Lazarus Artwork

Explore Lazarus through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

The raising of Lazarus, depicting a powerful miracle. Create an image showcasing a miraculous event from the Bible, specifically the Raising of Lazarus. The figure at the scene's center performs the miracle, with one hand uplifted and the other comforting a young man rising from a sarcophagus. A group of onlookers watches the scene, expressing awe and admiration. The setting is idyllic, with rocky landscapes and trees. The image should be composed entirely in the style of line art, reminiscent of pre-1912 illustrative art scenes. The abundant use of biblical symbolism adds an extra layer of depth to the portrayal.

The raising of Lazarus, depicting a powerful miracle.

The raising of Lazarus, depicting a powerful miracle. A respectful scene capturing a powerful miracle from the Bible: The raising of Lazarus. The style shall approximate ancient and traditional biblical art and should depict Jesus Christ in long robes, halo around His head, extending His hand towards a man emerging from a tomb, denoting Lazarus. The setting is a desert landscape, with the tomb built into the side of a rocky outcrop, and numerous spectators watch in awe. Their faces reflect an admixture of disbelief and hope. However, despite the drama unfolding in front of them, the peaceability of Jesus remains the primary focus.

The raising of Lazarus, depicting a powerful miracle.

The raising of Lazarus, depicting a powerful miracle. An image depicting a powerful miracle from biblical times, the raising of Lazarus. A central figure who resembles a spiritual, charismatic leader stands with an outstretched hand, symbolic lightness emanating from him. Surrounding him are diverse individuals, showcasing an array of emotions from shock to awe. The man who is Lazarus is shown rising from a peaceful slumber. The setting is a rich, luxuriant landscape, typical of the biblical stories. The image is executed with the characteristics of Renaissance artistic style, employing techniques such as depth perception, proportion, and human emotion, similar to what would have been used by artists like Raphael or Botticelli.

The raising of Lazarus, depicting a powerful miracle.

John 11:1 - "Now a certain man was sick, named Lazarus, of Bethany, the town of Mary and her sister Martha." Please generate a visually evocative depiction of a scene inspired by John 11:1, which states, 'Now a certain man was sick, named Lazarus, of Bethany, the town of Mary and her sister Martha.' Aim for a representation that communicates the essence of this biblical verse through a clear and unique vision in the medium of digital art. The scene should unfold in Bethany, featuring Lazarus in a state of illness, surrounded by the subtle indications of Mary and Martha's presence. However, be mindful of keeping the main focus on Lazarus and his condition.

John 11:1 - "Now a certain man was sick, named Lazarus, of Bethany, the town of Mary and her sister Martha."

The parable of the Rich Man and Lazarus, illustrating justice and compassion. Visualize a respectful image of a holy religious figure, considered the traditional figure of compassion and justice by many. The imagery should depict a well-known parable where a wealthy man overlooks a destitute individual named Lazarus, symbolizing the concepts of justice and compassion. The artistry and presentation should resonate with the Renaissance era, known for its glorified detailing in depicting religious narratives. The artwork should derive inspiration from biblical themes, emphasizing a strong moral narrative and grandeur characteristic of the period.

The parable of the Rich Man and Lazarus, illustrating justice and compassion.

Luke 16:19-31 - "There was a rich man who was dressed in purple and fine linen and lived in luxury every day. At his gate was laid a beggar named Lazarus, covered with sores and longing to eat what fell from the rich man’s table. Even the dogs came and licked his sores. The time came when the beggar died and the angels carried him to Abraham’s side. The rich man also died and was buried. In Hades, where he was in torment, he looked up and saw Abraham far away, with Lazarus by his side. So he called to him, ‘Father Abraham, have pity on me and send Lazarus to dip the tip of his finger in water and cool my tongue, because I am in agony in this fire.’ But Abraham replied, ‘Son, remember that in your lifetime you received your good things, while Lazarus received bad things, but now he is comforted here and you are in agony. And besides all this, between us and you a great chasm has been set in place, so that those who want to go from here to you cannot, nor can anyone cross over from there to us.’ He answered, ‘Then I beg you, father, send Lazarus to my family, for I have five brothers. Let him warn them, so that they will not also come to this place of torment.’ Abraham replied, ‘They have Moses and the Prophets; let them listen to them.’ ‘No, father Abraham,’ he said, ‘but if someone from the dead goes to them, they will repent.’ He said to him, ‘If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead.’" Render a detailed image of a vivid biblical scene from Luke 16:19-31. Depict a wealthy man in purple and fine linen, reveling in luxury daily. Beside his gate, illustrate a poor beggar adorned with sores named Lazarus, longing for fallen scraps from the rich man's table. Visualize an afterlife scene where Lazarus is comforted by angels alongside Abraham, while the rich man experiences agony in Hades. Exemplify the rich man's plea to Abraham for pity with a scene of him requesting Lazarus to quench his torment with water. Also showcase the inability to cross the great chasm set between them. Capture the essence of the parable using the medium of digital art.

Luke 16:19-31 - "There was a rich man who was dressed in purple and fine linen and lived in luxury every day. At his gate was laid a beggar named Lazarus, covered with sores and longing to eat what fell from the rich man’s table. Even the dogs came and licked his sores. The time came when the beggar died and the angels carried him to Abraham’s side. The rich man also died and was buried. In Hades, where he was in torment, he looked up and saw Abraham far away, with Lazarus by his side. So he called to him, ‘Father Abraham, have pity on me and send Lazarus to dip the tip of his finger in water and cool my tongue, because I am in agony in this fire.’ But Abraham replied, ‘Son, remember that in your lifetime you received your good things, while Lazarus received bad things, but now he is comforted here and you are in agony. And besides all this, between us and you a great chasm has been set in place, so that those who want to go from here to you cannot, nor can anyone cross over from there to us.’ He answered, ‘Then I beg you, father, send Lazarus to my family, for I have five brothers. Let him warn them, so that they will not also come to this place of torment.’ Abraham replied, ‘They have Moses and the Prophets; let them listen to them.’ ‘No, father Abraham,’ he said, ‘but if someone from the dead goes to them, they will repent.’ He said to him, ‘If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead.’"

John 11:5 - "Now Jesus loved Martha, and her sister, and Lazarus." Depict a scene inspired by John 11:5, 'Now Jesus loved Martha, and her sister, and Lazarus.' The setting should be ancient, with Jesus, Martha, her sister, and Lazarus interacting in a loving environment, maybe sharing a meal or in prayer. Capture a feeling of warmth, love, and spiritual bond. Interpret this in the contemporary context using techniques common to digital art such as crisp lines, vivid colors, and simulated textures.

John 11:5 - "Now Jesus loved Martha, and her sister, and Lazarus."

John 11:14 - "Then said Jesus unto them plainly, Lazarus is dead."

John 11:14 - "Then said Jesus unto them plainly, Lazarus is dead."

Luke 16:25 - "But Abraham said, Son, remember that thou in thy lifetime receivedst thy good things, and likewise Lazarus evil things: but now he is comforted, and thou art tormented." Create a digital artwork representing a biblical scene inspired by Luke 16:25. Depict Abraham addressing a man, reminding him of the duality of his life where he enjoyed good things, in contrast to Lazarus who suffered. Now, Lazarus is seen comforted while the man is in torment. The scene emphasizes the exchange of fortune and offers a stark contrast between the afterlife experiences of the two characters. The style should be vivid and bold to capture the emotional contrast and momentousness of the scene.

Luke 16:25 - "But Abraham said, Son, remember that thou in thy lifetime receivedst thy good things, and likewise Lazarus evil things: but now he is comforted, and thou art tormented."

John 12:10 - "¶ But the chief priests consulted that they might put Lazarus also to death;"

John 12:10 - "¶ But the chief priests consulted that they might put Lazarus also to death;"

Luke 16:20 - "And there was a certain beggar named Lazarus, which was laid at his gate, full of sores," Create a digital-style image inspired by a passage from 'Luke 16:20 - And there was a certain beggar named Lazarus, which was laid at his gate, full of sores'. The scene should depict an impoverished man with visible wounds, sitting by a city gate. His clothing is ragged and weather-beaten, reflecting a life of hardship and struggle. The gate he sits at is part of an archaic, ancient-style city wall, showing the contrast between his position and the richness of the city within. Incorporate rich colors, detailed textures, and shadows to enhance the emotional depth of the scene.

Luke 16:20 - "And there was a certain beggar named Lazarus, which was laid at his gate, full of sores,"

John 12:2 - "There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him." Depict a scene inspired by John 12:2 - 'There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him.' The scene should represent a meal setting where one woman is serving and several individuals are gathered around the table. The style should be modern and resemble digital art, with crisp lines, vibrant colors, and a level of abstraction. Remember to capture the solemnity and importance of the occasion.

John 12:2 - "There they made him a supper; and Martha served: but Lazarus was one of them that sat at the table with him."

John 11:43-44 – "When he had said this, Jesus called in a loud voice, 'Lazarus, come out!'"

John 11:43-44 – "When he had said this, Jesus called in a loud voice, 'Lazarus, come out!'"

John 11:43 - "And when he thus had spoken, he cried with a loud voice, Lazarus, come forth."

John 11:43 - "And when he thus had spoken, he cried with a loud voice, Lazarus, come forth."

John 11:2 - "(It was that Mary which anointed the Lord with ointment, and wiped his feet with her hair, whose brother Lazarus was sick.)"

John 11:2 - "(It was that Mary which anointed the Lord with ointment, and wiped his feet with her hair, whose brother Lazarus was sick.)"

Luke 16:23 - "And in hell he lift up his eyes, being in torments, and seeth Abraham afar off, and Lazarus in his bosom."

Luke 16:23 - "And in hell he lift up his eyes, being in torments, and seeth Abraham afar off, and Lazarus in his bosom."

John 12:17 - "The people therefore that was with him when he called Lazarus out of his grave, and raised him from the dead, bare record." An illustrative representation of the biblical scene from John 12:17. Depict a gathered crowd of people, variously dressed in ancient attire, standing near a figure centrally positioned, signifying the miraculous event. The main figure, presumably a Middle-Eastern man, is commanding another man to rise from an open grave. The surprised onlookers are reacting with awe and wonder, some possibly documenting or 'bearing record' of the event. Render this on a calm, perhaps mildly overcast or mysteriously lit backdrop, evoking an ambiance of spiritual serenity and momentous occasion. All aesthetics in a modern digital art style.

John 12:17 - "The people therefore that was with him when he called Lazarus out of his grave, and raised him from the dead, bare record."

John 12:1 - "Then Jesus six days before the passover came to Bethany, where Lazarus was which had been dead, whom he raised from the dead."

John 12:1 - "Then Jesus six days before the passover came to Bethany, where Lazarus was which had been dead, whom he raised from the dead."

John 11:11 - "These things said he: and after that he saith unto them, Our friend Lazarus sleepeth; but I go, that I may awake him out of sleep."

John 11:11 - "These things said he: and after that he saith unto them, Our friend Lazarus sleepeth; but I go, that I may awake him out of sleep."

John 12:9 - "Much people of the Jews therefore knew that he was there: and they came not for Jesus' sake only, but that they might see Lazarus also, whom he had raised from the dead."

John 12:9 - "Much people of the Jews therefore knew that he was there: and they came not for Jesus' sake only, but that they might see Lazarus also, whom he had raised from the dead."

John 11:11-12 - "He saith unto them, Our friend Lazarus sleepeth; but I go, that I may awake him out of sleep. Then said his disciples, Lord, if he sleep, he shall do well." A depiction of the biblical scene from John 11:11-12. An ancient Middle-Eastern man, presumably Jesus, is seen addressing his diverse followers. His facial expression is solemn yet compassionate, as he explains that their friend Lazarus is merely sleeping and he is determined to wake him up. The disciples around him, men of various descents - Caucasian, Hispanic, Black, South Asian, show expressions of curiosity and wonder as they listen to his words. The scene is set in an outdoor, arid landscape, suggestive of a desert environment. The style should reflect modern digital art.

John 11:11-12 - "He saith unto them, Our friend Lazarus sleepeth; but I go, that I may awake him out of sleep. Then said his disciples, Lord, if he sleep, he shall do well."

Luke 16:24 - "And he cried and said, Father Abraham, have mercy on me, and send Lazarus, that he may dip the tip of his finger in water, and cool my tongue; for I am tormented in this flame." respectful, symbolic bible verse art A respectfully rendered, symbolic representation of the biblical verse Luke 16:24, depicted in a digital art style. The scene features a distraught individual, symbolizing the tormented figure from the verse. This figure pleas to a wise, elderly figure who represents Father Abraham, seeking mercy and relief. Between them is a third figure, representative of Lazarus, who is envisioning to dip his finger in water. The surrounding environment is ominous with impressions of flame, reflecting the agony mentioned in the scripture. The primary medium used is folkloric storytelling, symbolic imagery, and biblical inspirations. It's necessary to capture the essence of the verse while maintaining respect for its spiritual context.

Luke 16:24 - "And he cried and said, Father Abraham, have mercy on me, and send Lazarus, that he may dip the tip of his finger in water, and cool my tongue; for I am tormented in this flame." respectful, symbolic bible verse art

John 12:12-19 - "The next day the great crowd that had come for the festival heard that Jesus was on his way to Jerusalem. They took palm branches and went out to meet him, shouting, “Hosanna! Blessed is he who comes in the name of the Lord! Blessed is the king of Israel!” Jesus found a young donkey and sat on it, as it is written: “Do not be afraid, Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” At first his disciples did not understand all this. Only after Jesus was glorified did they realize that these things had been written about him and that these things had been done to him. Now the crowd that was with him when he called Lazarus from the tomb and raised him from the dead continued to spread the word. Many people, because they had heard that he had performed this sign, went out to meet him. So the Pharisees said to one another, “See, this is getting us nowhere. Look how the whole world has gone after him!”" Visualize a scene in the style of a digitally created painting, based on a narrative from the Bible, John 12:12-19. It depicts a large crowd gathering during a festival, elated upon hearing that an important figure, a religious leader, is coming to Jerusalem. The crowd waves palm branches, vocalizing their joy and blessings. The leader, portrayed as a man exuding calm poise, is seated on a young donkey. His followers, initially not fully comprehending the significance of the event, grow in understanding with time. Off to the side, some figures watch with skepticism, remarking on the widespread support the leader has garnered.

John 12:12-19 - "The next day the great crowd that had come for the festival heard that Jesus was on his way to Jerusalem. They took palm branches and went out to meet him, shouting, “Hosanna! Blessed is he who comes in the name of the Lord! Blessed is the king of Israel!” Jesus found a young donkey and sat on it, as it is written: “Do not be afraid, Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” At first his disciples did not understand all this. Only after Jesus was glorified did they realize that these things had been written about him and that these things had been done to him. Now the crowd that was with him when he called Lazarus from the tomb and raised him from the dead continued to spread the word. Many people, because they had heard that he had performed this sign, went out to meet him. So the Pharisees said to one another, “See, this is getting us nowhere. Look how the whole world has gone after him!”"