2 Chronicles 32 Artwork

"After these things, and the establishment thereof, Sennacherib king of Assyria came, and entered into Judah, and encamped against the fenced cities, and thought to win them for himself." - 2 Chronicles 32:1

Explore 2 Chronicles 32 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 Chronicles2 Chronicles 322 Chronicles 32:1
2 Chronicles 32:2 - "And when Hezekiah saw that Sennacherib was come, and that he was purposed to fight against Jerusalem,"

2 Chronicles 32:2 - "And when Hezekiah saw that Sennacherib was come, and that he was purposed to fight against Jerusalem,"

2 Chronicles 32:32 - "Now the rest of the acts of Hezekiah, and his goodness, behold, they are written in the vision of Isaiah the prophet, the son of Amoz, and in the book of the kings of Judah and Israel." An artistic digital representation of a scene from the ancient times. The focus is on an old scroll, filled with meticulous writings, assumed to be the acts of King Hezekiah and his goodness as described in the vision of a prophet, who could be identified by his traditional clothing. In the background, there are hints of the regal atmosphere of the times of Judah and Israel's kings, with symbols like crowns, scepters and old architecture. The essence is to capture a visual symbolization of the Biblical quote - 2 Chronicles 32:32.

2 Chronicles 32:32 - "Now the rest of the acts of Hezekiah, and his goodness, behold, they are written in the vision of Isaiah the prophet, the son of Amoz, and in the book of the kings of Judah and Israel."

2 Chronicles 32:20 - "And for this cause Hezekiah the king, and the prophet Isaiah the son of Amoz, prayed and cried to heaven." Illustrate a scene inspired by 2 Chronicles 32:20 - 'And for this cause Hezekiah, portrayed as a Middle-Eastern king, and an individual presented as Isaiah, a South Asian prophet, the son of Amoz, prayed and cried to heaven.' This scene should be visualized in the style of digital art. It should portray a heartfelt moment of prayer and supplication, with the two characters interacting in a shared scene of reverence and emotional intensity.

2 Chronicles 32:20 - "And for this cause Hezekiah the king, and the prophet Isaiah the son of Amoz, prayed and cried to heaven."

1 Chronicles 2:32 - "And the sons of Jada the brother of Shammai; Jether, and Jonathan: and Jether died without children." Visual representation of a scene from 1 Chronicles 2:32 in the Bible. Depict three middle-eastern males representing the sons of Jada, the brother of Shammai; Jether, and Jonathan. In this monochrome digital art style image, one of the figures, representing Jether, is unique with shades of gray and a faint aura signifying his death without offspring. Let the Biblical timeline influence the attire and setting of the image.

1 Chronicles 2:32 - "And the sons of Jada the brother of Shammai; Jether, and Jonathan: and Jether died without children."

2 Chronicles 32:28 - "Storehouses also for the increase of corn, and wine, and oil; and stalls for all manner of beasts, and cotes for flocks."

2 Chronicles 32:28 - "Storehouses also for the increase of corn, and wine, and oil; and stalls for all manner of beasts, and cotes for flocks."

2 Chronicles 32:16 - "And his servants spake yet more against the LORD God, and against his servant Hezekiah."

2 Chronicles 32:16 - "And his servants spake yet more against the LORD God, and against his servant Hezekiah."

2 Chronicles 20:32 - "And he walked in the way of Asa his father, and departed not from it, doing that which was right in the sight of the LORD." A biblical scene with a historical figure walking in the path of his father, adhering to the ways that are righteous in the sight of the Lord. The scene is set in an era reflecting ancient times. The historical figure is visualized as a determined man, keeping his gaze fixed straight ahead, a symbol of his unwavering dedication to the path of righteousness. The landscape around him is serene and quiet, indicating peace and tranquility. His attire is typical of the ancient time period. The style of this art is digital, encapsulating modern techniques and color application to create an engaging image.

2 Chronicles 20:32 - "And he walked in the way of Asa his father, and departed not from it, doing that which was right in the sight of the LORD."

2 Chronicles 32:10 - "Thus saith Sennacherib king of Assyria, Whereon do ye trust, that ye abide in the siege in Jerusalem?"

2 Chronicles 32:10 - "Thus saith Sennacherib king of Assyria, Whereon do ye trust, that ye abide in the siege in Jerusalem?"

2 Chronicles 32:19 - "And they spake against the God of Jerusalem, as against the gods of the people of the earth, which were the work of the hands of man."

2 Chronicles 32:19 - "And they spake against the God of Jerusalem, as against the gods of the people of the earth, which were the work of the hands of man."

2 Chronicles 18:32 - "For it came to pass, that, when the captains of the chariots perceived that it was not the king of Israel, they turned back again from pursuing him."

2 Chronicles 18:32 - "For it came to pass, that, when the captains of the chariots perceived that it was not the king of Israel, they turned back again from pursuing him."

2 Chronicles 32:7 - "Be strong and courageous, be not afraid nor dismayed for the king of Assyria, nor for all the multitude that is with him: for there be more with us than with him:" A digital art style depiction of the biblical quote from 2 Chronicles 32:7. 'Be strong and courageous, be not afraid nor dismayed for the king of Assyria, nor for all the multitude that is with him: for there be more with us than with him'. Picture the scene in ancient Assryia with an optimistically spirited crowd facing an unseen enemy, under the guidance of a wise and persistent leader, their faces filled with courage and determination. The phrase is elegantly scripted in the sky above, enforcing the powerful message.

2 Chronicles 32:7 - "Be strong and courageous, be not afraid nor dismayed for the king of Assyria, nor for all the multitude that is with him: for there be more with us than with him:"

2 Chronicles 34:32 - "And he caused all that were present in Jerusalem and Benjamin to stand to it. And the inhabitants of Jerusalem did according to the covenant of God, the God of their fathers."

2 Chronicles 34:32 - "And he caused all that were present in Jerusalem and Benjamin to stand to it. And the inhabitants of Jerusalem did according to the covenant of God, the God of their fathers."

1 Chronicles 11:32 - "Hurai of the brooks of Gaash, Abiel the Arbathite,"

1 Chronicles 11:32 - "Hurai of the brooks of Gaash, Abiel the Arbathite,"

2 Chronicles 32:29 - "Moreover he provided him cities, and possessions of flocks and herds in abundance: for God had given him substance very much."

2 Chronicles 32:29 - "Moreover he provided him cities, and possessions of flocks and herds in abundance: for God had given him substance very much."

2 Chronicles 32:24 - "¶ In those days Hezekiah was sick to the death, and prayed unto the LORD: and he spake unto him, and he gave him a sign." A digital art representation of a scene from ancient times as described in 2 Chronicles 32:24. A man presumed to be Hezekiah appears sickly and on the verge of death, praying solemnly. He is illuminated by a heavenly light, signifying the sign he received from above. This light brings a mystical glow on his face, while the surrounding environment remains gloomy and desperate. Different shades of rich blues and purples could dominate the atmosphere, with the divine light being a radiant golden or luminous white. The overall visual style should maintain a feeling of solemnity and hope amid despair.

2 Chronicles 32:24 - "¶ In those days Hezekiah was sick to the death, and prayed unto the LORD: and he spake unto him, and he gave him a sign."

2 Chronicles 32:6 - "And he set captains of war over the people, and gathered them together to him in the street of the gate of the city, and spake comfortably to them, saying," Visualize an ancient city gate, bustling with people. A man of high dignity, dressed in regal attire, stands at the heart of the crowd, acting as the war captain. His posture is one of calm and reassurance as he addresses the gathered individuals, communicating encouraging words. All of this is envisioned in the format of pre-1912 digital-style art.

2 Chronicles 32:6 - "And he set captains of war over the people, and gathered them together to him in the street of the gate of the city, and spake comfortably to them, saying,"

2 Chronicles 32:18 - "Then they cried with a loud voice in the Jews' speech unto the people of Jerusalem that were on the wall, to affright them, and to trouble them; that they might take the city." Visualize an ancient scene inspired by the text from 2 Chronicles 32:18. Picture strongly vocal individuals, presumably in ancient Jewish attire, shouting towards the inhabitants of Jerusalem who are standing atop the city wall. This dramatic situation serves to instill fear and anxiety in the wall's residents, as the intention of the shouting group is to capture the city. The atmosphere is tense, charged with emotions. Remember to capture the persuasive power of their voices that echo through the air. Create this image in the visual style that resembles the characteristics of digital art.

2 Chronicles 32:18 - "Then they cried with a loud voice in the Jews' speech unto the people of Jerusalem that were on the wall, to affright them, and to trouble them; that they might take the city."

2 Chronicles 32:1 - "After these things, and the establishment thereof, Sennacherib king of Assyria came, and entered into Judah, and encamped against the fenced cities, and thought to win them for himself."

2 Chronicles 32:1 - "After these things, and the establishment thereof, Sennacherib king of Assyria came, and entered into Judah, and encamped against the fenced cities, and thought to win them for himself."

2 Chronicles 32:3 - "He took counsel with his princes and his mighty men to stop the waters of the fountains which were without the city: and they did help him."

2 Chronicles 32:3 - "He took counsel with his princes and his mighty men to stop the waters of the fountains which were without the city: and they did help him."

1 Chronicles 7:32 - "And Heber begat Japhlet, and Shomer, and Hotham, and Shua their sister." Visualize a scene from 1 Chronicles 7:32 from The Bible: 'And Heber begat Japhlet, and Shomer, and Hotham, and Shua their sister.' The scene shows four distinct individuals, each of different Middle-Eastern descent. Japhlet, Shomer, and Hotham are depicted as males, while Shua is represented as a female. The surroundings should resemble those of an ancient civilization corresponding to the time the passage is set in. Render this artwork in a digital art style.

1 Chronicles 7:32 - "And Heber begat Japhlet, and Shomer, and Hotham, and Shua their sister."

2 Chronicles 32:23 - "And many brought gifts unto the LORD to Jerusalem, and presents to Hezekiah king of Judah: so that he was magnified in the sight of all nations from thenceforth." Generate a digital art interpretation of a scene from the bible, specifically 2 Chronicles 32:23. Visualize many people of diverse descents, such as Blacks, Hispanics, South Asians, Middle-Easterns, and Caucasians, bringing gifts and presents to a historical public figure, referred to as a king of Judah, in the city of Jerusalem. In the sight of all nations, the figure should appear magnified, signifying respect and reverence. The image should convey a solemn mood synonymous with spiritual contexts. Remember not to use any specific real-life likenesses for the characters in the scene.

2 Chronicles 32:23 - "And many brought gifts unto the LORD to Jerusalem, and presents to Hezekiah king of Judah: so that he was magnified in the sight of all nations from thenceforth."

2 Chronicles 32:25 - "But Hezekiah rendered not again according to the benefit done unto him; for his heart was lifted up: therefore there was wrath upon him, and upon Judah and Jerusalem." Visualize a scene inspired by the biblical verse 2 Chronicles 32:25. It describes a moment where a male figure acts from a prideful heart, resulting in wrath not only on him, but also upon his city and people. This imagery should have a balance of light and dark tones, conveying a sense of looming consequence. The city should be ancient-looking, with elements of Middle Eastern architecture. The main figure should be depicted as having a lifted gaze, signifying his 'lifted heart'. All visuals should be designed with a digital art style.

2 Chronicles 32:25 - "But Hezekiah rendered not again according to the benefit done unto him; for his heart was lifted up: therefore there was wrath upon him, and upon Judah and Jerusalem."

2 Chronicles 32:22 - "Thus the LORD saved Hezekiah and the inhabitants of Jerusalem from the hand of Sennacherib the king of Assyria, and from the hand of all other, and guided them on every side." Depict a scene inspired by the content of the quote from 2 Chronicles 32:22. Show a symbolic representation of deliverance where a group of people from an ancient Middle-Eastern civilization are being protected from danger. Illustrate what could be an omnipotent force or entity guiding them away from trouble. However, ensure there's no direct depiction of religious figures. Incorporate elements of ancient Jerusalem and Assyria into the background to reflect the historical context. Use bright, contrasting colors to emphasize the theme of salvation. Create this image in the digital art style.

2 Chronicles 32:22 - "Thus the LORD saved Hezekiah and the inhabitants of Jerusalem from the hand of Sennacherib the king of Assyria, and from the hand of all other, and guided them on every side."

2 Chronicles 29:32 - "And the number of the burnt offerings, which the congregation brought, was threescore and ten bullocks, an hundred rams, and two hundred lambs: all these were for a burnt offering to the LORD." Visualize a scene from an ancient religious text: The numbers in the scene are staggering - seventy bulky bullocks, a hundred sturdy rams, and two hundred delicate lambs. They are presented by a congregation of diverse peoples, males and females composed of Caucasians, Hispanics, Black, Middle-Eastern, South Asian individuals. The setting is an open ground, full of these sacrificial animals, all prepared for a burnt offering to a divine entity. Contextualize this image in the formal qualities seen in Victorian era illustrations using the primary medium of digital art.

2 Chronicles 29:32 - "And the number of the burnt offerings, which the congregation brought, was threescore and ten bullocks, an hundred rams, and two hundred lambs: all these were for a burnt offering to the LORD."

2 Chronicles 32:8 - "With him is an arm of flesh; but with us is the LORD our God to help us, and to fight our battles. And the people rested themselves upon the words of Hezekiah king of Judah." Digital art style depiction of an interpretation of 2 Chronicles 32:8. Display a juxtaposition of an 'arm of flesh' symbolizing mortality, next to a bright, powerful representation of divine strength representing 'the LORD our God'. Show the comforting, uplifting moment as the people find solace and rest in the words of a noble king, possibly symbolized by a crown and a ancient scroll open with Hebrew scriptures visible. The whole scene with a backdrop representing the kingdom of Judah. Please avoid any direct representation of religious figures.

2 Chronicles 32:8 - "With him is an arm of flesh; but with us is the LORD our God to help us, and to fight our battles. And the people rested themselves upon the words of Hezekiah king of Judah."

2 Chronicles 32:30 - "This same Hezekiah also stopped the upper watercourse of Gihon, and brought it straight down to the west side of the city of David. And Hezekiah prospered in all his works." Create a digital art representation of a scene inspired by the 2 Chronicles 32:30 biblical passage. Depict a wise man, who might be King Hezekiah, redirecting the flow of a vibrant watercourse from the upper Gihon and bringing it towards the west side of a bustling city. The city, inspired by the city of David, is set against a sunset, casting a warm orange hue on the structures. Show the man (presumed to be Hezekiah) in a grounded, yet majestic posture, with a look of satisfaction and triumph on his face, embodying his prosperity in all his works.

2 Chronicles 32:30 - "This same Hezekiah also stopped the upper watercourse of Gihon, and brought it straight down to the west side of the city of David. And Hezekiah prospered in all his works."

2 Chronicles 32:27 - "¶ And Hezekiah had exceeding much riches and honour: and he made himself treasuries for silver, and for gold, and for precious stones, and for spices, and for shields, and for all manner of pleasant jewels;" Depict a visual interpretation of a powerful ancient leader, who stands in his treasury filled with overwhelming riches and honor. The treasury is stacked high with silver and gold artifacts, precious gemstones, exotic spices, ornately designed shields, and a wide array of delightful jewels. Render this scene in a digital art style, capturing the opulence and grandeur of the setting.

2 Chronicles 32:27 - "¶ And Hezekiah had exceeding much riches and honour: and he made himself treasuries for silver, and for gold, and for precious stones, and for spices, and for shields, and for all manner of pleasant jewels;"

2 Chronicles 32:11 - "Doth not Hezekiah persuade you to give over yourselves to die by famine and by thirst, saying, The LORD our God shall deliver us out of the hand of the king of Assyria?" An ancient scripture written eloquently on parchment, featuring the passage from 2 Chronicles 32:11 - 'Doth not Hezekiah persuade you to give over yourselves to die by famine and by thirst, saying, The LORD our God shall deliver us out of the hand of the king of Assyria?'. The written script is surrounded by elements symbolic of the ancient Middle Eastern culture. The scene is flooded with warm colors, evoking sentiments of historic tales. To make the digital style apparent, the parchment shows pixel-like texture and the edges of objects are sharp, exhibiting properties of vector-drawn art.

2 Chronicles 32:11 - "Doth not Hezekiah persuade you to give over yourselves to die by famine and by thirst, saying, The LORD our God shall deliver us out of the hand of the king of Assyria?"

1 Chronicles 4:32 - "And their villages were, Etam, and Ain, Rimmon, and Tochen, and Ashan, five cities:"

1 Chronicles 4:32 - "And their villages were, Etam, and Ain, Rimmon, and Tochen, and Ashan, five cities:"

1 Chronicles 16:32 - "Let the sea roar, and the fulness thereof: let the fields rejoice, and all that is therein."

1 Chronicles 16:32 - "Let the sea roar, and the fulness thereof: let the fields rejoice, and all that is therein."