Nehemiah Artwork

"The words of Nehemiah the son of Hachaliah. And it came to pass in the month Chisleu, in the twentieth year, as I was in Shushan the palace," - Nehemiah 1:1

Explore Nehemiah through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
NehemiahNehemiah 1Nehemiah 1:1
Nehemiah 7:31 - "The men of Michmas, an hundred and twenty and two."

Nehemiah 7:31 - "The men of Michmas, an hundred and twenty and two."

Nehemiah 11:36 - "And of the Levites were divisions in Judah, and in Benjamin."

Nehemiah 11:36 - "And of the Levites were divisions in Judah, and in Benjamin."

Nehemiah 11:10 - "Of the priests: Jedaiah the son of Joiarib, Jachin."

Nehemiah 11:10 - "Of the priests: Jedaiah the son of Joiarib, Jachin."

Nehemiah 7:40 - "The children of Immer, a thousand fifty and two." A visual representation of Nehemiah 7:40 - 'The children of Immer, a thousand fifty and two.' appearing in a digital art style. This image should show one thousand fifty-two children representing different descents such as Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and East Asian. Emphasize unity and diversity.

Nehemiah 7:40 - "The children of Immer, a thousand fifty and two."

Nehemiah 7:16 - "The children of Bebai, six hundred twenty and eight." Generate an image inspired by Nehemiah 7:16 - 'The children of Bebai, six hundred twenty and eight' in the style of digital art

Nehemiah 7:16 - "The children of Bebai, six hundred twenty and eight."

Nehemiah 3:16 - "After him repaired Nehemiah the son of Azbuk, the ruler of the half part of Beth-zur, unto the place over against the sepulchres of David, and to the pool that was made, and unto the house of the mighty."

Nehemiah 3:16 - "After him repaired Nehemiah the son of Azbuk, the ruler of the half part of Beth-zur, unto the place over against the sepulchres of David, and to the pool that was made, and unto the house of the mighty."

Nehemiah 7:52 - "The children of Besai, the children of Meunim, the children of Nephishesim," A vibrant digital art interpretation of a scene inspired by Nehemiah 7:52, illustrating 'The children of Besai, the children of Meunim, the children of Nephishesim'. The diverse crowd is filled with children of different descents including Caucasian, Hispanic, Black, Middle-Eastern, South Asian and more. They are dressed in clothes that reflect their cultural background, playing and interacting in a sprawling landscape that symbolizes unity and harmony.

Nehemiah 7:52 - "The children of Besai, the children of Meunim, the children of Nephishesim,"

Nehemiah 7:51 - "The children of Gazzam, the children of Uzza, the children of Phaseah,"

Nehemiah 7:51 - "The children of Gazzam, the children of Uzza, the children of Phaseah,"

Nehemiah 7:22 - "The children of Hashum, three hundred twenty and eight."

Nehemiah 7:22 - "The children of Hashum, three hundred twenty and eight."

Nehemiah 2:11 - "So I came to Jerusalem, and was there three days."

Nehemiah 2:11 - "So I came to Jerusalem, and was there three days."

Nehemiah 7:50 - "The children of Reaiah, the children of Rezin, the children of Nekoda,"

Nehemiah 7:50 - "The children of Reaiah, the children of Rezin, the children of Nekoda,"

Nehemiah 7:47 - "The children of Keros, the children of Sia, the children of Padon," A representation of a verse from Nehemiah 7:47 - 'The children of Keros, the children of Sia, the children of Padon,' depicted in a contemporary digital art style. The metaphoric scene unfolds with three groups of children, each group distinct and rich with well-defined color palettes and textures. Each group could be represented by a unique symbol that corresponds to the names Keros, Sia, and Padon. The surrounding is serene and peaceful, eliciting a sense of tranquility and unity. The digital art style in question utilizes smooth gradients and striking contrast.

Nehemiah 7:47 - "The children of Keros, the children of Sia, the children of Padon,"

Nehemiah 11:27 - "And at Hazar-shual, and at Beer-sheba, and in the villages thereof," An interpretation of the landscape mentioned in Nehemiah 11:27 - 'At Hazar-shual, and at Beer-sheba, and in the villages thereof,'. Imagined as a peaceful pastoral scene with rolling hills, ancient buildings and vast deserts, created in the manner of digital art techniques.

Nehemiah 11:27 - "And at Hazar-shual, and at Beer-sheba, and in the villages thereof,"

Nehemiah 7:53 - "The children of Bakbuk, the children of Hakupha, the children of Harhur," A digital vignette based on the biblical verse Nehemiah 7:53 - 'The children of Bakbuk, the children of Hakupha, the children of Harhur.' The scene should capture three groups of children, each belonging to Bakbuk, Hakupha, and Harhur respectively. They are engaged in playful activities typical of their era and region. The design is vibrant and uses modern digital textures and shading techniques for a contemporary aesthetic.

Nehemiah 7:53 - "The children of Bakbuk, the children of Hakupha, the children of Harhur,"

Nehemiah 7:54 - "The children of Bazlith, the children of Mehida, the children of Harsha," An image illustrating a biblical passage, Nehemiah 7:54, 'The children of Bazlith, the children of Mehida, the children of Harsha.' It should depict figures in an antique setting that reflects the ancient origins of the text, with an emphasis on harmonious and vivid colors often seen in digital art.

Nehemiah 7:54 - "The children of Bazlith, the children of Mehida, the children of Harsha,"

Nehemiah 7:36 - "The children of Jericho, three hundred forty and five." A scene inspired by Nehemiah 7:36, representing three hundred and forty-five children belonging to the ancient city of Jericho. Display a substantial variety of descent and gender for the children; for example, depict Caucasian children, Hispanic children, Black children, Middle-Eastern children, South Asian children, and East Asian children with equal probability. Additionally, be sure to include both boys and girls equally. Create an atmosphere reminiscent of the biblical era, rich in warm hues, with the significant walled city as their backdrop. Most importantly, design this scene with the artistry and precision of a digital artist.

Nehemiah 7:36 - "The children of Jericho, three hundred forty and five."

Nehemiah 7:23 - "The children of Bezai, three hundred twenty and four." An interpretation of the biblical verse Nehemiah 7:23 stating 'The children of Bezai, three hundred twenty and four.' This scene portrays 324 distinct individuals, symbolizing the children of Bezai, displayed in a digitized visual art style. They are scattered in various sizes, positions and interactions, maintaining harmony within the image. The style being used here, reminiscent of early digital art, is characterized by precise lines, solid color blocks, and an overall feeling of continuity and connection.

Nehemiah 7:23 - "The children of Bezai, three hundred twenty and four."

Nehemiah 3:22 - "And after him repaired the priests, the men of the plain." Create a digital art-style image that illustrates a scene from Nehemiah 3:22 in the Bible: 'And after him repaired the priests, the men of the plain.' Here, priests are seen fixing or reconstructing something, and they are noted as 'the men of the plain,' which suggests they belong to a simple or non-ornamental backdrop.

Nehemiah 3:22 - "And after him repaired the priests, the men of the plain."

Nehemiah 7:10 - "The children of Arah, six hundred fifty and two."

Nehemiah 7:10 - "The children of Arah, six hundred fifty and two."

Nehemiah 12:11 - "And Joiada begat Jonathan, and Jonathan begat Jaddua." An artistic representation of the biblical verse Nehemiah 12:11 - 'And Joiada begat Jonathan, and Jonathan begat Jaddua.' Depict this scene as a stately transition of generations, with three distinct male figures set in ancient times. Each figure is passing on a symbolic item to the next, symbolizing the line of descent. Render this image in a digital art style, with clean lines, sharp details, and vibrant colors. The atmosphere should evoke reverence and respect for a long line of lineage.

Nehemiah 12:11 - "And Joiada begat Jonathan, and Jonathan begat Jaddua."

Nehemiah 7:48 - "The children of Lebana, the children of Hagaba, the children of Shalmai,"

Nehemiah 7:48 - "The children of Lebana, the children of Hagaba, the children of Shalmai,"

Nehemiah 7:20 - "The children of Adin, six hundred fifty and five."

Nehemiah 7:20 - "The children of Adin, six hundred fifty and five."

Nehemiah 7:58 - "The children of Jaala, the children of Darkon, the children of Giddel,"

Nehemiah 7:58 - "The children of Jaala, the children of Darkon, the children of Giddel,"

Nehemiah 7:44 - "¶ The singers: the children of Asaph, an hundred forty and eight."

Nehemiah 7:44 - "¶ The singers: the children of Asaph, an hundred forty and eight."

Nehemiah 10:10 - "And their brethren, Shebaniah, Hodijah, Kelita, Pelaiah, Hanan,"

Nehemiah 10:10 - "And their brethren, Shebaniah, Hodijah, Kelita, Pelaiah, Hanan,"

Nehemiah 7:19 - "The children of Bigvai, two thousand threescore and seven."

Nehemiah 7:19 - "The children of Bigvai, two thousand threescore and seven."

Nehemiah 7:9 - "The children of Shephatiah, three hundred seventy and two."

Nehemiah 7:9 - "The children of Shephatiah, three hundred seventy and two."

Nehemiah 7:55 - "The children of Barkos, the children of Sisera, the children of Tamah,"

Nehemiah 7:55 - "The children of Barkos, the children of Sisera, the children of Tamah,"

Nehemiah 7:15 - "The children of Binnui, six hundred forty and eight." Visualize 'The children of Binnui, six hundred forty and eight.' from Nehemiah 7:15 in an abstract style using modern graphical design aesthetics in a digital medium. The image will emphasize the quantity '648' by placing emphasis on the size, positioning, or repetition of elements. Proportions and silhouettes can be used to create an interpretable representation for 'the children of Binnui'. Incorporate primarily digital art techniques, mirroring the adaptability and vibrancy of this medium. The color scheme should be versatile and vibrant, which adds to the gripping visual impression of the image.

Nehemiah 7:15 - "The children of Binnui, six hundred forty and eight."

Nehemiah 7:13 - "The children of Zattu, eight hundred forty and five." A vividly illustrated biblical scene depicting a group of children, numbered exactly at eight hundred and forty-five, symbolically representing the children of Zattu from Nehemiah 7:13. The imagery should be presented in a digitally made art style, showcasing modern techniques and effects, while invoking the essence of the scripture reference. This includes highlighting key elements like ancient clothing, middle-eastern architecture, and other historically accurate details to provide context to the scene.

Nehemiah 7:13 - "The children of Zattu, eight hundred forty and five."