2 Samuel 2 Artwork

"And it came to pass after this, that David enquired of the LORD, saying, Shall I go up into any of the cities of Judah? And the LORD said unto him, Go up. And David said, Whither shall I go up? And he said, Unto Hebron." - 2 Samuel 2:1

Explore 2 Samuel 2 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 Samuel2 Samuel 22 Samuel 2:1
2 Samuel 12:2 - "The rich man had exceeding many flocks and herds:" A scene from 2 Samuel 12:2, inspired by the words 'The rich man had exceeding many flocks and herds'. Visualize a rich man in Middle-Eastern traditional attire surrounded by an abundant number of varied flocks and herds grazing peacefully. The landscape should comprise lush, open fields under the azure sky. Keep in mind this scene is to be interpreted in the medium of digital art.

2 Samuel 12:2 - "The rich man had exceeding many flocks and herds:"

2 Samuel 23:2 - "The Spirit of the LORD spake by me, and his word was in my tongue."

2 Samuel 23:2 - "The Spirit of the LORD spake by me, and his word was in my tongue."

2 Samuel 5:16 - "And Elishama, and Eliada, and Eliphalet." An interpretation of the verse '2 Samuel 5:16 - And Elishama, and Eliada, and Eliphalet' crafted in a digital artwork style. The text should be prominently displayed, surrounded by symbolic and abstract forms, offering a modern realization of these ancient words. The colors should lean towards rich hues and the tone resonating a solemn, reverent vibe.

2 Samuel 5:16 - "And Elishama, and Eliada, and Eliphalet."

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men." Visualize an interpretive digital art scene that represents the biblical scripture from 1 Samuel 2:26, 'And the child Samuel grew on, and was in favour both with the LORD, and also with men.' The scene should represent Samuel as a young boy, growing and maturing under both divine and human admiration. Show symbolism for the Lord's favour - such as a divine ethereal glow or a protective hand from the heavens - and men's respect - represented by faces of men from different descents demonstrating admiration or respect towards Samuel.

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men."

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod." Illustrate an image based on the biblical scene from 1 Samuel 2:18. Depict a young boy named Samuel serving before the LORD, dressed in a linen ephod. This scene should be rendered using modern digital art techniques, showing vibrant colors and bold lines. Focus on Samuel's youthful innocence and dedication as he performs his duties, with the aura of divine presence subtly suggested in the background.

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod."

2 Samuel 22:2 - "And he said, The LORD is my rock, and my fortress, and my deliverer;" Create a digital art representation of a biblical scene, specifically 2 Samuel 22:2 - 'And he said, The LORD is my rock, and my fortress, and my deliverer;'. The imagery should include a colossal rock structure symbolizing strength and steadfastness, a secure fortress signifying protection, and a figure being deliverance from harm, all under a divine light to indicate the presence of the LORD.

2 Samuel 22:2 - "And he said, The LORD is my rock, and my fortress, and my deliverer;"

2 Samuel 2:2 - "So David went up thither, and his two wives also, Ahinoam the Jezreelitess, and Abigail Nabal's wife the Carmelite." A narration from the biblical reference '2 Samuel 2:2'. It depicts an ancient event where a historic Middle-Eastern male figure named David, accompanied by his two wives, travels upward to an unknown destination. His spouses are depicted as individuals with distinct personalities - Ahinoam, known for her powerful presence, and Abigail, symbolizing wisdom. All figures are draped in traditional Middle-Eastern attire. The whole scene is reminiscent of the digital art style, incorporating modern aesthetics with a touch of pixelated details to illustrate the scene.

2 Samuel 2:2 - "So David went up thither, and his two wives also, Ahinoam the Jezreelitess, and Abigail Nabal's wife the Carmelite."

2 Samuel 23:35 - "Hezrai the Carmelite, Paarai the Arbite,"

2 Samuel 23:35 - "Hezrai the Carmelite, Paarai the Arbite,"

2 Samuel 23:27 - "Abiezer the Anethothite, Mebunnai the Hushathite," A detailed and colorful visual interpretation of a scene from the biblical text 2 Samuel 23:27, featuring two figures: Abiezer the Anethothite and Mebunnai the Hushathite. The scene should reflect the rich context and cultural ambiance of their era, focusing on their attire, gestures, and the surrounding environment, imagined in a general, digital artistic form.

2 Samuel 23:27 - "Abiezer the Anethothite, Mebunnai the Hushathite,"

2 Samuel 23:25 - "Shammah the Harodite, Elika the Harodite," Create a digital art representation of two characters from an ancient text: Shammah and Elika, both described as Harodites. Although the text does not provide physical details, presume Shammah to have a muscular build, Middle-Eastern descent, and a worn warrior's outfit. Contrast him with Elika, who has a leaner physique, Caucasian descent, and a more scholarly look. The scene is set in an arid landscape, reflective of Harod.

2 Samuel 23:25 - "Shammah the Harodite, Elika the Harodite,"

2 Samuel 23:28 - "Zalmon the Ahohite, Maharai the Netophathite," A depiction of two biblical figures: Zalmon the Ahohite, a Middle-Eastern man with defined facial features, and Maharai the Netophathite, a Caucasian man with a stern expression. Both are garbed in traditional biblical attire, standing under the bright desert sun. Render this scene with the sleekness and polish characteristic of digital art.

2 Samuel 23:28 - "Zalmon the Ahohite, Maharai the Netophathite,"

2 Samuel 23:38 - "Ira an Ithrite, Gareb an Ithrite," Two religious figures named Ira and Gareb from the Ithrite descent as mentioned in the ancient text 2 Samuel 23:38. They are to be portrayed standing proudly, adorned in their traditional attire, conveying a strong aura of spirituality with a serene backdrop. They are positioned under an expansive sky, appearing to be in deep conversation. They are presented in a cutting-edge digital art style.

2 Samuel 23:38 - "Ira an Ithrite, Gareb an Ithrite,"

2 Samuel 3:2 - "¶ And unto David were sons born in Hebron: and his firstborn was Amnon, of Ahinoam the Jezreelitess;" A digital art representation of a biblical scene from 2 Samuel 3:2. Depict David, the iconic figure from biblical stories, in the ancient city of Hebron. By his side, depict his firstborn son Amnon, indicating the mother Ahinoam the Jezreelitess. Reflect the tone and the era of the scripture in the settings and characters. The scene could incorporate the architecture of Hebron, the traditional outfits worn at the time, and the emotional expressions of the characters in the context of the verse.

2 Samuel 3:2 - "¶ And unto David were sons born in Hebron: and his firstborn was Amnon, of Ahinoam the Jezreelitess;"

2 Samuel 2:20 - "Then Abner looked behind him, and said, Art thou Asahel? And he answered, I am."

2 Samuel 2:20 - "Then Abner looked behind him, and said, Art thou Asahel? And he answered, I am."

2 Samuel 2:17 - "And there was a very sore battle that day; and Abner was beaten, and the men of Israel, before the servants of David." A digitally designed illustration exhibiting a severe battle scene from a biblical event. The image should depict soldiers from Israel, who are shown as defeated, and the servants of David, who stand victorious. The central figure, Abner, stands out as having suffered a significant defeat. The environment is that of an ancient battlefield, with signs of devastation and the aftermath of fierce combat. Use vibrant colors to bring this inspired narrative to life.

2 Samuel 2:17 - "And there was a very sore battle that day; and Abner was beaten, and the men of Israel, before the servants of David."

2 Samuel 2:11 - "And the time that David was king in Hebron over the house of Judah was seven years and six months."

2 Samuel 2:11 - "And the time that David was king in Hebron over the house of Judah was seven years and six months."

2 Samuel 23:32 - "Eliahba the Shaalbonite, of the sons of Jashen, Jonathan," A digital art interpretation of a scene from 2 Samuel 23:32. Depict Eliahba the Shaalbonite, one of the sons of Jashen, alongside Jonathan. Embody the tone and context of the biblical times - aged parchment for the background, Hebrew lettering, people clad in ancient attire suitable for the period. Make it colorful and vibrant, presenting a blend of religious historical essence with modern digital art techniques.

2 Samuel 23:32 - "Eliahba the Shaalbonite, of the sons of Jashen, Jonathan,"

2 Samuel 5:15 - "Ibhar also, and Elishua, and Nepheg, and Japhia," Visualize a digital art interpretation of the biblical verse 2 Samuel 5:15 - 'Ibhar also, and Elishua, and Nepheg, and Japhia'. Represent the verse creatively through abstract symbols or illustrative elements that embody the meaning, spirit, and historical context of the verse.

2 Samuel 5:15 - "Ibhar also, and Elishua, and Nepheg, and Japhia,"

2 Samuel 2:12 - "¶ And Abner the son of Ner, and the servants of Ish-bosheth the son of Saul, went out from Mahanaim to Gibeon." A detailed and vivid scene from a historic text, specifically 2 Samuel 2:12 from the Bible. Depict a middle-aged Middle-Eastern man, Abner, son of Ner, with the attendants of Ish-bosheth, who is also a Middle-Eastern man and the son of Saul. They are journeying from Mahanaim to Gibeon. The landscape around them consists of rolling hills, and the sky above is clear, signifying the start of a journey. The group of men presents a diverse mix of ages, from young to old, all dressed in period appropriate clothing. All in a digital art style.

2 Samuel 2:12 - "¶ And Abner the son of Ner, and the servants of Ish-bosheth the son of Saul, went out from Mahanaim to Gibeon."

1 Samuel 2:2 - "There is none holy as the LORD: for there is none beside thee: neither is there any rock like our God." A detailed, digitally rendered scene illustrating the biblical verse 1 Samuel 2:2: 'There is none holy as the LORD: for there is none beside thee: neither is there any rock like our God.' The image should depict a divine presence with striking holy light, symbolizing the LORD, separate and alone against a celestial backdrop. Adjacent to this, portray an majestic, unparalleled rock, as an embodiment of the strength and dependability of God.

1 Samuel 2:2 - "There is none holy as the LORD: for there is none beside thee: neither is there any rock like our God."

2 Samuel 23:39 - "Uriah the Hittite: thirty and seven in all."

2 Samuel 23:39 - "Uriah the Hittite: thirty and seven in all."

2 Samuel 23:30 - "Benaiah the Pirathonite, Hiddai of the brooks of Gaash," A scene from biblical times, showing Benaiah the Pirathonite, a renowned figure standing tall in his traditional outfit, bearing the symbols of his faith, alongside Hiddai. Hiddai stands by the brooks of Gaash, the water flowing freely indicating a serene and peaceful ambiance. The setting is textured and vibrant, and the overall image possesses a certain depth and surreal aesthetic quality characteristic of digital art.

2 Samuel 23:30 - "Benaiah the Pirathonite, Hiddai of the brooks of Gaash,"

2 Samuel 23:31 - "Abi-albon the Arbathite, Azmaveth the Barhumite," A visual representation of the biblical verse: 2 Samuel 23:31 - "Abi-albon the Arbathite, Azmaveth the Barhumite," in a digital art style. Display the characters as two ancient Biblical figures, both with distinguishing physical characteristics, set against an ancient Middle Eastern backdrop. Each character should be due representation of their biblical description, dressed in richly adorned traditional outfits consistent with the era. The environment should be highly detailed with a balance of architecture and nature indicative of ancient times. This should be illustrated using modern digital art techniques.

2 Samuel 23:31 - "Abi-albon the Arbathite, Azmaveth the Barhumite,"

2 Samuel 2:18 - "¶ And there were three sons of Zeruiah there, Joab, and Abishai, and Asahel: and Asahel was as light of foot as a wild roe."

2 Samuel 2:18 - "¶ And there were three sons of Zeruiah there, Joab, and Abishai, and Asahel: and Asahel was as light of foot as a wild roe."

2 Samuel 2:25 - "¶ And the children of Benjamin gathered themselves together after Abner, and became one troop, and stood on the top of an hill." A digital art-stylized scene based on a biblical passage, 2 Samuel 2:25. Depict the children of Benjamin, a diverse group of men with different physical attributes, clothing, and traditional Middle-Eastern features. They are united, forming a single large troop, their faces determined and resolute. They are positioned at the top of an undulating hill, overlooking a vast landscape beneath them, the wind strengthening their resolve as it blows through their garments and hair. The sun, on the cusp of setting, bathes the whole scene in twilight hues.

2 Samuel 2:25 - "¶ And the children of Benjamin gathered themselves together after Abner, and became one troop, and stood on the top of an hill."

2 Samuel 2:31 - "But the servants of David had smitten of Benjamin, and of Abner's men, so that three hundred and threescore men died." Illustrate an intense ancient battle scene set in a rugged, barren landscape. The soldiers are from two factions: David's servants and Abner's men. It's clear that David's servants, a group of Caucasian and Middle-Eastern men, have the upper hand. They are successfully fighting against Abner's men, consisting of Black and South-Asian soldiers. Sadly, the aftermath of the battle is grim, with about 360 fallen soldiers from Abner's side. Bodies splay across the arid ground, reminding us of the brutal reality of warfare. All of it unfolding in a digital art style, with crisp lines and vibrant contrasting colors.

2 Samuel 2:31 - "But the servants of David had smitten of Benjamin, and of Abner's men, so that three hundred and threescore men died."

2 Samuel 23:36 - "Igal the son of Nathan of Zobah, Bani the Gadite,"

2 Samuel 23:36 - "Igal the son of Nathan of Zobah, Bani the Gadite,"

2 Samuel 1:27 - "How are the mighty fallen, and the weapons of war perished!"

2 Samuel 1:27 - "How are the mighty fallen, and the weapons of war perished!"

2 Samuel 17:26 - "So Israel and Absalom pitched in the land of Gilead."

2 Samuel 17:26 - "So Israel and Absalom pitched in the land of Gilead."

2 Samuel 23:26 - "Helez the Paltite, Ira the son of Ikkesh the Tekoite,"

2 Samuel 23:26 - "Helez the Paltite, Ira the son of Ikkesh the Tekoite,"