1 Chronicles 9:40 Artwork

"And the son of Jonathan was Merib-baal: and Merib-baal begat Micah." - 1 Chronicles 9:40

Explore 1 Chronicles 9:40 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
1 Chronicles1 Chronicles 91 Chronicles 9:40
1 Chronicles 9:40 - "And the son of Jonathan was Merib-baal: and Merib-baal begat Micah." A detailed, digital art inspired representation of 1 Chronicles 9:40, 'And the son of Jonathan was Merib-baal: and Merib-baal begat Micah.' Picture an ancient scene showing three generations - Jonathan, Merib-baal and Micah, characterisation showing evident lineage. The scenario should encapsulate an atmosphere of ancient times, with a unique digital flair.

1 Chronicles 9:40 - "And the son of Jonathan was Merib-baal: and Merib-baal begat Micah."

1 Chronicles 11:40 - "Ira the Ithrite, Gareb the Ithrite," A graphic depiction of a scene from 1 Chronicles 11:40, showing Ira the Ithrite and Gareb the Ithrite. Capture the ancient and spiritual atmosphere of the text, while keeping a digital, modern style. Both figures can be interpreted through a contemporary lens, hints of traditional clothing but with a modern twist. Use a balance of bold and soft digital brush strokes to represent the dichotomy of their old-world existence within a modern medium.

1 Chronicles 11:40 - "Ira the Ithrite, Gareb the Ithrite,"

1 Chronicles 6:40 - "The son of Michael, the son of Baaseiah, the son of Malchiah," A visualization of text from a religious scripture: "The son of Michael, the son of Baaseiah, the son of Malchiah,". This image should be presented in a digital art style. The scene could include symbolic representations for each of the names, presented in a vivid and modern style. To indicate the lineage, consider using a branch or tree design, with each name appearing as an offshoot or a leaf. The text itself should be central to the image.

1 Chronicles 6:40 - "The son of Michael, the son of Baaseiah, the son of Malchiah,"

1 Chronicles 2:40 - "And Eleasah begat Sisamai, and Sisamai begat Shallum,"

1 Chronicles 2:40 - "And Eleasah begat Sisamai, and Sisamai begat Shallum,"

Exodus 40:9 Create a devotional and respectful visual interpretation of the biblical passage Exodus 40:9. Inspired by a visual style characterized by intricate details, vivid colors and elaborate designs, often seen in late Pre-Raphaelite paintings. The medium should be predominantly oil paint. The scene should not contain any written text or words. The spectator's attention would be drawn to a notable objects or characters visually symbolizing the passage with a respectful and devotional feeling towards Christianity.

Exodus 40:9

1 Chronicles 1:40 - "The sons of Shobal; Alian, and Manahath, and Ebal, Shephi, and Onam. And the sons of Zibeon; Aiah, and Anah." A creatively designed digital illustration embodying the biblical essence derived from 1 Chronicles 1:40. In it, depict seven male figures representing the sons of Shobal and Zibeon. Each bearing distinct, yet harmonious characteristics adding depth to their individuality. Incorporate traditional Middle-Eastern garments in an array of muted earthy tones to signify their roots. The layout should be such that it suggests a strong fraternal bond, perhaps in a semicircular formation with a softly illuminated parchment scroll in the foreground, containing the quoted verse in aged script.

1 Chronicles 1:40 - "The sons of Shobal; Alian, and Manahath, and Ebal, Shephi, and Onam. And the sons of Zibeon; Aiah, and Anah."

1 Chronicles 4:40 - "And they found fat pasture and good, and the land was wide, and quiet, and peaceable; for they of Ham had dwelt there of old." A serene landscape representing 1 Chronicles 4:40: 'And they found fat pasture and good, and the land was wide, and quiet, and peaceable; for they of Ham had dwelt there of old.' The scenery should showcase expansive lush pastures, a sense of tranquility that the land offers, the silent vastness, and the ancient presence of the people of Ham. The representation should convey the calm and peace associated with the verse and the style should be reminiscent of digital art.

1 Chronicles 4:40 - "And they found fat pasture and good, and the land was wide, and quiet, and peaceable; for they of Ham had dwelt there of old."

1 Chronicles 9:37 - "And Gedor, and Ahio, and Zechariah, and Mikloth." An evocative landscape depicting the biblical names Gedor, Ahio, Zechariah, and Mikloth. This scenery should imagine these namesakes as symbolic landmarks in a heavenly realm. Use a luminescent color palette, fluid shapes, and forms to give it a serene spiritual atmosphere. The style should be in a modern digitally crafted outlook, but steering clear from any specific contemporary artist's style. Each element should interact harmoniously with the others, conveying an ethereal unity.

1 Chronicles 9:37 - "And Gedor, and Ahio, and Zechariah, and Mikloth."

1 Chronicles 9:10 - "¶ And of the priests; Jedaiah, and Jehoiarib, and Jachin," Create a digital art interpretation of a scene from 1 Chronicles 9:10, involving three priests named Jedaiah, Jehoiarib, and Jachin. The priests are in a sacred space, performing their religious duties with solemnity and dedication. Their clothing is traditional, echoing styles from the time period, with hues emphasizing the sacredness of their roles. The atmosphere of the scene lends an air of tranquility and respect.

1 Chronicles 9:10 - "¶ And of the priests; Jedaiah, and Jehoiarib, and Jachin,"

1 Chronicles 24:9 - "The fifth to Malchijah, the sixth to Mijamin,"

1 Chronicles 24:9 - "The fifth to Malchijah, the sixth to Mijamin,"

1 Chronicles 12:9 - "Ezer the first, Obadiah the second, Eliab the third," Generate a digital art interpretation of a scene inspired by 1 Chronicles 12:9. Showcase the three characters - Ezer, Obadiah, and Eliab in a medieval setting based on the Chronicles description. Ezer, being the first, is the most prominent, followed by Obadiah and then Eliab. Give each character a unique look while sticking to the attire and look of the Chronicles era.

1 Chronicles 12:9 - "Ezer the first, Obadiah the second, Eliab the third,"

Mark 9:40 - "For he that is not against us is on our part." Textual representation of Mark 9:40 - 'For he that is not against us is on our part' in a digitalized, modern rendition.

Mark 9:40 - "For he that is not against us is on our part."

1 Chronicles 9:5 - "And of the Shilonites; Asaiah the firstborn, and his sons." A depiction inspired by 1 Chronicles 9:5 - 'And of the Shilonites; Asaiah the firstborn, and his sons.' A scene from early biblical times showcasing Asaiah, the firstborn, considered the leader and his sons surrounding him. He is a Middle-Eastern man of strong physique, wisdom visible in his eyes. His sons, also Middle-Eastern men, vary in age and stature, looking at their father with admiration. The scene is crafted in digital art style, with vivid colors and sharp edges, rendering a balance between historical realism and modern artistic interpretation.

1 Chronicles 9:5 - "And of the Shilonites; Asaiah the firstborn, and his sons."

1 Chronicles 9:30 - "And some of the sons of the priests made the ointment of the spices." Depict an image showing some young priests, of diverse descents including Hispanic, Middle-Eastern, South Asian, and Caucasian, meticulously preparing the ointment from a variety of spices in a sacred space. They are shown in an atmosphere of serenity and reverence, with their traditional robes and distinct facial features. They carefully mix the spices, with the air around them filled with an aromatic scent. The image is created using a digital art style, featuring smooth, definite lines and vibrant shades to indicate depth and dimension.

1 Chronicles 9:30 - "And some of the sons of the priests made the ointment of the spices."

1 Chronicles 6:9 - "And Ahimaaz begat Azariah, and Azariah begat Johanan," An illustration depicting a historical event from a religious text. The scene shows Ahimaaz, a man of Middle-Eastern descent, fathering a child named Azariah who grows up and later fathers a child of his own named Johanan. The background features elements characteristic of the era and location, such as clusters of traditional houses, palm trees, and people in ancient clothing. The entire image is created using digital art techniques, with significant attention paid to detail and color.

1 Chronicles 6:9 - "And Ahimaaz begat Azariah, and Azariah begat Johanan,"

1 Chronicles 14:9 - "And the Philistines came and spread themselves in the valley of Rephaim."

1 Chronicles 14:9 - "And the Philistines came and spread themselves in the valley of Rephaim."

1 Chronicles 8:40 - "And the sons of Ulam were mighty men of valour, archers, and had many sons, and sons' sons, an hundred and fifty. All these are of the sons of Benjamin." A scene from 1 Chronicles 8:40, depicting the sons of Ulam as powerful warriors showcasing their valour. These Caucasian, Hispanic, Black, Middle-Eastern, and South Asian men proficient in archery, stand tall, demonstrating their strength and bravery. They are surrounded by their numerous sons and grandsons totaling to up to a hundred and fifty, all deriving their lineage from the tribe of Benjamin. All figures are dressed in traditional biblical attire. The scene is depicted in the modern context of digital art, with smooth lines, vibrant colors, and distinct digital textures.

1 Chronicles 8:40 - "And the sons of Ulam were mighty men of valour, archers, and had many sons, and sons' sons, an hundred and fifty. All these are of the sons of Benjamin."

1 Chronicles 26:9 - "And Meshelemiah had sons and brethren, strong men, eighteen."

1 Chronicles 26:9 - "And Meshelemiah had sons and brethren, strong men, eighteen."

1 Chronicles 9:41 - "And the sons of Micah were, Pithon, and Melech, and Tahrea, and Ahaz." Illustrate a depiction of a biblical scene, specifically 1 Chronicles 9:41. It reads, 'And the sons of Micah were, Pithon, and Melech, and Tahrea, and Ahaz.' Visualize these four men standing together, dramatizing a sense of unity and legacy, as often depicted in biblical occurrences. Render the image in a style reminiscent of early 20th-century art, using bold shapes and grand gestures. The medium chosen should be digital, for a modern touch to the traditional context.

1 Chronicles 9:41 - "And the sons of Micah were, Pithon, and Melech, and Tahrea, and Ahaz."

1 Chronicles 21:9 - "¶ And the LORD spake unto Gad, David's seer, saying," Illustration of an imagined scene from 1 Chronicles 21:9: 'And the LORD spake unto Gad, David's seer, saying,'. The setting is a serene open space suggestive of the ancient Near East. In the center, a Middle Eastern man, Gad, is seen looking up at a bright, divine light which represents the voice of the LORD. He seems humbled and in deep reverence. This image is hoped to air an aura of spirituality, divinity, and wonder. It is created with the characteristics of digital art, fluently blending realistic portrayal with stylized details, and vivid yet harmonious colors setting the mood.

1 Chronicles 21:9 - "¶ And the LORD spake unto Gad, David's seer, saying,"

1 Chronicles 9:24 - "In four quarters were the porters, toward the east, west, north, and south."

1 Chronicles 9:24 - "In four quarters were the porters, toward the east, west, north, and south."

1 Chronicles 9:21 - "And Zechariah the son of Meshelemiah was porter of the door of the tabernacle of the congregation."

1 Chronicles 9:21 - "And Zechariah the son of Meshelemiah was porter of the door of the tabernacle of the congregation."

1 Chronicles 9:6 - "And of the sons of Zerah; Jeuel, and their brethren, six hundred and ninety."

1 Chronicles 9:6 - "And of the sons of Zerah; Jeuel, and their brethren, six hundred and ninety."

1 Chronicles 15:9 - "Of the sons of Hebron; Eliel the chief, and his brethren fourscore:" Create a digital art interpretation of a scene from the book 1 Chronicles 15:9. Depict Eliel, identified as the chief, and his brethren, numbering eighty, associated with the lineage of Hebron. Architecturally, the setting should resemble ancient times. The individuals should be represented with significant respect and dignity, reflecting their spiritual and familial roles.

1 Chronicles 15:9 - "Of the sons of Hebron; Eliel the chief, and his brethren fourscore:"

1 Chronicles 1:9 - "And the sons of Cush; Seba, and Havilah, and Sabta, and Raamah, and Sabtecha. And the sons of Raamah; Sheba, and Dedan." Create an image representing the biblical passage from 1 Chronicles 1:9, where the sons of Cush - Seba, Havilah, Sabta, Raamah, and Sabtecha - are mentioned. Also, depict the sons of Raamah; Sheba, and Dedan. Interpret this scene in the form of digital art. The image should incorporate elements of Middle Eastern culture, and each person should be distinct and unique, embodying the sense of the given names.

1 Chronicles 1:9 - "And the sons of Cush; Seba, and Havilah, and Sabta, and Raamah, and Sabtecha. And the sons of Raamah; Sheba, and Dedan."

1 Chronicles 11:9 - "So David waxed greater and greater: for the LORD of hosts was with him."

1 Chronicles 11:9 - "So David waxed greater and greater: for the LORD of hosts was with him."

Luke 9:40 - "And I besought thy disciples to cast him out; and they could not." Create a vivid representation of the biblical scene from Luke 9:40, where the follower is pleading with the disciples who were unable to cast out a spirit. Please depict this scene in a style inspired by digital art, with a high level of detail and color. The scene should be set in a Middle Eastern landscape, emphasizing the historical and geographical context of the story. Also, make sure to capture the emotions of desperation and the sense of failure in the characters.

Luke 9:40 - "And I besought thy disciples to cast him out; and they could not."

1 Chronicles 9:43 - "And Moza begat Binea; and Rephaiah his son, Eleasah his son, Azel his son." Imagine a creatively-rendered artistic representation of a passage from ancient scripture, more specifically, 1 Chronicles 9:43 - 'And Moza begat Binea; and Rephaiah his son, Eleasah his son, Azel his son.' The scene could depict three generations of men, each one handing down something meaningful to the next. It might represent heritage, knowledge, or wisdom. This visualization should be in the style of digital art, employing bold colors, intricate shapes, and 21st-century aesthetics.

1 Chronicles 9:43 - "And Moza begat Binea; and Rephaiah his son, Eleasah his son, Azel his son."

1 Chronicles 9:35 - "¶ And in Gibeon dwelt the father of Gibeon, Jehiel, whose wife's name was Maachah:"

1 Chronicles 9:35 - "¶ And in Gibeon dwelt the father of Gibeon, Jehiel, whose wife's name was Maachah:"

1 Chronicles 9:36 - "And his firstborn son Abdon, then Zur, and Kish, and Baal, and Ner, and Nadab," A digital art representation of a scene from 1 Chronicles 9:36, displaying a firstborn son named Abdon along with Zur, Kish, Baal, Ner, and Nadab. Each individual is distinguishable, allowing for an interpretation of their relationship based on the text.

1 Chronicles 9:36 - "And his firstborn son Abdon, then Zur, and Kish, and Baal, and Ner, and Nadab,"