Ezekiel 48 Artwork

"Now these are the names of the tribes. From the north end to the coast of the way of Hethlon, as one goeth to Hamath, Hazar-enan, the border of Damascus northward, to the coast of Hamath; for these are his sides east and west; a portion for Dan." - Ezekiel 48:1

Explore Ezekiel 48 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
EzekielEzekiel 48Ezekiel 48:1
Ezekiel 16:48 - "As I live, saith the Lord GOD, Sodom thy sister hath not done, she nor her daughters, as thou hast done, thou and thy daughters."

Ezekiel 16:48 - "As I live, saith the Lord GOD, Sodom thy sister hath not done, she nor her daughters, as thou hast done, thou and thy daughters."

Ezekiel 48:11 - "It shall be for the priests that are sanctified of the sons of Zadok; which have kept my charge, which went not astray when the children of Israel went astray, as the Levites went astray."

Ezekiel 48:11 - "It shall be for the priests that are sanctified of the sons of Zadok; which have kept my charge, which went not astray when the children of Israel went astray, as the Levites went astray."

Ezekiel 48:8 - "¶ And by the border of Judah, from the east side unto the west side, shall be the offering which ye shall offer of five and twenty thousand reeds in breadth, and in length as one of the other parts, from the east side unto the west side: and the sanctuary shall be in the midst of it." Create an image of a biblical landscape, inspired by the verse Ezekiel 48:8. Capture the details from the east side to the west side, a vast offering of twenty-five thousand reeds in breadth, unified in length with the other parts. Make sure the sanctuary is depicted in the center. The image should be created in a detailed, intricate style akin to traditional illuminated manuscripts but with a modern, digital art interpretation.

Ezekiel 48:8 - "¶ And by the border of Judah, from the east side unto the west side, shall be the offering which ye shall offer of five and twenty thousand reeds in breadth, and in length as one of the other parts, from the east side unto the west side: and the sanctuary shall be in the midst of it."

Ezekiel 48:13 - "And over against the border of the priests the Levites shall have five and twenty thousand in length, and ten thousand in breadth: all the length shall be five and twenty thousand, and the breadth ten thousand."

Ezekiel 48:13 - "And over against the border of the priests the Levites shall have five and twenty thousand in length, and ten thousand in breadth: all the length shall be five and twenty thousand, and the breadth ten thousand."

Ezekiel 40:48 - "¶ And he brought me to the porch of the house, and measured each post of the porch, five cubits on this side, and five cubits on that side: and the breadth of the gate was three cubits on this side, and three cubits on that side."

Ezekiel 40:48 - "¶ And he brought me to the porch of the house, and measured each post of the porch, five cubits on this side, and five cubits on that side: and the breadth of the gate was three cubits on this side, and three cubits on that side."

Luke 24:48 - "And ye are witnesses of these things."

Luke 24:48 - "And ye are witnesses of these things."

Ezekiel 48:16 - "And these shall be the measures thereof; the north side four thousand and five hundred, and the south side four thousand and five hundred, and on the east side four thousand and five hundred, and the west side four thousand and five hundred."

Ezekiel 48:16 - "And these shall be the measures thereof; the north side four thousand and five hundred, and the south side four thousand and five hundred, and on the east side four thousand and five hundred, and the west side four thousand and five hundred."

Ezekiel 48:18 - "And the residue in length over against the oblation of the holy portion shall be ten thousand eastward, and ten thousand westward: and it shall be over against the oblation of the holy portion; and the increase thereof shall be for food unto them that serve the city."

Ezekiel 48:18 - "And the residue in length over against the oblation of the holy portion shall be ten thousand eastward, and ten thousand westward: and it shall be over against the oblation of the holy portion; and the increase thereof shall be for food unto them that serve the city."

Joshua 15:48 - "¶ And in the mountains, Shamir, and Jattir, and Socoh," An artistic representation of a mountain scene as described in Joshua 15:48. Depict the mountains with the ancient city of Shamir, Jattir, and Socoh discretely nestled within them. The image should be digital, vibrant in texture and color, capturing the tranquility and grandeur of the landscape.

Joshua 15:48 - "¶ And in the mountains, Shamir, and Jattir, and Socoh,"

REVELATION 4:8 A watercolor depiction of the scene from REVELATION 4:8, portraying a vision of celestial beings with six wings, covered in eyes, and continually praising the eternal divine entity.

REVELATION 4:8

REVELATION 4:8 An artistic interpretation of Revelation 4:8. It's inspired by late 19th-century impressionist painting styles, prioritizing the softness and fluidity associated with watercolor. The scene encompasses four living creatures adorned with eyes, each having six wings, and they continually chant, 'Holy, holy, holy, Lord God Almighty, who was and is and is to come'. The impressionist technique aims to capture the ethereal, otherworldly essence of the scene, with soft hues, gentle transitions, and an emphasis on the overall aura over meticulous detailing.

REVELATION 4:8

REVELATION 4:8 A watercolor painting that interprets the biblical scene described in Revelation 4:8. It features four distinct creatures, each with six wings, and covered in eyes all around and within. These creatures hover around a majestic, divine throne in the heavenly landscape, continuously proclaiming 'Holy, Holy, Holy, Lord God Almighty, who was and is and is to come.'

REVELATION 4:8

REVELATION 4:8 Visual representation of the biblical verse Revelation 4:8, depicted in a profound watercolor style. The scene portrays four living creatures, each covered with eyes, and six wings, full of eyes around and within. Underneath each creature, there is a sea of crystal-like glass. They rest not, uttering the phrase, 'Holy, holy, holy, Lord God Almighty, who was, and is, and is to come.' Capture the essence of the verse, its mysticism and divine aura in the subtle, expressive strokes of watercolor.

REVELATION 4:8

Isaiah 48:22 - "There is no peace, saith the LORD, unto the wicked." A depiction of the biblical verse Isaiah 48:22, 'There is no peace, saith the LORD, unto the wicked.' illustrated in a modern digital format. The scene should have a dramatic, ominous atmosphere portraying the concept of chaos and unrest for the wicked, as suggested by the verse. The LORD could be represented abstractly, with a powerful, authoritative presence, perhaps as a radiant light or overwhelming force. In contrast, the wicked might be shown in dark, shadowy tones, evoking a sense of unease and disquiet. The style should replicate the look of digital art, with its distinctive vibrancy, sharp lines and complexity.

Isaiah 48:22 - "There is no peace, saith the LORD, unto the wicked."

Psalms 48:3 - "God is known in her palaces for a refuge."

Psalms 48:3 - "God is known in her palaces for a refuge."

John 6:48 - "I am that bread of life."

John 6:48 - "I am that bread of life."

Genesis 48:8 - "And Israel beheld Joseph's sons, and said, Who are these?"

Genesis 48:8 - "And Israel beheld Joseph's sons, and said, Who are these?"

Ezra 2:48 - "The children of Rezin, the children of Nekoda, the children of Gazzam," A vivid and eye-catching depiction of a scene inspired by Ezra 2:48, 'The children of Rezin, the children of Nekoda, the children of Gazzam'. This piece will envisage unique character representations for each set of children, revealing distinct personalities and united bonds. The overall rendering should embrace digital art techniques, employing vivid colors, fine lines and fluid shapes to visually communicate the narrative. The background will offer a subtle, ancient setting that infuses an element of historical context.

Ezra 2:48 - "The children of Rezin, the children of Nekoda, the children of Gazzam,"

Mark 9:48 - "Where their worm dieth not, and the fire is not quenched."

Mark 9:48 - "Where their worm dieth not, and the fire is not quenched."

Ezekiel 48:10 - "And for them, even for the priests, shall be this holy oblation; toward the north five and twenty thousand in length, and toward the west ten thousand in breadth, and toward the east ten thousand in breadth, and toward the south five and twenty thousand in length: and the sanctuary of the LORD shall be in the midst thereof."

Ezekiel 48:10 - "And for them, even for the priests, shall be this holy oblation; toward the north five and twenty thousand in length, and toward the west ten thousand in breadth, and toward the east ten thousand in breadth, and toward the south five and twenty thousand in length: and the sanctuary of the LORD shall be in the midst thereof."

Luke 7:48 - "And he said unto her, Thy sins are forgiven." Depiction of the biblical scene from Luke 7:48 - 'And he said unto her, Thy sins are forgiven.' Rendered in vivid colors with sharp angles and clean lines typical of digital art.

Luke 7:48 - "And he said unto her, Thy sins are forgiven."

1 Corinthians 15:48 - "As is the earthy, such are they also that are earthy: and as is the heavenly, such are they also that are heavenly." Generate a digital artwork giving visual form to the biblical phrase from 1 Corinthians 15:48 - 'As is the earthy, such are they also that are earthy: and as is the heavenly, such are they also that are heavenly.' Let this piece feature the comparison between the material earthbound and the spiritual heavenly, with embodied figures, rich earth tones on one half, and ethereal light blues and whites on the other.

1 Corinthians 15:48 - "As is the earthy, such are they also that are earthy: and as is the heavenly, such are they also that are heavenly."

Numbers 16:48 - "And he stood between the dead and the living; and the plague was stayed." A dramatic digital art representation of a scene from Numbers 16:48. It depicts a figure standing on a dividing line, symbolically separating the realms of the dead and the living. To one side, terrain is dark and grim, reflecting death, and is populated with ethereal ghosts like shapes to represent the departed souls. The other side glows with the vibrancy and diversity of life, featuring landscapes teeming with foliage, and people from various descents and genders engaging in different activities of life. The figure in the center should be portrayed as powerful yet compassionate, effectively halting a symbolic representation of a plague.

Numbers 16:48 - "And he stood between the dead and the living; and the plague was stayed."

Psalms 48:4 - "For, lo, the kings were assembled, they passed by together." A scene inspired by Psalms 48:4 - 'For, lo, the kings were assembled, they passed by together.' Picture an array of kings from various historical eras and diverse descents like African, Asian, European, and Middle Eastern. They are all congregated, their regal attire displaying the richness and uniqueness of their respective cultures. Each one exudes an aura of grandeur and kingly poise. They are shown in motion, symbolizing their passing by together. Capture this in the style of a pre-1912 painting, with detailed brush strokes, rich color palettes, and intricate details to evoke the sense of digital art.

Psalms 48:4 - "For, lo, the kings were assembled, they passed by together."

Nehemiah 7:48 - "The children of Lebana, the children of Hagaba, the children of Shalmai,"

Nehemiah 7:48 - "The children of Lebana, the children of Hagaba, the children of Shalmai,"

Numbers 1:48 - "For the LORD had spoken unto Moses, saying,"

Numbers 1:48 - "For the LORD had spoken unto Moses, saying,"

Psalms 48:7 - "Thou breakest the ships of Tarshish with an east wind."

Psalms 48:7 - "Thou breakest the ships of Tarshish with an east wind."

John 7:48 - "Have any of the rulers or of the Pharisees believed on him?" Render a depiction of the Biblical verse John 7:48 - 'Have any of the rulers or of the Pharisees believed on him?' Use the medium of digital art. Let's see an ancient setting where rulers and Pharisees are portrayed in a contemplative mood, visually representing the query of their belief. Incorporate elements like parchment scrolls, traditional robes, and distinctive Pharisee headgears into the artwork.

John 7:48 - "Have any of the rulers or of the Pharisees believed on him?"

REVELATION 4:8 A watercolor depiction of Revelation 4:8, showing 'Four living creatures, each having six wings, full of eyes around and within. They do not rest day or night, saying: Holy, holy, holy, Lord God Almighty, who was and is and is to come.' Imagine the divine scene rendered in soft, faded hues typical to watercolors. The ethereal beauty of the heavenly creatures is emphasized by their numerous wings and eyes. Their continuous praises resonate in the form of subtle, flowing lines and bright, radiant colors enveloping the phrases they utter.

REVELATION 4:8

REVELATION 4:8 An illustration of REVELATION 4:8 as seen in the Bible. The scene captures the verses in vibrant watercolor paint. Each of the four living creatures have six wings, covered with eyes, and they do not cease to say, 'Holy, Holy, Holy is the Lord God, the Almighty, who was and is and is to come.'

REVELATION 4:8