Esther Artwork

"Now it came to pass in the days of Ahasuerus, (this is Ahasuerus which reigned, from India even unto Ethiopia, over an hundred and seven and twenty provinces:)" - Esther 1:1

Explore Esther through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Esther 8:2 - "And the king took off his ring, which he had taken from Haman, and gave it unto Mordecai. And Esther set Mordecai over the house of Haman."

Visualize a scene influenced by a historic era, where a royal figure is depicted removing their ceremonial ring, previously taken from a person of influence, and bestowing it upon another individual named Mordecai. A woman named Esther, witnessing this event, announces that Mordecai is newly appointed over the property of the person from whom the ring was taken. The style of the image should possess elements of digital art, featuring a clean, graphical aesthetic, vivid colors, and sharp, defined lines.

Esther 8:2 - "And the king took off his ring, which he had taken from Haman, and gave it unto Mordecai. And Esther set Mordecai over the house of Haman."

Esther 2:16 - "So Esther was taken unto king Ahasuerus into his house royal in the tenth month, which is the month Tebeth, in the seventh year of his reign."

Esther 2:16 - "So Esther was taken unto king Ahasuerus into his house royal in the tenth month, which is the month Tebeth, in the seventh year of his reign."

Esther 9:13 - "Then said Esther, If it please the king, let it be granted to the Jews which are in Shushan to do to morrow also according unto this day's decree, and let Haman's ten sons be hanged upon the gallows."

A scene inspired by Esther 9:13 from the Bible. Esther, a Middle-Eastern woman, is regally dressed in ancient Middle Eastern attire, speaking earnestly to an authoritative figure sitting on a majestic throne, possibly the king, who is a Middle-Eastern man in kingly raiment. The atmosphere is tense and the urgency in Esther's plea is palpable. In the background, craftsman dressed in period attire are preparing a gallows. The context suggests the city of Shushan, providing the scene with an ancient Mesopotamian backdrop. Render this biblical scene in the medium of digital art.

Esther 9:13 - "Then said Esther, If it please the king, let it be granted to the Jews which are in Shushan to do to morrow also according unto this day's decree, and let Haman's ten sons be hanged upon the gallows."

Esther 2:15 - "¶ Now when the turn of Esther, the daughter of Abihail the uncle of Mordecai, who had taken her for his daughter, was come to go in unto the king, she required nothing but what Hegai the king's chamberlain, the keeper of the women, appointed. And Esther obtained favour in the sight of all them that looked upon her."

Esther 2:15 - "¶ Now when the turn of Esther, the daughter of Abihail the uncle of Mordecai, who had taken her for his daughter, was come to go in unto the king, she required nothing but what Hegai the king's chamberlain, the keeper of the women, appointed. And Esther obtained favour in the sight of all them that looked upon her."

Esther 5:6 - "¶ And the king said unto Esther at the banquet of wine, What is thy petition? and it shall be granted thee: and what is thy request? even to the half of the kingdom it shall be performed."

Esther 5:6 - "¶ And the king said unto Esther at the banquet of wine, What is thy petition? and it shall be granted thee: and what is thy request? even to the half of the kingdom it shall be performed."

Esther 9:31 - "To confirm these days of Purim in their times appointed, according as Mordecai the Jew and Esther the queen had enjoined them, and as they had decreed for themselves and for their seed, the matters of the fastings and their cry."

Esther 9:31 - "To confirm these days of Purim in their times appointed, according as Mordecai the Jew and Esther the queen had enjoined them, and as they had decreed for themselves and for their seed, the matters of the fastings and their cry."

Esther 2:17 - "And the king loved Esther above all the women, and she obtained grace and favour in his sight more than all the virgins; so that he set the royal crown upon her head, and made her queen instead of Vashti."

Render a scene from the historical tale, inspired by the verse Esther 2:17 from a well-known religious text. Visualize a regal king, deeply charmed by a woman named Esther among other women. Esther, radiating grace and favour, stands out prominently among other young women. The king is so entranced by her that he places the royal crown on her head, signalling her rise to queenship. This action denotes her new status as queen, replacing another royal woman named Vashti. The image should emulate the warmth and radiance of a historic mural, however, it should be digitally articulated.

Esther 2:17 - "And the king loved Esther above all the women, and she obtained grace and favour in his sight more than all the virgins; so that he set the royal crown upon her head, and made her queen instead of Vashti."

Esther 8:3 - "¶ And Esther spake yet again before the king, and fell down at his feet, and besought him with tears to put away the mischief of Haman the Agagite, and his device that he had devised against the Jews."

Esther 8:3 - "¶ And Esther spake yet again before the king, and fell down at his feet, and besought him with tears to put away the mischief of Haman the Agagite, and his device that he had devised against the Jews."

Esther 7:7 - "¶ And the king arising from the banquet of wine in his wrath went into the palace garden: and Haman stood up to make request for his life to Esther the queen; for he saw that there was evil determined against him by the king."

Esther 7:7 - "¶ And the king arising from the banquet of wine in his wrath went into the palace garden: and Haman stood up to make request for his life to Esther the queen; for he saw that there was evil determined against him by the king."

Esther 7:3 - "Then Esther the queen answered and said, If I have found favour in thy sight, O king, and if it please the king, let my life be given me at my petition, and my people at my request:"

Esther 7:3 - "Then Esther the queen answered and said, If I have found favour in thy sight, O king, and if it please the king, let my life be given me at my petition, and my people at my request:"

Esther 5:12 - "Haman said moreover, Yea, Esther the queen did let no man come in with the king unto the banquet that she had prepared but myself; and to morrow am I invited unto her also with the king."

Create a digital art representation of a scene from Esther 5:12. The scene features a Middle Eastern queen hosting a banquet where only the king and a single other man are invited. The banquet table is filled with food and drink, in a lavish room fit for royalty. The queen, dressed in regal attire with a crown, welcomes the two guests, a king and another man. Both men appear very honored by the special invitation to dine with her. The scene is calm and serene, showing the importance and dignity of the occasion.

Esther 5:12 - "Haman said moreover, Yea, Esther the queen did let no man come in with the king unto the banquet that she had prepared but myself; and to morrow am I invited unto her also with the king."

Esther 4:8 - "Also he gave him the copy of the writing of the decree that was given at Shushan to destroy them, to shew it unto Esther, and to declare it unto her, and to charge her that she should go in unto the king, to make supplication unto him, and to make request before him for her people."

Create a digital art interpretation of an ancient story from Esther 4:8. The setting is the ancient city of Shushan where a decree has been given. A person, presumably of Middle-Eastern descent, is seen giving a written copy of the decree to a woman of the same descent named Esther. The emotions are tense as he charges her with a task: she is meant to approach the king, pleading for her people. The focus shifts between the document, the intense expressions of the two individuals, and the looming silhouette of the palace in the background.

Esther 4:8 - "Also he gave him the copy of the writing of the decree that was given at Shushan to destroy them, to shew it unto Esther, and to declare it unto her, and to charge her that she should go in unto the king, to make supplication unto him, and to make request before him for her people."

Esther 9:25 - "But when Esther came before the king, he commanded by letters that his wicked device, which he devised against the Jews, should return upon his own head, and that he and his sons should be hanged on the gallows."

A dramatic historical scene inspired by a religious text showing a regal woman, possibly of Middle-Eastern descent, standing resolutely before a man, likely a requesting authority figure. This is set in an ancient court-like setting, where he orders via parchments the reversal of an evil plot against a group of people. This plot is symbolically returned on to the head of a different man, posited as the antagonist, accompanied by depictions suggesting his end and that of his offspring on wooden hanging structures. The style to be captured is reminiscent of digital art, with sharp lines, vivid colors, and clear contrasts.

Esther 9:25 - "But when Esther came before the king, he commanded by letters that his wicked device, which he devised against the Jews, should return upon his own head, and that he and his sons should be hanged on the gallows."

Esther 10:1 - "And the king Ahasuerus laid a tribute upon the land, and upon the isles of the sea."

Esther 10:1 - "And the king Ahasuerus laid a tribute upon the land, and upon the isles of the sea."

Esther 9:6 - "And in Shushan the palace the Jews slew and destroyed five hundred men."

Depiction of scene with historic context from Esther 9:6 - 'And in Shushan the palace the Jews slew and destroyed five hundred men.' Visualize a palace setting with a representation of chaos and conflict occurring, emphasizing the historical and dramatical elements of the scene. Capture the scene in a modern digital art style.

Esther 9:6 - "And in Shushan the palace the Jews slew and destroyed five hundred men."

Esther 6:7 - "And Haman answered the king, For the man whom the king delighteth to honour,"

A scene invoking the spirit of Esther 6:7 - 'And Haman answered the king, For the man whom the king delighteth to honour.' Visualize a courtly scene inspired by historical times, with a perspicuous man standing before the king. The king is delighted and seems ready to honour this man. Embellish this moment with tapestries depicting ancient stories, grand chandeliers illuminating the hall, and court members watching the special honouring process in awe. The stylistic approach should be reminiscent of early historic art, mainly using mediums traditionally found in those eras such as oils or watercolors.

Esther 6:7 - "And Haman answered the king, For the man whom the king delighteth to honour,"

Esther 5:1 - "Now it came to pass on the third day, that Esther put on her royal apparel, and stood in the inner court of the king's house, over against the king's house: and the king sat upon his royal throne in the royal house, over against the gate of the house."

Esther 5:1 - "Now it came to pass on the third day, that Esther put on her royal apparel, and stood in the inner court of the king's house, over against the king's house: and the king sat upon his royal throne in the royal house, over against the gate of the house."

Esther 2:7 - "And he brought up Hadassah, that is, Esther, his uncle's daughter: for she had neither father nor mother, and the maid was fair and beautiful; whom Mordecai, when her father and mother were dead, took for his own daughter."

Esther 2:7 - "And he brought up Hadassah, that is, Esther, his uncle's daughter: for she had neither father nor mother, and the maid was fair and beautiful; whom Mordecai, when her father and mother were dead, took for his own daughter."

Esther 7:4 - "For we are sold, I and my people, to be destroyed, to be slain, and to perish. But if we had been sold for bondmen and bondwomen, I had held my tongue, although the enemy could not countervail the king's damage."

An emotional biblical scene of Esther 7:4: 'For we are sold, I and my people, to be destroyed, to be slain, and to perish. But if we had been sold for bondmen and bondwomen, I had held my tongue, although the enemy could not countervail the king's damage.' Detailed illustration should depict Esther, standing and speaking before a king and his court. The atmosphere is charged with tension and distress. Everyone is dressed in period garments, set within a grand and ornate court background. In every face, including Esther's, the emotions of fear, determination, and hope are palpable. It should be rendered in a digital art style.

Esther 7:4 - "For we are sold, I and my people, to be destroyed, to be slain, and to perish. But if we had been sold for bondmen and bondwomen, I had held my tongue, although the enemy could not countervail the king's damage."

Esther 2:8 - "¶ So it came to pass, when the king's commandment and his decree was heard, and when many maidens were gathered together unto Shushan the palace, to the custody of Hegai, that Esther was brought also unto the king's house, to the custody of Hegai, keeper of the women."

Esther 2:8 - "¶ So it came to pass, when the king's commandment and his decree was heard, and when many maidens were gathered together unto Shushan the palace, to the custody of Hegai, that Esther was brought also unto the king's house, to the custody of Hegai, keeper of the women."

Esther 1:21 - "And the saying pleased the king and the princes; and the king did according to the word of Memucan:"

Visualize a scene inspired by Esther 1:21 verse - 'And the saying pleased the king and the princes; and the king did according to the word of Memucan:'. The scene features a regal king, his gathered princes and a character representing Memucan. The king and the princes have expressions of satisfaction, communicating that they agree with what Memucan has suggested. This scene is set in a historic, palatial backdrop to reflect the time and context of the story. The aesthetic should resonate with the visual style common to early 19th century paintings, using digital rendering techniques to replicate the atmosphere and fine details.

Esther 1:21 - "And the saying pleased the king and the princes; and the king did according to the word of Memucan:"

Esther 7:8 - "Then the king returned out of the palace garden into the place of the banquet of wine; and Haman was fallen upon the bed whereon Esther was. Then said the king, Will he force the queen also before me in the house? As the word went out of the king's mouth, they covered Haman's face."

Esther 7:8 - "Then the king returned out of the palace garden into the place of the banquet of wine; and Haman was fallen upon the bed whereon Esther was. Then said the king, Will he force the queen also before me in the house? As the word went out of the king's mouth, they covered Haman's face."

Esther 9:10 - "The ten sons of Haman the son of Hammedatha, the enemy of the Jews, slew they; but on the spoil laid they not their hand."

Illustrate a digital art interpretation of the scene from Esther 9:10. Show a confrontation scene focusing on the ten sons of a certain antagonistic figure, perhaps depicted as diverse men showing various emotions. Ensure to depict the context that they are refraining from laying their hands on the spoil. Avoid modern or real-world influences, focusing more on the historical and cultural aspect of the original text. Note to emphasize the emotion and tension of the scene.

Esther 9:10 - "The ten sons of Haman the son of Hammedatha, the enemy of the Jews, slew they; but on the spoil laid they not their hand."

Esther 9:23 - "And the Jews undertook to do as they had begun, and as Mordecai had written unto them;"

Esther 9:23 - "And the Jews undertook to do as they had begun, and as Mordecai had written unto them;"

Esther 9:11 - "On that day the number of those that were slain in Shushan the palace was brought before the king."

Illustrate a scene from the biblical narrative, particularly from Esther 9:11. Depict the moment when the number of those who met their end in the palace of Shushan is being reported to the king. Elements in the scene could include ancient Middle Eastern architecture of the palace, a diverse group of couriers or messengers reporting to the king, and parchment scrolls or tablets signifying the count. Craft this composition using the techniques of digital art.

Esther 9:11 - "On that day the number of those that were slain in Shushan the palace was brought before the king."

Esther 9:12 - "¶ And the king said unto Esther the queen, The Jews have slain and destroyed five hundred men in Shushan the palace, and the ten sons of Haman; what have they done in the rest of the king's provinces? now what is thy petition? and it shall be granted thee: or what is thy request further? and it shall be done."

Esther 9:12 - "¶ And the king said unto Esther the queen, The Jews have slain and destroyed five hundred men in Shushan the palace, and the ten sons of Haman; what have they done in the rest of the king's provinces? now what is thy petition? and it shall be granted thee: or what is thy request further? and it shall be done."

Esther 1:9 - "Also Vashti the queen made a feast for the women in the royal house which belonged to king Ahasuerus."

Esther 1:9 - "Also Vashti the queen made a feast for the women in the royal house which belonged to king Ahasuerus."

Esther 4:6 - "So Hatach went forth to Mordecai unto the street of the city, which was before the king's gate."

Adapt the scene from Esther 4:6: 'So Hatach went forth to Mordecai unto the street of the city, which was before the king's gate.' Create a vivid image that captures this moment. The image should depict Hatach, an important historical figure, journeying through the bustling, vibrant city streets, heading towards Mordecai. The grandeur of the king's gate looms in the foreground, an imposing symbol of power and status. Apply a aesthetic reminiscent of pre-1912 art styles, as if this biblical scene has been captured in an old painting but translate it into a digital art format.

Esther 4:6 - "So Hatach went forth to Mordecai unto the street of the city, which was before the king's gate."

Esther 3:5 - "And when Haman saw that Mordecai bowed not, nor did him reverence, then was Haman full of wrath."

An interpretation of the biblical scene from Esther 3:5, translating to a visual art form. A grand outdoor setting is under a dramatic sky, with two distinct figures. The first figure, Haman, is witnessed with a face consumed by anger and disappointment. He stands in richly decorated attire, holding a scepter signifying his authority, his glare focused on the second figure. The figure of Mordecai stands upright without bowing or showing reverence. He appears in simple clothing, his gaze steady and determined. The depiction of this scene is in a contemporary manner reminiscent of traditional oil painting, but digitally produced.

Esther 3:5 - "And when Haman saw that Mordecai bowed not, nor did him reverence, then was Haman full of wrath."

Esther 9:17 - "On the thirteenth day of the month Adar; and on the fourteenth day of the same rested they, and made it a day of feasting and gladness."

Illustrate a biblical scene based on Esther 9:17 - 'On the thirteenth day of the month Adar; and on the fourteenth day of the same rested they, and made it a day of feasting and gladness.' Display a large group of people of different descents and genders, some resting, others partaking in a rich feast, expressing joy and contentment. Capture the essence of happiness and peaceful rest after hard work. All of this set in a timeless, ancient setting reminiscent of the biblical era. The artwork should be in the format of digital art.

Esther 9:17 - "On the thirteenth day of the month Adar; and on the fourteenth day of the same rested they, and made it a day of feasting and gladness."