1 Samuel 28 Artwork

"And it came to pass in those days, that the Philistines gathered their armies together for warfare, to fight with Israel. And Achish said unto David, Know thou assuredly, that thou shalt go out with me to battle, thou and thy men." - 1 Samuel 28:1

Explore 1 Samuel 28 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
1 Samuel1 Samuel 281 Samuel 28:1
1 Samuel 28:23 - "But he refused, and said, I will not eat. But his servants, together with the woman, compelled him; and he hearkened unto their voice. So he arose from the earth, and sat upon the bed." Create a digital art interpretation of a scene from a historic narration. The scene represents an individual who initially refuses to partake in a meal. The others present, his servants and a woman, however, persuade him. Following their intervention, the individual rises from a position that suggests he was sitting or kneeling on the ground and moves to sit on a bed. The entire scene should possess an air of gravity, portraying the emotional urgency of the situation.

1 Samuel 28:23 - "But he refused, and said, I will not eat. But his servants, together with the woman, compelled him; and he hearkened unto their voice. So he arose from the earth, and sat upon the bed."

1 Chronicles 1:28 - "The sons of Abraham; Isaac, and Ishmael."

1 Chronicles 1:28 - "The sons of Abraham; Isaac, and Ishmael."

1 Samuel 28:22 - "Now therefore, I pray thee, hearken thou also unto the voice of thine handmaid, and let me set a morsel of bread before thee; and eat, that thou mayest have strength, when thou goest on thy way."

1 Samuel 28:22 - "Now therefore, I pray thee, hearken thou also unto the voice of thine handmaid, and let me set a morsel of bread before thee; and eat, that thou mayest have strength, when thou goest on thy way."

2 Samuel 15:28 - "See, I will tarry in the plain of the wilderness, until there come word from you to certify me."

2 Samuel 15:28 - "See, I will tarry in the plain of the wilderness, until there come word from you to certify me."

1 Samuel 3:10 - "And the LORD came, and stood, and called as at other times, Samuel, Samuel. Then Samuel answered, Speak; for thy servant heareth."

1 Samuel 3:10 - "And the LORD came, and stood, and called as at other times, Samuel, Samuel. Then Samuel answered, Speak; for thy servant heareth."

2 Samuel 22:28 - "And the afflicted people thou wilt save: but thine eyes are upon the haughty, that thou mayest bring them down." Please create a digital artwork interpretation of 2 Samuel 22:28 - 'And the afflicted people thou wilt save: but thine eyes are upon the haughty, that thou mayest bring them down.' This piece should visually represent the downtrodden being uplifted and their oppressors being humbled.

2 Samuel 22:28 - "And the afflicted people thou wilt save: but thine eyes are upon the haughty, that thou mayest bring them down."

1 Samuel 28:7 - "¶ Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and enquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at En-dor."

1 Samuel 28:7 - "¶ Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and enquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at En-dor."

1 Samuel 8:7 Create an image that visually interprets the scene from the Bible, 1 Samuel 8:7. The scene should convey respectful and devotional aspects of Christianity without any textual elements. The style should be reminiscent of traditional stained glass art found in old cathedrals. Emphasize the use of bright colors, intricate patterns, and symbolic imagery often found in the medium.

1 Samuel 8:7

1 Samuel 15:10 - "¶ Then came the word of the LORD unto Samuel, saying,"

1 Samuel 15:10 - "¶ Then came the word of the LORD unto Samuel, saying,"

1 Samuel 28:9 - "And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die?"

1 Samuel 28:9 - "And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die?"

2 Samuel 17:28 - "Brought beds, and basons, and earthen vessels, and wheat, and barley, and flour, and parched corn, and beans, and lentiles, and parched pulse,"

2 Samuel 17:28 - "Brought beds, and basons, and earthen vessels, and wheat, and barley, and flour, and parched corn, and beans, and lentiles, and parched pulse,"

1 Samuel 25:28 - "I pray thee, forgive the trespass of thine handmaid: for the LORD will certainly make my lord a sure house; because my lord fighteth the battles of the LORD, and evil hath not been found in thee all thy days."

1 Samuel 25:28 - "I pray thee, forgive the trespass of thine handmaid: for the LORD will certainly make my lord a sure house; because my lord fighteth the battles of the LORD, and evil hath not been found in thee all thy days."

1 Samuel 8:1 - "And it came to pass, when Samuel was old, that he made his sons judges over Israel." Illustrate an ancient scene inspired from the Bible where an elderly man, Samuel, designates his sons as judges over an ancient land known as Israel. This is in respect to 1 Samuel 8:1. The illustration style should be consistent with the characteristics of digital art, applying modern color choices, and bold, distinct lines to define characters and scenery. The scene includes Samuel, who can be seen as a senior with a staff for support, clothed in traditional robes, symbolizing wisdom and age. His sons, who are standing to receive his blessings, also wear traditional clothing, indicating their new positions of authority. The setting should evoke an ancient Middle-Eastern landscape.

1 Samuel 8:1 - "And it came to pass, when Samuel was old, that he made his sons judges over Israel."

Numbers 28:1 - "And the LORD spake unto Moses, saying,"

Numbers 28:1 - "And the LORD spake unto Moses, saying,"

1 Samuel 10:17 - "¶ And Samuel called the people together unto the LORD to Mizpeh;"

1 Samuel 10:17 - "¶ And Samuel called the people together unto the LORD to Mizpeh;"

1 Samuel 7:15 - "And Samuel judged Israel all the days of his life." A biblical scene from 1 Samuel 7:15. Samuel is shown in the act of judging the Israelites throughout his life. His countenance is thoughtful, compassionate yet stern, displaying his wisdom as a judge. He is seated on an ancient seat of judgment, which symbolizes his holy occupation. Gathered around him are the Israelites seeking his guidance, their expressions showing hope, respect and a hint of apprehension. The atmosphere is quiet and serious. The style of this image is evocative of the digital art medium, characterized by sharp lines, vibrant colors and a modern aesthetic.

1 Samuel 7:15 - "And Samuel judged Israel all the days of his life."

1 Samuel 3:16 - "Then Eli called Samuel, and said, Samuel, my son. And he answered, Here am I."

1 Samuel 3:16 - "Then Eli called Samuel, and said, Samuel, my son. And he answered, Here am I."

1 Samuel 28:21 - "¶ And the woman came unto Saul, and saw that he was sore troubled, and said unto him, Behold, thine handmaid hath obeyed thy voice, and I have put my life in my hand, and have hearkened unto thy words which thou spakest unto me."

1 Samuel 28:21 - "¶ And the woman came unto Saul, and saw that he was sore troubled, and said unto him, Behold, thine handmaid hath obeyed thy voice, and I have put my life in my hand, and have hearkened unto thy words which thou spakest unto me."

1 Samuel 15:31 - "So Samuel turned again after Saul; and Saul worshipped the LORD."

1 Samuel 15:31 - "So Samuel turned again after Saul; and Saul worshipped the LORD."

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod." Illustrate an image based on the biblical scene from 1 Samuel 2:18. Depict a young boy named Samuel serving before the LORD, dressed in a linen ephod. This scene should be rendered using modern digital art techniques, showing vibrant colors and bold lines. Focus on Samuel's youthful innocence and dedication as he performs his duties, with the aura of divine presence subtly suggested in the background.

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod."

1 Kings 6:28 - "And he overlaid the cherubims with gold."

1 Kings 6:28 - "And he overlaid the cherubims with gold."

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men." Visualize an interpretive digital art scene that represents the biblical scripture from 1 Samuel 2:26, 'And the child Samuel grew on, and was in favour both with the LORD, and also with men.' The scene should represent Samuel as a young boy, growing and maturing under both divine and human admiration. Show symbolism for the Lord's favour - such as a divine ethereal glow or a protective hand from the heavens - and men's respect - represented by faces of men from different descents demonstrating admiration or respect towards Samuel.

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men."

1 Samuel 3:1 - "And the child Samuel ministered unto the LORD before Eli. And the word of the LORD was precious in those days; there was no open vision." Create a digital art-style illustration based on 1 Samuel 3:1 - 'And the child Samuel ministered unto the LORD before Eli. And the word of the LORD was precious in those days; there was no open vision.' The scene should depict a young boy, representative of Samuel, in humble clothing of the ancient era, deferentially positioned before an elderly man, Eli, furnished with clothing indicating a figure of religious significance. The environment should suggest an ancient, sacred space, bathed in warm, soft light. The boy is seen fervently conveying a message to the elder. No explicit divine apparitions are present, preserving the notion of 'no open vision'.

1 Samuel 3:1 - "And the child Samuel ministered unto the LORD before Eli. And the word of the LORD was precious in those days; there was no open vision."

2 Samuel 2:28 - "So Joab blew a trumpet, and all the people stood still, and pursued after Israel no more, neither fought they any more." Create a rendition of a scene inspired by the biblical scripture from 2 Samuel 2:28, which reads: 'So Joab blew a trumpet, and all the people stood still, and pursued after Israel no more, neither fought they any more. This scene should draw from the mid-19th century realistic style and the cultural context of the period. The image should portray Joab, a Middle Eastern man, standing triumphantly after blowing a trumpet, around him are diverse groups of people (men and women of Middle Eastern, Caucasian, Black, Hispanic, and South Asian descent) standing still, their weapons lowered. They are no longer pursuing or fighting, which was reflected visually by expressions of peace and surrender on their faces. The setting is a battlefield, littered with signs of a recently halted fight, under a dramatic sky. Render this scene in a digital art format.

2 Samuel 2:28 - "So Joab blew a trumpet, and all the people stood still, and pursued after Israel no more, neither fought they any more."

1 Samuel 3:15 - "¶ And Samuel lay until the morning, and opened the doors of the house of the LORD. And Samuel feared to shew Eli the vision." Create a digital art interpretation of a historical scene. It depicts young Samuel, a Middle-Eastern boy, laying until the morning in an ancient setting with intricate designs. The moment he opens the large, ornately carved wooden doors of the temple, marked with symbols representing the divine, is captured. His apprehension about revealing a vision to Elder Eli, an elderly Caucasian man clad in simple priestly robes, is also clearly reflected in his body language and expression.

1 Samuel 3:15 - "¶ And Samuel lay until the morning, and opened the doors of the house of the LORD. And Samuel feared to shew Eli the vision."

1 Samuel 2:28 - "And did I choose him out of all the tribes of Israel to be my priest, to offer upon mine altar, to burn incense, to wear an ephod before me? and did I give unto the house of thy father all the offerings made by fire of the children of Israel?" A compelling digital art representation of a scene inspired by 1 Samuel 2:28. Envision a selected priest, draped in the sacred ephod, standing before an altar where offerings burn with divine intensity. His face reflects reverent assurance, having been chosen from all the tribes of Israel. This divine selection reaches beyond him, to the entire house of his forefathers, signified by all the offerings made by fire of the children of Israel. Create the artwork with a sense of spirituality and strong biblical symbolism.

1 Samuel 2:28 - "And did I choose him out of all the tribes of Israel to be my priest, to offer upon mine altar, to burn incense, to wear an ephod before me? and did I give unto the house of thy father all the offerings made by fire of the children of Israel?"

1 Samuel 3:4 - "That the LORD called Samuel: and he answered, Here am I."

1 Samuel 3:4 - "That the LORD called Samuel: and he answered, Here am I."

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels. Create a detailed interpretation of the biblical scene from Ezekiel 1:4-28, depicting the vision of the four living creatures and the wheels. This biblical image should be rendered in a contemporary style that alludes to the digital aesthetic. The scene should not contain any text or written words. It should capture the otherworldly spectacle of this vision, with the four living creatures and wheels possessing the glowy, luminous quality often seen in digital illustrations.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels. A supernatural scene, depicted in visionary detail and adhering to the narrative from the book of Ezekiel 1:4-28. The primary focus is the image of the four mystical creatures, each unique in its own right, with human-like forms but laden with the eyes. These entities are accompanied by mysterious, interlocking wheels, brimming with eyes and motion. The whole environment pulsates with radiant energy. This concept does not incorporate any text or words, and is executed in a digital art styling, distinct for its clean lines, vibrant colors, and high resolution.

Ezekiel 1:4-28 – The vision of the four living creatures and the wheels.

1 Samuel 15:34 - "¶ Then Samuel went to Ramah; and Saul went up to his house to Gibeah of Saul." A dramatic biblical scene depicting 1 Samuel 15:34. We see two distinct locations - Ramah and Gibeah. In the first, the prophet Samuel, an elderly man with white hair and flowing robes, makes his solemn departure to Ramah, a vibrant town nestled in the rolling hills under a vast blue sky. The second, depicts Saul, a tall man with a regal air about him, ascending a winding path to his house, high atop the hill in Gibeah. The house is rustic, a Middle-Eastern architectural design made of pale limestone, overlooking the vast landscape below. This is all done in a digital art style.

1 Samuel 15:34 - "¶ Then Samuel went to Ramah; and Saul went up to his house to Gibeah of Saul."