2 Samuel 19 Artwork

"And it was told Joab, Behold, the king weepeth and mourneth for Absalom." - 2 Samuel 19:1

Explore 2 Samuel 19 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

2 Samuel 19:1 - "And it was told Joab, Behold, the king weepeth and mourneth for Absalom."

2 Samuel 19:1 - "And it was told Joab, Behold, the king weepeth and mourneth for Absalom."

2 Samuel 22:19 - "They prevented me in the day of my calamity: but the LORD was my stay."

2 Samuel 22:19 - "They prevented me in the day of my calamity: but the LORD was my stay."

2 Samuel 24:19 - "And David, according to the saying of Gad, went up as the LORD commanded."

2 Samuel 24:19 - "And David, according to the saying of Gad, went up as the LORD commanded."

2 Samuel 1:19 - "The beauty of Israel is slain upon thy high places: how are the mighty fallen!"

2 Samuel 1:19 - "The beauty of Israel is slain upon thy high places: how are the mighty fallen!"

2 Samuel 2:19 - "And Asahel pursued after Abner; and in going he turned not to the right hand nor to the left from following Abner."

Illustrate a scene inspired by a biblical verse from 2 Samuel 2:19, 'And Asahel pursued after Abner; and in going he turned not to the right hand nor to the left from following Abner.' Create a riveting chase scene set in a desert environment, with one man intently pursuing another. The pursuer, Asahel, is a tall, muscular Middle-Eastern man dressed in traditional biblical attire. His prey, Abner, is a robust, bald Black man also dressed in biblical attire. Both are running, Abner ahead, Asahel right behind him, neither turning left nor right, indicating their seriousness. Capture this dynamic scene in a digital art style.

2 Samuel 2:19 - "And Asahel pursued after Abner; and in going he turned not to the right hand nor to the left from following Abner."

1 Samuel 19:19 - "And it was told Saul, saying, Behold, David is at Naioth in Ramah."

1 Samuel 19:19 - "And it was told Saul, saying, Behold, David is at Naioth in Ramah."

2 Samuel 19:2 - "And the victory that day was turned into mourning unto all the people: for the people heard say that day how the king was grieved for his son."

2 Samuel 19:2 - "And the victory that day was turned into mourning unto all the people: for the people heard say that day how the king was grieved for his son."

2 Samuel 19:23 - "Therefore the king said unto Shimei, Thou shalt not die. And the king sware unto him."

2 Samuel 19:23 - "Therefore the king said unto Shimei, Thou shalt not die. And the king sware unto him."

2 Samuel 23:19 - "Was he not most honourable of three? therefore he was their captain: howbeit he attained not unto the first three."

2 Samuel 23:19 - "Was he not most honourable of three? therefore he was their captain: howbeit he attained not unto the first three."

2 Samuel 11:19 - "And charged the messenger, saying, When thou hast made an end of telling the matters of the war unto the king,"

2 Samuel 11:19 - "And charged the messenger, saying, When thou hast made an end of telling the matters of the war unto the king,"

2 Samuel 17:19 - "And the woman took and spread a covering over the well's mouth, and spread ground corn thereon; and the thing was not known."

Depict a biblical scene inspired by 2 Samuel 17:19 - a woman is covering a well's mouth and spreading ground corn on top of it. The surroundings are of the Middle-Eastern desert, with the hues of sunset embellishing the backdrop. The well is stone-built, age-old, and stands in the foreground. The woman, of Middle-Eastern descent, is dressed in traditional attire, her hands diligently working to cover the well. Scattered around are grains of ground corn, adding a rustic charm. Convey the secrecy suggested in the verse by her careful and discreet actions. The artwork uses a modern digital art style.

2 Samuel 17:19 - "And the woman took and spread a covering over the well's mouth, and spread ground corn thereon; and the thing was not known."

2 Samuel 19:33 - "And the king said unto Barzillai, Come thou over with me, and I will feed thee with me in Jerusalem."

Illustrate a scene from the historical text, 2 Samuel 19:33. Depict a regal figure representing a king, speaking to a respectful figure named Barzillai. They are in an ancient setting, perhaps a palace or open terrain, and the king is inviting Barzillai to cross over with him, promising to provide for his needs, all this is happening with Jerusalem, an ancient, majestic city, as the backdrop. The image encapsulates the noble, intense and compassionate tenor of this conversation. Render this imagery in a style that mirrors digital art.

2 Samuel 19:33 - "And the king said unto Barzillai, Come thou over with me, and I will feed thee with me in Jerusalem."

2 Samuel 19:36 - "Thy servant will go a little way over Jordan with the king: and why should the king recompense it me with such a reward?"

A visual representation of the biblical quote from 2 Samuel 19:36: 'Thy servant will go a little way over Jordan with the king: and why should the king recompense it me with such a reward?'. The image presents the servant standing with the king against a backdrop of the Jordan river. They are on the verge of stepping into the waters. The king is wrapped in royal garments expressing an aura of authority, while the humble servant is depicted in simpler attire. This scene is portrayed with the precision and vibrancy typical of digital art.

2 Samuel 19:36 - "Thy servant will go a little way over Jordan with the king: and why should the king recompense it me with such a reward?"

2 Samuel 19:16 - "¶ And Shimei the son of Gera, a Benjamite, which was of Bahurim, hasted and came down with the men of Judah to meet king David."

2 Samuel 19:16 - "¶ And Shimei the son of Gera, a Benjamite, which was of Bahurim, hasted and came down with the men of Judah to meet king David."

2 Samuel 19:3 - "And the people gat them by stealth that day into the city, as people being ashamed steal away when they flee in battle."

2 Samuel 19:3 - "And the people gat them by stealth that day into the city, as people being ashamed steal away when they flee in battle."

2 Samuel 19:21 - "But Abishai the son of Zeruiah answered and said, Shall not Shimei be put to death for this, because he cursed the LORD'S anointed?"

2 Samuel 19:21 - "But Abishai the son of Zeruiah answered and said, Shall not Shimei be put to death for this, because he cursed the LORD'S anointed?"

2 Samuel 19:31 - "¶ And Barzillai the Gileadite came down from Rogelim, and went over Jordan with the king, to conduct him over Jordan."

2 Samuel 19:31 - "¶ And Barzillai the Gileadite came down from Rogelim, and went over Jordan with the king, to conduct him over Jordan."

2 Samuel 19:12 - "Ye are my brethren, ye are my bones and my flesh: wherefore then are ye the last to bring back the king?"

A powerful and moving scene inspired by 2 Samuel 19:12 - 'Ye are my brethren, ye are my bones and my flesh: wherefore then are ye the last to bring back the king?' in the style of high contrast, fine details, and vibrant colors common in early 20th-century textiles. In the center, let's have a king with an ambiguous descent and dressed in robes of opulence. Around him, multiple people from different descents and genders, representing his 'brothers', 'bones', and 'flesh'. The atmosphere is heavy with emotion, the figures gesturing in a way that suggests they are in discussion. They are situated in a spacious, elaborate hall with tall arches and intricate designs.

2 Samuel 19:12 - "Ye are my brethren, ye are my bones and my flesh: wherefore then are ye the last to bring back the king?"

2 Samuel 19:15 - "So the king returned, and came to Jordan. And Judah came to Gilgal, to go to meet the king, to conduct the king over Jordan."

A digital art interpretation of a biblical scene based on the verse from 2 Samuel 19:15. Set by the Jordan river, a king returns, marked by regal attires and a commanding aura. People from Judah, characterized by traditional biblical period clothing, are depicted coming to Gilgal. They're ready to meet the king, seeing him crossing the river Jordan, depicted in rich, cascading shades of blue. The mood of the scene leans towards reverence and anticipation.

2 Samuel 19:15 - "So the king returned, and came to Jordan. And Judah came to Gilgal, to go to meet the king, to conduct the king over Jordan."

2 Samuel 19:40 - "Then the king went on to Gilgal, and Chimham went on with him: and all the people of Judah conducted the king, and also half the people of Israel."

2 Samuel 19:40 - "Then the king went on to Gilgal, and Chimham went on with him: and all the people of Judah conducted the king, and also half the people of Israel."

2 Samuel 19:10 - "And Absalom, whom we anointed over us, is dead in battle. Now therefore why speak ye not a word of bringing the king back?"

Visualize a scene based on the biblical reference from 2 Samuel 19:10 - 'And Absalom, whom we anointed over us, is dead in battle. Now therefore why speak ye not a word of bringing the king back?' This is to be portrayed in a generalized style reminiscent of the digital medium, focusing on elements like clean, modern lines, and use of gradients to show depth and volume. Capture the emotions of the characters, the chaos of the battle, and the longing for the return of the king.

2 Samuel 19:10 - "And Absalom, whom we anointed over us, is dead in battle. Now therefore why speak ye not a word of bringing the king back?"

2 Samuel 19:34 - "And Barzillai said unto the king, How long have I to live, that I should go up with the king unto Jerusalem?"

A scene set in biblical times featuring an elderly, Middle-Eastern man named Barzillai and a Middle-Eastern king. Barzillai is addressing the king with a profound question, 'How long have I to live, that I should go up with the king unto Jerusalem?' The scene reveals the seriousness of the conversation. Both figures are set against a backdrop of ancient Jerusalem with its characteristic architecture. Create this in a style reminiscent of early 20th century digital art, using detailed lines, vibrant colors, and high contrast.

2 Samuel 19:34 - "And Barzillai said unto the king, How long have I to live, that I should go up with the king unto Jerusalem?"

1 Samuel 3:19 - "¶ And Samuel grew, and the LORD was with him, and did let none of his words fall to the ground."

1 Samuel 3:19 - "¶ And Samuel grew, and the LORD was with him, and did let none of his words fall to the ground."

2 Samuel 19:25 - "And it came to pass, when he was come to Jerusalem to meet the king, that the king said unto him, Wherefore wentest not thou with me, Mephibosheth?"

2 Samuel 19:25 - "And it came to pass, when he was come to Jerusalem to meet the king, that the king said unto him, Wherefore wentest not thou with me, Mephibosheth?"

2 Samuel 19:29 - "And the king said unto him, Why speakest thou any more of thy matters? I have said, Thou and Ziba divide the land."

A conceptual digital art. inspired by a scene from the biblical text, 2 Samuel 19:29. Highlight a king, donned in majestic attire, addressing another individual with a firm and authoritative expression. They are holding a parchment map, symbolizing the 'land' to be divided. The background is filled with antique structures depicting period architecture. Include vibrant, contrasting colors to evoke a sense of depth and intensity in the scene.

2 Samuel 19:29 - "And the king said unto him, Why speakest thou any more of thy matters? I have said, Thou and Ziba divide the land."

1 Samuel 19:18 - "¶ So David fled, and escaped, and came to Samuel to Ramah, and told him all that Saul had done to him. And he and Samuel went and dwelt in Naioth."

1 Samuel 19:18 - "¶ So David fled, and escaped, and came to Samuel to Ramah, and told him all that Saul had done to him. And he and Samuel went and dwelt in Naioth."

2 Samuel 13:19 - "¶ And Tamar put ashes on her head, and rent her garment of divers colours that was on her, and laid her hand on her head, and went on crying."

A poignant scene from the Bible's 2 Samuel 13:19, visualized in a digital art interpretation. A Middle-Eastern woman named Tamar is present in the image, tears streaming down her face. She has ashes scattered on her head, a symbol of her distress. She's wearing a garment that's torn, displaying a range of vibrant colours which emerge from the rends. Her cascading hair falls loosely around her shoulders. She places one hand upon her head, while the other moves in a gesture that implies ongoing sobbing. All of this occurs in a somber, muted background that accurately represents her despair and sorrow.

2 Samuel 13:19 - "¶ And Tamar put ashes on her head, and rent her garment of divers colours that was on her, and laid her hand on her head, and went on crying."

1 Samuel 8:19 - "¶ Nevertheless the people refused to obey the voice of Samuel; and they said, Nay; but we will have a king over us;"

Create an image that encapsulates the biblical scene from 1 Samuel 8:19 in a digital art style. A diverse group of people from different descents including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, refusing to listen to a central figure, indicating their desire for a king. The focus should be on the tension and the power dynamics, with the crowd and the central figure framed in a confrontational setting.

1 Samuel 8:19 - "¶ Nevertheless the people refused to obey the voice of Samuel; and they said, Nay; but we will have a king over us;"

2 Samuel 18:19 - "Then said Ahimaaz the son of Zadok, Let me now run, and bear the king tidings, how that the LORD hath avenged him of his enemies."

2 Samuel 18:19 - "Then said Ahimaaz the son of Zadok, Let me now run, and bear the king tidings, how that the LORD hath avenged him of his enemies."

2 Samuel 19:4 - "But the king covered his face, and the king cried with a loud voice, O my son Absalom, O Absalom, my son, my son!"

A biblical scene from 2 Samuel 19:4 represented as a digital painting: A man, dressed in kingly attire, covering his face with a sense of sorrow and despair. He cries out with a loud voice, his pain palpable in the disruption of the calm surroundings. The ambience captures an atmosphere of lament, centered on the phrase, 'O my son Absalom, O Absalom, my son, my son!' This scene should evoke both the nobility of the king and his profound grief for his son, conveyed through the vividness and immediacy of modern digital art.

2 Samuel 19:4 - "But the king covered his face, and the king cried with a loud voice, O my son Absalom, O Absalom, my son, my son!"