Jacob's Ladder Artwork

Explore Jacob's Ladder through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Get a ladder and get over it A realistic scene showcasing a ladder leaning against a towering obstacle. The ladder signifies a way to overcome the problem, signaling the phrase 'Get a ladder and get over it'. The scene is rendered in a watercolor style, with soft edges and vibrant tones.

Get a ladder and get over it

Go to lowes, get a ladder, and get over it. A vivid watercolor painting showcases a scene taken from daily life. In the middle of the composition, there's an aisle of a home improvement store, filled with various tools and hardware. Dominating the scene is a tall, sturdy ladder in brilliant hues. Right next to it, a compelling phrase is inscribed in an elegant script - 'Get Over It'. The phrase is painted in bold strokes, expressing a sense of challenge and encouragement simultaneously. The background subtly dissolves into abstract splatters of color, imparting an overall impressionistic feel to the painting.

Go to lowes, get a ladder, and get over it.

Get a ladder and get over it Create an image of a highly detailed ladder leaning against a metaphorical barrier symbolising a challenge or obstacle. The entire illustration should be rendered in a soft watercolor style, suggesting fluidity and gentleness. The color palette should be serene and calming, featuring hues of blue, green, and brown.

Get a ladder and get over it

Go to lowes, get a ladder, and get over it. Illustrate a vivid watercolor scene of a home improvement store with aisles filled with supplies. The center of the image should be a tall ladder, prominently displayed. Next to it, let there be a sign that reads 'get over it'. Capture the loose, flowing characteristics of watercolors in the image.

Go to lowes, get a ladder, and get over it.

Go to lowes, get a ladder, and get over it. A vivid, watercolor depiction of a home improvement store like Lowes filled with a variety of tools, materials, and equipment. In the center, a sturdy ladder, probably newly purchased, stands out. The scene also includes an abstract representation of 'getting over it', perhaps a tall wall or obstacle symbolizing the challenge. The colors blend naturally, eliciting a feeling of overcoming and progress.

Go to lowes, get a ladder, and get over it.

Go to lowes, get a ladder, and get over it. Imagine a scene within a hardware store, similar to Lowe's. There are aisles filled with various tools and supplies. A tall metal ladder is being picked up by a Hispanic man. In the background, a sign reads 'Get Over It', as if it were a slogan for a promotion. The scene has a soft feel, like it's been painted with watercolors, making the colors blend beautifully.

Go to lowes, get a ladder, and get over it.

Go to lowes, get a ladder, and get over it. A watercolor-style painting depicting a representation of the saying 'Get a ladder and get over it'. The scene shows a giant ladder stretching towards the sky, placed on the facade of a hardware store resembling Lowes. It's a serene day with clouds sporadically dotted across the clear blue sky. The edges of the painting are soft and bleeding, typical of watercolor effects.

Go to lowes, get a ladder, and get over it.

Go to lowes, get a ladder, and get over it. Visualize a setting as follows: a large, well-stocked hardware store, with a prominent display of several different sorts and sizes of ladders. Select a ladder, pick it up and proceed towards an obstacle - a high wall, for instance. The phrase 'get over it' subtly overlaid on the scene. The entire image rendered in an impressionistic watercolor style with soft edges and diffused color patterns.

Go to lowes, get a ladder, and get over it.

Genesis 46:19 - "The sons of Rachel Jacob's wife; Joseph, and Benjamin." A digital art portrayal of a scene from Genesis 46:19. It shows Rachel, the wife of Jacob, with her two sons; Joseph and Benjamin. Joseph is depicted as a Hebrew young man with traditional robes of ancient times and Benjamin, the younger brother, is shown as a boy. Rachel is holding onto Benjamin while giving a reassuring pat on Joseph's shoulder, proudly presenting her sons to the viewer. The colors are rich and vivid, with a stark contrast between shadows and lights, giving the illustration depth.

Genesis 46:19 - "The sons of Rachel Jacob's wife; Joseph, and Benjamin."

Genesis 28:12 - "And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it."

Genesis 28:12 - "And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it."

Genesis 35:23 - "The sons of Leah; Reuben, Jacob's firstborn, and Simeon, and Levi, and Judah, and Issachar, and Zebulun:"

Genesis 35:23 - "The sons of Leah; Reuben, Jacob's firstborn, and Simeon, and Levi, and Judah, and Issachar, and Zebulun:"

Genesis 46:8 - "¶ And these are the names of the children of Israel, which came into Egypt, Jacob and his sons: Reuben, Jacob's firstborn."

Genesis 46:8 - "¶ And these are the names of the children of Israel, which came into Egypt, Jacob and his sons: Reuben, Jacob's firstborn."

Jeremiah 30:18 - "¶ Thus saith the LORD; Behold, I will bring again the captivity of Jacob's tents, and have mercy on his dwellingplaces; and the city shall be builded upon her own heap, and the palace shall remain after the manner thereof." Generate an image inspired by the Bible verse Jeremiah 30:18, '¶ Thus saith the LORD; Behold, I will bring again the captivity of Jacob's tents, and have mercy on his dwellingplaces; and the city shall be builded upon her own heap, and the palace shall remain after the manner thereof.' The scene should depict Jacob's tents being restored and the city being rebuilt on its own ruins with the palace still standing. This scene should be portrayed in a vibrant, bold, and futuristic manner, inspired by the era of digital art, using a bright color palette and sharp, clear structures to embody the spirit of renewal and preservation mentioned in the verse.

Jeremiah 30:18 - "¶ Thus saith the LORD; Behold, I will bring again the captivity of Jacob's tents, and have mercy on his dwellingplaces; and the city shall be builded upon her own heap, and the palace shall remain after the manner thereof."

Genesis 30:42 - "But when the cattle were feeble, he put them not in: so the feebler were Laban's, and the stronger Jacob's."

Genesis 30:42 - "But when the cattle were feeble, he put them not in: so the feebler were Laban's, and the stronger Jacob's."

Jeremiah 30:7 - "Alas! for that day is great, so that none is like it: it is even the time of Jacob's trouble; but he shall be saved out of it."

Jeremiah 30:7 - "Alas! for that day is great, so that none is like it: it is even the time of Jacob's trouble; but he shall be saved out of it."

John 4:6 - "Now Jacob's well was there. Jesus therefore, being wearied with his journey, sat thus on the well: and it was about the sixth hour."

John 4:6 - "Now Jacob's well was there. Jesus therefore, being wearied with his journey, sat thus on the well: and it was about the sixth hour."

Genesis 27:22 - "And Jacob went near unto Isaac his father; and he felt him, and said, The voice is Jacob's voice, but the hands are the hands of Esau."

Genesis 27:22 - "And Jacob went near unto Isaac his father; and he felt him, and said, The voice is Jacob's voice, but the hands are the hands of Esau."

Genesis 28:5 - "And Isaac sent away Jacob: and he went to Padan-aram unto Laban, son of Bethuel the Syrian, the brother of Rebekah, Jacob's and Esau's mother."

Genesis 28:5 - "And Isaac sent away Jacob: and he went to Padan-aram unto Laban, son of Bethuel the Syrian, the brother of Rebekah, Jacob's and Esau's mother."

Genesis 32:18 - "Then thou shalt say, They be thy servant Jacob's; it is a present sent unto my lord Esau: and, behold, also he is behind us."

Genesis 32:18 - "Then thou shalt say, They be thy servant Jacob's; it is a present sent unto my lord Esau: and, behold, also he is behind us."

Genesis 46:26 - "All the souls that came with Jacob into Egypt, which came out of his loins, besides Jacob's sons' wives, all the souls were threescore and six;"

Genesis 46:26 - "All the souls that came with Jacob into Egypt, which came out of his loins, besides Jacob's sons' wives, all the souls were threescore and six;"

Genesis 34:3 - "And his soul clave unto Dinah the daughter of Jacob, and he loved the damsel, and spake kindly unto the damsel." Create an illustrative depiction of the biblical scene from Genesis 34:3, where the character's soul is depicted gravitating towards Dinah, Jacob's daughter. Show the male figure expressing deep love towards the young woman and speaking with kindness. Let the image reflect early biblical times and use digitally created visuals to bring the scene to life.

Genesis 34:3 - "And his soul clave unto Dinah the daughter of Jacob, and he loved the damsel, and spake kindly unto the damsel."

Genesis 31:45 - "And Jacob took a stone, and set it up for a pillar." Based on Genesis 31:45, depict a scene where Jacob, a Middle-Eastern man with a flowing beard and traditional attire, is lifting a stone to set it as a pillar. Capture the scene in a digital art style, highlighting the contrast between the rugged stone, the vast desert under the azure sky, and the determination on Jacob's face. Add a sense of solemnity, as if he is making a silent vow or ushering a monumental moment.

Genesis 31:45 - "And Jacob took a stone, and set it up for a pillar."

Genesis 30:2 - "And Jacob's anger was kindled against Rachel: and he said, Am I in God's stead, who hath withheld from thee the fruit of the womb?"

Genesis 30:2 - "And Jacob's anger was kindled against Rachel: and he said, Am I in God's stead, who hath withheld from thee the fruit of the womb?"

Genesis 45:26 - "And told him, saying, Joseph is yet alive, and he is governor over all the land of Egypt. And Jacob's heart fainted, for he believed them not." An image inspired by Genesis 45:26 passage, featuring an elderly man expressing disbelief and faintness. The landscape shows a figure who is presumed to be his son in the distant horizon, standing tall as the governor of an ancient land depicting Egypt with its pyramids and ancient architecture, all bathed under a captivating twilight. The style of the digital art should be detailed and carry a sense of reverence and antiquity.

Genesis 45:26 - "And told him, saying, Joseph is yet alive, and he is governor over all the land of Egypt. And Jacob's heart fainted, for he believed them not."

Genesis 34:19 - "And the young man deferred not to do the thing, because he had delight in Jacob's daughter: and he was more honourable than all the house of his father."

Genesis 34:19 - "And the young man deferred not to do the thing, because he had delight in Jacob's daughter: and he was more honourable than all the house of his father."

Genesis 32:25 - "And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him." An illustrative representation of a biblical scene from Genesis 32:25 - A man is engaged in a strenuous wrestling match, his resilience apparent in his determined face. His adversary extends his hand touching the hollow of his thigh, causing it to go out of joint as depicted by a wince of pain on his face. The scene should evoke solemn intensity and reverent dedication, captured in the rich detail typically found in the era of digital art.

Genesis 32:25 - "And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him."

Genesis 31:33 - "And Laban went into Jacob's tent, and into Leah's tent, and into the two maidservants' tents; but he found them not. Then went he out of Leah's tent, and entered into Rachel's tent."

Genesis 31:33 - "And Laban went into Jacob's tent, and into Leah's tent, and into the two maidservants' tents; but he found them not. Then went he out of Leah's tent, and entered into Rachel's tent."

Malachi 1:2 - "I have loved you, saith the LORD. Yet ye say, Wherein hast thou loved us? Was not Esau Jacob's brother? saith the LORD: yet I loved Jacob,"

Malachi 1:2 - "I have loved you, saith the LORD. Yet ye say, Wherein hast thou loved us? Was not Esau Jacob's brother? saith the LORD: yet I loved Jacob,"

Genesis 32:32 - "Therefore the children of Israel eat not of the sinew which shrank, which is upon the hollow of the thigh, unto this day: because he touched the hollow of Jacob's thigh in the sinew that shrank."

Genesis 32:32 - "Therefore the children of Israel eat not of the sinew which shrank, which is upon the hollow of the thigh, unto this day: because he touched the hollow of Jacob's thigh in the sinew that shrank."

Genesis 35:27 - "¶ And Jacob came unto Isaac his father unto Mamre, unto the city of Arbah, which is Hebron, where Abraham and Isaac sojourned." An expressive digital interpretation of the biblical scene from Genesis 35:27. The setting is the historical city of Mamre, which is known to be Hebron. Visualize Jacob arriving to meet his father Isaac, in a cityscape filled with ancient architecture. Don't forget to depict a sense of journey and sojourn, perhaps through the weariness or determination in Jacob's eyes and posture. Use a palette composed mostly of earth tones and blues, to reflect the pastoral and rustic environment of the scene, while creating an atmosphere reflective of the era.

Genesis 35:27 - "¶ And Jacob came unto Isaac his father unto Mamre, unto the city of Arbah, which is Hebron, where Abraham and Isaac sojourned."