John 9 Artwork

"And as Jesus passed by, he saw a man which was blind from his birth." - John 9:1

Explore John 9 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
JohnJohn 9John 9:1
John 9:8 - "¶ The neighbours therefore, and they which before had seen him that he was blind, said, Is not this he that sat and begged?" A biblical scene inspired by John 9:8, 'The neighbours therefore, and they which before had seen him that he was blind, said, Is not this he that sat and begged?' Picture people of different descents and genders in ancient clothing, one of whom appears to have been blind in the past, is surprising everyone by looking around and engaging with his environment. Another character who used to see him begging, is pointing him out, disbelief evident in his face. The color palette and aesthetics are reminiscent of digital art.

John 9:8 - "¶ The neighbours therefore, and they which before had seen him that he was blind, said, Is not this he that sat and begged?"

Luke 9:19 - "They answering said, John the Baptist; but some say, Elias; and others say, that one of the old prophets is risen again." An artistic representation of Luke 9:19 as digital art. It captures the moment when the people answer to the question about who they believe Jesus to be. It shows many diverse figures from different races and genders presenting different answerers; the resolute figures pointing to John the Baptist, the doubtful ones tracing the shadows of Elias, and the hopeful, clinging to the prophecy of an old prophet's resurrection. The scene is set in a biblical landscape with soft pastel colors and the focus is on emotions and interactivity among the masses rather than on individual identities.

Luke 9:19 - "They answering said, John the Baptist; but some say, Elias; and others say, that one of the old prophets is risen again."

John 13:9 - "Simon Peter saith unto him, Lord, not my feet only, but also my hands and my head."

John 13:9 - "Simon Peter saith unto him, Lord, not my feet only, but also my hands and my head."

3 John 1:9 - "I wrote unto the church: but Diotrephes, who loveth to have the preeminence among them, receiveth us not."

3 John 1:9 - "I wrote unto the church: but Diotrephes, who loveth to have the preeminence among them, receiveth us not."

John 19:9 - "And went again into the judgment hall, and saith unto Jesus, Whence art thou? But Jesus gave him no answer." Illustration of a scene from John 19:9 - 'And went again into the judgment hall, and saith unto Jesus, Whence art thou? But Jesus gave him no answer.' - capturing the solemn and impactful moment in the judgement hall with elements of Gothic architectural style in the background. This is to be represented not with the sharp precision and luminosity often seen in modern digital art, but through the softer and more ethereal lens of watercolor and charcoal, which embody the historical and emotional depth of the scene. Additionally, there should be a high contrast in light and dark to capture the dramatic moment.

John 19:9 - "And went again into the judgment hall, and saith unto Jesus, Whence art thou? But Jesus gave him no answer."

Matthew 9:14 - "¶ Then came to him the disciples of John, saying, Why do we and the Pharisees fast oft, but thy disciples fast not?" A biblical scene illustrating Matthew 9:14, depicting disciples of John approaching the figure of Jesus with an air of questioning. They ask why they and the Pharisees fast often, but Jesus's followers do not. The scene can be imagined situated in the ancient Middle East with typical period clothing, featuring a diverse group of disciples, each with different physical appearances, racial backgrounds, and expressions. The image can be generated in the medium of digital art, providing a modern take on this traditional scene.

Matthew 9:14 - "¶ Then came to him the disciples of John, saying, Why do we and the Pharisees fast oft, but thy disciples fast not?"

John 9:24 - "Then again called they the man that was blind, and said unto him, Give God the praise: we know that this man is a sinner."

John 9:24 - "Then again called they the man that was blind, and said unto him, Give God the praise: we know that this man is a sinner."

John 6:9 - "There is a lad here, which hath five barley loaves, and two small fishes: but what are they among so many?"

John 6:9 - "There is a lad here, which hath five barley loaves, and two small fishes: but what are they among so many?"

John 9:3 - "Jesus answered, Neither hath this man sinned, nor his parents: but that the works of God should be made manifest in him." Render an inspirational scene based on John 9:3 - 'Jesus answered, Neither hath this man sinned, nor his parents: but that the works of God should be made manifest in him.' The scene should include biblical figures in traditional clothing engaging in a heartfelt conversation, with ethereal light filling the scene to symbolize divine intervention. The art style should be modern and digital, with bold, clear lines and vibrant colors.

John 9:3 - "Jesus answered, Neither hath this man sinned, nor his parents: but that the works of God should be made manifest in him."

John 18:9 - "That the saying might be fulfilled, which he spake, Of them which thou gavest me have I lost none." Capture the essence of the scripture verse John 18:9 - 'That the saying might be fulfilled, which he spake, Of them which thou gavest me have I lost none.' Use advanced digital techniques to create a rich, modern aesthetic. The image should center on themes of protection, safety, and guidance with a biblical context. Use of warm colour palettes and ethereal, light-filled visuals typical of divine interventions can be explored. You can include a figure representing a divine entity, though it should be abstract and not depict any specific religious figure.

John 18:9 - "That the saying might be fulfilled, which he spake, Of them which thou gavest me have I lost none."

John 10:9 - "I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture." In keeping with the verse John 10:9 'I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture.', imagine a symbolic representation of this quote utilising digital art. Depict a large majestic door that radiates ethereal light symbolizing salvation, and a figure contemplating their passage through the door. Envision a verdant pasture in the background, symbolizing the sustenance that the quote refers to. Create a stylistic balance combining abstract and semi-realistic elements.

John 10:9 - "I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture."

John 9:2 - "And his disciples asked him, saying, Master, who did sin, this man, or his parents, that he was born blind?" A digital rendition of a Bible passage from John 9:2. The scene depicts the disciples in an earnest conversation with Jesus, asking him 'Master, who did sin, this man, or his parents, that he was born blind?' Around them, the atmosphere is thoughtfully reflective, with the backdrop subtly designed to induce a sense of contemplation. The disciples vary in their appearances, including a South Asian male, a black female, a white male, and a Middle Eastern male. The depiction is digital, aiming to recreate the emotional intensity of the biblical event in a contemporary artistic style.

John 9:2 - "And his disciples asked him, saying, Master, who did sin, this man, or his parents, that he was born blind?"

John 9:31 - "Now we know that God heareth not sinners: but if any man be a worshipper of God, and doeth his will, him he heareth."

John 9:31 - "Now we know that God heareth not sinners: but if any man be a worshipper of God, and doeth his will, him he heareth."

John 9:4 - "I must work the works of him that sent me, while it is day: the night cometh, when no man can work." Visualize the biblical quote John 9:4 - 'I must work the works of him that sent me, while it is day: the night cometh, when no man can work.'. Imagine this scene as a digital interpretation with vivid colors and sharp lines. Show a figure hard at work during daytime, subtle signs of divinity hinting at 'the one who sent', and a looming shadow of night disrupting the scene. Use visual elements such as light and color contrasts to portray the contrast between day and night, work and rest, divine and human.

John 9:4 - "I must work the works of him that sent me, while it is day: the night cometh, when no man can work."

John 9:19 - "And they asked them, saying, Is this your son, who ye say was born blind? how then doth he now see?" An interpretation of the biblical passage John 9:19: 'And they asked them, saying, Is this your son, who ye say was born blind? how then doth he now see?' It brings to life the scene from the Bible about a son who was born blind and can now see. The artwork will encompass the reactions of the people asking the question, their expressions filled with amazement and skepticism. The son's features will reflect his newfound sight, his eyes wide open as if seeing the world for the first time. The art channel will embody a digital aesthetic with vibrant colors and smooth lines.

John 9:19 - "And they asked them, saying, Is this your son, who ye say was born blind? how then doth he now see?"

John 9:34 - "They answered and said unto him, Thou wast altogether born in sins, and dost thou teach us? And they cast him out." Visualize the biblical scene from John 9:34 - 'They answered and said unto him, Thou wast altogether born in sins, and dost thou teach us? And they cast him out.' This should be depicted in a modern, innovative, and expressive style that incorporates the characteristics of digital art. Use bold colors, distinct shapes, and sharp lines to capture the emotional intensity of the scene.

John 9:34 - "They answered and said unto him, Thou wast altogether born in sins, and dost thou teach us? And they cast him out."

Luke 9:7 - "¶ Now Herod the tetrarch heard of all that was done by him: and he was perplexed, because that it was said of some, that John was risen from the dead;" An artistic interpretation of Luke 9:7 in the Bible. The scene depicts Herod the tetrarch, portrayed as a Middle-Eastern man in historic royal attire, in a state of confusion and wonder. He is engrossed in hearing rumors about a prophet represented symbolically as a glowing essence rising from something that resembles a tomb. The surrounding setting is intended to mirror the antique architecture and scenic landscapes of the Middle East. The art medium uses rich textures and vibrant colors as its distinctive features, replicating the look of digital art.

Luke 9:7 - "¶ Now Herod the tetrarch heard of all that was done by him: and he was perplexed, because that it was said of some, that John was risen from the dead;"

John 11:9 - "Jesus answered, Are there not twelve hours in the day? If any man walk in the day, he stumbleth not, because he seeth the light of this world." An illustration depicting the biblical passage John 11:9: 'Jesus answered, Are there not twelve hours in the day? If any man walks in the day, he stumbleth not, because he seeth the light of this world.' An unidentified male figure is walking confidently under a daylight sky with a visible sun casting strong, vivid shadows. The lighting should reflect the power of the 'light of the world'. This scene is created in digital form with vibrant colors, sharp contrasts, and a deep focus on light and shadow interplay.

John 11:9 - "Jesus answered, Are there not twelve hours in the day? If any man walk in the day, he stumbleth not, because he seeth the light of this world."

1 John 5:9 - "If we receive the witness of men, the witness of God is greater: for this is the witness of God which he hath testified of his Son."

1 John 5:9 - "If we receive the witness of men, the witness of God is greater: for this is the witness of God which he hath testified of his Son."

2 John 1:9 - "Whosoever transgresseth, and abideth not in the doctrine of Christ, hath not God. He that abideth in the doctrine of Christ, he hath both the Father and the Son." Visualize the concept of 2 John 1:9: 'Whosoever transgresseth, and abideth not in the doctrine of Christ, hath not God. He that abideth in the doctrine of Christ, he hath both the Father and the Son.' This should be showcased in a way that is reminiscent of the precision, bold color contrasts, and clean lines which characterize digital art.

2 John 1:9 - "Whosoever transgresseth, and abideth not in the doctrine of Christ, hath not God. He that abideth in the doctrine of Christ, he hath both the Father and the Son."

John 9:39 - "¶ And Jesus said, For judgment I am come into this world, that they which see not might see; and that they which see might be made blind."

John 9:39 - "¶ And Jesus said, For judgment I am come into this world, that they which see not might see; and that they which see might be made blind."

Luke 9:28 - "¶ And it came to pass about an eight days after these sayings, he took Peter and John and James, and went up into a mountain to pray."

Luke 9:28 - "¶ And it came to pass about an eight days after these sayings, he took Peter and John and James, and went up into a mountain to pray."

1 John 1:9 - "If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness."

1 John 1:9 - "If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness."

John 9:6 - "When he had thus spoken, he spat on the ground, and made clay of the spittle, and he anointed the eyes of the blind man with the clay," A visualization of a scene inspired by John 9:6: A man, perhaps of Middle-Eastern descent, is creating clay from spit on the ground. He then proceeds to apply this clay carefully and gently to the eyes of another man who is blind, possibly of South Asian descent. This is done in a reverent, respectful manner, signifying the spiritual significance of this act. The scene should be depicted in clean, concise lines and vivid hues that are characteristic of digital art, focusing on the symbiosis between traditional narratives and modern aesthetics.

John 9:6 - "When he had thus spoken, he spat on the ground, and made clay of the spittle, and he anointed the eyes of the blind man with the clay,"

1 John 3:9 - "Whosoever is born of God doth not commit sin; for his seed remaineth in him: and he cannot sin, because he is born of God."

1 John 3:9 - "Whosoever is born of God doth not commit sin; for his seed remaineth in him: and he cannot sin, because he is born of God."

John 9:25 - "He answered and said, Whether he be a sinner or no, I know not: one thing I know, that, whereas I was blind, now I see."

John 9:25 - "He answered and said, Whether he be a sinner or no, I know not: one thing I know, that, whereas I was blind, now I see."

John 9:17 - "They say unto the blind man again, What sayest thou of him, that he hath opened thine eyes? He said, He is a prophet." An expressionistic depiction of a scene inspired by John 9:17 from the Bible extracted from the ubiquitous phrase, 'They say unto the blind man again. What sayest thou of him, that he hath opened thine eyes? He said, He is a prophet.'. The visualization should encapsulate the miracle of sight restoration and treat the miracle worker as a presumed prophet. A blind man, representing every possible descent uniformly, gazes in awe towards a figure enrobed in a warm, heavenly aura. The figure implies a divine entity that represents usurpation of the physical realm and a liberation from it, in glowing, light-infused digital art.

John 9:17 - "They say unto the blind man again, What sayest thou of him, that he hath opened thine eyes? He said, He is a prophet."

1 John 4:9 - "In this was manifested the love of God toward us, because that God sent his only begotten Son into the world, that we might live through him." Visualizing a scene inspired by 1 John 4:9 - 'In this was manifested the love of God toward us, because that God sent his only begotten Son into the world, that we might live through him.' This digital art portrays this scripture, manifesting the love of God in a conceptual manner.

1 John 4:9 - "In this was manifested the love of God toward us, because that God sent his only begotten Son into the world, that we might live through him."

John 9:7 - "And said unto him, Go, wash in the pool of Siloam, (which is by interpretation, Sent.) He went his way therefore, and washed, and came seeing."

John 9:7 - "And said unto him, Go, wash in the pool of Siloam, (which is by interpretation, Sent.) He went his way therefore, and washed, and came seeing."

John 2:9 - "When the ruler of the feast had tasted the water that was made wine, and knew not whence it was: (but the servants which drew the water knew;) the governor of the feast called the bridegroom," An illustration conveying John 2:9 scene: 'When the ruler of the feast had tasted the water that was made into wine, and knew not its origin: (but the servants who drew the water knew;) the governor of the feast called the bridegroom,' in the style of digital art. The image should show the feast ruler tasting the wine, communicating his surprise perhaps through facial expressions. The servants discreetly exchanging knowing looks in the background, and the calling over of the bridegroom by the governor should also be depicted. The scene should be vibrant and full of life, as is fitting for a grand feast.

John 2:9 - "When the ruler of the feast had tasted the water that was made wine, and knew not whence it was: (but the servants which drew the water knew;) the governor of the feast called the bridegroom,"