1 Samuel 23 Artwork

"Then they told David, saying, Behold, the Philistines fight against Keilah, and they rob the threshingfloors." - 1 Samuel 23:1

Explore 1 Samuel 23 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

1 Samuel 13:23 - "And the garrison of the Philistines went out to the passage of Michmash."

A scene from the biblical times as described in 1 Samuel 13:23, which states 'And the garrison of the Philistines went out to the passage of Michmash.' The Philistine garrison is represented in a detailed, vivid and realistic manner, marching out towards the mountain pass of Michmash in an orderly formation. The armor and weapons are accurately represented with a touch of archaic simplicity. The mountain pass landscape is tranquil and modest yet filled with an eerie tension. This image is inspired by the style of digital art which is known for its polished and smooth rendering.

1 Samuel 13:23 - "And the garrison of the Philistines went out to the passage of Michmash."

1 Samuel 23:1 - "Then they told David, saying, Behold, the Philistines fight against Keilah, and they rob the threshingfloors."

A digital art rendition of a historical scene inspired by 1 Samuel 23:1 from the Bible: David, a Middle-Eastern man with dark hair and a beard, is receiving distressing news from his men. They stand in a semi-circle around him, with expressions of deep concern. In the distance, the fortified city of Keilah is under attack by the Philistines. Smoke rises from a battlefield while the robbers pillage the threshing floors, piles of grain scattering in the chaos. The setting sun cast long, dramatic shadows across the scene.

1 Samuel 23:1 - "Then they told David, saying, Behold, the Philistines fight against Keilah, and they rob the threshingfloors."

1 Samuel 23:21 - "And Saul said, Blessed be ye of the LORD; for ye have compassion on me."

Create a digital illustration that depicts a scene from the biblical verse, 'And Saul said, Blessed be ye of the LORD; for ye have compassion on me.' A dramatic, celestial backdrop portrays the intertwined emotions of gratitude and request. Elements might include a symbolic representation of Saul addressing the divine, perhaps by focusing the scene upward, hands reaching towards an ethereal light. Include symbolic elements of compassion, such as soft, warm colors and gently radiating light.

1 Samuel 23:21 - "And Saul said, Blessed be ye of the LORD; for ye have compassion on me."

1 Samuel 9:23 - "And Samuel said unto the cook, Bring the portion which I gave thee, of which I said unto thee, Set it by thee."

1 Samuel 9:23 - "And Samuel said unto the cook, Bring the portion which I gave thee, of which I said unto thee, Set it by thee."

1 Samuel 23:29 - "And David went up from thence, and dwelt in strong holds at En-gedi."

1 Samuel 23:29 - "And David went up from thence, and dwelt in strong holds at En-gedi."

1 Samuel 23:16 - "¶ And Jonathan Saul's son arose, and went to David into the wood, and strengthened his hand in God."

Illustrate a scene from a literary text: 1 Samuel 23:16, which states 'And Jonathan Saul's son arose, and went to David into the wood, and strengthened his hand in God.' Depict the moment Jonathan, a middle-aged Caucasian male with short hair, is going to David, a young Middle-Eastern male with long hair, inside a forest of oak and pine trees. Render this imagery in a vibrant, clean and detailed style reflective of digital art. The focus should be on Jonathan extending his hand to David as a symbol of strength and faith in God.

1 Samuel 23:16 - "¶ And Jonathan Saul's son arose, and went to David into the wood, and strengthened his hand in God."

1 Samuel 23:15 - "And David saw that Saul was come out to seek his life: and David was in the wilderness of Ziph in a wood."

Visualize a biblical scene from 1 Samuel 23:15. The image centers around David, who realizes Saul is seeking his life and has taken refuge in the wilderness of Ziph, surrounded by dense woods. Shapes are crisp, bright, and defined, mirroring the precision often found in digital art. The wilderness is rugged and unspoiled, with gnarled trees and a sense of solitude. David should appear resolved yet wary, in the backdrop of this wilderness. Please interpret this scene avoiding any direct depiction of religious figures.

1 Samuel 23:15 - "And David saw that Saul was come out to seek his life: and David was in the wilderness of Ziph in a wood."

1 Samuel 23:27 - "¶ But there came a messenger unto Saul, saying, Haste thee, and come; for the Philistines have invaded the land."

A scene from a historical narrative that shows a messenger rushing towards Saul, brimming with urgency. The message he carries is of utmost importance: the Philistines have invaded the land. The urgency in his demeanor should be palpable, and the landscape behind should show signs of the Philistine invasion; perhaps distant smoke, agitated crowds or deserted markets. Craft this in the medium of digital art, using vivid colors and sharp lines to highlight the seriousness of the situation.

1 Samuel 23:27 - "¶ But there came a messenger unto Saul, saying, Haste thee, and come; for the Philistines have invaded the land."

1 Samuel 23:28 - "Wherefore Saul returned from pursuing after David, and went against the Philistines: therefore they called that place Selahammahlekoth."

A biblical scene inspired by 1 Samuel 23:28. This narrative piece portrays Saul, as a Middle-Eastern male with warrior attire, halting his pursuit of David. He is pivoting and preparing to face an unrelated battle against the Philistines. The location, named Selahammahlekoth, is a rugged terrain under a vivid twilight sky. The aesthetic is reminiscent of a painted digital art style, with smooth gradients and clean, defined shapes.

1 Samuel 23:28 - "Wherefore Saul returned from pursuing after David, and went against the Philistines: therefore they called that place Selahammahlekoth."

1 Samuel 23:18 - "And they two made a covenant before the LORD: and David abode in the wood, and Jonathan went to his house."

An interpretation of a scene from 1 Samuel 23:18, depicting two men in an ancient Middle-Eastern setting as they form a covenant. One man, depicted as David, is seen remaining in a dense forest. His clothes are simple, and he looks peaceful. His companion, represented as Jonathan, is shown departing towards a distant adobe house in Mediterranean style. Include details to suggest a spiritual undertone to the scene, such as a subtle glow around the men or divine symbols subtly worked into the background. This interpretation should be in the style of digital art.

1 Samuel 23:18 - "And they two made a covenant before the LORD: and David abode in the wood, and Jonathan went to his house."

1 Samuel 23:8 - "And Saul called all the people together to war, to go down to Keilah, to besiege David and his men."

Visualize a scene from an ancient biblical story where an invincible warrior, Saul, is gathering his diverse multi-ethnic troops for a battle. The destination is a historical city, Keilah. Their mission is to besiege a man of courage, David, and his faithful soldiers. The setting is aglow with anticipation, tension seeping into every corner. Each character shows a mix of resolve and nervous energy, readying themselves for the impending conflict. Remember, this should be in the style of digital art, with vibrant colors and dynamic shapes.

1 Samuel 23:8 - "And Saul called all the people together to war, to go down to Keilah, to besiege David and his men."

1 Samuel 20:23 - "And as touching the matter which thou and I have spoken of, behold, the LORD be between thee and me for ever."

1 Samuel 20:23 - "And as touching the matter which thou and I have spoken of, behold, the LORD be between thee and me for ever."

1 Samuel 23:24 - "And they arose, and went to Ziph before Saul: but David and his men were in the wilderness of Maon, in the plain on the south of Jeshimon."

1 Samuel 23:24 - "And they arose, and went to Ziph before Saul: but David and his men were in the wilderness of Maon, in the plain on the south of Jeshimon."

2 Samuel 23:28 - "Zalmon the Ahohite, Maharai the Netophathite,"

A depiction of two biblical figures: Zalmon the Ahohite, a Middle-Eastern man with defined facial features, and Maharai the Netophathite, a Caucasian man with a stern expression. Both are garbed in traditional biblical attire, standing under the bright desert sun. Render this scene with the sleekness and polish characteristic of digital art.

2 Samuel 23:28 - "Zalmon the Ahohite, Maharai the Netophathite,"

2 Samuel 23:38 - "Ira an Ithrite, Gareb an Ithrite,"

Two religious figures named Ira and Gareb from the Ithrite descent as mentioned in the ancient text 2 Samuel 23:38. They are to be portrayed standing proudly, adorned in their traditional attire, conveying a strong aura of spirituality with a serene backdrop. They are positioned under an expansive sky, appearing to be in deep conversation. They are presented in a cutting-edge digital art style.

2 Samuel 23:38 - "Ira an Ithrite, Gareb an Ithrite,"

2 Samuel 23:35 - "Hezrai the Carmelite, Paarai the Arbite,"

2 Samuel 23:35 - "Hezrai the Carmelite, Paarai the Arbite,"

2 Samuel 23:27 - "Abiezer the Anethothite, Mebunnai the Hushathite,"

A detailed and colorful visual interpretation of a scene from the biblical text 2 Samuel 23:27, featuring two figures: Abiezer the Anethothite and Mebunnai the Hushathite. The scene should reflect the rich context and cultural ambiance of their era, focusing on their attire, gestures, and the surrounding environment, imagined in a general, digital artistic form.

2 Samuel 23:27 - "Abiezer the Anethothite, Mebunnai the Hushathite,"

2 Samuel 23:25 - "Shammah the Harodite, Elika the Harodite,"

Create a digital art representation of two characters from an ancient text: Shammah and Elika, both described as Harodites. Although the text does not provide physical details, presume Shammah to have a muscular build, Middle-Eastern descent, and a worn warrior's outfit. Contrast him with Elika, who has a leaner physique, Caucasian descent, and a more scholarly look. The scene is set in an arid landscape, reflective of Harod.

2 Samuel 23:25 - "Shammah the Harodite, Elika the Harodite,"

1 Samuel 23:12 - "Then said David, Will the men of Keilah deliver me and my men into the hand of Saul? And the LORD said, They will deliver thee up."

1 Samuel 23:12 - "Then said David, Will the men of Keilah deliver me and my men into the hand of Saul? And the LORD said, They will deliver thee up."

1 Samuel 23:9 - "¶ And David knew that Saul secretly practised mischief against him; and he said to Abiathar the priest, Bring hither the ephod."

1 Samuel 23:9 - "¶ And David knew that Saul secretly practised mischief against him; and he said to Abiathar the priest, Bring hither the ephod."

2 Samuel 23:39 - "Uriah the Hittite: thirty and seven in all."

2 Samuel 23:39 - "Uriah the Hittite: thirty and seven in all."

2 Samuel 23:30 - "Benaiah the Pirathonite, Hiddai of the brooks of Gaash,"

A scene from biblical times, showing Benaiah the Pirathonite, a renowned figure standing tall in his traditional outfit, bearing the symbols of his faith, alongside Hiddai. Hiddai stands by the brooks of Gaash, the water flowing freely indicating a serene and peaceful ambiance. The setting is textured and vibrant, and the overall image possesses a certain depth and surreal aesthetic quality characteristic of digital art.

2 Samuel 23:30 - "Benaiah the Pirathonite, Hiddai of the brooks of Gaash,"

2 Samuel 23:31 - "Abi-albon the Arbathite, Azmaveth the Barhumite,"

A visual representation of the biblical verse: 2 Samuel 23:31 - "Abi-albon the Arbathite, Azmaveth the Barhumite," in a digital art style. Display the characters as two ancient Biblical figures, both with distinguishing physical characteristics, set against an ancient Middle Eastern backdrop. Each character should be due representation of their biblical description, dressed in richly adorned traditional outfits consistent with the era. The environment should be highly detailed with a balance of architecture and nature indicative of ancient times. This should be illustrated using modern digital art techniques.

2 Samuel 23:31 - "Abi-albon the Arbathite, Azmaveth the Barhumite,"

1 Samuel 22:23 - "Abide thou with me, fear not: for he that seeketh my life seeketh thy life: but with me thou shalt be in safeguard."

1 Samuel 22:23 - "Abide thou with me, fear not: for he that seeketh my life seeketh thy life: but with me thou shalt be in safeguard."

1 Samuel 2:23 - "And he said unto them, Why do ye such things? for I hear of your evil dealings by all this people."

An image in the style of digital art, capturing the atmosphere of a key biblical scene from 1 Samuel 2:23. The scene includes a man, who could be of any descent, addressing multiple people who could be of various descents and both genders. The man should be depicted as if he's sternly questioning the group's actions. The phrase 'Why do ye such things? For I hear of your evil dealings by all this people.' should be emphasized in the scenery, possibly written in the sky or subtly incorporated into the architecture around them. The overall feeling should be somber and critical, with the crowd looking regretful or guilty.

1 Samuel 2:23 - "And he said unto them, Why do ye such things? for I hear of your evil dealings by all this people."

1 Samuel 23:6 - "And it came to pass, when Abiathar the son of Ahimelech fled to David to Keilah, that he came down with an ephod in his hand."

1 Samuel 23:6 - "And it came to pass, when Abiathar the son of Ahimelech fled to David to Keilah, that he came down with an ephod in his hand."

2 Samuel 23:32 - "Eliahba the Shaalbonite, of the sons of Jashen, Jonathan,"

A digital art interpretation of a scene from 2 Samuel 23:32. Depict Eliahba the Shaalbonite, one of the sons of Jashen, alongside Jonathan. Embody the tone and context of the biblical times - aged parchment for the background, Hebrew lettering, people clad in ancient attire suitable for the period. Make it colorful and vibrant, presenting a blend of religious historical essence with modern digital art techniques.

2 Samuel 23:32 - "Eliahba the Shaalbonite, of the sons of Jashen, Jonathan,"

2 Samuel 1:23 - "Saul and Jonathan were lovely and pleasant in their lives, and in their death they were not divided: they were swifter than eagles, they were stronger than lions."

2 Samuel 1:23 - "Saul and Jonathan were lovely and pleasant in their lives, and in their death they were not divided: they were swifter than eagles, they were stronger than lions."

1 Samuel 23:23 - "See therefore, and take knowledge of all the lurking places where he hideth himself, and come ye again to me with the certainty, and I will go with you: and it shall come to pass, if he be in the land, that I will search him out throughout all the thousands of Judah."

Generate a digital painting inspired by 1 Samuel 23:23 from the Bible. The scene should include an explorer carefully searching various hiding spots in a landscape, symbolizing the thousands of Judah. A companion at his side prepares to relay the information found back to a distant figure, representing certainty. The overall mood should be one of determination and suspense, conveying the tone of the biblical passage.

1 Samuel 23:23 - "See therefore, and take knowledge of all the lurking places where he hideth himself, and come ye again to me with the certainty, and I will go with you: and it shall come to pass, if he be in the land, that I will search him out throughout all the thousands of Judah."

2 Samuel 23:26 - "Helez the Paltite, Ira the son of Ikkesh the Tekoite,"

2 Samuel 23:26 - "Helez the Paltite, Ira the son of Ikkesh the Tekoite,"