Matthew 11 Artwork

"And it came to pass, when Jesus had made an end of commanding his twelve disciples, he departed thence to teach and to preach in their cities." - Matthew 11:1

Explore Matthew 11 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
MatthewMatthew 11Matthew 11:1
Matthew 11:20 - "¶ Then began he to upbraid the cities wherein most of his mighty works were done, because they repented not:" Visualize the biblical scene from Matthew 11:20, 'Then began he to upbraid the cities wherein most of his mighty works were done, because they repented not:'. Imagine this scene in a classical, large-scale mural style, replicating the techniques of mosaic art using digital medium.

Matthew 11:20 - "¶ Then began he to upbraid the cities wherein most of his mighty works were done, because they repented not:"

Matthew 11:12 - "And from the days of John the Baptist until now the kingdom of heaven suffereth violence, and the violent take it by force." A digital artwork inspired by Matthew 11:12 - 'And from the days of John the Baptist until now the kingdom of heaven suffereth violence, and the violent take it by force.' The art scene depicts an ethereal kingdom in the clouds, with tumultuous scenes and violence signified through fiery, chaotic bursts. The violent figures - individuals pushing forward with determined faces - are visualized striving to reach this kingdom, indicating their attempt to take it by force. All around the kingdom, there is a sense of turmoil and unrest. Utmost care is taken to reflect the intense emotions and dramatic scenario described in the biblical verse.

Matthew 11:12 - "And from the days of John the Baptist until now the kingdom of heaven suffereth violence, and the violent take it by force."

Matthew 11:2 - "Now when John had heard in the prison the works of Christ, he sent two of his disciples," A complex scene depicting the biblical verse Matthew 11:2, "Now when John had heard in the prison the works of Christ, he sent two of his disciples." The picture features a man who's assumed to be John, located in a prison cell. He has a desolate, hopeful expression on his face as he hears about the miraculous works of Christ. Two disciples are shown standing outside the prison, ready to deliver the messages. The style of the image should invoke thoughts of realism yet allow for a touch of the surreal, as the tales they carry are of divine deeds and miracles.

Matthew 11:2 - "Now when John had heard in the prison the works of Christ, he sent two of his disciples,"

Matthew 11:11 - "Verily I say unto you, Among them that are born of women there hath not risen a greater than John the Baptist: notwithstanding he that is least in the kingdom of heaven is greater than he."

Matthew 11:11 - "Verily I say unto you, Among them that are born of women there hath not risen a greater than John the Baptist: notwithstanding he that is least in the kingdom of heaven is greater than he."

Matthew 11:24 - "But I say unto you, That it shall be more tolerable for the land of Sodom in the day of judgment, than for thee."

Matthew 11:24 - "But I say unto you, That it shall be more tolerable for the land of Sodom in the day of judgment, than for thee."

Matthew 17:11 - "And Jesus answered and said unto them, Elias truly shall first come, and restore all things."

Matthew 17:11 - "And Jesus answered and said unto them, Elias truly shall first come, and restore all things."

Matthew 11:22 - "But I say unto you, It shall be more tolerable for Tyre and Sidon at the day of judgment, than for you."

Matthew 11:22 - "But I say unto you, It shall be more tolerable for Tyre and Sidon at the day of judgment, than for you."

Matthew 11:16 - "¶ But whereunto shall I liken this generation? It is like unto children sitting in the markets, and calling unto their fellows," Create a digital artwork representation of the biblical scene from Matthew 11:16. The scene depicts children of diverse ethnicities, both boys and girls, sitting in an ancient marketplace. These children should be engaging with their peers, calling out to them. They are integral members of the vibrant and bustling atmosphere of the market. The architecture should reflect designs and materials common in older times, including stone buildings and cloth market stalls. The scene should be bustling with activity as people buy and sell goods around the children.

Matthew 11:16 - "¶ But whereunto shall I liken this generation? It is like unto children sitting in the markets, and calling unto their fellows,"

Matthew 9:11 - "And when the Pharisees saw it, they said unto his disciples, Why eateth your Master with publicans and sinners?" Visualize a scene from the Biblical verse Matthew 9:11 - 'And when the Pharisees saw it, they said unto his disciples, Why eateth your Master with publicans and sinners?' in the style of an early 20th century chromolithograph, incorporating vibrant colors and intricate detail. A group of robed figures, the Pharisees, are standing aside, conversing in hushed whispers and shooting disapproving glances at a large dinner table. At this table, several other individuals, the disciples of a spiritual teacher, are breaking bread. The spiritual teacher himself, a man with a discerning gaze and a warm countenance, is engaged in hearty conversation with a diverse assembly of people, embodying varying descents such as Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, and representing both genders, symbolizing the 'publicans and sinners'.

Matthew 9:11 - "And when the Pharisees saw it, they said unto his disciples, Why eateth your Master with publicans and sinners?"

Matthew 10:11 - "And into whatsoever city or town ye shall enter, enquire who in it is worthy; and there abide till ye go thence." A digital art representation of a scene inspired by Matthew 10:11 - 'And into whatsoever city or town ye shall enter, enquire who in it is worthy; and there abide till ye go thence.' Visualize a group of people entering a diverse, historical city, their faces filled with curiosity, intent on finding a worthy individual. The city is bustling with life, with vivid architecture, and busy markets. The central focus remains on the search and the hopeful encounter with the worthy one.

Matthew 10:11 - "And into whatsoever city or town ye shall enter, enquire who in it is worthy; and there abide till ye go thence."

Matthew 11:9 - "But what went ye out for to see? A prophet? yea, I say unto you, and more than a prophet."

Matthew 11:9 - "But what went ye out for to see? A prophet? yea, I say unto you, and more than a prophet."

Matthew 13:11 - "He answered and said unto them, Because it is given unto you to know the mysteries of the kingdom of heaven, but to them it is not given."

Matthew 13:11 - "He answered and said unto them, Because it is given unto you to know the mysteries of the kingdom of heaven, but to them it is not given."

Matthew 16:11 - "How is it that ye do not understand that I spake it not to you concerning bread, that ye should beware of the leaven of the Pharisees and of the Sadducees?"

Matthew 16:11 - "How is it that ye do not understand that I spake it not to you concerning bread, that ye should beware of the leaven of the Pharisees and of the Sadducees?"

Matthew 11:8 - "But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft clothing are in kings' houses." Visualize the biblical verse Matthew 11:8: 'But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft clothing are in kings' houses.' Create the scene like a classic painting from the Renaissance era, focusing on capturing the ambiance of the time. Show a man dressed in luxurious attire, signifying wealth and royalty, standing in the grand hall of a king's palace. The environment should reflect the opulent living of kings - enormous halls, intricate architectural details, and regal furnishings. The overall tone treads towards religious sentiments, medieval splendor, and philosophical undertones. Ensure the style respects the digital medium.

Matthew 11:8 - "But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft clothing are in kings' houses."

Matthew 11:4 - "Jesus answered and said unto them, Go and shew John again those things which ye do hear and see:"

Matthew 11:4 - "Jesus answered and said unto them, Go and shew John again those things which ye do hear and see:"

Matthew 11:7 - "¶ And as they departed, Jesus began to say unto the multitudes concerning John, What went ye out into the wilderness to see? A reed shaken with the wind?" An interpretation of a scene inspired by Matthew 11:7. It illustrates a multitude listening intently as Jesus passionately speaks. He is questioning them about their journey to the wilderness, asking them about the sight of a reed shaking in the wind. This scene is depicted in a digital art style which is characterized by vibrant colors and pixel-like details.

Matthew 11:7 - "¶ And as they departed, Jesus began to say unto the multitudes concerning John, What went ye out into the wilderness to see? A reed shaken with the wind?"

Genesis 1:1 A digital art representation of Genesis 1:1. The scene presents a cosmic spectacle of the initial creation of existence. Dazzling colors capture the moment of the Big Bang, swirling in a chaotic yet beautiful explosion of light and energy, signifying the birth of the universe. Hebrew scriptures gently floating in the boundless space, glowing to represent the divine word. The art style should be sleek, vivid and full of detail, typical of digital art.

Genesis 1:1

genesis 1:1

genesis 1:1

genesis 1:1

genesis 1:1

John 1:1 Create an abstract piece of art that embodies the essence of John 1:1 as understood in Christianity. This image should be free of textual elements. The artistic style chosen should invoke a sense of enhancement, clear improvement, or refined sophistication, mirroring the attributes typically associated with the 'enhancement' process. The interpretation should remain devout and respectful to Christian symbolisms and beliefs, emphasizing peace, devotion, and reverence.

John 1:1

Genesis 1:1

Genesis 1:1

genesis 1:1

genesis 1:1

Genesis 1:1 Generate an image illustrating the biblical passage 'Genesis 1:1' using a modern, digitally inspired art style. The image should depict the moment 'In the beginning God created the heavens and the earth.' with abstract shapes and vibrant colors, characteristic of the digital art era.

Genesis 1:1

Genesis 1:1 Generate an image representing Genesis 1:1. This should feature striking visual elements of a heavenly realm with a hovering formless earth, in vibrant, digitally-inspired textures. The style should be reminiscent of early 20th century artistry, using bold shapes and forms. Ensure to create a strong contrast between the formed and the formless, the finite and infinite. The visual language should be digital, representing the spiritual and primordial state in a modern interpretation.

Genesis 1:1

genesis 1:1 A respectful and devotional artistic depiction of Genesis 1:1, the very beginning of Creation according to the Christian faith, through a Renaissance perspective. The image should capture the serene and divine moment of God's creation with emphasis on light, shapes, and divine figures, evoking the mastery and depth typical of Renaissance art. There should be no words or text present in the image.

genesis 1:1

Matthew 11:5 - "The blind receive their sight, and the lame walk, the lepers are cleansed, and the deaf hear, the dead are raised up, and the poor have the gospel preached to them." An illustrative representation of Matthew 11:5, where miraculous events are taking place. A blind individual, signified by a blindfold, suddenly sees light piercing through their darkness. A person previously unable to walk, perhaps using a crutch, is now taking confident strides. Lepers, marked by bandages, are displayed with their skin becoming clear and healthy. A person using a ear trumpet is shown startled as they start to hear. A figure is shown ascending, surrounded by rays of light, signifying the dead raised up. Lastly, an impoverished individual is portrayed intently listening to a good news being preached, signifying the gospel being preached to the poor. All of this is depicted in a digital art style.

Matthew 11:5 - "The blind receive their sight, and the lame walk, the lepers are cleansed, and the deaf hear, the dead are raised up, and the poor have the gospel preached to them."

Matthew 11:1 - "And it came to pass, when Jesus had made an end of commanding his twelve disciples, he departed thence to teach and to preach in their cities."

Matthew 11:1 - "And it came to pass, when Jesus had made an end of commanding his twelve disciples, he departed thence to teach and to preach in their cities."

Matthew 11:19 - "The Son of man came eating and drinking, and they say, Behold a man gluttonous, and a winebibber, a friend of publicans and sinners. But wisdom is justified of her children."

Matthew 11:19 - "The Son of man came eating and drinking, and they say, Behold a man gluttonous, and a winebibber, a friend of publicans and sinners. But wisdom is justified of her children."

Matthew 28:11 - "¶ Now when they were going, behold, some of the watch came into the city, and shewed unto the chief priests all the things that were done."

Matthew 28:11 - "¶ Now when they were going, behold, some of the watch came into the city, and shewed unto the chief priests all the things that were done."

Matthew 11:17 - "And saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented." Create a digital art representation of the biblical verse Matthew 11:17, 'And saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented.' The scene should depict an individual playing a pipe, with others nearby not reacting to the music. Another part of the image should show a group of individuals mourning, with those around not expressing sorrow. Make the interpretation abstract to capture the essence of the verse.

Matthew 11:17 - "And saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented."