King Saul Artwork

Explore King Saul through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

1 Samuel 31:3 - "And the battle went sore against Saul, and the archers hit him; and he was sore wounded of the archers."

An image depicting a scene from the biblical event as described in 1 Samuel 31:3. The setting is a battle, where King Saul is being struck by the arrows of his enemies, leading to intense injuries. His face is filled with anguish and the chaos of war surrounds him, with archers positioned in the background. The medium of representation is digital art, with a clear and vivid colour palette, outlining the intense emotions of the scene.

1 Samuel 31:3 - "And the battle went sore against Saul, and the archers hit him; and he was sore wounded of the archers."

1 Chronicles 10:3 - "And the battle went sore against Saul, and the archers hit him, and he was wounded of the archers."

A intense battlefield scene brought to life in a digital painting. King Saul stands tall in the heart of the chaos, appearing desperate yet determined. Arrows pierce his armor, demonstrating the verity of 'and archers hit him, and he was wounded of the archers.' from 1 Chronicles 10:3. The battleground is filled with foot soldiers and archers, all engrossed in the ferocious fight, with clouds of dust and streaks of sunlight overlapping the vivid and dreadful vista of war.

1 Chronicles 10:3 - "And the battle went sore against Saul, and the archers hit him, and he was wounded of the archers."

1 Samuel 28:3 - "¶ Now Samuel was dead, and all Israel had lamented him, and buried him in Ramah, even in his own city. And Saul had put away those that had familiar spirits, and the wizards, out of the land."

Visualize a scene inspired by the biblical passage 1 Samuel 28:3. Imagine the demise of the prophet Samuel, with the people of Israel mourning his loss. His body is laid to rest in the city of Ramah, his homeland. Concurrently, King Saul, determined to cleanse the land, is expelling individuals associated with occult practices, such as mediums and wizards. Reflect this dichotomous setting, capturing the sorrow of the nation at Samuel's death and Saul’s assertive expulsion of the mystical practitioners. Convey this narrative in a style reminiscent of digital art.

1 Samuel 28:3 - "¶ Now Samuel was dead, and all Israel had lamented him, and buried him in Ramah, even in his own city. And Saul had put away those that had familiar spirits, and the wizards, out of the land."

1 Samuel 18:15 - "Wherefore when Saul saw that he behaved himself very wisely, he was afraid of him."

Generate a digital art interpretation of the biblical scene from 1 Samuel 18:15. Depict King Saul with a troubled look on his face, sitting on his throne in a grand hall, draped in royal attire. He's witnessing a wise, courageous figure acting with extreme wisdom, and this arouses fear in him. The components of the scene - a grand architectural design of the hall with high arches and regal banners. The figure in question is in the center, engaged in a wise conversation with courtiers. The tones of the image should reflect the uneasy feeling it depicts.

1 Samuel 18:15 - "Wherefore when Saul saw that he behaved himself very wisely, he was afraid of him."

1 Samuel 13:1 - "Saul reigned one year; and when he had reigned two years over Israel,"

Depict a scene inspired by the Biblical verse 1 Samuel 13:1 - 'Saul reigned one year; and when he had reigned two years over Israel,'. The scene takes place in an ancient environment resembling the Kingdom of Israel. The central figure, dressed in regal robes, is a Middle-Eastern man representing King Saul. He is confidently sitting on a throne, his gaze focusing on the prosperity of his kingdom. Dynamic colors, blocky forms, and sharp contrasts signify the style reminiscent of early 20th century art, to emulate the qualities of digital art. Incorporate symbolic elements like crowns, scepters, and ancient architecture.

1 Samuel 13:1 - "Saul reigned one year; and when he had reigned two years over Israel,"

1 Samuel 17:31 - "And when the words were heard which David spake, they rehearsed them before Saul: and he sent for him."

A scene from 1 Samuel 17:31 in the Bible. The narrative setting features a grand royal court with ornate decorations, as an indication of King Saul's reign. A youthful David, identifiable by his shepherd's attire, is standing near the throne, talking and gesticulating with determination. Onlookers, men and women of various descents including Caucasian, Middle-Eastern and South Asian, listen with rapt attention. King Saul sits on a throne, emanating a commanding aura as he listens attentively to David's words. The whole scene radiates with the glow of multiple candle lights, lending a timeless and contemplative ambience. This imagery is illustrated in a digital art style, reflecting the modern creative means.

1 Samuel 17:31 - "And when the words were heard which David spake, they rehearsed them before Saul: and he sent for him."

1 Samuel 18:6 - "And it came to pass as they came, when David was returned from the slaughter of the Philistine, that the women came out of all cities of Israel, singing and dancing, to meet king Saul, with tabrets, with joy, and with instruments of musick."

1 Samuel 18:6 - "And it came to pass as they came, when David was returned from the slaughter of the Philistine, that the women came out of all cities of Israel, singing and dancing, to meet king Saul, with tabrets, with joy, and with instruments of musick."

1 Samuel 18:6-7 - "As they were coming home, when David returned from striking down the Philistine, the women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. And the women sang to one another as they celebrated, "Saul has struck down his thousands, and David his ten thousands.""

A biblical scene inspired by 1 Samuel 18:6-7. Women from various cities of Israel are gathering to welcome a victorious warrior returning from battle. They're caught in diverse actions; some are dancing while others play on tambourines and other musical instruments. Songs of joy fill the air, carrying with them praise for the warrior, claiming, 'He has struck down his ten thousands.' Their exuberance is palpable, echoed by the landscape vibrant with the lively spirit of a festive celebration. Render this scene in high saturation and stark contrast, akin to the aesthetics of pre-1912 stained glass art.

1 Samuel 18:6-7 - "As they were coming home, when David returned from striking down the Philistine, the women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. And the women sang to one another as they celebrated, "Saul has struck down his thousands, and David his ten thousands.""

1 Samuel 18:6-9 - "As they were coming home, when David returned from striking down the Philistine, the women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. And the women sang to one another as they celebrated, “Saul has struck down his thousands, and David his ten thousands.” And Saul was very angry, and this saying displeased him. He said, “They have ascribed to David ten thousands, and to me they have ascribed thousands, and what more can he have but the kingdom?” And Saul eyed David from that day on."

Visualize an ancient scene described in the Book of 1 Samuel, where a victorious warrior returns from battle: People from various cities in Israel come out to meet the returning soldiers. The scene is vibrant and jubilant, filled with the sounds and sights of singing, dancing, and rejoicing. Women, displaying a mix of different ages and descent such as Caucasian, Hispanic, and Middle-Eastern, participate in the celebration, playing tambourines and other musical instruments, their joyful songs filling the air. However, amidst this joyous scene, a Middle-Eastern king observes the celebration with a darkened expression, his eyes locked on the praised warrior with an unsettling intensity. This scene should be represented in the form of digital art.

1 Samuel 18:6-9 - "As they were coming home, when David returned from striking down the Philistine, the women came out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with songs of joy, and with musical instruments. And the women sang to one another as they celebrated, “Saul has struck down his thousands, and David his ten thousands.” And Saul was very angry, and this saying displeased him. He said, “They have ascribed to David ten thousands, and to me they have ascribed thousands, and what more can he have but the kingdom?” And Saul eyed David from that day on."

1 Samuel 15:35 - "And Samuel came no more to see Saul until the day of his death: nevertheless Samuel mourned for Saul: and the LORD repented that he had made Saul king over Israel."

1 Samuel 15:35 - "And Samuel came no more to see Saul until the day of his death: nevertheless Samuel mourned for Saul: and the LORD repented that he had made Saul king over Israel."

2 Samuel 21:7 - "But the king spared Mephibosheth, the son of Jonathan the son of Saul, because of the LORD'S oath that was between them, between David and Jonathan the son of Saul."

2 Samuel 21:7 - "But the king spared Mephibosheth, the son of Jonathan the son of Saul, because of the LORD'S oath that was between them, between David and Jonathan the son of Saul."

2 Samuel 4:8 - "And they brought the head of Ish-bosheth unto David to Hebron, and said to the king, Behold the head of Ish-bosheth the son of Saul thine enemy, which sought thy life; and the LORD hath avenged my lord the king this day of Saul, and of his seed."

Craft an image in digital art style that captures the historic moment from 2 Samuel 4:8 when Ish-bosheth's head is delivered to David in Hebron. Emphasize the intensity of the event and the relief in the face of David who was a target of Ish-bosheth and Saul. Add a touch of divine presence to symbolize that the vengeance has been made in the name of the King by the Lord.

2 Samuel 4:8 - "And they brought the head of Ish-bosheth unto David to Hebron, and said to the king, Behold the head of Ish-bosheth the son of Saul thine enemy, which sought thy life; and the LORD hath avenged my lord the king this day of Saul, and of his seed."

1 Samuel 15:1 - "Samuel also said unto Saul, The LORD sent me to anoint thee to be king over his people, over Israel: now therefore hearken thou unto the voice of the words of the LORD."

Capture an image where the old prophet Samuel is speaking intently to a young Saul. Samuel's eyes are full of earnestness and he holds an ornate vial of oil, indicating his intention to anoint Saul. Saul, looking awed and a bit anxious, is listening attentively. Use a composition that emphasizes the solemn atmosphere of the moment. The image should be set in an ancient Middle-Eastern architectural background. This biblical scene from 1 Samuel 15:1 is to be depicted in a modern, digital art style.

1 Samuel 15:1 - "Samuel also said unto Saul, The LORD sent me to anoint thee to be king over his people, over Israel: now therefore hearken thou unto the voice of the words of the LORD."

1 Samuel 11:15 - "And all the people went to Gilgal; and there they made Saul king before the LORD in Gilgal; and there they sacrificed sacrifices of peace offerings before the LORD; and there Saul and all the men of Israel rejoiced greatly."

Create a digital art representation of a scene from a biblical event as described in 1 Samuel 11:15. The scene is at Gilgal and showcases people present there celebrating. Saul is being made king in a ceremonious manner. Peace offerings are being sacrificed before an interpretation of the divine presence. All the men, hailing from different descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, are rejoicing greatly in this occasion.

1 Samuel 11:15 - "And all the people went to Gilgal; and there they made Saul king before the LORD in Gilgal; and there they sacrificed sacrifices of peace offerings before the LORD; and there Saul and all the men of Israel rejoiced greatly."

1 Samuel 21:10 - "¶ And David arose, and fled that day for fear of Saul, and went to Achish the king of Gath."

Illustrate an interpretation of the biblical verse 1 Samuel 21:10, where a fearful man known as David, rises and flees for his life, escaping towards a place ruled by a monarch named Achish in a land called Gath. Maintain a digital art aesthetic to present this scene in a modern context.

1 Samuel 21:10 - "¶ And David arose, and fled that day for fear of Saul, and went to Achish the king of Gath."

1 Samuel 31:4 - "Then said Saul unto his armourbearer, Draw thy sword, and thrust me through therewith; lest these uncircumcised come and thrust me through, and abuse me. But his armourbearer would not; for he was sore afraid. Therefore Saul took a sword, and fell upon it."

Depict a poignant, biblical scene in the style of pre-1912 painting using digital medium. Display a Middle-Eastern king with a distressed expression on his face, standing at the edge of a battlefield. In his hand, he holds a elaborately crafted sword. He is talking to his fully armored Hispanic armourbearer, who displays a deep fear in his eyes, hesitates and refuses to harm his king. The king then takes the decision into his own hands and positions the sword to signify falling upon it. Create the atmosphere to reflect the tragic and heroic nature of the scene.

1 Samuel 31:4 - "Then said Saul unto his armourbearer, Draw thy sword, and thrust me through therewith; lest these uncircumcised come and thrust me through, and abuse me. But his armourbearer would not; for he was sore afraid. Therefore Saul took a sword, and fell upon it."

1 Samuel 18:25 - "And Saul said, Thus shall ye say to David, The king desireth not any dowry, but an hundred foreskins of the Philistines, to be avenged of the king's enemies. But Saul thought to make David fall by the hand of the Philistines."

Illustrate a scene based on 1 Samuel 18:25 from the Bible. It should hint at the dialogue where Saul is devising a plan against David conveyed subtly, rather than directly displaying the detailed actions discussed in the verse. It might feature Saul, hinting his sinister plans, in the setting of an ancient Middle-Eastern royal court. The art should depict a tension-filled interaction but in a way that is suitable for all audiences. Aim to portray in a style that reflects early 20th century digital art aesthetics.

1 Samuel 18:25 - "And Saul said, Thus shall ye say to David, The king desireth not any dowry, but an hundred foreskins of the Philistines, to be avenged of the king's enemies. But Saul thought to make David fall by the hand of the Philistines."

1 Samuel 21:7 - "Now a certain man of the servants of Saul was there that day, detained before the LORD; and his name was Doeg, an Edomite, the chiefest of the herdmen that belonged to Saul."

An Edomite man named Doeg, who is the chief among the herdsmen working for a king. He is observed as being detained before a divine figure, possibly in a place of worship. This man has a notable demeanor, showing he is from the serving class but his strong presence indicates his high status among his peers. He is dressed in garments typical of herdsmen from his era, with details that reflect the unique styles of his Edomite roots. The entire scene is captured in the medium of digital art, providing vivid coloration, sharp contours and a smooth finish.

1 Samuel 21:7 - "Now a certain man of the servants of Saul was there that day, detained before the LORD; and his name was Doeg, an Edomite, the chiefest of the herdmen that belonged to Saul."

1 Samuel 24:8 - "David also arose afterward, and went out of the cave, and cried after Saul, saying, My lord the king. And when Saul looked behind him, David stooped with his face to the earth, and bowed himself."

1 Samuel 24:8 - "David also arose afterward, and went out of the cave, and cried after Saul, saying, My lord the king. And when Saul looked behind him, David stooped with his face to the earth, and bowed himself."

1 Samuel 23:17 - "And he said unto him, Fear not: for the hand of Saul my father shall not find thee; and thou shalt be king over Israel, and I shall be next unto thee; and that also Saul my father knoweth."

1 Samuel 23:17 - "And he said unto him, Fear not: for the hand of Saul my father shall not find thee; and thou shalt be king over Israel, and I shall be next unto thee; and that also Saul my father knoweth."

2 Samuel 21:8 - "But the king took the two sons of Rizpah the daughter of Aiah, whom she bare unto Saul, Armoni and Mephibosheth; and the five sons of Michal the daughter of Saul, whom she brought up for Adriel the son of Barzillai the Meholathite:"

An illustration inspired by a biblical scene in the style of digital art: 2 Samuel 21:8. A Middle-Eastern woman identified as Rizpah, daughter of Aiah, stands with her two sons, Armoni and Mephibosheth. They are of Palestinian descent, with traditional Middle-Eastern attire. Another woman, Michal, the daughter of Saul, is seen with her five sons. She is of Arabian descent and they're wearing period-appropriate attire. They appear to be caring for a young boy, Adriel, the son of Barzillai the Meholathite who is also Middle Eastern in descent. The scene is characterized by its ancient Near Eastern context and semblance.

2 Samuel 21:8 - "But the king took the two sons of Rizpah the daughter of Aiah, whom she bare unto Saul, Armoni and Mephibosheth; and the five sons of Michal the daughter of Saul, whom she brought up for Adriel the son of Barzillai the Meholathite:"

2 Samuel 21:11 - "And it was told David what Rizpah the daughter of Aiah, the concubine of Saul, had done."

Illustrate a scene from 2 Samuel 21:11 showing a Middle Eastern woman, interpreted as Rizpah the daughter of Aiah, based on historical descriptions of clothing and appearances during ancient times. She is recognized as the concubine of a king named Saul. Render the event as it was reported to a man, depicted as David, all in the style of a digital painting.

2 Samuel 21:11 - "And it was told David what Rizpah the daughter of Aiah, the concubine of Saul, had done."

Acts 13:21 - "And afterward they desired a king: and God gave unto them Saul the son of Cis, a man of the tribe of Benjamin, by the space of forty years."

Acts 13:21 - "And afterward they desired a king: and God gave unto them Saul the son of Cis, a man of the tribe of Benjamin, by the space of forty years."

2 Samuel 9:3 - "And the king said, Is there not yet any of the house of Saul, that I may shew the kindness of God unto him? And Ziba said unto the king, Jonathan hath yet a son, which is lame on his feet."

Visualize a scene from ancient times inspired by the verse 2 Samuel 9:3 in the bible. A king speaks in his court, earnestly inquiring if there's anyone from Saul's house to whom he may extend God's kindness. His servant, Ziba, responds, informing the king of Jonathan's son, described as having a disability that affects his feet. The style should encapsulate the look of digital art, highlighting the grandeur of the court and the emotional intensity of the conversation.

2 Samuel 9:3 - "And the king said, Is there not yet any of the house of Saul, that I may shew the kindness of God unto him? And Ziba said unto the king, Jonathan hath yet a son, which is lame on his feet."

1 Chronicles 10:4 - "Then said Saul to his armourbearer, Draw thy sword, and thrust me through therewith; lest these uncircumcised come and abuse me. But his armourbearer would not; for he was sore afraid. So Saul took a sword, and fell upon it."

Create a digital depiction of an intense historical scene. It showcases a Middle-Eastern king in aged royal gear with a hint of desperation on his face. He's clutching a resplendent sword, preparing to fall on it. His armourbearer, a younger Middle-Eastern man in soldier's attire, watches, frozen in place, his face reflecting horror and reluctance to fulfill the king's final command. The scene is imbued with impending tragedy, set in an ancient setting with elements of Middle-Eastern architecture.

1 Chronicles 10:4 - "Then said Saul to his armourbearer, Draw thy sword, and thrust me through therewith; lest these uncircumcised come and abuse me. But his armourbearer would not; for he was sore afraid. So Saul took a sword, and fell upon it."

2 Samuel 2:4 - "And the men of Judah came, and there they anointed David king over the house of Judah. And they told David, saying, That the men of Jabesh-gilead were they that buried Saul."

The visual representation of a biblical scene from 2 Samuel 2:4 -- a group of Middle-Eastern men from Judah anointing a young individual named David as their king, indoors, in a house of Judah. They are all traditionally clothed and engaged in a solemn, respectful ceremony. Meanwhile, some of the men convey to David that the people of Jabesh-gilead are the ones who buried Saul. The whole scene conveys a sense of historical grandeur and religious significance, represented in a digital art style.

2 Samuel 2:4 - "And the men of Judah came, and there they anointed David king over the house of Judah. And they told David, saying, That the men of Jabesh-gilead were they that buried Saul."

1 Samuel 28:13 - "And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth."

1 Samuel 28:13 - "And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth."

1 Samuel 26:17 - "And Saul knew David's voice, and said, Is this thy voice, my son David? And David said, It is my voice, my lord, O king."

1 Samuel 26:17 - "And Saul knew David's voice, and said, Is this thy voice, my son David? And David said, It is my voice, my lord, O king."

2 Samuel 19:24 - "¶ And Mephibosheth the son of Saul came down to meet the king, and had neither dressed his feet, nor trimmed his beard, nor washed his clothes, from the day the king departed until the day he came again in peace."

A digital art-inspired representation of a scene from 2 Samuel 19:24. A man named Mephibosheth, who is described as a son of a king, is coming down to meet a king. He appears restless and unkept; his feet are unclean, his beard is untrimmed, and his clothes appear unwashed. This state of neglect is said to have persisted from the day the king departed until he returned in peace. The overall tone of the scene is somber yet hopeful, capturing the anticipation of the king's peaceful return.

2 Samuel 19:24 - "¶ And Mephibosheth the son of Saul came down to meet the king, and had neither dressed his feet, nor trimmed his beard, nor washed his clothes, from the day the king departed until the day he came again in peace."

2 Samuel 21:14 - "And the bones of Saul and Jonathan his son buried they in the country of Benjamin in Zelah, in the sepulchre of Kish his father: and they performed all that the king commanded. And after that God was intreated for the land."

Create a digital artwork illustrating a scene from the ancient story in the holy books - 2 Samuel 21:14 - Capturing the solemnity of the moment when the bones of a once mighty king and his son are laid to rest in the sepulchre of his forefather, in the country of Benjamin in Zelah. The figures around the burial site are seen performing the last rites as per the command of the reigning king, creating a sense of deep respect and closure. The heavens are depicted as if showing a divine entity being appeased, symbolizing the restoration of blessings on the land.

2 Samuel 21:14 - "And the bones of Saul and Jonathan his son buried they in the country of Benjamin in Zelah, in the sepulchre of Kish his father: and they performed all that the king commanded. And after that God was intreated for the land."