2 Chronicles 3 Artwork

"Then Solomon began to build the house of the LORD at Jerusalem in mount Moriah, where the appeared unto David his father, in the place that David had prepared in the threshingfloor of Ornan the Jebusite." - 2 Chronicles 3:1

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2 Chronicles 8:3 - "And Solomon went to Hamath-zobah, and prevailed against it."

2 Chronicles 8:3 - "And Solomon went to Hamath-zobah, and prevailed against it."

2 Chronicles 3:6 - "And he garnished the house with precious stones for beauty: and the gold was gold of Parvaim."

2 Chronicles 3:6 - "And he garnished the house with precious stones for beauty: and the gold was gold of Parvaim."

2 Chronicles 3:14 - "¶ And he made the vail of blue, and purple, and crimson, and fine linen, and wrought cherubims thereon."

2 Chronicles 3:14 - "¶ And he made the vail of blue, and purple, and crimson, and fine linen, and wrought cherubims thereon."

2 Chronicles 3:9 - "And the weight of the nails was fifty shekels of gold. And he overlaid the upper chambers with gold."

2 Chronicles 3:9 - "And the weight of the nails was fifty shekels of gold. And he overlaid the upper chambers with gold."

2 Chronicles 3:2 - "And he began to build in the second day of the second month, in the fourth year of his reign."

An accurate digital reproduction of the scene from 2 Chronicles 3:2, depicting the start of a monumental construction. The scene is set in the second day of the second month, of the fourth year of a ruler's reign. It should include the ruler, possibly standing and overseeing the initial works, construction supplies scattered around, and the eager workforce getting started on their tasks. The time of the day is early morning, capturing the freshness and promise of a new day. It's a mix of enthusiasm and solemnity as they embark on the challenging task, needing to stay true to the traditional depiction while embracing the precision offered by digital art.

2 Chronicles 3:2 - "And he began to build in the second day of the second month, in the fourth year of his reign."

2 Chronicles 3:10 - "And in the most holy house he made two cherubims of image work, and overlaid them with gold."

Create a digital art representation of a scene from the Biblical passage 2 Chronicles 3:10. The scene should feature a sacred house, the interior of which has two cherubim figures that seem to be crafted intricately. These cherubim are covered in pure, glimmering gold. The ambiance should emanate a holy and sublime aura, with hints of golden light reflecting off the cherubim, giving a sense of divine presence.

2 Chronicles 3:10 - "And in the most holy house he made two cherubims of image work, and overlaid them with gold."

2 Chronicles 24:3 - "And Jehoiada took for him two wives; and he begat sons and daughters."

2 Chronicles 24:3 - "And Jehoiada took for him two wives; and he begat sons and daughters."

2 Chronicles 3:13 - "The wings of these cherubims spread themselves forth twenty cubits: and they stood on their feet, and their faces were inward."

Visualize a digital art representation of a scene inspired by 2 Chronicles 3:13 from the bible. This scene features two cherubims standing on their feet with their faces turned inward. Their wings are magnificently spread out, spanning twenty cubits. Use bright and vibrant color palettes to illustrate the glory and majesty of these cherubims.

2 Chronicles 3:13 - "The wings of these cherubims spread themselves forth twenty cubits: and they stood on their feet, and their faces were inward."

2 Chronicles 10:3 - "And they sent and called him. So Jeroboam and all Israel came and spake to Rehoboam, saying,"

Generate an image that depicts a scene from a Biblical narrative, specifically from 2 Chronicles 10:3 - 'And they sent and called him. So Jeroboam and all the men of Israel came and spoke to Rehoboam,' with Middle Eastern individuals engaging in a profound discussion. The style should resemble digital art.

2 Chronicles 10:3 - "And they sent and called him. So Jeroboam and all Israel came and spake to Rehoboam, saying,"

2 Chronicles 3:5 - "And the greater house he cieled with fir tree, which he overlaid with fine gold, and set thereon palm trees and chains."

2 Chronicles 3:5 - "And the greater house he cieled with fir tree, which he overlaid with fine gold, and set thereon palm trees and chains."

2 Chronicles 3:12 - "And one wing of the other cherub was five cubits, reaching to the wall of the house: and the other wing was five cubits also, joining to the wing of the other cherub."

Generate a digital art representation of a Biblical scene inspired by 2 Chronicles 3:12, showcasing two cherubs. One cherub has a wing stretching five units in length towards the wall of a house, while its other wing, also of five units length, connects with the wing of the second cherub.

2 Chronicles 3:12 - "And one wing of the other cherub was five cubits, reaching to the wall of the house: and the other wing was five cubits also, joining to the wing of the other cherub."

2 Chronicles 27:3 - "He built the high gate of the house of the LORD, and on the wall of Ophel he built much."

2 Chronicles 27:3 - "He built the high gate of the house of the LORD, and on the wall of Ophel he built much."

2 Chronicles 9:3 - "And when the queen of Sheba had seen the wisdom of Solomon, and the house that he had built,"

Please create a digital illustration depicting the scene from 2 Chronicles 9:3 in the Bible. In this scene, the queen of Sheba is visibly impressed by the wisdom of King Solomon and the majestic house he has built. King Solomon is shown in a wise and regal demeanor, whereas the queen of Sheba expresses admiration and respect. The house in the background should look grand and architecturally impressive, reflecting Solomon's wisdom and wealth.

2 Chronicles 9:3 - "And when the queen of Sheba had seen the wisdom of Solomon, and the house that he had built,"

2 Chronicles 3:3 - "¶ Now these are the things wherein Solomon was instructed for the building of the house of God. The length by cubits after the first measure was threescore cubits, and the breadth twenty cubits."

Create a digital art representation of a scene inspired by the biblical passage in 2 Chronicles 3:3. It involves Solomon receiving instructions for the construction of the house of God. The dimensions of the house should be according to the described ancient measurements - sixty cubits in length and twenty cubits in width. Please include detailed architecture, render the atmosphere of divine inspiration, and pay close attention to the depiction of Solomon as a wise and determined builder.

2 Chronicles 3:3 - "¶ Now these are the things wherein Solomon was instructed for the building of the house of God. The length by cubits after the first measure was threescore cubits, and the breadth twenty cubits."

2 Chronicles 20:3 - "And Jehoshaphat feared, and set himself to seek the LORD, and proclaimed a fast throughout all Judah."

An illustration from the ancient text, 2 Chronicles 20:3. It depicts a male figure, recognized as Jehoshaphat, in a state of fear and contemplation. He's situated in a contemplative pose, seeking guidance from a divine entity. Judah, the surrounding cityscape, is seen with its inhabitants participating in a fast, demonstrating the cultural norms of this period. The style of illustration to be adopted is modern digital art, incorporated with a sense of depth, texture, and vivid color contrasts to accentuate the details.

2 Chronicles 20:3 - "And Jehoshaphat feared, and set himself to seek the LORD, and proclaimed a fast throughout all Judah."

2 Chronicles 3:16 - "And he made chains, as in the oracle, and put them on the heads of the pillars; and made an hundred pomegranates, and put them on the chains."

Generate a digital art image inspired by the biblical verse 2 Chronicles 3:16: Depict two tall pillars, each with chains draped over their tops. Each chain should be intricately designed, evoking the grandeur of an ancient oracle. Hanging from every link of these chains are magnificent, richly colored pomegranates, numbering in the hundreds. The image should capture the spiritual and historical essence of the scene.

2 Chronicles 3:16 - "And he made chains, as in the oracle, and put them on the heads of the pillars; and made an hundred pomegranates, and put them on the chains."

2 Chronicles 11:3 - "Speak unto Rehoboam the son of Solomon, king of Judah, and to all Israel in Judah and Benjamin, saying,"

2 Chronicles 11:3 - "Speak unto Rehoboam the son of Solomon, king of Judah, and to all Israel in Judah and Benjamin, saying,"

2 Chronicles 5:3 - "Wherefore all the men of Israel assembled themselves unto the king in the feast which was in the seventh month."

An illustration of a scene taken from the narrative of 2 Chronicles 5:3. Present a large gathering of men, possibly of varied descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian. They have assembled around a public figure, seemingly in a moment of celebration or feast. It's the seventh month, so create a backdrop hinting at late summer or early autumn weather. Though the subject is historic, render the image in a modern digital art style reminiscent of early 20th-century techniques.

2 Chronicles 5:3 - "Wherefore all the men of Israel assembled themselves unto the king in the feast which was in the seventh month."

2 Chronicles 6:3 - "And the king turned his face, and blessed the whole congregation of Israel: and all the congregation of Israel stood."

Visualize a biblical scene from 2 Chronicles 6:3 - A public figure, possibly a king, turns around, expressing a blessing towards a large gathering of individuals. The crowd, showcasing a diverse mix of Caucasian, Hispanic, Black, Middle-Eastern, and South-Asian descents, stands attentively. This scene is to be depicted with the aesthetics of modern digital art.

2 Chronicles 6:3 - "And the king turned his face, and blessed the whole congregation of Israel: and all the congregation of Israel stood."

2 Chronicles 3:7 - "He overlaid also the house, the beams, the posts, and the walls thereof, and the doors thereof, with gold; and graved cherubims on the walls."

2 Chronicles 3:7 - "He overlaid also the house, the beams, the posts, and the walls thereof, and the doors thereof, with gold; and graved cherubims on the walls."

1 Chronicles 3:2 - "The third, Absalom the son of Maachah the daughter of Talmai king of Geshur: the fourth, Adonijah the son of Haggith:"

1 Chronicles 3:2 - "The third, Absalom the son of Maachah the daughter of Talmai king of Geshur: the fourth, Adonijah the son of Haggith:"

2 Chronicles 22:3 - "He also walked in the ways of the house of Ahab: for his mother was his counsellor to do wickedly."

Generate a visual interpretation of the biblical verse 2 Chronicles 22:3. The image should depict a man walking in the direction implied by a symbolic representation of Ahab's house, illustrating the moral choices he's led to make. His mother, portrayed as a counsellor urging him towards wickedness, should be included in the scene. While the story comes from an ancient text, give a modern twist by using a digital art style. Please avoid any specific artist's style and aim for a more general contemporary digital aesthetic.

2 Chronicles 22:3 - "He also walked in the ways of the house of Ahab: for his mother was his counsellor to do wickedly."

2 Chronicles 36:3 - "And the king of Egypt put him down at Jerusalem, and condemned the land in an hundred talents of silver and a talent of gold."

2 Chronicles 36:3 - "And the king of Egypt put him down at Jerusalem, and condemned the land in an hundred talents of silver and a talent of gold."

2 Chronicles 14:3 - "For he took away the altars of the strange gods, and the high places, and brake down the images, and cut down the groves:"

Generate a digital art interpretation of a scene from 2 Chronicles 14:3, depicting the moment when the altars of the strange gods, and the high places are taken away, while the images are being broken down and the groves are being cut down.

2 Chronicles 14:3 - "For he took away the altars of the strange gods, and the high places, and brake down the images, and cut down the groves:"

2 Chronicles 29:3 - "¶ He in the first year of his reign, in the first month, opened the doors of the house of the LORD, and repaired them."

2 Chronicles 29:3 - "¶ He in the first year of his reign, in the first month, opened the doors of the house of the LORD, and repaired them."

2 Chronicles 17:3 - "And the LORD was with Jehoshaphat, because he walked in the first ways of his father David, and sought not unto Baalim;"

A depiction of a scene from the Biblical passage 2 Chronicles 17:3. It shows Jehoshaphat, a Middle-Eastern man donned in traditional attire with the essence of profound wisdom on his face. In his presence, a divine aura is palpable suggesting that the LORD is with him. His devotion and sincerity in following the first ways of his father David are evident. He is seen defiantly distancing himself from the worship of Baalim. The figures and the scene exhibit a richness and depth characteristic of digital art.

2 Chronicles 17:3 - "And the LORD was with Jehoshaphat, because he walked in the first ways of his father David, and sought not unto Baalim;"

2 Chronicles 3:15 - "Also he made before the house two pillars of thirty and five cubits high, and the chapiter that was on the top of each of them was five cubits."

2 Chronicles 3:15 - "Also he made before the house two pillars of thirty and five cubits high, and the chapiter that was on the top of each of them was five cubits."

2 Chronicles 15:3 - "Now for a long season Israel hath been without the true God, and without a teaching priest, and without law."

2 Chronicles 15:3 - "Now for a long season Israel hath been without the true God, and without a teaching priest, and without law."

1 Chronicles 1:3 - "Henoch, Methuselah, Lamech,"

1 Chronicles 1:3 - "Henoch, Methuselah, Lamech,"

1 Chronicles 3:7 - "And Nogah, and Nepheg, and Japhia,"

Visualize a stylized interpretation of characters from ancient scriptures, namely Nogah, Nepheg, and Japhia. Depict them with radiant, ethereal auras to reflect their heavenly origins in a digital art style.

1 Chronicles 3:7 - "And Nogah, and Nepheg, and Japhia,"