2 Samuel 9 Artwork

"And David said, Is there yet any that is left of the house of Saul, that I may shew him kindness for Jonathan’s sake?" - 2 Samuel 9:1

Explore 2 Samuel 9 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
2 Samuel2 Samuel 92 Samuel 9:1
2 Samuel 9:5 - "¶ Then king David sent, and fetched him out of the house of Machir, the son of Ammiel, from Lo-debar."

2 Samuel 9:5 - "¶ Then king David sent, and fetched him out of the house of Machir, the son of Ammiel, from Lo-debar."

2 Samuel 8:9 - "¶ When Toi king of Hamath heard that David had smitten all the host of Hadadezer,"

2 Samuel 8:9 - "¶ When Toi king of Hamath heard that David had smitten all the host of Hadadezer,"

2 Samuel 9:1 - "And David said, Is there yet any that is left of the house of Saul, that I may shew him kindness for Jonathan's sake?" A biblical scene from 2 Samuel 9:1. The setting is a historic Middle Eastern architecture room. David, a Middle-Eastern man with strong and determined features, is expressing his commitment to show kindness. He is surrounded by other Middle-Eastern men who listen attentively to his pronouncement. In the background, imagine symbolic representations of the house of Saul and Jonathan, perhaps tapestries or artworks that invoke their presence. The style is reminiscent of old religious paintings, but with a digital twist, bringing together traditional elements with modern techniques.

2 Samuel 9:1 - "And David said, Is there yet any that is left of the house of Saul, that I may shew him kindness for Jonathan's sake?"

2 Samuel 6:9 - "And David was afraid of the LORD that day, and said, How shall the ark of the LORD come to me?"

2 Samuel 6:9 - "And David was afraid of the LORD that day, and said, How shall the ark of the LORD come to me?"

2 Samuel 15:9 - "And the king said unto him, Go in peace. So he arose, and went to Hebron." An interpretation of a biblical scene inspired by the verse 2 Samuel 15:9 - 'And the king said unto him, Go in peace. So he arose, and went to Hebron.' The scene consists of two men in ancient Middle-Eastern attire. One, presumably the king, is sitting on a throne while the other is standing, ready to depart. The architectural elements reflect the ancient Middle-Eastern style. The art style should reflect the aesthetic qualities of a digital medium, with distinct, sharp lines and a vibrant color scheme.

2 Samuel 15:9 - "And the king said unto him, Go in peace. So he arose, and went to Hebron."

2 Samuel 9:13 - "So Mephibosheth dwelt in Jerusalem: for he did eat continually at the king's table; and was lame on both his feet."

2 Samuel 9:13 - "So Mephibosheth dwelt in Jerusalem: for he did eat continually at the king's table; and was lame on both his feet."

2 Samuel 2:9 - "And made him king over Gilead, and over the Ashurites, and over Jezreel, and over Ephraim, and over Benjamin, and over all Israel." A solemn coronation scene set in ancient times, based on a verse from 2 Samuel 2:9. The scene depicts an unidentified man being crowned king over several regions mentioned in the verse, including Gilead, Ashurites, Jezreel, Ephraim, Benjamin, and all of Israel. The aesthetics should mirror the style of visual narratives found in vintage stained glass windows. All the elements in the image such as the crown, the king, and the regions represented, should be infused with rich, vibrant colors and intricate patterns associated with stained glass art.

2 Samuel 2:9 - "And made him king over Gilead, and over the Ashurites, and over Jezreel, and over Ephraim, and over Benjamin, and over all Israel."

2 Samuel 9:9 - "¶ Then the king called to Ziba, Saul's servant, and said unto him, I have given unto thy master's son all that pertained to Saul and to all his house."

2 Samuel 9:9 - "¶ Then the king called to Ziba, Saul's servant, and said unto him, I have given unto thy master's son all that pertained to Saul and to all his house."

2 Samuel 9:12 - "And Mephibosheth had a young son, whose name was Micha. And all that dwelt in the house of Ziba were servants unto Mephibosheth." A digital art interpretation of a biblical scene from 2 Samuel 9:12 - Mephibosheth, an adult, is in the center, sharing a moment with his young son Micha. They are in a humble interior space that is representative of Ziba's house. The house members, who are servants to Mephibosheth, respectfully go about their daily chores around them.

2 Samuel 9:12 - "And Mephibosheth had a young son, whose name was Micha. And all that dwelt in the house of Ziba were servants unto Mephibosheth."

2 Samuel 9:8 - "And he bowed himself, and said, What is thy servant, that thou shouldest look upon such a dead dog as I am?" An illustrative digital art representation of a biblical scene, specifically from 2 Samuel 9:8. The image captures a man bowing low in humility, expressing deep respect and a sense of unworthiness. His face holds a look of appreciative surprise and self-doubt. The phrase 'What is thy servant, that thou shouldest look upon such a dead dog as I am?' is subtly incorporated into the design. Place the man in an ancient setting appropriate to the biblical era to enhance the storytelling aspect of the artwork.

2 Samuel 9:8 - "And he bowed himself, and said, What is thy servant, that thou shouldest look upon such a dead dog as I am?"

2 Samuel 11:9 - "But Uriah slept at the door of the king's house with all the servants of his lord, and went not down to his house." An illustration of a scene from the historical text, 2 Samuel 11:9. It portrays Uriah, a figment of the ancient lore, choosing to sleep at the doorstep of the king's grand house. It is night and the air is filled with the subtle tinge of devotion and loyalty. Lying around Uriah is a group of the lord's servants, all engaged in various tasks, adding a sense of liveliness to the subdued setting. The scene is imbued with hints of spirituality, radiating from the symbolic actions of the characters. This is presented in the medium of digital art.

2 Samuel 11:9 - "But Uriah slept at the door of the king's house with all the servants of his lord, and went not down to his house."

1 Samuel 2:9 - "He will keep the feet of his saints, and the wicked shall be silent in darkness; for by strength shall no man prevail."

1 Samuel 2:9 - "He will keep the feet of his saints, and the wicked shall be silent in darkness; for by strength shall no man prevail."

2 Samuel 22:9 - "There went up a smoke out of his nostrils, and fire out of his mouth devoured: coals were kindled by it." The visualization of a biblical verse, 2 Samuel 22:9. The scene describes a majestic figure with a powerful presence. Smoke ascends from this figure's nostrils, symbolizing intense anger or tremendous power. The image becomes more dramatic with the addition of fire spewing out of their mouth, signifying the words spoken are powerful, consuming and influential. This same fire is shown to be so intense, it ignites coals upon contact. The overall scene should blend elements of surrealism and reverence usually associated with religious texts. Deliver this representation in the form of digital art.

2 Samuel 22:9 - "There went up a smoke out of his nostrils, and fire out of his mouth devoured: coals were kindled by it."

2 Samuel 5:9 - "So David dwelt in the fort, and called it the city of David. And David built round about from Millo and inward." Visualize an ancient fort inhabited by a king, named after himself. The king is seen actively engaged in the construction of the fortress that extends from a location called Millo towards the inside. The scene's aesthetic is reminiscent of early 21st century digital art, with clean lines, bold colors, and a striking level of detail.

2 Samuel 5:9 - "So David dwelt in the fort, and called it the city of David. And David built round about from Millo and inward."

2 Samuel 9:4 - "And the king said unto him, Where is he? And Ziba said unto the king, Behold, he is in the house of Machir, the son of Ammiel, in Lo-debar." Visualize a scene inspired by the Bible passage 2 Samuel 9:4. An ancient king dressed in regal robes inquires about someone's whereabouts. A man named Ziba, dressed modestly, responds with a pointer to a specific location referring to it as the 'house of Machir, the son of Ammiel, in Lo-debar'. The king is sitting on a grand throne, visually expressing concern and curiosity. The surrounding architecture exudes an ancient Middle-Eastern aesthetic with stone walls and elaborate carvings. Ziba is standing, his posture indicating respect. Capture all of this using a style that matches the theme of digital art.

2 Samuel 9:4 - "And the king said unto him, Where is he? And Ziba said unto the king, Behold, he is in the house of Machir, the son of Ammiel, in Lo-debar."

2 Samuel 3:9 - "So do God to Abner, and more also, except, as the LORD hath sworn to David, even so I do to him;" Visual representation of 2 Samuel 3:9 from the Bible: 'So do God to Abner, and more also, except, as the LORD hath sworn to David, even so I do to him;'. Depict this in a modern digital art style. Try expressing the emotion conveyed in the scripture through abstract shapes and vibrant colors, include symbolic representations of God, Abner, David, and the oath God had sworn. Keep the overall tone serious and spiritual.

2 Samuel 3:9 - "So do God to Abner, and more also, except, as the LORD hath sworn to David, even so I do to him;"

2 Samuel 20:9 - "And Joab said to Amasa, Art thou in health, my brother? And Joab took Amasa by the beard with the right hand to kiss him."

2 Samuel 20:9 - "And Joab said to Amasa, Art thou in health, my brother? And Joab took Amasa by the beard with the right hand to kiss him."

1 Samuel 9:15 - "¶ Now the LORD had told Samuel in his ear a day before Saul came, saying,"

1 Samuel 9:15 - "¶ Now the LORD had told Samuel in his ear a day before Saul came, saying,"

2 Samuel 9:2 - "And there was of the house of Saul a servant whose name was Ziba. And when they had called him unto David, the king said unto him, Art thou Ziba? And he said, Thy servant is he."

2 Samuel 9:2 - "And there was of the house of Saul a servant whose name was Ziba. And when they had called him unto David, the king said unto him, Art thou Ziba? And he said, Thy servant is he."

1 Samuel 9:18 - "Then Saul drew near to Samuel in the gate, and said, Tell me, I pray thee, where the seer's house is." Scene from the biblical tale of 1 Samuel 9:18 where Saul approaches Samuel at the gate. Saul, a tall Middle-Eastern man with a commanding demeanor, adorned in traditional attire, is asking Samuel, an older South Asian man with wise features, dressed in simple robes, the whereabouts of the seer's house. Samuel stands near the entrance to the city, a weathered gate constructed of weathered timber and rough stones. Overall, the image should have the texture, colour balance, and thickness of lines comparable to a piece of high-quality digital art.

1 Samuel 9:18 - "Then Saul drew near to Samuel in the gate, and said, Tell me, I pray thee, where the seer's house is."

1 Samuel 18:9 - "And Saul eyed David from that day and forward." Render an image inspired by the biblical quote from 1 Samuel 18:9: 'And Saul eyed David from that day and forward.' Imagine it as a scene from an ancient biblical setting, where Saul, an older, distinguished man, is observing David, a younger, vital individual. Infuse it with the conflicting emotions described in the text. Consider Middle-Eastern historical outfits and architecture. The style should be similar to the precise, clean lines and the luminous, vivid colors characteristic of digital art.

1 Samuel 18:9 - "And Saul eyed David from that day and forward."

1 Samuel 7:9 - "¶ And Samuel took a sucking lamb, and offered it for a burnt offering wholly unto the LORD: and Samuel cried unto the LORD for Israel; and the LORD heard him."

1 Samuel 7:9 - "¶ And Samuel took a sucking lamb, and offered it for a burnt offering wholly unto the LORD: and Samuel cried unto the LORD for Israel; and the LORD heard him."

2 Samuel 14:9 - "And the woman of Tekoah said unto the king, My lord, O king, the iniquity be on me, and on my father's house: and the king and his throne be guiltless." Visualize a symbolic biblical scene inspired by the story from 2 Samuel 14:9. It features a Middle-Eastern woman from Tekoah, dressed in ancient, humble garments, standing before a regal king. She's pleading passionately, the weight of her words echoing in her expressive features. Opposite her, envision a majestic king, depicted with Asian descent, seated on an ornate throne in a grand palace. He listens intently but remains impassive, his guiltlessness emphasized. Use the medium of digital art to bring forth this intense interaction, focusing on the detailed expressions and maze-like intricacies of a palace interior.

2 Samuel 14:9 - "And the woman of Tekoah said unto the king, My lord, O king, the iniquity be on me, and on my father's house: and the king and his throne be guiltless."

1 Samuel 9:25 - "¶ And when they were come down from the high place into the city, Samuel communed with Saul upon the top of the house."

1 Samuel 9:25 - "¶ And when they were come down from the high place into the city, Samuel communed with Saul upon the top of the house."

2 Samuel 9:6 - "Now when Mephibosheth, the son of Jonathan, the son of Saul, was come unto David, he fell on his face, and did reverence. And David said, Mephibosheth. And he answered, Behold thy servant!"

2 Samuel 9:6 - "Now when Mephibosheth, the son of Jonathan, the son of Saul, was come unto David, he fell on his face, and did reverence. And David said, Mephibosheth. And he answered, Behold thy servant!"

2 Samuel 10:9 - "When Joab saw that the front of the battle was against him before and behind, he chose of all the choice men of Israel, and put them in array against the Syrians:" Illustrate a scene described in 2 Samuel 10:9 from the Bible. The scene includes Joab, an ancient Israelite general, observing that the battle is advancing from both the front and rear. He is shown selecting the best warriors from Israel and positioning them to face the Syrian adversaries. Capture the urgency and tactical decisions needed in the heat of the conflict. Use the technological mediums that resonate with the essence of digital art but avoid mimicking the style of any specific digital artist.

2 Samuel 10:9 - "When Joab saw that the front of the battle was against him before and behind, he chose of all the choice men of Israel, and put them in array against the Syrians:"

2 Samuel 9:7 - "¶ And David said unto him, Fear not: for I will surely shew thee kindness for Jonathan thy father's sake, and will restore thee all the land of Saul thy father; and thou shalt eat bread at my table continually." Generate an artwork representing the biblical verse 2 Samuel 9:7, where David assures comfort and kindness to Jonathan's son, promising the return of his father's lands and a place at his table continuously. The scene captures David's generosity and compassion. The art should visually depict David speaking these words, with an emphasis on sincerity, compassion, and promise. Depict elements like the Biblical era attire, an olden table laden with simple meals, and a glimpse of the promised lands in the background. The art style should be in the form of digital art but reminiscent of older illustrations used in ancient manuscripts.

2 Samuel 9:7 - "¶ And David said unto him, Fear not: for I will surely shew thee kindness for Jonathan thy father's sake, and will restore thee all the land of Saul thy father; and thou shalt eat bread at my table continually."

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod." Illustrate an image based on the biblical scene from 1 Samuel 2:18. Depict a young boy named Samuel serving before the LORD, dressed in a linen ephod. This scene should be rendered using modern digital art techniques, showing vibrant colors and bold lines. Focus on Samuel's youthful innocence and dedication as he performs his duties, with the aura of divine presence subtly suggested in the background.

1 Samuel 2:18 - "¶ But Samuel ministered before the LORD, being a child, girded with a linen ephod."

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men." Visualize an interpretive digital art scene that represents the biblical scripture from 1 Samuel 2:26, 'And the child Samuel grew on, and was in favour both with the LORD, and also with men.' The scene should represent Samuel as a young boy, growing and maturing under both divine and human admiration. Show symbolism for the Lord's favour - such as a divine ethereal glow or a protective hand from the heavens - and men's respect - represented by faces of men from different descents demonstrating admiration or respect towards Samuel.

1 Samuel 2:26 - "And the child Samuel grew on, and was in favour both with the LORD, and also with men."

1 Samuel 9:17 - "And when Samuel saw Saul, the LORD said unto him, Behold the man whom I spake to thee of! this same shall reign over my people." Visual representation of a biblical scene from the book of 1 Samuel 9:17. The scene involves two key figures, Samuel and Saul. Samuel, a senior man of Middle-Eastern descent with flowing white hair and beard, gazes upon a younger Saul, a tall man of Hebrew descent with dark hair and piercing eyes dressed in simple attire. Their setting is a barren desert landscape, embodying the simplicity and harshness of their time. The sky above swirls with divine indication, suggesting direct dialogue between Samuel and the LORD. Capture the scene in the style of digital art.

1 Samuel 9:17 - "And when Samuel saw Saul, the LORD said unto him, Behold the man whom I spake to thee of! this same shall reign over my people."