Matthew Artwork

"The book of the generation of Jesus Christ, the son of David, the son of Abraham." - Matthew 1:1

Explore Matthew through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Matthew 24:35

Matthew 24:35 represented as a watercolor painting. This biblical passage reads: 'Heaven and Earth will pass away, but my words will never pass away.' Imagine a faded image of a quiet, serene view of Heaven and Earth, their transient beauty captured on the canvas. Faint clouds swim across the open skies, while below, a lush green Earth flourishes. In contrast, the Words are portrayed as permanent, vibrant, and shining, perhaps written in the sky or on a parchment. All are portrayed using the delicate and free-flowing techniques of watercolor.

Matthew 24:35

Matthew 3:11

An artistic rendition of Matthew 3:11 using watercolors. This is the scene where John the Baptist proclaims, 'I indeed baptize you with water unto repentance, but He who is coming after me is mightier than I, whose sandals I am not worthy to carry. He will baptize you with the Holy Spirit and fire.' Capturing this, the image showcases a humble man baptizing people by a river, looking towards the sky eagerly with a sense of anticipation. The sky reflects an ethereal quality, possibly indicating the divine presence. It's rendered in a soft, flowing style that gives the impression of watercolors.

Matthew 3:11

Matthew 18:23-34


A visual representation of the biblical scene from Matthew 18:23-34, encapsulating the forgiving king and an unforgiving servant. The art piece should employ a pointillism technique to emphasize the distinct dots of pure color, reminiscent of artists like Georges Seurat who's work falls prior to the 1912 cut-off. The artwork should carry a respectful and devotional tone towards Christianity. Symbols, characters, and settings should appropriately represent the religious context. Please avoid the usage of any text or words within the image.

Matthew 18:23-34

Matthew 18:23-34


Create a respectful and devotional representation of the Christian parable detailed in Matthew 18:23-34. The scene should be depicted in a style reminiscent of Art Nouveau, emphasizing the fluidity, ornate details, and stylized forms characteristic of the movement. No text or words should be included in the image. The composition should reflect both the emotional weight of the scripture and the inherent grace and beauty associated with Art Nouveau.

Matthew 18:23-34

Matthew 7:13-14

A picturesque scene inspired by Matthew 7:13-14, depicted using a watercolor technique. The imagery portrays the wide gateway leading to a path crowded and chaotic, symbolizing the path to destruction. In contrast, it also presents the small gateway and the narrow footpath, which few people are taking, as alluding to the way of righteousness. This scene showcases elements of natural beauty like the lustrous sky overhead, lush greenery on either side of the pathways, and perhaps a hint of a setting or rising sun in the distance conveying a sense of hope among the stark contrasts.

Matthew 7:13-14

Matthew 7:13-14

Matthew 7:13-14 depicted in a visual representation influenced by 19th century British watercolour aesthetics, like those of J.M.W. Turner, focusing on the atmospheric effects, delicate brushwork, and the romantic dynamism and drama. The image should capture the essence of the verses and symbolize the themes of choice and spiritual journeys.

Matthew 7:13-14

Matthew 7:13-14

An artistic representation of the biblical verses, Matthew 7:13-14. Create an imagery of a vast gate that opens to an easy path that many are following, and a smaller gate with just few people selecting it and heading to narrow way. The style should be akin to a watercolor painting with the use of subtle, fluid, and layered pigments to express the depth and weight of the message in the verses.

Matthew 7:13-14

Matthew 7:13-14

An image represents the biblical quotes Matthew 7:13-14. It comprises of a wide gate located in a vibrant, bustling city with a crowded, broad road leading towards it representing the path of destruction. Contrastingly, there's a small gate nestled in a calm and tranquil countryside landscape with a narrow path leading towards it, embodying the pathway to life. Few people are seen choosing this path. These two contrasting scenes are painted in the medium of watercolor, with all its characteristic softness, fluidity, and ethereal blending of hues.

Matthew 7:13-14

Matthew 7:13-14

Visualise the biblical passage Matthew 7:13-14 with wide and narrow gates on a path. The environment is rustic, with grass and trees surrounding the pathway. The wide gate appears enticing but dangerous, leading to a shadowy, perilous path. In contrast, the narrow gate is less striking and leads to a less travelled but safer path, full of light. The image should be in a classic watercolor style, with soft, flowing colors and subtly blurred outlines.

Matthew 7:13-14

Matthew 7:13-14

An interpretation of Matthew 7:13-14, composed using a delicate blend of soft shapes and luminous colors characteristic of the watercolor medium. The scene showcases the diversity between the wide gate leading to destruction and the narrow gate leading to life. The wide gate is teeming with people, chaos, and darkness, while the narrow gate, though less trodden, radiates a serene light, symbolizing hope. The dominant use of soft tones will reflect the medium's ability to instill subtlety and sensitivity, typical of 19th-century romantic watercolor landscapes.

Matthew 7:13-14

Matthew 7:13-14

An illustrative depiction of Matthew 7:13-14 from the Bible, emphasized in a style similar to watercolor paintings characterized by its fluidity, transparency, and soft blends of color. The concept can include a narrow gate and a small road that leads to life, contrasting them with a wide gate and a broad road that leads to destruction, in accordance to the Biblical passage.

Matthew 7:13-14

Matthew 9:21-22

A scene from Matthew 9:21-22 depicted in the form of watercolor art. The scene showcases a woman reaching out to touch the edge of a man's cloak in a crowd. Notably, she has faith that just touching his garment will heal her long-standing illness. He turns to her, acknowledging her faith, and her health is restored. The colors play with light and shade, delicately applied in translucent watery strokes, highlighting the emotional intensity of the moment. In this biblical setting, everyone is depicted in a period-appropriate attire and the atmosphere is one of hope, faith, and divine intervention.

Matthew 9:21-22

Matthew 3:11-12

Visualize the Biblical passage Matthew 3:11-12, which signifies John the Baptist's prophecy about Jesus and the end days. Show John speaking to the people, a figure presenting the symbols of water for baptism, wind for purification, and fire for judgement. Use the aesthetic characteristics often found in watercolor art such as soft color blends, light brush strokes and water washes to render a sense of transcendence and spirituality in the image.

Matthew 3:11-12

Matthew 10:3 - "Philip, and Bartholomew; Thomas, and Matthew the publican; James the son of Alphaeus, and Lebbaeus, whose surname was Thaddaeus;"

Matthew 10:3 - "Philip, and Bartholomew; Thomas, and Matthew the publican; James the son of Alphaeus, and Lebbaeus, whose surname was Thaddaeus;"

Matthew 18:23-34


A depiction of the biblical passage Matthew 18:23-34 with a Renaissance art style. The scene should feature the parable of the unmerciful servant in which one man is imploring another for mercy while a king looks on. The attire and architecture should be reminiscent of the Italian Renaissance, with high attention to detail, emotional depth, and realism. The tone of the scene should be respectful and devotional, maintaining a solemn atmosphere that is characteristic of religious art of that period. Ensure no text or words are included in the image.

Matthew 18:23-34

Matthew 7:13-14

Depict the biblical passage of Matthew 7:13-14, visualizing the references to the narrow and wide gates. Capture the essence of the scene with a technique reminiscent of traditional watercolor painting, focusing on diluted color washes and atmospheric nuances. Environs should display a higcontrast between the serene yet challenging path of the narrow gate and the foreboding ease of the wide gate.

Matthew 7:13-14

Matthew 22:37-39

A digital art interpretation of Matthew 22:37-39 from the Christian Bible. The scene is peaceful and creates a feeling of devotion and respect towards the teachings of Christianity. It showcases the essence of love for God and love for neighbor without using any text. The color scheme is a combination of soft blues and greens, symbolizing tranquility and peace. Please refrain from using explicit representations of religious figures like Jesus or Christian cross, rather use symbols of love, devotion, and kindness to represent the teachings.

Matthew 22:37-39

Matthew 7:13-14

In a stunning display of detailed watercolor work, visually interpret the biblical passage of Matthew 7:13-14. The scene should depict a wide gate and broad road, filled with many people, representing the path to destruction. Adjacent to it, contrast this with a narrow gate and a slim road, walked upon by only a handful, representing the path to life. The style of the image should reflect the somber and thoughtful message of the verses.

Matthew 7:13-14

Matthew 7:13-14

A watercolor depiction of the biblical passage Matthew 7:13-14. The scene showcases the contrasting paths - a wide and crowded path leading to a large gate symbolizing destruction, and a narrow, less trodden path leading to a small gate, representing the path to life. There should be subtle color transformations to emphasize the distinctiveness of the two paths. The image should evoke a sense of decision and spiritual contemplation.

Matthew 7:13-14

Matthew 7:13-14

A watercolored artwork interpreting Matthew 7:13-14. In the scene, a wide and narrows gate are depicted. The wide gate is alluring and offers an easy path but ultimately leads to destruction. There is a crowd of diverse individuals, from African, Caucasian, Hispanic, South Asian, and Middle-Eastern descent, choosing this path. On the other side, the narrow gate on a difficult path, leading to life, and few individuals from an equally diverse mix of descents electing this path.

Matthew 7:13-14

Matthew 9:21-22

Depict the biblical scene from Matthew 9:21-22, where a woman, in her faith, touches the fringe of Jesus' robe, hoping to be healed. Use the medium of watercolor to create soft edges and a fluidity that conveys the emotion and spirituality of the moment.

Matthew 9:21-22

Matthew 9:21-22

A watercolor depiction of a biblical scene from Matthew 9:21-22. In this scene, a woman who has suffered for twelve years with an ongoing ailment reaches out in a crowd, filled with hope, to touch the edge of a man's robe. She believes that just one touch will heal her. Upon her touch, the man turns to her, acknowledging her faith and assuring her that her faith has indeed healed her. Let the colors blend and bleed into each other, reflecting the same fluidity and vibrance that watercolor brings.

Matthew 9:21-22

Matthew 9:21-22

An interpretation of the biblical scene described in Matthew 9:21-22 using the watercolor medium. The scene depicts a Middle Eastern woman reaching out towards a man dressed in simple, humble clothing. She exhibits hope and faith on her face. The man turns to her, displaying an expression of compassion and understanding. In the background, a crowd of diverse people observes them, their expressions a mix of curiosity, disbelief, and reverence. The colors should be gentle and the brush strokes should be fluid, reflecting the characteristics of a traditional watercolor painting.

Matthew 9:21-22

Matthew 9:21-22

A serene watercolor scene depicting a biblical event from Matthew 9:21-22. A woman, of Middle-Eastern descent, reaching out to touch the hem of a man's robe, with hope and faith in her eyes, amidst a bustling, ancient Middle-Eastern market scene. The man, of Middle-Eastern descent as well, turns around to comfort her. Both expressions signify a silent communication of their shared faith and miracle. The overall ambience is of an ethereal peacefulness, captured through soft brushstrokes and soothing color palette.

Matthew 9:21-22

Matthew 3:11-12

A watercolor illustration of the biblical moment expressed in Matthew 3:11-12. It depicts a man in historical Middle Eastern attire, perhaps John the Baptist, standing in a river. He gestures towards a crowd on the riverbank with one hand, appearing to be preaching, and holds a winnowing fork in the other. Some distance away, there's a growing pile of chaff being consumed by flames, with a clear sky overhead.

Matthew 3:11-12

Matthew 22:38 - "This is the first and great commandment."

A digital artwork displaying the biblical verse: Matthew 22:38 - 'This is the first and great commandment.' The design should have an inspirational tone, using vivid colors to highlight the importance of the verse. Imagery might include a beautifully designed script written over a peaceful background, or an open Bible with the verse glowing. To establish a connection to the spiritual nature of the verse, ethereal light effects could be incorporated, creating a sense of divinity and sacredness.

Matthew 22:38 - "This is the first and great commandment."

Matthew 7:1 - "Judge not, that ye be not judged."

Matthew 7:1 - "Judge not, that ye be not judged."

Matthew 24:8 - "All these are the beginning of sorrows."

An interpretation of Matthew 24:8 - 'All these are the beginning of sorrows' using modern digital art techniques. Extract the essence of the quote, possibly showing a landscape where dark storm clouds gather, symbolizing the approach of 'sorrows'. Alternatively, the imagery can lean towards a more abstract style, with swirling shades of blues and grays to evoke sadness and melancholy. Use vibrant contrasts and shapes to emphasize the emotional intensity of the text. The scene should reflect a sense of impending sorrow but also struggle and resilience, as this is suggested in the phrase 'the beginning of sorrows.'

Matthew 24:8 - "All these are the beginning of sorrows."

Matthew 9:9 - "¶ And as Jesus passed forth from thence, he saw a man, named Matthew, sitting at the receipt of custom: and he saith unto him, Follow me. And he arose, and followed him."

Illustrate the scene from the biblical passage Matthew 9:9. In this scene, Jesus is walking past and he sees a man named Matthew sitting at his tax collector's booth. Jesus says to him, 'Follow me.' Matthew then gets up and follows him. The image should be conveyed in a digitally rendered style.

Matthew 9:9 - "¶ And as Jesus passed forth from thence, he saw a man, named Matthew, sitting at the receipt of custom: and he saith unto him, Follow me. And he arose, and followed him."

Matthew 27:36 - "And sitting down they watched him there;"

Matthew 27:36 - "And sitting down they watched him there;"