2 Chronicles 29 Artwork

"Hezekiah began to reign when he was five and twenty years old, and he reigned nine and twenty years in Jerusalem. And his mother’s name was Abijah, the daughter of Zechariah." - 2 Chronicles 29:1

Explore 2 Chronicles 29 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 Chronicles2 Chronicles 292 Chronicles 29:1
2 Chronicles 29:26 - "And the Levites stood with the instruments of David, and the priests with the trumpets." A depiction of a biblical scene inspired by the verse from 2 Chronicles 29:26. The picture visualizes Levites, dressed in traditional attire of the period, standing solemnly with ancient musical instruments associated with David. Adjacent to them are priests, arrayed in the ceremonial garb of the era, poised with trumpets in their hands. The tone of the scene is reverent and peaceful, capturing the essence of a spiritual ceremony. The overall style is akin to digital art, with sharp lines, vibrant colors, and a high level of detail.

2 Chronicles 29:26 - "And the Levites stood with the instruments of David, and the priests with the trumpets."

2 Chronicles 29:29 - "And when they had made an end of offering, the king and all that were present with him bowed themselves, and worshipped."

2 Chronicles 29:29 - "And when they had made an end of offering, the king and all that were present with him bowed themselves, and worshipped."

2 Chronicles 29:13 - "And of the sons of Elizaphan; Shimri, and Jeiel: and of the sons of Asaph; Zechariah, and Mattaniah:"

2 Chronicles 29:13 - "And of the sons of Elizaphan; Shimri, and Jeiel: and of the sons of Asaph; Zechariah, and Mattaniah:"

2 Chronicles 34:29 - "¶ Then the king sent and gathered together all the elders of Judah and Jerusalem." Create an image of a scene from ancient Judah, inspired by the biblical verse 2 Chronicles 34:29. The scene should depict a king in his royal attire, sitting on his throne, sending messengers to gather the elders of Judah and Jerusalem. These messengers should be preparing to depart, holding scrolls detailing the king's command. The elders, diverse in age and attire, should be shown in their various homes or workplaces, being notified about the king's call. The scene should be imagined in an abstract and surreal style, utilizing the visual effects available in the digital art medium.

2 Chronicles 34:29 - "¶ Then the king sent and gathered together all the elders of Judah and Jerusalem."

2 Chronicles 29:14 - "And of the sons of Heman; Jehiel, and Shimei: and of the sons of Jeduthun; Shemaiah, and Uzziel." Create a digital art representation of a scene from the biblical verse 2 Chronicles 29:14. Illustrate the sons of Heman, Jehiel and Shimei, and the sons of Jeduthun, Shemaiah and Uzziel, wearing traditional period attire. Set the scene in a timeless space that captures the historic and religious atmosphere of the era, use neutral tones to provide a sense of the past.

2 Chronicles 29:14 - "And of the sons of Heman; Jehiel, and Shimei: and of the sons of Jeduthun; Shemaiah, and Uzziel."

2 Chronicles 29:4 - "And he brought in the priests and the Levites, and gathered them together into the east street,"

2 Chronicles 29:4 - "And he brought in the priests and the Levites, and gathered them together into the east street,"

2 Chronicles 29:33 - "And the consecrated things were six hundred oxen and three thousand sheep." Generate a detailed picture, using the style of digital art, illustrating a biblical scene. This scene should depict six hundred oxen and three thousand sheep as mentioned in 2 Chronicles 29:33. Provide each animal with clear distinctions with a mixture of plenty of earthy colors like browns, whites, blacks, and grays. The setting should be in an expansive open field, expressing sheer vastness and scale. Underneath the spacious sky, these vast numbers of livestock should effectively communicate an overwhelming feeling of abundance.

2 Chronicles 29:33 - "And the consecrated things were six hundred oxen and three thousand sheep."

1 Chronicles 2:29 - "And the name of the wife of Abishur was Abihail, and she bare him Ahban, and Molid." An artistically rendered scene inspired by a biblical passage 1 Chronicles 2:29 - "And the name of the wife of Abishur was Abihail, and she bare him Ahban, and Molid.". Visualize Abishur and his wife, Abihail, with their newborn sons, Ahban and Molid, embracing a moment of joy. The surrounding backdrop should evoke ancient biblical times, filled with the tranquility of desert landscapes, tents and olive trees. Render this scene in a digital art style, capturing the emotions, expressions and details of the characters with vivid and dynamic colors.

1 Chronicles 2:29 - "And the name of the wife of Abishur was Abihail, and she bare him Ahban, and Molid."

2 Chronicles 29:2 - "And he did that which was right in the sight of the LORD, according to all that David his father had done."

2 Chronicles 29:2 - "And he did that which was right in the sight of the LORD, according to all that David his father had done."

2 Chronicles 29:20 - "¶ Then Hezekiah the king rose early, and gathered the rulers of the city, and went up to the house of the LORD."

2 Chronicles 29:20 - "¶ Then Hezekiah the king rose early, and gathered the rulers of the city, and went up to the house of the LORD."

2 Chronicles 29:36 - "And Hezekiah rejoiced, and all the people, that God had prepared the people: for the thing was done suddenly."

2 Chronicles 29:36 - "And Hezekiah rejoiced, and all the people, that God had prepared the people: for the thing was done suddenly."

2 Chronicles 29:23 - "And they brought forth the he goats for the sin offering before the king and the congregation; and they laid their hands upon them:"

2 Chronicles 29:23 - "And they brought forth the he goats for the sin offering before the king and the congregation; and they laid their hands upon them:"

1 Chronicles 4:29 - "And at Bilhah, and at Ezem, and at Tolad,"

1 Chronicles 4:29 - "And at Bilhah, and at Ezem, and at Tolad,"

2 Chronicles 29:3 - "¶ He in the first year of his reign, in the first month, opened the doors of the house of the LORD, and repaired them."

2 Chronicles 29:3 - "¶ He in the first year of his reign, in the first month, opened the doors of the house of the LORD, and repaired them."

2 Chronicles 29:15 - "And they gathered their brethren, and sanctified themselves, and came, according to the commandment of the king, by the words of the LORD, to cleanse the house of the LORD."

2 Chronicles 29:15 - "And they gathered their brethren, and sanctified themselves, and came, according to the commandment of the king, by the words of the LORD, to cleanse the house of the LORD."

2 Chronicles 29:28 - "And all the congregation worshipped, and the singers sang, and the trumpeters sounded: and all this continued until the burnt offering was finished." A grand scene of congregation worshipping is presented, the atmosphere filled with devotion and spirituality. The singers are captured mid-song, their expressions intense as they harmonize beautifully on the sacred melodies, their attire reflecting their different descents, Caucasian, Hispanic, Black, Middle Eastern, South Asian, and White. Also in the scene, the trumpeters, a mix of male and female from each descent, are sounding their instruments, passionately contributing to the resonant music. This scene continues rhythmically until the depiction of a completed burnt offering in the center. Evoke the details using the aesthetics of digital artistry.

2 Chronicles 29:28 - "And all the congregation worshipped, and the singers sang, and the trumpeters sounded: and all this continued until the burnt offering was finished."

2 Chronicles 29:9 - "For, lo, our fathers have fallen by the sword, and our sons and our daughters and our wives are in captivity for this."

2 Chronicles 29:9 - "For, lo, our fathers have fallen by the sword, and our sons and our daughters and our wives are in captivity for this."

2 Chronicles 20:29 - "And the fear of God was on all the kingdoms of those countries, when they had heard that the LORD fought against the enemies of Israel." Please visualize an ancient scene inspired by a biblical verse: 'And the awe of a divine entity was felt across all realms, upon hearing that this divinity had risen in defense of its chosen people'. This imagery should reflect the following: vast kingdoms lying in the shadow of great, looming clouds, the air hums with a sense of deep respect and fear. Symbols indicative of divine battle, like streaks of lightning, battle cries whispering in the wind, or shimmering ethereal warriors, invade these scenes. This composition should be executed in the style of digital art.

2 Chronicles 20:29 - "And the fear of God was on all the kingdoms of those countries, when they had heard that the LORD fought against the enemies of Israel."

1 Chronicles 11:29 - "Sibbecai the Hushathite, Ilai the Ahohite," Illustrate a scene based on the biblical verse 1 Chronicles 11:29 - 'Sibbecai the Hushathite, Ilai the Ahohite,'. The style should be reminiscent of digital art, with clear, concise lines and vibrant colors. Both figures should be depicted in traditional attire of the era, each with distinct characteristics. Sibbecai, a Hushathite, should be portrayed stoically, while Ilai, an Ahohite, appears reflective. The background scene should be a peaceful desert landscape to complement their surroundings.

1 Chronicles 11:29 - "Sibbecai the Hushathite, Ilai the Ahohite,"

1 Chronicles 24:29 - "Concerning Kish: the son of Kish was Jerahmeel." Create a digital art representation of a biblical verse, 1 Chronicles 24:29, which states: 'Concerning Kish: the son of Kish was Jerahmeel.' The image should portray the relation of father and son in a historical setting, possibly with ancient attire and surroundings indicative of biblical times.

1 Chronicles 24:29 - "Concerning Kish: the son of Kish was Jerahmeel."

2 Chronicles 29:10 - "Now it is in mine heart to make a covenant with the LORD God of Israel, that his fierce wrath may turn away from us." Create a digital art inspired image depicting a scene from the ancient text, specifically the passage from 2 Chronicles 29:10. The scene should depict a person expressing their internal desire to make a pact with a divine entity, with the hope that this act will deflect the entity's intense anger. The person can be seen reaching out towards a celestial creation, representing the divine entity, with a pleading posture. The surrounding ambiance should embody worry and impending severity that might be dispelled through this personal commitment.

2 Chronicles 29:10 - "Now it is in mine heart to make a covenant with the LORD God of Israel, that his fierce wrath may turn away from us."

2 Chronicles 32:29 - "Moreover he provided him cities, and possessions of flocks and herds in abundance: for God had given him substance very much."

2 Chronicles 32:29 - "Moreover he provided him cities, and possessions of flocks and herds in abundance: for God had given him substance very much."

2 Chronicles 29:8 - "Wherefore the wrath of the LORD was upon Judah and Jerusalem, and he hath delivered them to trouble, to astonishment, and to hissing, as ye see with your eyes."

2 Chronicles 29:8 - "Wherefore the wrath of the LORD was upon Judah and Jerusalem, and he hath delivered them to trouble, to astonishment, and to hissing, as ye see with your eyes."

1 Chronicles 1:29 - "¶ These are their generations: The firstborn of Ishmael, Nebaioth; then Kedar, and Adbeel, and Mibsam," A digital art interpretation of a scene from 1 Chronicles 1:29: 'These are their generations: The firstborn of Ishmael, Nebaioth; then Kedar, and Adbeel, and Mibsam.' Projected onto this scene is an imagine of fathers passing on their legacy to their children, reflecting the generational understanding of this Bible verse. It uses a beautiful mixture of bold and soft colors, combining the modern minimalist aesthetic with touch of symbolic imagery.

1 Chronicles 1:29 - "¶ These are their generations: The firstborn of Ishmael, Nebaioth; then Kedar, and Adbeel, and Mibsam,"

2 Chronicles 29:32 - "And the number of the burnt offerings, which the congregation brought, was threescore and ten bullocks, an hundred rams, and two hundred lambs: all these were for a burnt offering to the LORD." Visualize a scene from an ancient religious text: The numbers in the scene are staggering - seventy bulky bullocks, a hundred sturdy rams, and two hundred delicate lambs. They are presented by a congregation of diverse peoples, males and females composed of Caucasians, Hispanics, Black, Middle-Eastern, South Asian individuals. The setting is an open ground, full of these sacrificial animals, all prepared for a burnt offering to a divine entity. Contextualize this image in the formal qualities seen in Victorian era illustrations using the primary medium of digital art.

2 Chronicles 29:32 - "And the number of the burnt offerings, which the congregation brought, was threescore and ten bullocks, an hundred rams, and two hundred lambs: all these were for a burnt offering to the LORD."

2 Chronicles 29:35 - "And also the burnt offerings were in abundance, with the fat of the peace offerings, and the drink offerings for every burnt offering. So the service of the house of the LORD was set in order." Imagine the biblical moment described in 2 Chronicles 29:35, where burnt offerings are in abundance, along with fat from peace offerings, and drink offerings for every burnt offering. The service at the house of the LORD is meticulously arranged. Visualize this complex religious scene in a modern digital art style, focusing on the serene and sacred atmosphere. Picture the offerings positioned orderly, the flickering flames from the burnt offerings casting a warm glow on the scene, and the ceremonial drink offerings adding depth to the rituality.

2 Chronicles 29:35 - "And also the burnt offerings were in abundance, with the fat of the peace offerings, and the drink offerings for every burnt offering. So the service of the house of the LORD was set in order."

2 Chronicles 29:30 - "Moreover Hezekiah the king and the princes commanded the Levites to sing praise unto the LORD with the words of David, and of Asaph the seer. And they sang praises with gladness, and they bowed their heads and worshipped."

2 Chronicles 29:30 - "Moreover Hezekiah the king and the princes commanded the Levites to sing praise unto the LORD with the words of David, and of Asaph the seer. And they sang praises with gladness, and they bowed their heads and worshipped."

1 Chronicles 29:26 - "¶ Thus David the son of Jesse reigned over all Israel."

1 Chronicles 29:26 - "¶ Thus David the son of Jesse reigned over all Israel."

1 Chronicles 8:29 - "And at Gibeon dwelt the father of Gibeon; whose wife's name was Maachah:" Picture a scene in the biblical era based on the verse '1 Chronicles 8:29 - And at Gibeon dwelt the father of Gibeon; whose wife's name was Maachah'. Imagine a Middle-Eastern man, presumably the father of Gibeon, dwelling in an ancient city. Perhaps his house is made of stone, humble but solid. Nearby, his wife Maachah, a Middle-Eastern woman, is engaged in her daily chores. The surroundings should reflect the antiquity and simplicity of the era. The art style should be digital, mimicking traditional mediums, with a balance of natural colors and clear details.

1 Chronicles 8:29 - "And at Gibeon dwelt the father of Gibeon; whose wife's name was Maachah:"

2 Chronicles 9:29 - "¶ Now the rest of the acts of Solomon, first and last, are they not written in the book of Nathan the prophet, and in the prophecy of Ahijah the Shilonite, and in the visions of Iddo the seer against Jeroboam the son of Nebat?" Visualize a scene inspired by the ancient text, 2 Chronicles 9:29, 'The rest of the acts of Solomon, first and last, summarized in ancient records by Nathan the prophet, Ahijah the Shilonite's prophecies, and the visions of Iddo the seer against Jeroboam the son of Nebat'. Capture this scene in a digital art format, focusing on the historical setting, the significance of the prophets and their prophecies, as well as the overarching narrative of Solomon's acts. Let the image subtly blend hieroglyphics or ancient script, symbolic representations of prophecies, and digitized features in a seamless manner.

2 Chronicles 9:29 - "¶ Now the rest of the acts of Solomon, first and last, are they not written in the book of Nathan the prophet, and in the prophecy of Ahijah the Shilonite, and in the visions of Iddo the seer against Jeroboam the son of Nebat?"