2 Samuel 8 Artwork

"And after this it came to pass, that David smote the Philistines, and subdued them: and David took Metheg-ammah out of the hand of the Philistines." - 2 Samuel 8:1

Explore 2 Samuel 8 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 Samuel2 Samuel 82 Samuel 8:1
2 Samuel 10:8 - "And the children of Ammon came out, and put the battle in array at the entering in of the gate: and the Syrians of Zoba, and of Rehob, and Ish-tob, and Maacah, were by themselves in the field." Illustrate a scene from a biblical era based on the passage 2 Samuel 10:8. Depict the children of Ammon lined up for battle at the entrance of a gate, and the Syrians of Zoba, Rehob, Ish-tob, and Maacah, standing separately in a field. The art should be created with all the precision, vibrancy, and complexity commonly seen in digital art. The scene should highlight the tension and anticipation of an impending battle, the distinct groups of warriors, and the atmospheric elements of the biblical context.

2 Samuel 10:8 - "And the children of Ammon came out, and put the battle in array at the entering in of the gate: and the Syrians of Zoba, and of Rehob, and Ish-tob, and Maacah, were by themselves in the field."

1 Samuel 13:8 - "¶ And he tarried seven days, according to the set time that Samuel had appointed: but Samuel came not to Gilgal; and the people were scattered from him."

1 Samuel 13:8 - "¶ And he tarried seven days, according to the set time that Samuel had appointed: but Samuel came not to Gilgal; and the people were scattered from him."

1 Samuel 8:1 - "And it came to pass, when Samuel was old, that he made his sons judges over Israel." Illustrate an ancient scene inspired from the Bible where an elderly man, Samuel, designates his sons as judges over an ancient land known as Israel. This is in respect to 1 Samuel 8:1. The illustration style should be consistent with the characteristics of digital art, applying modern color choices, and bold, distinct lines to define characters and scenery. The scene includes Samuel, who can be seen as a senior with a staff for support, clothed in traditional robes, symbolizing wisdom and age. His sons, who are standing to receive his blessings, also wear traditional clothing, indicating their new positions of authority. The setting should evoke an ancient Middle-Eastern landscape.

1 Samuel 8:1 - "And it came to pass, when Samuel was old, that he made his sons judges over Israel."

1 Samuel 8:19 - "¶ Nevertheless the people refused to obey the voice of Samuel; and they said, Nay; but we will have a king over us;" Create an image that encapsulates the biblical scene from 1 Samuel 8:19 in a digital art style. A diverse group of people from different descents including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, refusing to listen to a central figure, indicating their desire for a king. The focus should be on the tension and the power dynamics, with the crowd and the central figure framed in a confrontational setting.

1 Samuel 8:19 - "¶ Nevertheless the people refused to obey the voice of Samuel; and they said, Nay; but we will have a king over us;"

2 Samuel 15:8 - "For thy servant vowed a vow while I abode at Geshur in Syria, saying, If the LORD shall bring me again indeed to Jerusalem, then I will serve the LORD." Create a digital art interpretation of a scene from an ancient text, 2 Samuel 15:8. The setting is Geshur in Syria, where a servant is seen vowing a vow. The servant feels overwhelming gratitude and resolves to serve the higher power upon their return to Jerusalem. The colors should give the sense of a timeless past. Please do not include any modern elements in the image.

2 Samuel 15:8 - "For thy servant vowed a vow while I abode at Geshur in Syria, saying, If the LORD shall bring me again indeed to Jerusalem, then I will serve the LORD."

1 Samuel 16:8 - "Then Jesse called Abinadab, and made him pass before Samuel. And he said, Neither hath the LORD chosen this." An interpretation of a scene from 1 Samuel 16:8: A man named Jesse is inviting another man, Abinadab, to approach a third person, Samuel. Jesse communicates that Abinadab has not been selected by their deity. This involves elements of Middle Eastern culture with all the characters presenting as Middle Eastern men. The setting is a simple dwelling from the Bronze Age, with rustic furnishings and earthenware. The medium used is reminiscent of pre-1912 artistry, but interpreted in the context of digital art, which implies luminous colors and high contrast.

1 Samuel 16:8 - "Then Jesse called Abinadab, and made him pass before Samuel. And he said, Neither hath the LORD chosen this."

2 Samuel 8:2 - "And he smote Moab, and measured them with a line, casting them down to the ground; even with two lines measured he to put to death, and with one full line to keep alive. And so the Moabites became David's servants, and brought gifts." Illustration of a biblical scene: '2 Samuel 8:2'. It depicts a victorious figure, presumably David, standing on a battleground. Scattered on the ground around him are figures representing the Moabites. Some are lying down defeated, while others are kneeling, offering gifts. An oversized measuring line is visible in David's hands, symbolizing the execution of judgement. The scene is enveloped in a somber tone, reflecting the gravity of the depicted event. Create this image in a style reminiscent of digital art.

2 Samuel 8:2 - "And he smote Moab, and measured them with a line, casting them down to the ground; even with two lines measured he to put to death, and with one full line to keep alive. And so the Moabites became David's servants, and brought gifts."

1 Samuel 8:22 - "And the LORD said to Samuel, Hearken unto their voice, and make them a king. And Samuel said unto the men of Israel, Go ye every man unto his city."

1 Samuel 8:22 - "And the LORD said to Samuel, Hearken unto their voice, and make them a king. And Samuel said unto the men of Israel, Go ye every man unto his city."

1 Samuel 8:13 - "And he will take your daughters to be confectionaries, and to be cooks, and to be bakers." An interpretation of the biblical verse 1 Samuel 8:13. Visualize a scene from the biblical era where young women of diverse descents (Caucasian, Hispanic, Black, Middle-Eastern, South Asian, etc.) are cheerfully engaged in various culinary activities. Some are preparing sweets as skilled confectioners, others stirring large pots as cooks, and others baking bread in a large oven. Render this image in the style of detailed digital art, with emphasis on the historical setting and the vibrancy of their tasks.

1 Samuel 8:13 - "And he will take your daughters to be confectionaries, and to be cooks, and to be bakers."

2 Samuel 13:8 - "So Tamar went to her brother Amnon's house; and he was laid down. And she took flour, and kneaded it, and made cakes in his sight, and did bake the cakes."

2 Samuel 13:8 - "So Tamar went to her brother Amnon's house; and he was laid down. And she took flour, and kneaded it, and made cakes in his sight, and did bake the cakes."

2 Samuel 11:8 - "And David said to Uriah, Go down to thy house, and wash thy feet. And Uriah departed out of the king's house, and there followed him a mess of meat from the king." A biblical scene based on 2 Samuel 11:8. David, a Middle-Eastern man, is addressing Uriah, a black man. Both are wearing traditional clothes from the ancient Middle-Eastern period. David is commanding Uriah to go down to his house, the gesture is regal and commanding but not harsh. Uriah is portrayed departing from what is clearly a king's house. An elaborate, palatial structure with classic Middle-Eastern architecture. As a unique addition, there is a mess of meat, illustrated as a lavishly presented feast, trailing behind Uriah as he walks away. It is as if the feast is following him from the king's house. The image has a touch of modernity as it's executed in a digital art style.

2 Samuel 11:8 - "And David said to Uriah, Go down to thy house, and wash thy feet. And Uriah departed out of the king's house, and there followed him a mess of meat from the king."

1 Samuel 7:8 - "And the children of Israel said to Samuel, Cease not to cry unto the LORD our God for us, that he will save us out of the hand of the Philistines." A poignant scene from the Bible, specifically 1 Samuel 7:8, depicted through the use of digital art. A number of individuals, representative of the children of Israel, are gathered before Samuel. The individuals vary in descent and gender, including males and females of Caucasian, Hispanic, Black, Middle-Eastern, and South Asian origins. They are pleading with Samuel, who appears wise and timeless. It's a moment of dramatic appeal, showcasing their desperation for divine intervention against the Philistines. Samuel is captured mid-prayer, calling out to the heavens in vivid detail, exhibiting the power of faith.

1 Samuel 7:8 - "And the children of Israel said to Samuel, Cease not to cry unto the LORD our God for us, that he will save us out of the hand of the Philistines."

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod." Illustrate an image based on the biblical scene from 1 Samuel 2:18. Depict a young boy named Samuel serving before the LORD, dressed in a linen ephod. This scene should be rendered using modern digital art techniques, showing vibrant colors and bold lines. Focus on Samuel's youthful innocence and dedication as he performs his duties, with the aura of divine presence subtly suggested in the background.

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod."

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men." Visualize an interpretive digital art scene that represents the biblical scripture from 1 Samuel 2:26, 'And the child Samuel grew on, and was in favour both with the LORD, and also with men.' The scene should represent Samuel as a young boy, growing and maturing under both divine and human admiration. Show symbolism for the Lord's favour - such as a divine ethereal glow or a protective hand from the heavens - and men's respect - represented by faces of men from different descents demonstrating admiration or respect towards Samuel.

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men."

2 Samuel 17:8 - "For, said Hushai, thou knowest thy father and his men, that they be mighty men, and they be chafed in their minds, as a bear robbed of her whelps in the field: and thy father is a man of war, and will not lodge with the people." An intricate digital art representation of a scene based on the verse 2 Samuel 17:8 from the Bible. It captures a metaphorical battle scene with warriors perceived to be as mighty as bears, riled up and eager for battle in an open field. An imposing figure, a man well known for his warfare skills, stands apart from the crowd, signifying his nonconformity to lodge with the people.

2 Samuel 17:8 - "For, said Hushai, thou knowest thy father and his men, that they be mighty men, and they be chafed in their minds, as a bear robbed of her whelps in the field: and thy father is a man of war, and will not lodge with the people."

2 Samuel 4:8 - "And they brought the head of Ish-bosheth unto David to Hebron, and said to the king, Behold the head of Ish-bosheth the son of Saul thine enemy, which sought thy life; and the LORD hath avenged my lord the king this day of Saul, and of his seed." Craft an image in digital art style that captures the historic moment from 2 Samuel 4:8 when Ish-bosheth's head is delivered to David in Hebron. Emphasize the intensity of the event and the relief in the face of David who was a target of Ish-bosheth and Saul. Add a touch of divine presence to symbolize that the vengeance has been made in the name of the King by the Lord.

2 Samuel 4:8 - "And they brought the head of Ish-bosheth unto David to Hebron, and said to the king, Behold the head of Ish-bosheth the son of Saul thine enemy, which sought thy life; and the LORD hath avenged my lord the king this day of Saul, and of his seed."

1 Samuel 8:17 - "He will take the tenth of your sheep: and ye shall be his servants."

1 Samuel 8:17 - "He will take the tenth of your sheep: and ye shall be his servants."

2 Samuel 5:8 - "And David said on that day, Whosoever getteth up to the gutter, and smiteth the Jebusites, and the lame and the blind, that are hated of David's soul, he shall be chief and captain. Wherefore they said, The blind and the lame shall not come into the house." A dynamic digital painting reimagines a scene from 2 Samuel 5:8. In the foreground, a courageous individual displays tremendous effort to ascend toward a high, narrow gutter. This individual is seen successfully striking at unseen adversaries, hinted at by the stir of battle in their immediate surroundings. Meanwhile, figures symbolizing the lame and the blind, rendered with compassion and depth, evoke a stark contrast as they are kept away from a large building, signifying the house mentioned in the text. The drama and tension of the biblical narrative are accentively portrayed, culminating with the promise of leadership to the victorious individual.

2 Samuel 5:8 - "And David said on that day, Whosoever getteth up to the gutter, and smiteth the Jebusites, and the lame and the blind, that are hated of David's soul, he shall be chief and captain. Wherefore they said, The blind and the lame shall not come into the house."

2 Samuel 5:16 - "And Elishama, and Eliada, and Eliphalet." An interpretation of the verse '2 Samuel 5:16 - And Elishama, and Eliada, and Eliphalet' crafted in a digital artwork style. The text should be prominently displayed, surrounded by symbolic and abstract forms, offering a modern realization of these ancient words. The colors should lean towards rich hues and the tone resonating a solemn, reverent vibe.

2 Samuel 5:16 - "And Elishama, and Eliada, and Eliphalet."

1 Timothy 2:8 A devotional and respectful rendering of 1 Timothy 2:8. The scene depicts the essence of the verse without the use of text or words. The artwork should embody the technique of Pointillism, popularized by artists like Georges Seurat, which primarily uses small, distinct dots of pure color applied in patterns to form an image. Key elements of the verse to be incorporated could include men praying with holy hands, pure emotions and devout faith. The setting should be serene, symbolizing peace and tranquillity.

1 Timothy 2:8

2 Samuel 12:2 - "The rich man had exceeding many flocks and herds:" A scene from 2 Samuel 12:2, inspired by the words 'The rich man had exceeding many flocks and herds'. Visualize a rich man in Middle-Eastern traditional attire surrounded by an abundant number of varied flocks and herds grazing peacefully. The landscape should comprise lush, open fields under the azure sky. Keep in mind this scene is to be interpreted in the medium of digital art.

2 Samuel 12:2 - "The rich man had exceeding many flocks and herds:"

2 Samuel 21:8 - "But the king took the two sons of Rizpah the daughter of Aiah, whom she bare unto Saul, Armoni and Mephibosheth; and the five sons of Michal the daughter of Saul, whom she brought up for Adriel the son of Barzillai the Meholathite:" An illustration inspired by a biblical scene in the style of digital art: 2 Samuel 21:8. A Middle-Eastern woman identified as Rizpah, daughter of Aiah, stands with her two sons, Armoni and Mephibosheth. They are of Palestinian descent, with traditional Middle-Eastern attire. Another woman, Michal, the daughter of Saul, is seen with her five sons. She is of Arabian descent and they're wearing period-appropriate attire. They appear to be caring for a young boy, Adriel, the son of Barzillai the Meholathite who is also Middle Eastern in descent. The scene is characterized by its ancient Near Eastern context and semblance.

2 Samuel 21:8 - "But the king took the two sons of Rizpah the daughter of Aiah, whom she bare unto Saul, Armoni and Mephibosheth; and the five sons of Michal the daughter of Saul, whom she brought up for Adriel the son of Barzillai the Meholathite:"

2 Samuel 19:8 - "Then the king arose, and sat in the gate. And they told unto all the people, saying, Behold, the king doth sit in the gate. And all the people came before the king: for Israel had fled every man to his tent." Visualize an ancient scene inspired by the passage from 2 Samuel 19:8. Set in middle-eastern architecture, a royal figure, cloaked in regal attire, rises and then seats himself within the archway of a grand gate. The people of various descents, comprised of both men and women, gather around him, their faces reflecting awe and respect. A sense of urgency prevails, as some individuals seem hurried, possibly returning to their tents. The scene uses digital art techniques, focusing on high contrast and vibrant colors.

2 Samuel 19:8 - "Then the king arose, and sat in the gate. And they told unto all the people, saying, Behold, the king doth sit in the gate. And all the people came before the king: for Israel had fled every man to his tent."

2 Samuel 7:8 - "Now therefore so shalt thou say unto my servant David, Thus saith the LORD of hosts, I took thee from the sheepcote, from following the sheep, to be ruler over my people, over Israel:" Illustrate a scene from the biblical passage 2 Samuel 7:8. Visualize the divine communication to David, transitioning from a simple shepherd, tending sheep in the pasture, to becoming a ruler of people. The scene should depict a humble sheepcote and open pasture alongside the symbolic representation of leadership over Israel. Convey this narrative transition in the style of hand-drawn sketches digitally colored and textured.

2 Samuel 7:8 - "Now therefore so shalt thou say unto my servant David, Thus saith the LORD of hosts, I took thee from the sheepcote, from following the sheep, to be ruler over my people, over Israel:"

1 Samuel 8:7 - "And the LORD said unto Samuel, Hearken unto the voice of the people in all that they say unto thee: for they have not rejected thee, but they have rejected me, that I should not reign over them." Craft an image that visualizes 1 Samuel 8:7 from the Bible. Depict an abstract representation of the conversation between the divine entity and person named Samuel. The divine entity is expressing that the people have chosen not to have it rule over them. Bring this scene to life using the aesthetics of digital art including bold colors and pixelated forms.

1 Samuel 8:7 - "And the LORD said unto Samuel, Hearken unto the voice of the people in all that they say unto thee: for they have not rejected thee, but they have rejected me, that I should not reign over them."

2 Samuel 23:25 - "Shammah the Harodite, Elika the Harodite," Create a digital art representation of two characters from an ancient text: Shammah and Elika, both described as Harodites. Although the text does not provide physical details, presume Shammah to have a muscular build, Middle-Eastern descent, and a worn warrior's outfit. Contrast him with Elika, who has a leaner physique, Caucasian descent, and a more scholarly look. The scene is set in an arid landscape, reflective of Harod.

2 Samuel 23:25 - "Shammah the Harodite, Elika the Harodite,"

2 Samuel 23:35 - "Hezrai the Carmelite, Paarai the Arbite,"

2 Samuel 23:35 - "Hezrai the Carmelite, Paarai the Arbite,"

2 Samuel 23:27 - "Abiezer the Anethothite, Mebunnai the Hushathite," A detailed and colorful visual interpretation of a scene from the biblical text 2 Samuel 23:27, featuring two figures: Abiezer the Anethothite and Mebunnai the Hushathite. The scene should reflect the rich context and cultural ambiance of their era, focusing on their attire, gestures, and the surrounding environment, imagined in a general, digital artistic form.

2 Samuel 23:27 - "Abiezer the Anethothite, Mebunnai the Hushathite,"

2 Samuel 23:2 - "The Spirit of the LORD spake by me, and his word was in my tongue."

2 Samuel 23:2 - "The Spirit of the LORD spake by me, and his word was in my tongue."

2 Samuel 23:28 - "Zalmon the Ahohite, Maharai the Netophathite," A depiction of two biblical figures: Zalmon the Ahohite, a Middle-Eastern man with defined facial features, and Maharai the Netophathite, a Caucasian man with a stern expression. Both are garbed in traditional biblical attire, standing under the bright desert sun. Render this scene with the sleekness and polish characteristic of digital art.

2 Samuel 23:28 - "Zalmon the Ahohite, Maharai the Netophathite,"