Jeremiah 52 Artwork

"Zedekiah was one and twenty years old when he began to reign, and he reigned eleven years in Jerusalem. And his mother’s name was Hamutal the daughter of Jeremiah of Libnah." - Jeremiah 52:1

Explore Jeremiah 52 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
JeremiahJeremiah 52Jeremiah 52:1
Jeremiah 52:22 - "And a chapiter of brass was upon it; and the height of one chapiter was five cubits, with network and pomegranates upon the chapiters round about, all of brass. The second pillar also and the pomegranates were like unto these." Create a digital art image inspired by the Jeremiah 52:22 verse. Depict a tall, brass chapiter that measures five cubits in height, complete with intricate network designs and adorned with pomegranates. Surrounding the chapiter should be another similar pillar, also ornately decorated with pomegranates. The overall theme of the image should reflect all elements mentioned in the verse, and the material for all objects should appear to be brass.

Jeremiah 52:22 - "And a chapiter of brass was upon it; and the height of one chapiter was five cubits, with network and pomegranates upon the chapiters round about, all of brass. The second pillar also and the pomegranates were like unto these."

Jeremiah 52:28-30 - "Jeremiah 52:28-30: 28 This is the people whom Nebuchadrezzar carried away captive: in the seventh year three thousand Jews and three and twenty: 29 In the eighteenth year of Nebuchadrezzar he carried away captive from Jerusalem eight hundred thirty and two persons: 30 In the three and twentieth year of Nebuchadrezzar Nebuzaradan the captain of the guard carried away captive of the Jews seven hundred forty and five persons: all the persons were four thousand and six hundred." Illustrate the biblical account from Jeremiah 52:28-30, featuring the exodus of Jews led by Nebuchadrezzar in three key years: the seventh, eighteenth, and twenty-third years of Nebuchadrezzar's reign. Depict the scene as a progression of images, with differing amounts of people being led away captive each year. Convey a sense of emotional intensity reflecting the events and the various characters involved, such as Nebuchadrezzar and Nebuzaradan, the captain of the guard. Emulate the style of digital art while creating the image.

Jeremiah 52:28-30 - "Jeremiah 52:28-30: 28 This is the people whom Nebuchadrezzar carried away captive: in the seventh year three thousand Jews and three and twenty: 29 In the eighteenth year of Nebuchadrezzar he carried away captive from Jerusalem eight hundred thirty and two persons: 30 In the three and twentieth year of Nebuchadrezzar Nebuzaradan the captain of the guard carried away captive of the Jews seven hundred forty and five persons: all the persons were four thousand and six hundred."

Jeremiah 52:15 - "Then Nebuzar-adan the captain of the guard carried away captive certain of the poor of the people, and the residue of the people that remained in the city, and those that fell away, that fell to the king of Babylon, and the rest of the multitude." depict a dramatic scene inspired by the biblical verse Jeremiah 52:15. Show Nebuzar-adan, the captain of the guard, who has a stern and commanding presence. He is overseeing the process of certain impoverished people being taken away as captives. The rest are left behind in the city, looking desperate and anxious. Include a few defectors being separated from the crowd - they are being led towards an imposing figure representing the king of Babylon. The entire scene is bustling with the rest of the multitude. Visualize this scene in the style of digital art, utilizing high contrast colors and sharp lines.

Jeremiah 52:15 - "Then Nebuzar-adan the captain of the guard carried away captive certain of the poor of the people, and the residue of the people that remained in the city, and those that fell away, that fell to the king of Babylon, and the rest of the multitude."

Jeremiah 52:20 - "The two pillars, one sea, and twelve brasen bulls that were under the bases, which king Solomon had made in the house of the LORD: the brass of all these vessels was without weight."

Jeremiah 52:20 - "The two pillars, one sea, and twelve brasen bulls that were under the bases, which king Solomon had made in the house of the LORD: the brass of all these vessels was without weight."

1 Corinthians 15:51-52

1 Corinthians 15:51-52

Jeremiah 52:30 - "In the three and twentieth year of Nebuchadrezzar Nebuzar-adan the captain of the guard carried away captive of the Jews seven hundred forty and five persons: all the persons were four thousand and six hundred."

Jeremiah 52:30 - "In the three and twentieth year of Nebuchadrezzar Nebuzar-adan the captain of the guard carried away captive of the Jews seven hundred forty and five persons: all the persons were four thousand and six hundred."

Jeremiah 52:7 - "Then the city was broken up, and all the men of war fled, and went forth out of the city by night by the way of the gate between the two walls, which was by the king's garden; (now the Chaldeans were by the city round about:) and they went by the way of the plain." Visualize a scene inspired by the passage Jeremiah 52:7. This shows a city in chaos, with men of war fleeing at night, exiting the city through a gate located between two large walls, and adjacent to the king's garden. The Chaldeans are seen surrounding the city, and the men of war are escaping towards a plain. Please create this image to have an overall digital art feel, focusing on the contrast between serenity of the night, the chaotic departure, and the menacing Chaldeans awaiting outside.

Jeremiah 52:7 - "Then the city was broken up, and all the men of war fled, and went forth out of the city by night by the way of the gate between the two walls, which was by the king's garden; (now the Chaldeans were by the city round about:) and they went by the way of the plain."

Joshua 15:52 - "Arab, and Dumah, and Eshean,"

Joshua 15:52 - "Arab, and Dumah, and Eshean,"

Mark 6:52 - "For they considered not the miracle of the loaves: for their heart was hardened."

Mark 6:52 - "For they considered not the miracle of the loaves: for their heart was hardened."

Jeremiah 52:4 - "¶ And it came to pass in the ninth year of his reign, in the tenth month, in the tenth day of the month, that Nebuchadrezzar king of Babylon came, he and all his army, against Jerusalem, and pitched against it, and built forts against it round about." Generate a digital art interpretation of an event from ancient history. Specifically, depict an intense scene from the ninth year of a rule, during the tenth month, on the tenth day. Imagine a mighty king with his vast army encircling a grand city, Jerusalem. They're laying a siege, setting up their camps and constructing forts all around it. The city is resilient, standing tall amidst its adversaries, its stony walls reflecting the evening sunlight. The soldiers prepare their gear and the air carries an unsettling tension. Remember to capture the magnitude of the event and the stark contrast between city and army.

Jeremiah 52:4 - "¶ And it came to pass in the ninth year of his reign, in the tenth month, in the tenth day of the month, that Nebuchadrezzar king of Babylon came, he and all his army, against Jerusalem, and pitched against it, and built forts against it round about."

Luke 24:52 - "And they worshipped him, and returned to Jerusalem with great joy:" An interpretation of the biblical scene Luke 24:52 where a group of people are shown worshipping a divine figure and then returning to an ancient city reminiscent of Jerusalem, pulsating with immense joy. The overall mood of the image should be jubilant and reverent. The dominant art style to be used is suggestive of digital art with precise lines, gradients, and vibrant colors, capturing the essence of new-age technology while maintaining the sanctity and historical significance of the scene. Also maintain a sense of diverse representation among the depicted individuals, both in terms of race and gender.

Luke 24:52 - "And they worshipped him, and returned to Jerusalem with great joy:"

Ezra 2:52 - "The children of Bazluth, the children of Mehida, the children of Harsha,"

Ezra 2:52 - "The children of Bazluth, the children of Mehida, the children of Harsha,"

Numbers 7:52 - "One kid of the goats for a sin offering:" A detailed image interpreting Numbers 7:52, 'One kid of the goats for a sin offering,' with a creative combination of traditional and modern elements. The scene showcases the young goat set against pastoral scenery. The colors are vibrant, inspired from the color palette often used in the digital art era. Pay particular attention to the textural detail, with the digital rendering imitating the textured detail and depth often found in real-life, three-dimensional art.

Numbers 7:52 - "One kid of the goats for a sin offering:"

Numbers 26:52 - "¶ And the LORD spake unto Moses, saying," A scene inspired by scripture, particularly from the book of Numbers 26:52, 'And the LORD spake unto Moses, saying.' The art style should resemble that of digital art. Depict a sky with divine light, a figure that represents Moses standing humbly, and an aura or energy that represents the presence of the divine voice.

Numbers 26:52 - "¶ And the LORD spake unto Moses, saying,"

Psalms 89:52 - "Blessed be the LORD for evermore. Amen, and Amen." An artistic representation of the biblical verse 'Psalms 89:52 - Blessed be the LORD for evermore. Amen, and Amen.' in modern interpretation. The phrase 'Blessed be the LORD for evermore. Amen, and Amen' is prominently displayed in medieval Gothic writing, surrounded by ethereal light, creating an atmosphere of solemnity, awe, and veneration. The scene is enveloped in a visual metaphor of timelessness, suggesting the 'forevermore' aspect of the verse. This image is created digitally with emphasis on clear lines, vibrant colors, and abstract design elements, showcasing the transformative potential of technology in art making.

Psalms 89:52 - "Blessed be the LORD for evermore. Amen, and Amen."

Luke 23:52 - "This man went unto Pilate, and begged the body of Jesus." A biblical scene set in ancient times, inspired by the verse Luke 23:52 - 'This man went unto Pilate, and begged the body of Jesus.'. Imagine a Middle-Eastern man standing in front of a Roman authority figure in a display of pleading, with the body of a deceased Messiah in the background. The elements should look as though they were designed and rendered using digital art techniques.

Luke 23:52 - "This man went unto Pilate, and begged the body of Jesus."

Luke 2:52 - "And Jesus increased in wisdom and stature, and in favour with God and man."

Luke 2:52 - "And Jesus increased in wisdom and stature, and in favour with God and man."

Nehemiah 7:52 - "The children of Besai, the children of Meunim, the children of Nephishesim," A vibrant digital art interpretation of a scene inspired by Nehemiah 7:52, illustrating 'The children of Besai, the children of Meunim, the children of Nephishesim'. The diverse crowd is filled with children of different descents including Caucasian, Hispanic, Black, Middle-Eastern, South Asian and more. They are dressed in clothes that reflect their cultural background, playing and interacting in a sprawling landscape that symbolizes unity and harmony.

Nehemiah 7:52 - "The children of Besai, the children of Meunim, the children of Nephishesim,"

Acts 13:52 - "And the disciples were filled with joy, and with the Holy Ghost."

Acts 13:52 - "And the disciples were filled with joy, and with the Holy Ghost."

Jeremiah 52:25 - "He took also out of the city an eunuch, which had the charge of the men of war; and seven men of them that were near the king's person, which were found in the city; and the principal scribe of the host, who mustered the people of the land; and threescore men of the people of the land, that were found in the midst of the city." A scene inspired by Jeremiah 52:25, late medieval in context. A powerful eunuch who is responsible for leading men into battle stands tall at the city's edge. Nearby, seven men who were close to the king's figure are discovered, each displaying varying expressions of surprise, bravery, and stoicism. Amidst them, the main scribe of the army, his hands covered in ink, diligently documents the population, while a group of sixty local men found in the city center are visible in the distance. To portray this in a unique style, imagine a coding-inspired digital art approach, where every character and element is represented by symbols or codes as an analogy to digital rendering.

Jeremiah 52:25 - "He took also out of the city an eunuch, which had the charge of the men of war; and seven men of them that were near the king's person, which were found in the city; and the principal scribe of the host, who mustered the people of the land; and threescore men of the people of the land, that were found in the midst of the city."

1 Chronicles 1:52 - "Duke Aholibamah, duke Elah, duke Pinon,"

1 Chronicles 1:52 - "Duke Aholibamah, duke Elah, duke Pinon,"

Psalms 52:4 - "Thou lovest all devouring words, O thou deceitful tongue."

Psalms 52:4 - "Thou lovest all devouring words, O thou deceitful tongue."

Jeremiah 52:31 - "¶ And it came to pass in the seven and thirtieth year of the captivity of Jehoiachin king of Judah, in the twelfth month, in the five and twentieth day of the month, that Evil-merodach king of Babylon in the first year of his reign lifted up the head of Jehoiachin king of Judah, and brought him forth out of prison,"

Jeremiah 52:31 - "¶ And it came to pass in the seven and thirtieth year of the captivity of Jehoiachin king of Judah, in the twelfth month, in the five and twentieth day of the month, that Evil-merodach king of Babylon in the first year of his reign lifted up the head of Jehoiachin king of Judah, and brought him forth out of prison,"

Psalms 52:6 - "The righteous also shall see, and fear, and shall laugh at him:" A detailed and meticulous interpretation of Psalms 52:6 - 'The righteous also shall see, and fear, and shall laugh at him:' laid out as a digital painting. The scene features an ethereal background with immensely righteous beings portrayed to be observing something with a mix of awe and amusement. These entities have a visible aura of piety around them. Their expressions portray a subtle sense of fear, yet they are seen laughing, alluding to the complex emotional palette mentioned in the verse.

Psalms 52:6 - "The righteous also shall see, and fear, and shall laugh at him:"

Mark 14:52 - "And he left the linen cloth, and fled from them naked." A dramatic interpretation of the biblical verse Mark 14:52. The scene depicts a man abandoning his linen cloth in haste and fleeing the scene devoid of any clothing. The entire scene is imagined in a modern digital art format, with high contrast and vibrant colors, and a style that emphasizes forms and shapes rather than fine details.

Mark 14:52 - "And he left the linen cloth, and fled from them naked."

Luke 8:52 - "And all wept, and bewailed her: but he said, Weep not; she is not dead, but sleepeth."

Luke 8:52 - "And all wept, and bewailed her: but he said, Weep not; she is not dead, but sleepeth."

1 Chronicles 2:52 - "And Shobal the father of Kirjath-jearim had sons; Haroeh, and half of the Manahethites."

1 Chronicles 2:52 - "And Shobal the father of Kirjath-jearim had sons; Haroeh, and half of the Manahethites."

Lamentations 3:52 - "Mine enemies chased me sore, like a bird, without cause." An evocative digital art depiction of a bird being perilously chased. The bird, soaring across a dimly lit sky, appears to be pursued without reason. This image is inspired by the text, 'Mine enemies chased me sore, like a bird, without cause' from Lamentations 3:52.

Lamentations 3:52 - "Mine enemies chased me sore, like a bird, without cause."

Psalms 52:2 - "Thy tongue deviseth mischiefs; like a sharp razor, working deceitfully." An evocative interpretation of the scripture Psalms 52:2 — 'Thy tongue deviseth mischiefs; like a sharp razor, working deceitfully'. The scene portrays a conceptual illusory tongue, symbolically crafting malicious deeds. Next to it, a razor sharp and precarious, a metaphor for deceit. Both elements, cunningly intertwined in a visual display, encapsulating the spirit of the verse. The artwork conveys the sentiment using the visual codes of late 19th century symbolism, highlighting the intricacies via the rich textures of oil painting, but embodying a digital vibe.

Psalms 52:2 - "Thy tongue deviseth mischiefs; like a sharp razor, working deceitfully."

Matthew 27:52 - "And the graves were opened; and many bodies of the saints which slept arose," Visually interpret the scene from Matthew 27:52 - 'And the graves were opened; and many bodies of the saints which slept arose' in the form of digital art. Depict an open graveyard, with a large number of graves suddenly opening. From within these graves, imagine many holy personages rising - create this scene with a sense of mystery, reverence, and spirituality. Use a colour scheme fitting with the seriousness and divine nature of the event. Emphasize the sudden and miraculous awakening of these resting figures, hinting at their saintly nature through their attire and postures.

Matthew 27:52 - "And the graves were opened; and many bodies of the saints which slept arose,"