New Jerusalem Artwork

Explore New Jerusalem through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

2 Chronicles 20:5 - "¶ And Jehoshaphat stood in the congregation of Judah and Jerusalem, in the house of the LORD, before the new court,"

2 Chronicles 20:5 - "¶ And Jehoshaphat stood in the congregation of Judah and Jerusalem, in the house of the LORD, before the new court,"

Revelation 21:1-4 - "Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and there was no longer any sea. I saw the Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband. And I heard a loud voice from the throne saying, “Look! God’s dwelling place is now among the people, and he will dwell with them. They will be his people, and God himself will be with them and be their God. ‘He will wipe every tear from their eyes. There will be no more death’ or mourning or crying or pain, for the old order of things has passed away. " Create a digital artwork representing the passage from Revelation 21:1-4. The scene should depict a new earth and a new heaven, devoid of any sea. The heavenly city of Jerusalem should be portrayed descended from the divine, beautiful like a bride prepared for her wedding. A strong auditory element should be indicated, suggesting the proclamation from the throne, announcing the divine dwelling amongst people. The atmosphere of the image should reflect complete absence of sorrow, mourning, or pain, with hints of a wiped tear - a depiction of an older order giving way to the new.

Revelation 21:1-4 - "Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and there was no longer any sea. I saw the Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband. And I heard a loud voice from the throne saying, “Look! God’s dwelling place is now among the people, and he will dwell with them. They will be his people, and God himself will be with them and be their God. ‘He will wipe every tear from their eyes. There will be no more death’ or mourning or crying or pain, for the old order of things has passed away. "

Zechariah 1:16 - "Therefore thus saith the LORD; I am returned to Jerusalem with mercies: my house shall be built in it, saith the LORD of hosts, and a line shall be stretched forth upon Jerusalem." Visualize a poignant religious scene inspired by Zechariah 1:16 - 'Therefore thus saith the LORD; I am returned to Jerusalem with mercies: my house shall be built in it, saith the LORD of hosts, and a line shall be stretched forth upon Jerusalem.' The scene should showcase Jerusalem with an ethereal atmosphere, a divine presence marking the return, and a new structure symbolizing the house set to be built. The image has an overarching sense of benevolence, mercy, and divine blessing. The style should be modern digital art, rich with vibrant colors and intricate details.

Zechariah 1:16 - "Therefore thus saith the LORD; I am returned to Jerusalem with mercies: my house shall be built in it, saith the LORD of hosts, and a line shall be stretched forth upon Jerusalem."

“But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭Galatians‬ ‭4‬:‭23‬-‭26‬ ‭NKJV‬‬ A detailed portrayal inspired by Galatians 4:23-26 from the New King James Version. The scene symbolising the two covenants: depict one figure, representing the child of the bondwoman born according to the flesh, standing near an emblematic representation of Mount Sinai. Next, depict another figure, representing the child of the freewoman born through promise, standing near an emblematic parallel for Jerusalem. Introduce Mount Sinai and Jerusalem as synonymous with Hagar and the Jerusalem above respectively. Lastly, convey the ultimate freedom of the Jerusalem above being the mother of all. Please render this symbolic representation in the form of digital art.

“But he who was of the bondwoman was born according to the flesh, and he of the freewoman through promise, which things are symbolic. For these are the two covenants: the one from Mount Sinai which gives birth to bondage, which is Hagar— for this Hagar is Mount Sinai in Arabia, and corresponds to Jerusalem which now is, and is in bondage with her children— but the Jerusalem above is free, which is the mother of us all.” ‭‭Galatians‬ ‭4‬:‭23‬-‭26‬ ‭NKJV‬‬

Luke 24:52 - "And they worshipped him, and returned to Jerusalem with great joy:" An interpretation of the biblical scene Luke 24:52 where a group of people are shown worshipping a divine figure and then returning to an ancient city reminiscent of Jerusalem, pulsating with immense joy. The overall mood of the image should be jubilant and reverent. The dominant art style to be used is suggestive of digital art with precise lines, gradients, and vibrant colors, capturing the essence of new-age technology while maintaining the sanctity and historical significance of the scene. Also maintain a sense of diverse representation among the depicted individuals, both in terms of race and gender.

Luke 24:52 - "And they worshipped him, and returned to Jerusalem with great joy:"

Revelation 21:2 - "And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband." Depiction of a biblical event, with the text from Revelation 21:2 - 'And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband.' Visualize a heavenly city descending from the clouds, radiant and beautiful as if it were a bride adorned for her husband. Please use digital rendering techniques for creating this image.

Revelation 21:2 - "And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband."

Revelation 3:12 - "Him that overcometh will I make a pillar in the temple of my God, and he shall go no more out: and I will write upon him the name of my God, and the name of the city of my God, which is new Jerusalem, which cometh down out of heaven from my God: and I will write upon him my new name." Visualize a symbolic interpretation of Revelation 3:12. Show a victorious individual, standing as a pillar in a majestic and cosmic temple, signifying their unwavering faith. They bear the inscription of a celestial name and the name of a radiant city, which symbolizes the new Jerusalem, descending from the heavens. Additional inscriptions hint at a yet-to-be-revealed divine name. Model it in an ethereal, luminescent, and modern digital art style.

Revelation 3:12 - "Him that overcometh will I make a pillar in the temple of my God, and he shall go no more out: and I will write upon him the name of my God, and the name of the city of my God, which is new Jerusalem, which cometh down out of heaven from my God: and I will write upon him my new name."

Revelation 21:1-8 - "Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true.” And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment. The one who conquers will have this heritage, and I will be his God and he will be my son. But as for the cowardly, the faithless, the detestable, as for murderers, the sexually immoral, sorcerers, idolaters, and all liars, their portion will be in the lake that burns with fire and sulfur, which is the second death.”" Visualize a scene from Revelation 21:1-8. Imagine a new heaven and a new earth, as the original versions have disappeared. There is no sea anymore. Picture the holy city, Jerusalem, descending from heaven, adorned like a bride ready for her husband. A loud voice from a throne announces the presence of God among mankind. His tears are being wiped away, and there is no death, mourning, crying, or pain. A figure seated on the throne proclaims that all things are becoming new. These words are considered trustworthy and true. The figure refers to itself as both the beginning and the end. Those who are thirsty are offered water from the spring of life freely. The victorious inherit this glory, with the figure becoming their God. The wicked, however, face a fate in a lake burning with fire and sulfur, described as the second death. Imagine this scene rendered in the medium of digital art.

Revelation 21:1-8 - "Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people, and God himself will be with them as their God. He will wipe away every tear from their eyes, and death shall be no more, neither shall there be mourning, nor crying, nor pain anymore, for the former things have passed away.” And he who was seated on the throne said, “Behold, I am making all things new.” Also he said, “Write this down, for these words are trustworthy and true.” And he said to me, “It is done! I am the Alpha and the Omega, the beginning and the end. To the thirsty I will give from the spring of the water of life without payment. The one who conquers will have this heritage, and I will be his God and he will be my son. But as for the cowardly, the faithless, the detestable, as for murderers, the sexually immoral, sorcerers, idolaters, and all liars, their portion will be in the lake that burns with fire and sulfur, which is the second death.”"

Mark 2:22 - "And no man putteth new wine into old bottles: else the new wine doth burst the bottles, and the wine is spilled, and the bottles will be marred: but new wine must be put into new bottles."

Mark 2:22 - "And no man putteth new wine into old bottles: else the new wine doth burst the bottles, and the wine is spilled, and the bottles will be marred: but new wine must be put into new bottles."

2 Chronicles 36:4 - "And the king of Egypt made Eliakim his brother king over Judah and Jerusalem, and turned his name to Jehoiakim. And Necho took Jehoahaz his brother, and carried him to Egypt." A digitally-rendered historical scene from 2 Chronicles 36:4. Here, the king of Egypt, donning traditional ancient Egyptian regalia, is crowning Eliakim, who is wearing Judah and Jerusalem royal attire. The new king, Jehoiakim, has a look of determination and authority. In the background, Necho, another distinctively dressed figure, is leading Jehoahaz away towards the silhouette of pyramids, symbolizing Egypt. This scene encapsulates the tensions and power dynamics of ancient civilizations.

2 Chronicles 36:4 - "And the king of Egypt made Eliakim his brother king over Judah and Jerusalem, and turned his name to Jehoiakim. And Necho took Jehoahaz his brother, and carried him to Egypt."

Luke 5:36-39 - "He also told them a parable: “No one tears a piece from a new garment and sews it on an old garment; otherwise the new will be torn, and the piece from the new will not match the old. And no one puts new wine into old wineskins; otherwise the new wine will burst the skins and will be spilled, and the skins will be destroyed. But new wine must be put into fresh wineskins. And no one after drinking old wine desires new wine, but says, ‘The old is good.’”" Create a digital art representation of the parable from Luke 5:36-39. Display a scene where a person is attempting to sew a bright, new piece of fabric onto an old, faded garment. Capture the mismatch and eventual ripping of the new fabric. Nearby, illustrate someone pouring vibrant, sparkling new wine into a cracking, aged wineskin, leading to the bursting and spilling of the wine. End the depiction with a contented individual enjoying a cup of aged wine, signifying preference for the old. Make sure to portray an overall sense of the wisdom and lessons encapsulated by the parable.

Luke 5:36-39 - "He also told them a parable: “No one tears a piece from a new garment and sews it on an old garment; otherwise the new will be torn, and the piece from the new will not match the old. And no one puts new wine into old wineskins; otherwise the new wine will burst the skins and will be spilled, and the skins will be destroyed. But new wine must be put into fresh wineskins. And no one after drinking old wine desires new wine, but says, ‘The old is good.’”"

The parable of the New Cloth and New Wine, teaching about renewal and transformation. A respectful and reverential scene portraying a religious figure teaching about the parable of the New Cloth and New Wine, emphasizing themes of renewal and transformation. This figure wear a traditional robe, has long hair, and an aura of peace and wisdom. The scene is set in a pastoral background with people of different ages, backgrounds and genders, listening intently. The style is consistent with the characteristics of the Renaissance period, with detailed, realistic depictions, balanced compositions, and the use of perspective to create depth.

The parable of the New Cloth and New Wine, teaching about renewal and transformation.

Mark 11:1-11 - "As they approached Jerusalem and came to Bethphage and Bethany at the Mount of Olives, Jesus sent two of his disciples, saying to them, "Go to the village ahead of you, and just as you enter it, you will find a colt tied there, which no one has ever ridden. Untie it and bring it here. If anyone asks you, 'Why are you doing this?' say, 'The Lord needs it and will send it back here shortly.'" They went away and found a colt tied at a door outside in the street. As they untied it, some people standing there asked, "What are you doing, untying that colt?" They answered as Jesus had told them to, and the people let them go. When they brought the colt to Jesus and threw their cloaks over it, he sat on it. Many people spread their cloaks on the road, while others spread branches they had cut in the fields. Those who went ahead and those who followed shouted, "Hosanna! Blessed is he who comes in the name of the Lord! Blessed is the coming kingdom of our father David! Hosanna in the highest heaven!" Jesus entered Jerusalem and went into the temple courts. He looked around at everything, but since it was already late, he went out to Bethany with the Twelve." Create a digital art representation of a narrative scene from the New Testament. It's the moment where Jesus and his disciples approach Jerusalem. At the Mount of Olives, two disciples are sent into a village where they find and untie a colt. As they lead the colt back to Jesus, they respond to curious villagers with 'The Lord needs it and will send it back here shortly'. Jesus then rides the colt into Jerusalem as people lay their cloaks on the road and spread branches cut from the fields. The crowd shouts joyously, 'Hosanna! Blessed is he who comes in the name of the Lord! Hosanna in the highest heaven!' Afterward, Jesus tours the temple courts before retiring to Bethany.

Mark 11:1-11 - "As they approached Jerusalem and came to Bethphage and Bethany at the Mount of Olives, Jesus sent two of his disciples, saying to them, "Go to the village ahead of you, and just as you enter it, you will find a colt tied there, which no one has ever ridden. Untie it and bring it here. If anyone asks you, 'Why are you doing this?' say, 'The Lord needs it and will send it back here shortly.'" They went away and found a colt tied at a door outside in the street. As they untied it, some people standing there asked, "What are you doing, untying that colt?" They answered as Jesus had told them to, and the people let them go. When they brought the colt to Jesus and threw their cloaks over it, he sat on it. Many people spread their cloaks on the road, while others spread branches they had cut in the fields. Those who went ahead and those who followed shouted, "Hosanna! Blessed is he who comes in the name of the Lord! Blessed is the coming kingdom of our father David! Hosanna in the highest heaven!" Jesus entered Jerusalem and went into the temple courts. He looked around at everything, but since it was already late, he went out to Bethany with the Twelve."

Luke 5:36-38 - "He also told them a parable: “No one tears a piece from a new garment and sews it on an old garment; otherwise the new will be torn, and the piece from the new will not match the old. And no one puts new wine into old wineskins; otherwise the new wine will burst the skins and will be spilled, and the skins will be destroyed. But new wine must be put into fresh wineskins." Illustrate Luke 5:36-38: A scene displaying an individual trying to sew a piece from a new garment into an old one. The new fabric is tearing away and it's visibly different in pattern compared to the old garment. On another side, show a person attempting to pour new wine into old, frail wineskins, causing them to burst and spill the wine all over. The old wineskins are being destroyed under the strain of the new wine. Conversely, depict a fresh wineskin smoothly accommodating the new wine. Render this scene with bright and distinct digital art.

Luke 5:36-38 - "He also told them a parable: “No one tears a piece from a new garment and sews it on an old garment; otherwise the new will be torn, and the piece from the new will not match the old. And no one puts new wine into old wineskins; otherwise the new wine will burst the skins and will be spilled, and the skins will be destroyed. But new wine must be put into fresh wineskins."

1 Kings 11:29 - "And it came to pass at that time when Jeroboam went out of Jerusalem, that the prophet Ahijah the Shilonite found him in the way; and he had clad himself with a new garment; and they two were alone in the field:"

1 Kings 11:29 - "And it came to pass at that time when Jeroboam went out of Jerusalem, that the prophet Ahijah the Shilonite found him in the way; and he had clad himself with a new garment; and they two were alone in the field:"

Luke 5:38 - "But new wine must be put into new bottles; and both are preserved."

Luke 5:38 - "But new wine must be put into new bottles; and both are preserved."

Matthew 9:16-17 - "No one sews a patch of unshrunk cloth on an old garment, for the patch will pull away from the garment, making the tear worse. Neither do people pour new wine into old wineskins. If they do, the skins will burst; the wine will run out and the wineskins will be ruined. No, they pour new wine into new wineskins, and both are preserved." A digital art depiction of a scene from Matthew 9:16-17. Include an old garment with a patch of unshrunk cloth sewn onto it, showing the moment of pulling away and worsening the tear. Beside it, illustrate an action of pouring new wine into old wineskins, hinting a potential burst. Also depict new wine being carefully poured into new wineskins. Show both the new wine and new wineskins as preserved and in pristine condition.

Matthew 9:16-17 - "No one sews a patch of unshrunk cloth on an old garment, for the patch will pull away from the garment, making the tear worse. Neither do people pour new wine into old wineskins. If they do, the skins will burst; the wine will run out and the wineskins will be ruined. No, they pour new wine into new wineskins, and both are preserved."

Matthew 9:17 - "Neither do men put new wine into old bottles: else the bottles break, and the wine runneth out, and the bottles perish: but they put new wine into new bottles, and both are preserved." Digitally illustrated biblical verse Matthew 9:17. The image shows a new bottle gleaming with a freshness, contrasted against an older, worn-out one. Wine is being poured into the new bottle, catching the light and gleaming with rich, deep shades of red and purple as it fills the new container. Broken shards of an old bottle lie nearby, with wine spilling out of it and seeping into the ground. The scene aims to capture the verse 'Neither do men put new wine into old bottles: else the bottles break, and the wine runneth out, and the bottles perish: but they put new wine into new bottles, and both are preserved.'

Matthew 9:17 - "Neither do men put new wine into old bottles: else the bottles break, and the wine runneth out, and the bottles perish: but they put new wine into new bottles, and both are preserved."

2 Peter 3:13 - "Nevertheless we, according to his promise, look for new heavens and a new earth, wherein dwelleth righteousness." Create a digital art inspired representation of a Bible verse, 2 Peter 3:13 - 'Nevertheless we, according to his promise, look for new heavens and a new earth, wherein dwelleth righteousness.' The scene to be depicted should includes new heavens and a new earth full of divinely inspired righteousness.

2 Peter 3:13 - "Nevertheless we, according to his promise, look for new heavens and a new earth, wherein dwelleth righteousness."

Isaiah 66:22-23 - "For as the new heavens and the new earth that I make shall remain before me, says the Lord, so shall your offspring and your name remain. From new moon to new moon, and from Sabbath to Sabbath, all flesh shall come to worship before me, declares the Lord." A detailed digital art depiction of Isaiah 66:22-23. Visualize a breathtaking celestial landscape portraying the concept of new heavens and a new earth. Across this majestic scene, include a diverse multitude of people from different races and backgrounds representing 'all flesh', gathered to show their admiration and devotion. Capture the cyclical nature of time by showing phases of the moon and the consistent rhythm of Sabbaths. Please abstain from any direct reference to specific religious figures or symbols in accordance with policy guidelines.

Isaiah 66:22-23 - "For as the new heavens and the new earth that I make shall remain before me, says the Lord, so shall your offspring and your name remain. From new moon to new moon, and from Sabbath to Sabbath, all flesh shall come to worship before me, declares the Lord."

Happy new year trinity Illustrate a respectful and devotional representation of the Christian 'Holy Trinity' concept symbolizing the Father, Son, and Holy Spirit to celebrate the New Year. The artwork should be rendered in the medium of watercolor, conveying a sense of spirituality and reverence. Please ensure no text or words are included in the visual depiction.

Happy new year trinity

Happy new year Jesus A respectful and devotional watercolor themed image depicting a figure similar to traditional representations of Jesus celebrating New Year, without any text or words. The figure emits a serene and peaceful aura, with a halo of light above his head. His hands are possibly raised in a gesture of blessing. His garments are simple yet elegant, emphasizing humility. The background suggests a cool, clear New Year's night with sparkles of new year celebrations evident in the night sky.

Happy new year Jesus

Happy new year Jesus Generate a respectful and devotional image depicting a biblical era figure or 'Jesus' welcoming the new year. The image should be in the style of an antique, luminous, and soft watercolor painting. The figure should be depicted in a serene, welcoming posture, embodying peace and hope. There should be elements symbolizing the new year, such as a bright star or other subtle signs of renewal and beginnings, without the use of any text or words to enhance the devotion and spirituality of the scene. The overall mood should be serene and respectful towards Christianity.

Happy new year Jesus

Happy new year trinity Create a respectful and devotional watercolor representation of the Christian concept of the Holy Trinity for a Happy New Year celebration. The artwork should radiate a sense of reverence and tranquility, symbolizing the unity between God the Father, Jesus Christ the Son, and the Holy Spirit. The image should be rich in symbolism but void of literal text or words. Please ensure the setting incorporates emblematic signs of New Year celebrations.

Happy new year trinity

Luke 5:36 - "¶ And he spake also a parable unto them; No man putteth a piece of a new garment upon an old; if otherwise, then both the new maketh a rent, and the piece that was taken out of the new agreeth not with the old." Create a digital art interpretation of a parable from the Bible, specifically Luke 5:36. It depicts a man making the decision not to patch an old garment with a piece of a new garment. If he does so, the new piece will tear and it won't match with the old.

Luke 5:36 - "¶ And he spake also a parable unto them; No man putteth a piece of a new garment upon an old; if otherwise, then both the new maketh a rent, and the piece that was taken out of the new agreeth not with the old."

Happy new year Jesus An honorific and respectful portrait of religious figure, commonly referred to as Jesus, in a silent celebration of New Year. It is done in the medium of watercolor, with soft, blended hues and delicate strokes. Light penetrates the scene from a hidden source, highlighting the serenity and peacefulness of the face. The image is to be entirely visual, without any text or words, and is intended as a devotional piece in line with Christian themes.

Happy new year Jesus

Happy new year Jesus A watercolor-inspired image portraying a respectful and devotional representation of Jesus as he joyfully welcomes the New Year. The art should emanate an aura of peaceful spirituality inherent in Christian traditions, creating a harmonious balance between divine reverence and festive cheer. The image is devoid of any textual elements, relying solely on the visual aesthetics of watercolor to convey emotions and narratives.

Happy new year Jesus

Happy new year Jesus An image depicting a respectful and devotional scene for the Christian faith. Show Jesus Christ, resembling a long-haired, broad-shouldered man in simple robes, celebrating the arrival of the New Year. The setting should be peaceful and joyful. Do not include any text or words in the image. The image should be in the style of a watercolor painting.

Happy new year Jesus

Happy new year Jesus A respectful and devotional watercolor painting of a figure representing Jesus during a New Year celebration. The figure is portrayed in a warm light with an aura of peace and serenity around him. In the background, symbols of the New Year, such as fireworks and festivities, should be visible, capturing the spirit of optimism and new beginnings associated with this time. Please note that no text or words should be included in the image.

Happy new year Jesus

Happy new year Jesus A respectful and devotional scene of New Year with Jesus Christ depicted in a watercolor style, with elegant shades of colors softly blending. The image portrays Jesus in a peaceful manner without any textual or word elements in the scene. The ambiance of the image carries the serene essence and warmth of the New Year and has a spiritual significance associated with Christianity.

Happy new year Jesus