2 John Artwork

"The elder unto the elect lady and her children, whom I love in the truth; and not I only, but also all they that have known the truth;" - 2 John 1:1

Explore 2 John through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 John2 John 12 John 1:1
1 John 2:20 - "But ye have an unction from the Holy One, and ye know all things." Render a digital art style image of the following scene. A vintage parchment lays open with elegant, embossed, gold lettering that spells out 1 John 2:20, 'But ye have an unction from the Holy One, and ye know all things'. The parchment emits a soft, radiant light and cast a gentle glow on surrounding objects, infusing them with other-worldly light. Intricate, swirling designs border the parchment, and a symbolic representation of 'unction' - a golden vessel containing anointing oil - lies nearby.

1 John 2:20 - "But ye have an unction from the Holy One, and ye know all things."

John 12:2 - "There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him." Depict a scene inspired by John 12:2 - 'There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him.' The scene should represent a meal setting where one woman is serving and several individuals are gathered around the table. The style should be modern and resemble digital art, with crisp lines, vibrant colors, and a level of abstraction. Remember to capture the solemnity and importance of the occasion.

John 12:2 - "There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him."

John 2:5 - "His mother saith unto the servants, Whatsoever he saith unto you, do it." An impressionistic interpretation of a biblical scene: John 2:5. In the scene, a woman of Middle Eastern descent, gesticulating gently to a group of diverse servants of varying races and genders, communicates the message, 'Whatsoever he saith unto you, do it.' The scene apparently unfolds in a rustic Middle Eastern setting of antiquity, complete with adobe bricks, straw rooftops, and simple wooden furniture. Strive to evoke the digital art form with its vivid opportunities for color, gradients, and pixel manipulation.

John 2:5 - "His mother saith unto the servants, Whatsoever he saith unto you, do it."

2 John 1:3 - "Grace be with you, mercy, and peace, from God the Father, and from the Lord Jesus Christ, the Son of the Father, in truth and love."

2 John 1:3 - "Grace be with you, mercy, and peace, from God the Father, and from the Lord Jesus Christ, the Son of the Father, in truth and love."

1 John 2:17 - "And the world passeth away, and the lust thereof: but he that doeth the will of God abideth for ever."

1 John 2:17 - "And the world passeth away, and the lust thereof: but he that doeth the will of God abideth for ever."

John 2:24 - "But Jesus did not commit himself unto them, because he knew all men," An image representation of John 2:24 - 'But Jesus did not commit himself unto them, because he knew all men,' designed in a modern digital artwork style. The scene represents a figure that symbolizes Jesus, denoted by traditional Christian iconography such as a halo and a robe. He stands against a background of diverse figures, their faces obscured or turned away to represent the biblical reference of 'all men.' The digital art style is characterized by vibrant colors, abstract geometry, and the clever use of lights and shadows.

John 2:24 - "But Jesus did not commit himself unto them, because he knew all men,"

John 2:17 - "And his disciples remembered that it was written, The zeal of thine house hath eaten me up." A vivid digital art interpretation of the biblical verse John 2:17 - "And his disciples remembered that it was written, The zeal of thine house hath eaten me up.". The image should depict the disciples in contemplation, recalling these words. They are in a humble dwelling, symbolizing 'thine house'. The feeling of zeal or fervor should be conveyed through intense colors and dynamic visuals, perhaps with ethereal light surrounding the disciples. One of the disciples could be imagined as looking overpowered, metaphorically 'being eaten up' by the deep passion of zeal.

John 2:17 - "And his disciples remembered that it was written, The zeal of thine house hath eaten me up."

2 John 1:7 - "For many deceivers are entered into the world, who confess not that Jesus Christ is come in the flesh. This is a deceiver and an antichrist."

2 John 1:7 - "For many deceivers are entered into the world, who confess not that Jesus Christ is come in the flesh. This is a deceiver and an antichrist."

2 John 1:3 - "Grace be with you, mercy, and peace, from God the Father, and from the Lord Jesus Christ, the Son of the Father, in truth and love." An interpretation of the biblical verse 2 John 1:3 as abstract digital art. The image should invoke feelings of grace, mercy, and peace, expressed as radiant streams of light emanating from two interconnected symbols, representing God the Father and the Son. Between the symbols, show visual representations of truth and love, depicted as a crystal-clear prism and a glowing heart. The overall composition should be peaceful, harmonious, and warm, full of fluid lines and soft colors, abundant with divine light. It should represent a blend of abstract symbolism, theological concepts, and digital aesthetics.

2 John 1:3 - "Grace be with you, mercy, and peace, from God the Father, and from the Lord Jesus Christ, the Son of the Father, in truth and love."

1 John 2:9 - "He that saith he is in the light, and hateth his brother, is in darkness even until now." A digital art interpretation of the biblical verse 1 John 2:9: 'He that saith he is in the light, and hateth his brother, is in darkness even until now.' Perhaps, this could be represented as a figure standing in a bright, radiating light, but casting a long, dark shadow, symbolising internal darkness even amidst the illumination.

1 John 2:9 - "He that saith he is in the light, and hateth his brother, is in darkness even until now."

1 John 2:3 - "And hereby we do know that we know him, if we keep his commandments." Illustrate the quote from 1 John 2:3 in the Christian Holy Bible that reads, 'And hereby we do know that we know him, if we keep his commandments.' The artwork should capture the essence and spirit of the scripture in a digital artistic style. It should represent the obedience to or keeping of commandments as a sign of knowing the divine. Use abstract symbolism to express the profound religious ethos embedded in the text.

1 John 2:3 - "And hereby we do know that we know him, if we keep his commandments."

2 John 1:6 - "And this is love, that we walk after his commandments. This is the commandment, That, as ye have heard from the beginning, ye should walk in it."

2 John 1:6 - "And this is love, that we walk after his commandments. This is the commandment, That, as ye have heard from the beginning, ye should walk in it."

1 John 2:22 - "Who is a liar but he that denieth that Jesus is the Christ? He is antichrist, that denieth the Father and the Son." A digital art depiction of a powerful scripture passage from 1 John 2:22 - 'Who is a liar but he that denieth that Jesus is the Christ? He is antichrist, that denieth the Father and the Son.' The image should convey the profound question about truth and denial with appropriate symbols and symbolic colors.

1 John 2:22 - "Who is a liar but he that denieth that Jesus is the Christ? He is antichrist, that denieth the Father and the Son."

2 John 1:1 - "The elder unto the elect lady and her children, whom I love in the truth; and not I only, but also all they that have known the truth;" A depiction of a scene inspired by the verse 2 John 1:1, 'The elder unto the elect lady and her children, whom I love in the truth; and not I only, but also all they that have known the truth.' It should be a conceptual representation of an elder figure preaching to a woman of Asian descent and her children, expressing a strong sense of love, truth and communal understanding. The style required is a digital art form and must create a visual narrative that embodies the essence of the verse.

2 John 1:1 - "The elder unto the elect lady and her children, whom I love in the truth; and not I only, but also all they that have known the truth;"

1 John 2:4 - "He that saith, I know him, and keepeth not his commandments, is a liar, and the truth is not in him."

1 John 2:4 - "He that saith, I know him, and keepeth not his commandments, is a liar, and the truth is not in him."

John 2:19 - "Jesus answered and said unto them, Destroy this temple, and in three days I will raise it up."

John 2:19 - "Jesus answered and said unto them, Destroy this temple, and in three days I will raise it up."

John 2:8 - "And he saith unto them, Draw out now, and bear unto the governor of the feast. And they bare it."

John 2:8 - "And he saith unto them, Draw out now, and bear unto the governor of the feast. And they bare it."

Matthew 11:2 - "Now when John had heard in the prison the works of Christ, he sent two of his disciples," A complex scene depicting the biblical verse Matthew 11:2, "Now when John had heard in the prison the works of Christ, he sent two of his disciples." The picture features a man who's assumed to be John, located in a prison cell. He has a desolate, hopeful expression on his face as he hears about the miraculous works of Christ. Two disciples are shown standing outside the prison, ready to deliver the messages. The style of the image should invoke thoughts of realism yet allow for a touch of the surreal, as the tales they carry are of divine deeds and miracles.

Matthew 11:2 - "Now when John had heard in the prison the works of Christ, he sent two of his disciples,"

John 2:20 - "Then said the Jews, Forty and six years was this temple in building, and wilt thou rear it up in three days?"

John 2:20 - "Then said the Jews, Forty and six years was this temple in building, and wilt thou rear it up in three days?"

John 5:2 - "Now there is at Jerusalem by the sheep market a pool, which is called in the Hebrew tongue Bethesda, having five porches."

John 5:2 - "Now there is at Jerusalem by the sheep market a pool, which is called in the Hebrew tongue Bethesda, having five porches."

1 John 2:15 - "Love not the world, neither the things that are in the world. If any man love the world, the love of the Father is not in him." Create a digital artwork illustrating the biblical quote 1 John 2:15 - 'Love not the world, neither the things that are in the world. If any man love the world, the love of the Father is not in him.' Show the contrasting elements of worldly material possessions and spiritual connection. Delve into symbolic imagery for these themes, emphasizing the tension and the ultimate choice one has to make. The modern digital style should be visually striking, yet it should not overshadow the depth and seriousness of the subject matter.

1 John 2:15 - "Love not the world, neither the things that are in the world. If any man love the world, the love of the Father is not in him."

1 John 2:23 - "Whosoever denieth the Son, the same hath not the Father: (but) he that acknowledgeth the Son hath the Father also."

1 John 2:23 - "Whosoever denieth the Son, the same hath not the Father: (but) he that acknowledgeth the Son hath the Father also."

1 John 3:2 – "Dear friends, now we are children of God, and what we will be has not yet been made known." An image representing the quote from 1 John 3:2 - 'Dear friends, now we are children of God, and what we will be has not yet been made known.' in the style of the Renaissance aesthetic, using respectful, spiritual imagery and symbolic colors. The scene could consist of a diverse group of individuals, unified and looking towards an unclear future, embodying the mystery of the quote. The representation should be done with a Renaissance approach, involving the use of perspective and natural light, typical of artists from the era like Leonardo da Vinci and Raphael, but without directly mimicking their individual styles.

1 John 3:2 – "Dear friends, now we are children of God, and what we will be has not yet been made known."

Noces de cana jean ch.2 The biblical event of Noces de Cana as depicted in the Gospel of John Chapter 2, interpreted in the artistic style characteristic to the Renaissance period. The scene should include rich details, precise naturalism in depicting human figures and spaces, as well as balance and symmetry in composition. Prohibition exists on the use of any text or words within the actual image.

Noces de cana jean ch.2

2 John 1:5 - "And now I beseech thee, lady, not as though I wrote a new commandment unto thee, but that which we had from the beginning, that we love one another."

2 John 1:5 - "And now I beseech thee, lady, not as though I wrote a new commandment unto thee, but that which we had from the beginning, that we love one another."

1 John 2:29 - "If ye know that he is righteous, ye know that every one that doeth righteousness is born of him."

1 John 2:29 - "If ye know that he is righteous, ye know that every one that doeth righteousness is born of him."

Luke 3:2 - "Annas and Caiaphas being the high priests, the word of God came unto John the son of Zacharias in the wilderness."

Luke 3:2 - "Annas and Caiaphas being the high priests, the word of God came unto John the son of Zacharias in the wilderness."

John 18:2 - "And Judas also, which betrayed him, knew the place: for Jesus ofttimes resorted thither with his disciples." An illustrated scene inspired by a passage from the Biblical book of John: chapter 18, verse 2, capturing the meeting between Jesus and his disciples in a setting that he often frequented. Judas, who betrays Jesus, is also lurking. Ensure the atmosphere is tense and the characters are distinctly recognizable. Creatively incorporate elements of early 20th century artistic styles, thus resembling a digital art representation.

John 18:2 - "And Judas also, which betrayed him, knew the place: for Jesus ofttimes resorted thither with his disciples."

John 6:2 - "And a great multitude followed him, because they saw his miracles which he did on them that were diseased." Illustrate a scene from the biblical verse John 6:2, where a vast crowd is following a figure, motivated by the miracles they have witnessed, especially those performed on the ailing individuals. The image should ponder an extensive group of diverse people with various ages and descent following a central figure. It should reflect elements of wonder, faith, and hope. The figure should exude an aura of peace and healing. The art style should embrace characteristics of digital art with sharp planes, bold color palette, and effects showcasing the miracles.

John 6:2 - "And a great multitude followed him, because they saw his miracles which he did on them that were diseased."

John 2:11 - "This beginning of miracles did Jesus in Cana of Galilee, and manifested forth his glory; and his disciples believed on him."

John 2:11 - "This beginning of miracles did Jesus in Cana of Galilee, and manifested forth his glory; and his disciples believed on him."