Haggai Artwork

"In the second year of Darius the king, in the sixth month, in the first day of the month, came the word of the LORD by Haggai the prophet unto Zerubbabel the son of Shealtiel, governor of Judah, and to Joshua the son of Josedech, the high priest, saying," - Haggai 1:1

Explore Haggai through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
HaggaiHaggai 1Haggai 1:1
Haggai 2:19 - "Is the seed yet in the barn? yea, as yet the vine, and the fig tree, and the pomegranate, and the olive tree, hath not brought forth: from this day will I bless you."

Haggai 2:19 - "Is the seed yet in the barn? yea, as yet the vine, and the fig tree, and the pomegranate, and the olive tree, hath not brought forth: from this day will I bless you."

Haggai 2:16 - "Since those days were, when one came to an heap of twenty measures, there were but ten: when one came to the pressfat for to draw out fifty vessels out of the press, there were but twenty."

Haggai 2:16 - "Since those days were, when one came to an heap of twenty measures, there were but ten: when one came to the pressfat for to draw out fifty vessels out of the press, there were but twenty."

Haggai 2:23 - "In that day, saith the LORD of hosts, will I take thee, O Zerubbabel, my servant, the son of Shealtiel, saith the LORD, and will make thee as a signet: for I have chosen thee, saith the LORD of hosts." Visualize an old scripture text from Haggai 2:23: 'In that day, says the Lord of hosts, I will take you, O Zerubbabel, my servant, the son of Shealtiel, says the Lord, and will make you like a signet: for I have chosen you, says the Lord of hosts.' Create this in the style of digital art with a futuristic touch. Imagine the text is encapsulated in a luminous signet, glowing in a mystical aura. The words, ancient yet powerful are drifting around the signet, forming an intricate halo of text fragments.

Haggai 2:23 - "In that day, saith the LORD of hosts, will I take thee, O Zerubbabel, my servant, the son of Shealtiel, saith the LORD, and will make thee as a signet: for I have chosen thee, saith the LORD of hosts."

Haggai 2:12 - "If one bear holy flesh in the skirt of his garment, and with his skirt do touch bread, or pottage, or wine, or oil, or any meat, shall it be holy? And the priests answered and said, No."

Haggai 2:12 - "If one bear holy flesh in the skirt of his garment, and with his skirt do touch bread, or pottage, or wine, or oil, or any meat, shall it be holy? And the priests answered and said, No."

Haggai 1:14 - "And the LORD stirred up the spirit of Zerubbabel the son of Shealtiel, governor of Judah, and the spirit of Joshua the son of Josedech, the high priest, and the spirit of all the remnant of the people; and they came and did work in the house of the LORD of hosts, their God," A visual representation of a biblical scene from Haggai 1:14 where the spirit of Zerubbabel, the leader from Judah and the spirit of Joshua, the high priest, along with the spirit of the rest of the people are stirred up by the LORD. All of these individuals are seen working unitedly in the temple of the LORD. The image has an ethereal and mystical aura with a diverse array of individuals in priestly and common garb all handling various construction tools. It bears the influence of modern digital art techniques.

Haggai 1:14 - "And the LORD stirred up the spirit of Zerubbabel the son of Shealtiel, governor of Judah, and the spirit of Joshua the son of Josedech, the high priest, and the spirit of all the remnant of the people; and they came and did work in the house of the LORD of hosts, their God,"

Ezra 6:14 - "And the elders of the Jews builded, and they prospered through the prophesying of Haggai the prophet and Zechariah the son of Iddo. And they builded, and finished it, according to the commandment of the God of Israel, and according to the commandment of Cyrus, and Darius, and Artaxerxes king of Persia." An artistic representation depicting an ancient biblical scene inspired by Ezra 6:14, seen through the perspective of classical art. The elders of the Jews are seen building as they prosper through the prophesying of two prophets, Haggai and Zechariah. They are working diligently as per the divine commandment of the God of Israel and also following the orders of Cyrus, Darius, and a king of Persia identified as Artaxerxes. This art piece is set in an ancient era, and carefully balances elements of timelessness and spirituality. All of this rendered in a crisp, colourful and dynamic visual style reminiscent of the traditional aesthetic of early digital art.

Ezra 6:14 - "And the elders of the Jews builded, and they prospered through the prophesying of Haggai the prophet and Zechariah the son of Iddo. And they builded, and finished it, according to the commandment of the God of Israel, and according to the commandment of Cyrus, and Darius, and Artaxerxes king of Persia."

Haggai 2:22 - "And I will overthrow the throne of kingdoms, and I will destroy the strength of the kingdoms of the heathen; and I will overthrow the chariots, and those that ride in them; and the horses and their riders shall come down, every one by the sword of his brother."

Haggai 2:22 - "And I will overthrow the throne of kingdoms, and I will destroy the strength of the kingdoms of the heathen; and I will overthrow the chariots, and those that ride in them; and the horses and their riders shall come down, every one by the sword of his brother."

Haggai 2:4 - "Yet now be strong, O Zerubbabel, saith the LORD; and be strong, O Joshua, son of Josedech, the high priest; and be strong, all ye people of the land, saith the LORD, and work: for I am with you, saith the LORD of hosts:" Visual representation of the Biblical verse Haggai 2:4. The scene includes Zerubbabel, a leader dressed in ancient Hebrew attire, standing strong and firm. Next to him, Joshua, another individual also dressed in ancient Hebrew clothing representing a high priest, exuding strength and resolve. In the background, the diverse people of the land are at work, displaying strength and determination. Above them, a manifestation of divine presence, symbolizing 'I am with you'. This is all encapsulated in a digital art form, employing sharp lines, vibrant colors, and striking contrasts.

Haggai 2:4 - "Yet now be strong, O Zerubbabel, saith the LORD; and be strong, O Joshua, son of Josedech, the high priest; and be strong, all ye people of the land, saith the LORD, and work: for I am with you, saith the LORD of hosts:"

Haggai 1:6 - "Ye have sown much, and bring in little; ye eat, but ye have not enough; ye drink, but ye are not filled with drink; ye clothe you, but there is none warm; and he that earneth wages earneth wages to put it into a bag with holes." Illustrate a scene capturing the essence of the biblical quote from Haggai 1:6. Show people in various works, sowing much but gaining little, eating and drinking yet never feeling content or full, and earning money only for it to disappear as if in a bag filled with holes. This visual representation should be styled in the form of digital art. The people in the image should reflect the diversity of humanity. Include individuals of different descents such as Caucasian, Black, Hispanic, Middle-Eastern, and South Asian, varying their genders in a balanced manner.

Haggai 1:6 - "Ye have sown much, and bring in little; ye eat, but ye have not enough; ye drink, but ye are not filled with drink; ye clothe you, but there is none warm; and he that earneth wages earneth wages to put it into a bag with holes."

Haggai 1:11 - "And I called for a drought upon the land, and upon the mountains, and upon the corn, and upon the new wine, and upon the oil, and upon that which the ground bringeth forth, and upon men, and upon cattle, and upon all the labour of the hands."

Haggai 1:11 - "And I called for a drought upon the land, and upon the mountains, and upon the corn, and upon the new wine, and upon the oil, and upon that which the ground bringeth forth, and upon men, and upon cattle, and upon all the labour of the hands."

Haggai 1:9 - "Ye looked for much, and, lo, it came to little; and when ye brought it home, I did blow upon it. Why? saith the LORD of hosts. Because of mine house that is waste, and ye run every man unto his own house."

Haggai 1:9 - "Ye looked for much, and, lo, it came to little; and when ye brought it home, I did blow upon it. Why? saith the LORD of hosts. Because of mine house that is waste, and ye run every man unto his own house."

Genesis 21:14 - "And Abraham rose up early in the morning, and took bread, and a bottle of water, and gave it unto Hagar, putting it on her shoulder, and the child, and sent her away: and she departed, and wandered in the wilderness of Beer-sheba." Translate the biblical scene from Genesis 21:14 into a digital art form. The scene includes Abraham, who woke up early in the morning, gathered bread and a bottle of water, and presented these to Hagar. Hagar carries these necessities on her shoulder along with the child, and then ventures into the wilderness of Beer-sheba.

Genesis 21:14 - "And Abraham rose up early in the morning, and took bread, and a bottle of water, and gave it unto Hagar, putting it on her shoulder, and the child, and sent her away: and she departed, and wandered in the wilderness of Beer-sheba."

1 Chronicles 11:38 - "Joel the brother of Nathan, Mibhar the son of Haggeri," A representation of a scene from 1 Chronicles 11:38 - 'Joel the brother of Nathan, Mibhar the son of Haggeri,' composed in a digital art form. Emphasize on the intricate details such as the clothing, facial expressions, and historic elements that dominate the scene. Use vibrant colors and dynamic shapes to encapsulate the mood of the biblical era. The foreground should have Joel and Nathan in brotherly interaction, with Mibhar standing apart as the son of Haggeri.

1 Chronicles 11:38 - "Joel the brother of Nathan, Mibhar the son of Haggeri,"

Genesis 46:16 - "¶ And the sons of Gad; Ziphion, and Haggi, Shuni, and Ezbon, Eri, and Arodi, and Areli." Create a digital illustration inspired by religious text, specifically Genesis 46:16 - 'And the sons of Gad; Ziphion, and Haggi, Shuni, and Ezbon, Eri, and Arodi, and Areli.' This scene should feature seven distinct figures, possibly depicted as ethereal or spiritual figures to match the biblical context. These figures can be diverse in their appearance, possibly reflecting various descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian. The potential use of color and digital symbolism would help in distinguishing each figure, bringing modern representation into this ancient narrative.

Genesis 46:16 - "¶ And the sons of Gad; Ziphion, and Haggi, Shuni, and Ezbon, Eri, and Arodi, and Areli."

Numbers 26:15 - "¶ The children of Gad after their families: of Zephon, the family of the Zephonites: of Haggi, the family of the Haggites: of Shuni, the family of the Shunites:"

Numbers 26:15 - "¶ The children of Gad after their families: of Zephon, the family of the Zephonites: of Haggi, the family of the Haggites: of Shuni, the family of the Shunites:"

Genesis 16:15 - "¶ And Hagar bare Abram a son: and Abram called his son's name, which Hagar bare, Ishmael."

Genesis 16:15 - "¶ And Hagar bare Abram a son: and Abram called his son's name, which Hagar bare, Ishmael."

“But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭Galatians‬ ‭4‬:‭23‬-‭26‬ ‭NKJV‬‬ An allegorical depiction in the style of digital art: A scene divided into two parts. On one side, a representation of the bondwoman, Hagar, along with her child. They are situated in a barren landscape symbolizing Mount Sinai, their expressions conveying their life of bondage. The scene shows Hagar as an embodiment of Mount Sinai in Arabia. On the other side, a representation of the freewoman, symbolizing 'the Jerusalem above' which is free and is considered the mother of all. The scenery here is more vibrant, peaceful, indicating their freedom. Emphasize on the contrast and symbolism of these two covenants.

“But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭Galatians‬ ‭4‬:‭23‬-‭26‬ ‭NKJV‬‬

1 Chronicles 6:30 - "Shimea his son, Haggiah his son, Asaiah his son." Render the biblical quote from 1 Chronicles 6:30 - 'Shimea his son, Haggiah his son, Asaiah his son.' in the digital art form. This can be a type of image where the text of the quote is the main feature. Potential elements can include the verse number, the verse itself in a legible script or typography, and aesthetically pleasing digital designs that resonate well with the verse's theme.

1 Chronicles 6:30 - "Shimea his son, Haggiah his son, Asaiah his son."

Ezra 2:46 - "The children of Hagab, the children of Shalmai, the children of Hanan,"

Ezra 2:46 - "The children of Hagab, the children of Shalmai, the children of Hanan,"

Genesis 21:17 - "And God heard the voice of the lad; and the angel of God called to Hagar out of heaven, and said unto her, What aileth thee, Hagar? fear not; for God hath heard the voice of the lad where he is."

Genesis 21:17 - "And God heard the voice of the lad; and the angel of God called to Hagar out of heaven, and said unto her, What aileth thee, Hagar? fear not; for God hath heard the voice of the lad where he is."

“But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭Galatians‬ ‭4‬:‭23‬-‭26‬ Interpret a visual from the biblical quote 'But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all' from Galatians 4:23-26. Imagine two contrasting landscapes, one representing Mount Sinai indicating bondage, and the other symbolizing the transcendent, free Jerusalem. Capture in a 19th-century Romantic era painting style with heavy tonal contrast and dramatic light effects executed in oil medium.

“But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭Galatians‬ ‭4‬:‭23‬-‭26‬

Genesis 16:16 - "And Abram was fourscore and six years old, when Hagar bare Ishmael to Abram."

Genesis 16:16 - "And Abram was fourscore and six years old, when Hagar bare Ishmael to Abram."

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Create a symbolic digital art representing two contrasting ideas. The first part should show a mighty mountain with the image of a tired and weary woman embodying bondage, representing the idea of Mount Sinai, and corresponding to present-day Jerusalem, symbolizing struggle and oppression. The second part should display a vision of Jerusalem in a state of freedom and liberty, uplifting and joyous, symbolizing a city in the clouds, representing the mother of us all. These two images should be visually distinct yet tied together in the same frame, showcasing the contrast between bondage and freedom.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Visualize a symbolic digital art depiction of two contrasting scenarios. The first represents the covenant from Mount Sinai, displaying an image of a mountain in a desert-scene, possibly in Arabia that symbolizes 'bondage', in a way that it can translate to Jerusalem in its current state, with its inhabitants depicted as constrained. In contrast, the second image should convey the 'Jerusalem from above' which epitomizes freedom, represented as a nurturing, relieving motherly figure, transcendent and ethereal, serving as the mother of all. These elements should be blended harmoniously in the artwork to portray the essence of the referenced biblical verses from Galatians 4:24-26.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Generate a intricate digital art representation of two contrasting landscapes, symbolizing the two covenants mentioned in Galatians 4:24-26. One scene should depict Mount Sinai, presented as a rugged, desolate mountain in the Arabian desert representing bondage. The mountain should be associated with an image of ancient Jerusalem filled with structures that represent constraint and bondage, perhaps dark, confined, and sprawling with many people. The second scene should represent the 'Jerusalem above' which is the symbol of freedom. It should be depicted as ethereal, full of light and open space, giving an elevated feeling of peace and harmony, encapsulating the idea of being 'the mother of us all'.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Create a detailed image based on the verses Galatians 4:24-26. In this divinely inspired illustration, we see two distinct landscapes representing the two covenants. One visualizes Mount Sinai in Arabia, encapsulating the idea of bondage. It's rugged, harsh, and inhospitable environment embodying the hardship and struggles associated with it. In contrast, the other showcases the 'Jerusalem above', a heavenly and ethereal place that represents freedom and spiritual liberation. These two contrasting visuals should highlight their symbolic meanings as described in the verses. The primary method of representation should be akin to digital art, using clean lines, vivid colors, and abstract forms.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Illustrate a visualization of the symbolic concept from Galatians 4: 24-26. Depict two contrasting landscapes: one resembling the rough terrains of Mount Sinai, symbolizing bondage, related to Hagar as per the biblical reference. This landscape features harsh, rocky outcrops, barren, and desolate surroundings. Correspond this with a depiction of Jerusalem in its current form, filled with structures and life, yet bound metaphorically with the chains of tradition and history. In stark contrast, illustrate a depiction of a liberating landscape inspired by the 'Jerusalem above', free and ethereal, perhaps floating above the earthly landscapes, symbolising freedom and maternal care. The entire visualization should be in vibrant colors as if created with digital art technique.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬

Genesis 25:12 - "¶ Now these are the generations of Ishmael, Abraham's son, whom Hagar the Egyptian, Sarah's handmaid, bare unto Abraham:" Create a digital art style representation of a biblical scene from Genesis 25:12 describing the generations of Ishmael, Abraham's son. The scene should include Ishmael, the offspring of Abraham and Hagar, the Egyptian handmaid of Sarah. Have them in an ancient Middle-Eastern setting to depict the historical context of the event.

Genesis 25:12 - "¶ Now these are the generations of Ishmael, Abraham's son, whom Hagar the Egyptian, Sarah's handmaid, bare unto Abraham:"

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Depict a symbolic image representation of the two covenants as mentioned in the Galatians 4:24-26. Show one depicting Mount Sinai symbolizing bondage and embodying Hagar. Correspondingly, portray Jerusalem in a state of captivity with her children. Subsequently, illustrate the contrast with the depiction of the 'Jerusalem above', signifying freedom and motherhood of all. Render this scene not in the style of any specific artist but in a general digital art form.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬ Craft an intricate digital art representation of a two-part symbolic scene inspired by biblical text. The first part pictures Mount Sinai, symbolizing Hagar, and portrays a feeling of bondage and restriction. Capture an Arabian landscape filled with rocky mountainous terrain, alluding to the current state of Jerusalem and its children. The second part depicts a heavenly representation of Jerusalem, symbol of freedom and described as the mother of all, floating above the earthly scene, radiant and unrestricted. Use bright, celestial hues to contrast with the dull, earthy tones of the scene below.

“which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭- Galatians‬ ‭4‬:‭24‬-‭26‬