2 Samuel 4 Artwork

"And when Saul’s son heard that Abner was dead in Hebron, his hands were feeble, and all the Israelites were troubled." - 2 Samuel 4:1

Explore 2 Samuel 4 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 Samuel2 Samuel 42 Samuel 4:1
2 Samuel 4:3 - "And the Beerothites fled to Gittaim, and were sojourners there until this day.)"

2 Samuel 4:3 - "And the Beerothites fled to Gittaim, and were sojourners there until this day.)"

1 Samuel 2:4 - "The bows of the mighty men are broken, and they that stumbled are girded with strength."

1 Samuel 2:4 - "The bows of the mighty men are broken, and they that stumbled are girded with strength."

2 Samuel 17:4 - "And the saying pleased Absalom well, and all the elders of Israel." A digital art interpretation of a scene inspired by the biblical passage 2 Samuel 17:4. It shows a group of elders representing different descents such as Caucasian, Hispanic, and Middle-Eastern, gathered in a meeting. Absalom, a strong and tall figure with Black descent, is shown at the center, listening intently to the discussion. The atmosphere is respectful and solemn, capturing the gravity of the moment discussed in the scripture.

2 Samuel 17:4 - "And the saying pleased Absalom well, and all the elders of Israel."

2 Samuel 3:4 - "And the fourth, Adonijah the son of Haggith; and the fifth, Shephatiah the son of Abital;" Interpretation of a biblical scene based on 2 Samuel 3:4 - "And the fourth, Adonijah the son of Haggith; and the fifth, Shephatiah the son of Abital;". Depict these biblical characters in a traditional setting inspired by ancient Middle Eastern culture, with Adonijah and Shephatiah both bearing distinct and symbolically meaningful robes. Let this scene radiate a spiritual atmosphere and rich cultural details. Remember to use the digital art style while creating this image. Avoid any references to specific religious symbols as this is a historical interpretation of a biblical context, not a religious depiction.

2 Samuel 3:4 - "And the fourth, Adonijah the son of Haggith; and the fifth, Shephatiah the son of Abital;"

2 Samuel 7:4 - "¶ And it came to pass that night, that the word of the LORD came unto Nathan, saying," Depict a scene inspired by the verse 2 Samuel 7:4: 'And it came to pass that night, that the word of the LORD came unto Nathan, saying,'. Show Nathan, a Middle Eastern man, in a serene night environment with a divine light or message approaching him. Make sure the art appears digital and detailed, with a mixture of contemporary and historical elements.

2 Samuel 7:4 - "¶ And it came to pass that night, that the word of the LORD came unto Nathan, saying,"

2 Samuel 4:1 - "And when Saul's son heard that Abner was dead in Hebron, his hands were feeble, and all the Israelites were troubled."

2 Samuel 4:1 - "And when Saul's son heard that Abner was dead in Hebron, his hands were feeble, and all the Israelites were troubled."

2 Samuel 2:4 - "And the men of Judah came, and there they anointed David king over the house of Judah. And they told David, saying, That the men of Jabesh-gilead were they that buried Saul." The visual representation of a biblical scene from 2 Samuel 2:4 -- a group of Middle-Eastern men from Judah anointing a young individual named David as their king, indoors, in a house of Judah. They are all traditionally clothed and engaged in a solemn, respectful ceremony. Meanwhile, some of the men convey to David that the people of Jabesh-gilead are the ones who buried Saul. The whole scene conveys a sense of historical grandeur and religious significance, represented in a digital art style.

2 Samuel 2:4 - "And the men of Judah came, and there they anointed David king over the house of Judah. And they told David, saying, That the men of Jabesh-gilead were they that buried Saul."

2 Samuel 5:4 - "¶ David was thirty years old when he began to reign, and he reigned forty years." An interpretation of an ancient Middle Eastern man, around thirty years old beginning his reign. He is proudly standing in front of his people, underneath the vast, open sky. The background is filled with a large ancient city, signifying his kingdom. The art style is modern digital, with vibrant colors and sharp details.

2 Samuel 5:4 - "¶ David was thirty years old when he began to reign, and he reigned forty years."

2 Samuel 22:4 - "I will call on the LORD, who is worthy to be praised: so shall I be saved from mine enemies." A visual depiction of the biblical verse, 2 Samuel 22:4 - 'I will call on the LORD, who is worthy to be praised: so shall I be saved from mine enemies.' The image portrays this sentiment in luminous and vibrant colors, characteristic to digital art. In the foreground, a figure is seen reaching out upwards, symbolizing the act of calling out. Above them, a bright, radiant light signifies the presence of the LORD. The background should include abstract shapes and patterns that suggest a sense of turmoil or conflict, representing the enemies spoken of in the verse, balanced by the figure's hopeful posture seeking salvation.

2 Samuel 22:4 - "I will call on the LORD, who is worthy to be praised: so shall I be saved from mine enemies."

2 Samuel 20:4 - "¶ Then said the king to Amasa, Assemble me the men of Judah within three days, and be thou here present."

2 Samuel 20:4 - "¶ Then said the king to Amasa, Assemble me the men of Judah within three days, and be thou here present."

2 Samuel 6:4 - "And they brought it out of the house of Abinadab which was at Gibeah, accompanying the ark of God: and Ahio went before the ark." A significant scene from 2 Samuel 6:4 of the Christian Bible. Set in the ancient Middle-Eastern city of Gibeah, a group of men is carrying an ark believed to contain the covenant of God from the house of Abinadab. Amid them, a man named Ahio is leading the procession. The ark, magnificent and ornately decorated, is delicately moved on a new cart as it leaves the residence. The city displays architecture typical of ancient Middle-Eastern societies. Furthermore, communicate the atmosphere of reverence and solemnity present at the event. Generate this image with the aesthetics and techniques commonly associated with digital art.

2 Samuel 6:4 - "And they brought it out of the house of Abinadab which was at Gibeah, accompanying the ark of God: and Ahio went before the ark."

2 Samuel 4:5 - "And the sons of Rimmon the Beerothite, Rechab and Baanah, went, and came about the heat of the day to the house of Ish-bosheth, who lay on a bed at noon." A biblical scene inspired by the text from 2 Samuel 4:5 where Rechab and Baanah, the sons of Rimmon the Beerothite, approach the dwelling of Ish-bosheth in the middle of the day. The heat is palpable and rippling in the air as they move closer to the house where Ish-bosheth is resting on his bed at noontime. The composition should focus on the two figures, Rechab and Baanah, their journey under the blistering sun, and the anticipation of their destination. This image is to be created in a digital art medium.

2 Samuel 4:5 - "And the sons of Rimmon the Beerothite, Rechab and Baanah, went, and came about the heat of the day to the house of Ish-bosheth, who lay on a bed at noon."

1 Samuel 3:4 - "That the LORD called Samuel: and he answered, Here am I."

1 Samuel 3:4 - "That the LORD called Samuel: and he answered, Here am I."

2 Samuel 4:8 - "And they brought the head of Ish-bosheth unto David to Hebron, and said to the king, Behold the head of Ish-bosheth the son of Saul thine enemy, which sought thy life; and the LORD hath avenged my lord the king this day of Saul, and of his seed." Craft an image in digital art style that captures the historic moment from 2 Samuel 4:8 when Ish-bosheth's head is delivered to David in Hebron. Emphasize the intensity of the event and the relief in the face of David who was a target of Ish-bosheth and Saul. Add a touch of divine presence to symbolize that the vengeance has been made in the name of the King by the Lord.

2 Samuel 4:8 - "And they brought the head of Ish-bosheth unto David to Hebron, and said to the king, Behold the head of Ish-bosheth the son of Saul thine enemy, which sought thy life; and the LORD hath avenged my lord the king this day of Saul, and of his seed."

2 Samuel 4:6 - "And they came thither into the midst of the house, as though they would have fetched wheat; and they smote him under the fifth rib: and Rechab and Baanah his brother escaped."

2 Samuel 4:6 - "And they came thither into the midst of the house, as though they would have fetched wheat; and they smote him under the fifth rib: and Rechab and Baanah his brother escaped."

2 Samuel 4:9 - "¶ And David answered Rechab and Baanah his brother, the sons of Rimmon the Beerothite, and said unto them, As the LORD liveth, who hath redeemed my soul out of all adversity,"

2 Samuel 4:9 - "¶ And David answered Rechab and Baanah his brother, the sons of Rimmon the Beerothite, and said unto them, As the LORD liveth, who hath redeemed my soul out of all adversity,"

1 Samuel 8:4 - "Then all the elders of Israel gathered themselves together, and came to Samuel unto Ramah," Create a detailed digital art inspired image of a historical scene described in 1 Samuel 8:4 from the Bible. In it, depict the elders of Israel, a diverse group of elderly Middle-Eastern men, assembly together. They are progressing towards Samuel, a respected prophet, in the rural setting of Ramah. The overall scene should maintain a look of antiquity with ancient Middle-Eastern architectural and clothing styles present. Note: the scene should not resemble any specific artist or style of art. Maintain the essence of digital art, complete with sharp linework and vibrant colors.

1 Samuel 8:4 - "Then all the elders of Israel gathered themselves together, and came to Samuel unto Ramah,"

2 Samuel 14:4 - "¶ And when the woman of Tekoah spake to the king, she fell on her face to the ground, and did obeisance, and said, Help, O king." Generate a digital interpretation of a historic scene from ancient text, specifically 2 Samuel 14:4. In this scene, a woman from Tekoah is speaking to the king, showing respect by falling on her face to the ground in a posture of obeisance. The setting can be an antiquated court, complete with ornate designs and the attire of the people should reflect the era. The woman is begging the king for help, bringing a certain emotional intensity to the scene. Capture this vividly but remember to keep the style digitally artistic.

2 Samuel 14:4 - "¶ And when the woman of Tekoah spake to the king, she fell on her face to the ground, and did obeisance, and said, Help, O king."

2 Samuel 4:11 - "How much more, when wicked men have slain a righteous person in his own house upon his bed? shall I not therefore now require his blood of your hand, and take you away from the earth?"

2 Samuel 4:11 - "How much more, when wicked men have slain a righteous person in his own house upon his bed? shall I not therefore now require his blood of your hand, and take you away from the earth?"

2 Samuel 4:2 - "And Saul's son had two men that were captains of bands: the name of the one was Baanah, and the name of the other Rechab, the sons of Rimmon a Beerothite, of the children of Benjamin: (for Beeroth also was reckoned to Benjamin:"

2 Samuel 4:2 - "And Saul's son had two men that were captains of bands: the name of the one was Baanah, and the name of the other Rechab, the sons of Rimmon a Beerothite, of the children of Benjamin: (for Beeroth also was reckoned to Benjamin:"

2 Samuel 4:10 - "When one told me, saying, Behold, Saul is dead, thinking to have brought good tidings, I took hold of him, and slew him in Ziklag, who thought that I would have given him a reward for his tidings:" An interpretation of a scene from 2 Samuel 4:10. It features a scene where two Middle-Eastern individuals stand. One of them, with a joyous expression, is narrating the news of a ruler's death, expecting a reward. The other, visibly furious, seizes him, preparing to strike him down in a location named Ziklag. This is envisioned in the style of digitized biblical art, highlighting the intense emotion and unpredictability of the situation through sharp contrasts and exaggerated details.

2 Samuel 4:10 - "When one told me, saying, Behold, Saul is dead, thinking to have brought good tidings, I took hold of him, and slew him in Ziklag, who thought that I would have given him a reward for his tidings:"

2 Samuel 9:4 - "And the king said unto him, Where is he? And Ziba said unto the king, Behold, he is in the house of Machir, the son of Ammiel, in Lo-debar." Visualize a scene inspired by the Bible passage 2 Samuel 9:4. An ancient king dressed in regal robes inquires about someone's whereabouts. A man named Ziba, dressed modestly, responds with a pointer to a specific location referring to it as the 'house of Machir, the son of Ammiel, in Lo-debar'. The king is sitting on a grand throne, visually expressing concern and curiosity. The surrounding architecture exudes an ancient Middle-Eastern aesthetic with stone walls and elaborate carvings. Ziba is standing, his posture indicating respect. Capture all of this using a style that matches the theme of digital art.

2 Samuel 9:4 - "And the king said unto him, Where is he? And Ziba said unto the king, Behold, he is in the house of Machir, the son of Ammiel, in Lo-debar."

2 Samuel 19:4 - "But the king covered his face, and the king cried with a loud voice, O my son Absalom, O Absalom, my son, my son!" A biblical scene from 2 Samuel 19:4 represented as a digital painting: A man, dressed in kingly attire, covering his face with a sense of sorrow and despair. He cries out with a loud voice, his pain palpable in the disruption of the calm surroundings. The ambience captures an atmosphere of lament, centered on the phrase, 'O my son Absalom, O Absalom, my son, my son!' This scene should evoke both the nobility of the king and his profound grief for his son, conveyed through the vividness and immediacy of modern digital art.

2 Samuel 19:4 - "But the king covered his face, and the king cried with a loud voice, O my son Absalom, O Absalom, my son, my son!"

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod." Illustrate an image based on the biblical scene from 1 Samuel 2:18. Depict a young boy named Samuel serving before the LORD, dressed in a linen ephod. This scene should be rendered using modern digital art techniques, showing vibrant colors and bold lines. Focus on Samuel's youthful innocence and dedication as he performs his duties, with the aura of divine presence subtly suggested in the background.

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod."

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men." Visualize an interpretive digital art scene that represents the biblical scripture from 1 Samuel 2:26, 'And the child Samuel grew on, and was in favour both with the LORD, and also with men.' The scene should represent Samuel as a young boy, growing and maturing under both divine and human admiration. Show symbolism for the Lord's favour - such as a divine ethereal glow or a protective hand from the heavens - and men's respect - represented by faces of men from different descents demonstrating admiration or respect towards Samuel.

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men."

2 Samuel 10:4 - "Wherefore Hanun took David's servants, and shaved off the one half of their beards, and cut off their garments in the middle, even to their buttocks, and sent them away."

2 Samuel 10:4 - "Wherefore Hanun took David's servants, and shaved off the one half of their beards, and cut off their garments in the middle, even to their buttocks, and sent them away."

2 Samuel 24:4 - "Notwithstanding the king's word prevailed against Joab, and against the captains of the host. And Joab and the captains of the host went out from the presence of the king, to number the people of Israel." Illustrate a scene from a historical text. Picture a king, commanding his generals, displaying authority as they reluctantly leave his presence to fulfill his orders. The generals are tasked with counting the population of their kingdom. Directly representing 2 Samuel 24:4, let this image convey the tension and solemnity of this moment. The style should mimic the clean lines and bold colors often found in digital art.

2 Samuel 24:4 - "Notwithstanding the king's word prevailed against Joab, and against the captains of the host. And Joab and the captains of the host went out from the presence of the king, to number the people of Israel."

2 Corinthians 4:4 A scene depicting the essence of the verse 2 Corinthians 4:4. The scripture discusses how the minds of unbelievers are blinded, and it is infused with the symbolism to visually represent this spiritual blinding. Amateur watercolor techniques like wet-on-wet, color mixing, and layered washes are used for an ethereal charm and depth.

2 Corinthians 4:4

2 Corinthians 4:4 A watercolor illustration interpretation of 2 Corinthians 4:4 bible verse. Include soft and gentle color tones to express the mood of the scripture indirectly. There's potential focus on themes like divine illumination, spiritual blindness, and transcendent faith.

2 Corinthians 4:4

2 Samuel 18:4 - "And the king said unto them, What seemeth you best I will do. And the king stood by the gate side, and all the people came out by hundreds and by thousands." Compose a digital art-style image capturing a scene from an ancient narrative. Picture a regal figure, standing by an imposing city gate, his posture indicative of resolute authority. Imagine an enormous crowd of people, perhaps in the hundreds and thousands, emerging and dispersing amidst a backdrop of an ancient city. Use soft tones and light to create a serene atmosphere, commensurate with dawn or dusk. Evoke intense detail and high-definition features characteristic of digital art, while maintaining an antique essence to the scene.

2 Samuel 18:4 - "And the king said unto them, What seemeth you best I will do. And the king stood by the gate side, and all the people came out by hundreds and by thousands."