth 1:11 - "And Naomi said, Turn again, my daughters: why will ye go with me? are there yet any more sons in my womb, that they may be your husbands?"

Ruth 1:9 - "The LORD grant you that ye may find rest, each of you in the house of her husband. Then she kissed them; and they lifted up their voice, and wept."

Ruth 1:9 - "The LORD grant you that ye may find rest, each of you in the house of her husband. Then she kissed them; and they lifted up their voice, and wept."