Jude Artwork

"Jude, the servant of Jesus Christ, and brother of James, to them that are sanctified by God the Father, and preserved in Jesus Christ, and called:" - Jude 1:1

Explore Jude through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
JudeJude 1Jude 1:1
Luke 2:4-7 - "So Joseph also went up from the town of Nazareth in Galilee to Judea, to Bethlehem the town of David, because he belonged to the house and line of David. He went there to register with Mary, who was pledged to be married to him and was expecting a child. While they were there, the time came for the baby to be born, and she gave birth to her firstborn, a son. She wrapped him in cloths and placed him in a manger, because there was no guest room available for them." Create a scene in a digital art style that depicts a biblical moment according to Luke 2:4-7. Joseph, dressed in robes typical of ancient Judea, is journeying from Nazareth in Galilee to Bethlehem of Judea. Mary, dressed in similar attire, accompanies him. She's known to be promised in marriage to him and is pregnant. In Bethlehem, the time for the baby's birth arrives. Depict Mary giving birth to her firstborn son. She swaddles the infant in cloths before gently setting him down in a manger, as they had no available guest room.

Luke 2:4-7 - "So Joseph also went up from the town of Nazareth in Galilee to Judea, to Bethlehem the town of David, because he belonged to the house and line of David. He went there to register with Mary, who was pledged to be married to him and was expecting a child. While they were there, the time came for the baby to be born, and she gave birth to her firstborn, a son. She wrapped him in cloths and placed him in a manger, because there was no guest room available for them."

Jeremiah 36:4 - "Then Jeremiah called Baruch the son of Neriah: and Baruch wrote from the mouth of Jeremiah all the words of the LORD, which he had spoken unto him, upon a roll of a book." Capture a scene of an ancient biblical narrative, as described in Jeremiah 36:4. Picture a man identified as Jeremiah, decidedly Middle-Eastern in descent, speaking fervently. Another man, Baruch, also Middle-Eastern, is engrossed in documenting the spoken words onto a scroll, embodying a profound reverence. They are seated in a modest room, resonating the ambiance of historical Judea. This scene is visualized in a contemporary digital art style with vibrant colors, crisp lines, and precisely defined shapes.

Jeremiah 36:4 - "Then Jeremiah called Baruch the son of Neriah: and Baruch wrote from the mouth of Jeremiah all the words of the LORD, which he had spoken unto him, upon a roll of a book."

Judges 18:12 - "And they went up, and pitched in Kirjath-jearim, in Judah: wherefore they called that place Mahaneh-dan unto this day: behold, it is behind Kirjath-jearim." An artful representation of a biblical scene from Judges 18:12: An assembly of people ascending towards a city with ancient-style architecture, possibly Judean or Middle Eastern, situated among rolling hills. The city is named Kirjath-jearim, prominently residing in Judah. A distinct place, named Mahaneh-dan, is being highlighted as a significant location. The style should be reminiscent of digital artwork, maintaining a balance between realism and graphical nuances.

Judges 18:12 - "And they went up, and pitched in Kirjath-jearim, in Judah: wherefore they called that place Mahaneh-dan unto this day: behold, it is behind Kirjath-jearim."

Jesus driving a Kenworth on the north slope of alaska An image that embodies a sense of reverence and devotion, showcasing a figure, similar to traditional depictions of religious figures in Judeo-Christian tradition, driving a large transport truck on the snowy landscape of the northern region that vaguely resembles Alaska. Depict the artwork in the style of watercolor, with emphasis on softness, fluidity, and blending of colors. Ensure that the painting is devoid of text or inscriptions, letting the imagery alone convey the intended narrative. Maintain respect for religious expressions throughout the representation.

Jesus driving a Kenworth on the north slope of alaska

Matthew‬ ‭10‬:‭1‬ Jesus called his 12 disciples to him and gave them authority to drive out impure spirits and to heal every disease and sickness. A depiction of a key moment in Judeo-Christian narratives, where a central figure is seen in the act of empowering twelve of his followers. The scene relays a strong spiritual aura as the central figure grants authority to his disciples to dispel impure spirits and heal maladies. The interpretation of this scene should be rooted in a sense of reverence and adoration for the represented religion. It's essential to embody this solemn occasion using the delicate and fluid characteristics associated with a watercolor-based style. Yet, ensure no written words or textual elements find their way into this composition.

Matthew‬ ‭10‬:‭1‬ Jesus called his 12 disciples to him and gave them authority to drive out impure spirits and to heal every disease and sickness.

The parable of the Barren Fig Tree, symbolizing the need for fruitfulness. Generate a respectful image inspired by biblical themes presenting the parable of the Barren Fig Tree, highlighting the symbol of the need for fruitfulness. The style should evoke elements of the Renaissance era with an emphasis on depth, perspective, and natural colors. In the center, place an interpretation of the character of Jesus Christ, not as a specific person, but as a general representation of a Middle Eastern man from first-century Judea. He is gesturing towards a barren fig tree, emphasizing the moral of the story. Please use imagery and symbols that would be typical in Renaissance-era sacral art.

The parable of the Barren Fig Tree, symbolizing the need for fruitfulness.

Ezra 5:8 - "Be it known unto the king, that we went into the province of Judea, to the house of the great God, which is builded with great stones, and timber is laid in the walls, and this work goeth fast on, and prospereth in their hands."

Ezra 5:8 - "Be it known unto the king, that we went into the province of Judea, to the house of the great God, which is builded with great stones, and timber is laid in the walls, and this work goeth fast on, and prospereth in their hands."

Acts 2:14 - "¶ But Peter, standing up with the eleven, lifted up his voice, and said unto them, Ye men of Judaea, and all ye that dwell at Jerusalem, be this known unto you, and hearken to my words:" Create a digital art picture inspired by the scene described in Acts 2:14 from the Bible. The scene showcases Apostle Peter standing up with the eleven apostles, raising his voice to address the people of Jerusalem and Judea. He is gesturing in persuasion, impressing upon the audience the importance of the ideas being expressed. The crowd is listening attentively, expressing a range of emotions. Different acknowledgement, curiosity and understanding expressions can be seen on their faces. The cityscape of ancient Jerusalem rises in the background, with its iconic architecture. The emphasis is on the compelling aura of Peter and the intensity of the moment.

Acts 2:14 - "¶ But Peter, standing up with the eleven, lifted up his voice, and said unto them, Ye men of Judaea, and all ye that dwell at Jerusalem, be this known unto you, and hearken to my words:"

1 Thessalonians 2:9 - "For ye remember, brethren, our labour and travail: for labouring night and day, because we would not be chargeable unto any of you, we preached unto you the gospel of God." A detailed image interpreting the verse 1 Thessalonians 2:9 - 'For ye remember, brethren, our labour and travail: for labouring night and day, because we would not be chargeable unto any of you, we preached unto you the gospel of God.' Show figures in ancient Judean clothes, laboring during the day under an intense sun and at night under a sea of stars, visibly weary but determined. They are also seen preaching to a small group of attentive people. This scene is displayed in a stylized, vibrant digital art theme.

1 Thessalonians 2:9 - "For ye remember, brethren, our labour and travail: for labouring night and day, because we would not be chargeable unto any of you, we preached unto you the gospel of God."

Jesus and the fig tree, a lesson on faith and fruitfulness. A biblical scene in the Renaissance painting style, showcasing the parable known as 'Jesus and the Fig Tree', which epitomizes faith and fruitfulness. In the image, Jesus, depicted as a Middle-Eastern man, stands next to a fig tree. His clothing is in traditional first-century Judean garb, and his features are serene yet impactful, effectively conveying a lesson on the value of faith and productivity. The details, such as the colors and textures, should mirror the traditional artifacts of religious iconography popular during the Renaissance era.

Jesus and the fig tree, a lesson on faith and fruitfulness.

1 Thessalonians 2:14 - "For ye, brethren, became followers of the churches of God which in Judaea are in Christ Jesus: for ye also have suffered like things of your own countrymen, even as they have of the Jews:" Render a digital art illustration of an ancient scene inspired by 1 Thessalonians 2:14. Display a group of people depicting diverse descents including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, gathered around an open scroll. The focus is on their shared experience and unity. There is a soft glow that emanates from the scroll providing the main source of light. The background is a representation of an ancient Judean landscape under a twilight sky.

1 Thessalonians 2:14 - "For ye, brethren, became followers of the churches of God which in Judaea are in Christ Jesus: for ye also have suffered like things of your own countrymen, even as they have of the Jews:"

Joshua 15:62 - "And Nibshan, and the city of Salt, and En-gedi; six cities with their villages." An artistic representation in a digital manner of the biblical verse Joshua 15:62, "And Nibshan, and the city of Salt, and En-gedi; six cities with their villages." The scene includes the dramatic landscape composure of three primary locations - Nibshan, the City of Salt, and En-gedi. Nibshan appears as a glorious ancient town, the City of Salt is depicted by crystalline structures and salt-strewn landscapes, and En-gedi, known for its oasis and wildlife in the rugged hills of the Judean desert. Additionally, the surrounding six cities and their villages are arranged harmoniously in this panoramic view.

Joshua 15:62 - "And Nibshan, and the city of Salt, and En-gedi; six cities with their villages."

Luke 23:50-56 - "Now there was a man named Joseph, a member of the Council, a good and upright man, who had not consented to their decision and action. He came from the Judean town of Arimathea, and he himself was waiting for the kingdom of God. Going to Pilate, he asked for Jesus’ body. Then he took it down, wrapped it in linen cloth and placed it in a tomb cut in the rock, one in which no one had yet been laid. It was Preparation Day, and the Sabbath was about to begin. The women who had come with Jesus from Galilee followed Joseph and saw the tomb and how his body was laid in it. Then they went home and prepared spices and perfumes. But they rested on the Sabbath in obedience to the commandment." A digital art depiction of a biblical scene from Luke 23:50-56. The scene represents a man named Joseph, who is seen as good and upright, a member of the council dissenting from their decision. He originates from the Judean town of Arimathea and is anticipated for God's kingdom. The artwork should illustrate him approaching Pilate to request Jesus' body. The composition should further provide a clear display of him taking down Jesus' body, wrapping it in linen, and placing it in a rock-cut tomb that's never been used before. The day is experienced as the Preparation Day, with the Sabbath about to commence. The picture should also display the women from Galilee, who came with Jesus, witnessing Joseph lay the body into the tomb. They should be shown preparing to return home, intending to concoct spices and perfumes, but deciding to rest on the Sabbath abiding by the commandment.

Luke 23:50-56 - "Now there was a man named Joseph, a member of the Council, a good and upright man, who had not consented to their decision and action. He came from the Judean town of Arimathea, and he himself was waiting for the kingdom of God. Going to Pilate, he asked for Jesus’ body. Then he took it down, wrapped it in linen cloth and placed it in a tomb cut in the rock, one in which no one had yet been laid. It was Preparation Day, and the Sabbath was about to begin. The women who had come with Jesus from Galilee followed Joseph and saw the tomb and how his body was laid in it. Then they went home and prepared spices and perfumes. But they rested on the Sabbath in obedience to the commandment."

John 4:46-54 - "Once more he visited Cana in Galilee, where he had turned the water into wine. And there was a certain royal official whose son lay sick at Capernaum. When this man heard that Jesus had arrived in Galilee from Judea, he went to him and begged him to come and heal his son, who was close to death. “Unless you people see signs and wonders,” Jesus told him, “you will never believe.” The royal official said, “Sir, come down before my child dies.” “Go,” Jesus replied, “your son will live.” The man took Jesus at his word and departed. While he was still on the way, his servants met him with the news that his boy was living. When he inquired as to the time when his son got better, they said to him, “Yesterday, at one in the afternoon, the fever left him.” Then the father realized that this was the exact time at which Jesus had said to him, “Your son will live.” So he and his whole household believed. This was the second sign Jesus performed after coming from Judea to Galilee." Visualize a digital art representation of a biblical story. The setting should be Cana in Galilee, with an emphasis on the moment Jesus turned water into wine. A desperate royal official, whose son was on the brink of death, approaches Jesus, begging him to heal his son. Jesus, emanating a calm aura, reassures him with the declaration that his son will live. The man, filled with hope, departs. Later, servants meet him on his journey to deliver joyful news - his son is alive and well. This news confirms the exact moment Jesus gave his prophetic assurance. This event leads the official and his whole household to believe in Jesus' divine power. The art should capture the emotional arc of fear, hope, miracle, and faith. Incorporate elements to signify the transformation of water into wine and the healing event.

John 4:46-54 - "Once more he visited Cana in Galilee, where he had turned the water into wine. And there was a certain royal official whose son lay sick at Capernaum. When this man heard that Jesus had arrived in Galilee from Judea, he went to him and begged him to come and heal his son, who was close to death. “Unless you people see signs and wonders,” Jesus told him, “you will never believe.” The royal official said, “Sir, come down before my child dies.” “Go,” Jesus replied, “your son will live.” The man took Jesus at his word and departed. While he was still on the way, his servants met him with the news that his boy was living. When he inquired as to the time when his son got better, they said to him, “Yesterday, at one in the afternoon, the fever left him.” Then the father realized that this was the exact time at which Jesus had said to him, “Your son will live.” So he and his whole household believed. This was the second sign Jesus performed after coming from Judea to Galilee."

1 Corinthians 6:2 - "Do ye not know that the saints shall judge the world? and if the world shall be judged by you, are ye unworthy to judge the smallest matters?" Visualize the verse 1 Corinthians 6:2 - 'Do ye not know that the saints shall judge the world? and if the world shall be judged by you, are ye unworthy to judge the smallest matters?' The scene should be in digital art style with bright colors and sleek lines. Depict saints as symbolic figures of justice, judging the world represented by a globe. Place a pair of scales to symbolize judgment. Include various small matters, symbolized as miniature items, to facilitate comparison between the world and these smaller entities.

1 Corinthians 6:2 - "Do ye not know that the saints shall judge the world? and if the world shall be judged by you, are ye unworthy to judge the smallest matters?"

Matthew 7:1-2 - "Do not judge, or you too will be judged. For in the same way you judge others, you will be judged, and with the measure you use, it will be measured to you." A digital artwork inspired by the biblical verse Matthew 7:1-2 - 'Do not judge, or you too will be judged. For in the same way you judge others, you will be judged, and with the measure you use, it will be measured to you.' In the image, people of diverse descents and genders are depicted. They are shown using various tools as metaphors for their judgement. The outcome of their action is reflected back at them, indicating the measure they use being measured back to them.

Matthew 7:1-2 - "Do not judge, or you too will be judged. For in the same way you judge others, you will be judged, and with the measure you use, it will be measured to you."

Matthew 7:1 - "Judge not, that ye be not judged."

Matthew 7:1 - "Judge not, that ye be not judged."

Judges 12:11 - "¶ And after him Elon, a Zebulonite, judged Israel; and he judged Israel ten years."

Judges 12:11 - "¶ And after him Elon, a Zebulonite, judged Israel; and he judged Israel ten years."

Matthew 5:25 - "Agree with thine adversary quickly, whiles thou art in the way with him; lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison." Create a digital art representation of the biblical verse Matthew 5:25 - 'Agree with thine adversary quickly, whiles thou art in the way with him; lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison.' Detail the scene with two male characters, one Caucasian and one Hispanic, engaged in tense conversation, the setting a road under an open sky. In the background, illustrate the looming figures of a judge and an officer, and the silhouette of a prison.

Matthew 5:25 - "Agree with thine adversary quickly, whiles thou art in the way with him; lest at any time the adversary deliver thee to the judge, and the judge deliver thee to the officer, and thou be cast into prison."

Exodus 22:9 - "For all manner of trespass, whether it be for ox, for ass, for sheep, for raiment, or for any manner of lost thing, which another challengeth to be his, the cause of both parties shall come before the judges; and whom the judges shall condemn, he shall pay double unto his neighbour." Create a visual representation of Exodus 22:9 with two individuals standing in front of a panel of judges. The two parties are present with an ox, an ass, a sheep, and pieces of clothing. They are arguing over the ownership of these items, while judges listen attentively. The one who is declared in the wrong by the judges is seen pulling out double the quantity of the contested items from his bag to give to his neighbour. All of this should be depicted in a modern digital art style.

Exodus 22:9 - "For all manner of trespass, whether it be for ox, for ass, for sheep, for raiment, or for any manner of lost thing, which another challengeth to be his, the cause of both parties shall come before the judges; and whom the judges shall condemn, he shall pay double unto his neighbour."

2 Kings 23:22 - "Surely there was not holden such a passover from the days of the judges that judged Israel, nor in all the days of the kings of Israel, nor of the kings of Judah;" Generate a digital artwork that visually interprets the biblical verse 2 Kings 23:22 - 'Surely there was not holden such a passover from the days of the judges that judged Israel, nor in all the days of the kings of Israel, nor of the kings of Judah;'. The scene could possibly depict historical elements of Passover traditions seen through symbolic expressions, juxtaposed with representations of judges and kings from the Old Testament era. This interpretation should maintain a modern digital aesthetic while keeping the solemnity and sacredness of the theme.

2 Kings 23:22 - "Surely there was not holden such a passover from the days of the judges that judged Israel, nor in all the days of the kings of Israel, nor of the kings of Judah;"

John 7:24 - "Judge not according to the appearance, but judge righteous judgment." An artistic representation of a powerful quote from John 7:24 - 'Judge not according to the appearance, but judge righteous judgment.' The image showcases the quote elegantly intertwined with a variety of images symbolizing righteousness, judgment, and appearances. The design elements, though produced using modern digital techniques, pay homage to the rich tradition and depth of the text's origin.

John 7:24 - "Judge not according to the appearance, but judge righteous judgment."

Acts 25:17 - "Therefore, when they were come hither, without any delay on the morrow I sat on the judgment seat, and commanded the man to be brought forth." Visualize a scene from Acts 25:17 - 'Therefore, when they were come hither, without any delay on the morrow I sat on the judgment seat, and commanded the man to be brought forth.' The art should be in a modern context, using the medium of digital art. The image should depict a judge in a formal setting, seated at a judgement seat. A man, who has been called forth, is standing in front of the judge. Everyone present is awaiting for the judge's decision. The overall scene embodies tension, anticipation, drama, and a sense of authority emanated by the judge.

Acts 25:17 - "Therefore, when they were come hither, without any delay on the morrow I sat on the judgment seat, and commanded the man to be brought forth."

Deuteronomy 1:16-17 - "And I charged your judges at that time, saying, Hear the causes between your brethren, and judge righteously between every man and his brother, and the stranger that is with him. Ye shall not respect persons in judgment; but ye shall hear the small as well as the great; ye shall not be afraid of the face of man; for the judgment is God's: and the cause that is too hard for you, bring it unto me, and I will hear it." A depiction of a biblical scene inspired by Deuteronomy 1:16-17. Present are two figures symbolizing judges in a historical setting. They are hearing the causes of a diverse group of people, showing both men and women of various descents such as Caucasian, Hispanic, Middle-Eastern, Black, and South Asian equally represented. The judges are presented as judging righteously, reflecting no partiality whether towards the small or the great. It reflects an aura of sacred impartiality where all fears are disregarded as the ultimate judgment belongs to a divine force, portrayed subtly in the background. This scene should be executed in the realm of digital art.

Deuteronomy 1:16-17 - "And I charged your judges at that time, saying, Hear the causes between your brethren, and judge righteously between every man and his brother, and the stranger that is with him. Ye shall not respect persons in judgment; but ye shall hear the small as well as the great; ye shall not be afraid of the face of man; for the judgment is God's: and the cause that is too hard for you, bring it unto me, and I will hear it."

John 8:15 - "Ye judge after the flesh; I judge no man."

John 8:15 - "Ye judge after the flesh; I judge no man."

Judges 15:20 - "And he judged Israel in the days of the Philistines twenty years." A scene illustrating Judges 15:20, 'And he judged Israel in the days of the Philistines twenty years.' Create the scene using a distinctive palette and intricate detailing reminiscent of stained glass art, a medium popular prior to 1912, with an aesthetic that feels both historical and symbolic. Show diverse individuals of varying descent and gender, representative of historical Israelites and Philistines, involved in legal consultations in an ancient setting, maybe a traditional court or a public square. Diversify the scene to make it rich in characters and narrative. Make sure to evoke a sense of the passage of twenty years.

Judges 15:20 - "And he judged Israel in the days of the Philistines twenty years."

Judges 2:18 - "And when the LORD raised them up judges, then the LORD was with the judge, and delivered them out of the hand of their enemies all the days of the judge: for it repented the LORD because of their groanings by reason of them that oppressed them and vexed them."

Judges 2:18 - "And when the LORD raised them up judges, then the LORD was with the judge, and delivered them out of the hand of their enemies all the days of the judge: for it repented the LORD because of their groanings by reason of them that oppressed them and vexed them."

Deuteronomy 1:16 - "And I charged your judges at that time, saying, Hear the causes between your brethren, and judge righteously between every man and his brother, and the stranger that is with him." Create a digital art interpretation of the Biblical verse Deuteronomy 1:16 - 'And I charged your judges at that time, saying, Hear the causes between your brethren, and judge righteously between every man and his brother, and the stranger that is with him.' In the image, display judges from different descents such as Middle-Eastern, South Asian, Hispanic, Black, Caucasian and White. They are immersed in profound thought and dialogue, weighing the causes of their brethren. Among them, depict men of various descents each with their fellow brethren and strangers standing in mutual understanding.

Deuteronomy 1:16 - "And I charged your judges at that time, saying, Hear the causes between your brethren, and judge righteously between every man and his brother, and the stranger that is with him."

Judges 12:8 - "¶ And after him Ibzan of Beth-lehem judged Israel." Visualize Judges 12:8 - 'And after him Ibzan of Beth-lehem judged Israel.' The scene should be composed in an aesthetic that is reminiscent of pre-1912 artwork, specifically capturing the dramatic contrasts and vivid colors found in Baroque art. The primary medium of execution should replicate the look and feel of oil on canvas, but with visual elements that signify digital manipulation, like pixelation or defined geometric shapes.

Judges 12:8 - "¶ And after him Ibzan of Beth-lehem judged Israel."

Judges 2:16 - "¶ Nevertheless the LORD raised up judges, which delivered them out of the hand of those that spoiled them." An illustration of the biblical verse Judges 2:16, 'Nevertheless the LORD raised up judges, which delivered them out of the hand of those that spoiled them.' The art style should be reminiscent of traditional stained glass art. The central image showcases a divine entity raising up judges, characterized by their robes and scales of justice. They are in the act of guiding a group of individuals from gloomy, chaotic surroundings symbolizing hands that spoil them, towards a serene and peaceful environment. Graphical elements like glowing rays, intricate patterns, and color gradients can be used to emphasize the transition from turmoil to relief.

Judges 2:16 - "¶ Nevertheless the LORD raised up judges, which delivered them out of the hand of those that spoiled them."