Obadiah Artwork

"The vision of Obadiah. Thus saith the Lord GOD concerning Edom; We have heard a rumour from the LORD, and an ambassador is sent among the heathen, Arise ye, and let us rise up against her in battle." - Obadiah 1:1

Explore Obadiah through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
ObadiahObadiah 1Obadiah 1:1
1 Kings 18:6 - "So they divided the land between them to pass throughout it: Ahab went one way by himself, and Obadiah went another way by himself."

1 Kings 18:6 - "So they divided the land between them to pass throughout it: Ahab went one way by himself, and Obadiah went another way by himself."

Obadiah 1:11 - "In the day that thou stoodest on the other side, in the day that the strangers carried away captive his forces, and foreigners entered into his gates, and cast lots upon Jerusalem, even thou wast as one of them." Visualize Obadiah 1:11 - 'In the day that thou stoodest on the other side, in the day that the strangers carried away captive his forces, and foreigners entered into his gates, and cast lots upon Jerusalem, even thou wast as one of them.' This scene should appear in a highly detailed and realistic style that employs the use of bright colors and intricate details often associated with digital art.

Obadiah 1:11 - "In the day that thou stoodest on the other side, in the day that the strangers carried away captive his forces, and foreigners entered into his gates, and cast lots upon Jerusalem, even thou wast as one of them."

Obadiah 1:5 - "If thieves came to thee, if robbers by night, (how art thou cut off!) would they not have stolen till they had enough? if the grapegatherers came to thee, would they not leave some grapes?"

Obadiah 1:5 - "If thieves came to thee, if robbers by night, (how art thou cut off!) would they not have stolen till they had enough? if the grapegatherers came to thee, would they not leave some grapes?"

1 Kings 18:4 - "For it was so, when Jezebel cut off the prophets of the LORD, that Obadiah took an hundred prophets, and hid them by fifty in a cave, and fed them with bread and water.)"

1 Kings 18:4 - "For it was so, when Jezebel cut off the prophets of the LORD, that Obadiah took an hundred prophets, and hid them by fifty in a cave, and fed them with bread and water.)"

Obadiah 1:14 - "Neither shouldest thou have stood in the crossway, to cut off those of his that did escape; neither shouldest thou have delivered up those of his that did remain in the day of distress." An evocative scene inspired by Obadiah 1:14 - 'Neither shouldest thou have stood in the crossway, to cut off those of his that did escape; neither shouldest thou have delivered up those of his that did remain in the day of distress.' Focus on a crossway scene where people in distress are attempting to escape with desperation, embodied in the expressive visual language of early 20th century European Expressionism, where emotion and psychological intensity reigned supreme, using the primary medium of digital art.

Obadiah 1:14 - "Neither shouldest thou have stood in the crossway, to cut off those of his that did escape; neither shouldest thou have delivered up those of his that did remain in the day of distress."

Obadiah 1:15 - "For the day of the LORD is near upon all the heathen: as thou hast done, it shall be done unto thee: thy reward shall return upon thine own head."

Obadiah 1:15 - "For the day of the LORD is near upon all the heathen: as thou hast done, it shall be done unto thee: thy reward shall return upon thine own head."

Obadiah 1:12 - "But thou shouldest not have looked on the day of thy brother in the day that he became a stranger; neither shouldest thou have rejoiced over the children of Judah in the day of their destruction; neither shouldest thou have spoken proudly in the day of distress." Generate a digital art style interpretation of the biblical verse Obadiah 1:12. The visual interpretation should reflect the contents of the verse - 'But thou shouldest not have looked on the day of thy brother in the day that he became a stranger; neither shouldest thou have rejoiced over the children of Judah in the day of their destruction; neither shouldest thou have spoken proudly in the day of distress.' This portrayal should include symbolic elements that reflect the themes of betrayal, pride, and distress mentioned in the verse.

Obadiah 1:12 - "But thou shouldest not have looked on the day of thy brother in the day that he became a stranger; neither shouldest thou have rejoiced over the children of Judah in the day of their destruction; neither shouldest thou have spoken proudly in the day of distress."

Obadiah 1:16 - "For as ye have drunk upon my holy mountain, so shall all the heathen drink continually, yea, they shall drink, and they shall swallow down, and they shall be as though they had not been." Create a digital art interpretation of the Bible verse, Obadiah 1:16 - 'For as ye have drunk upon my holy mountain, so shall all the heathen drink continually, yea, they shall drink, and they shall swallow down, and they shall be as though they had not been.' The image should bring out the profound immersive feel of the verse, showcasing groups of different people from around the world, of different ethnicities - Caucasians, Hispanics, Blacks, Middle-Eastern, South Asian and East Asian, all drinking in spirituality, symbolized perhaps by a mystical potion, on a sacred mountain. There should be a deep and mystic atmosphere permeating the scene.

Obadiah 1:16 - "For as ye have drunk upon my holy mountain, so shall all the heathen drink continually, yea, they shall drink, and they shall swallow down, and they shall be as though they had not been."

Obadiah 1:18 - "And the house of Jacob shall be a fire, and the house of Joseph a flame, and the house of Esau for stubble, and they shall kindle in them, and devour them; and there shall not be any remaining of the house of Esau; for the LORD hath spoken it."

Obadiah 1:18 - "And the house of Jacob shall be a fire, and the house of Joseph a flame, and the house of Esau for stubble, and they shall kindle in them, and devour them; and there shall not be any remaining of the house of Esau; for the LORD hath spoken it."

Obadiah 1:13 - "Thou shouldest not have entered into the gate of my people in the day of their calamity; yea, thou shouldest not have looked on their affliction in the day of their calamity, nor have laid hands on their substance in the day of their calamity;"

Obadiah 1:13 - "Thou shouldest not have entered into the gate of my people in the day of their calamity; yea, thou shouldest not have looked on their affliction in the day of their calamity, nor have laid hands on their substance in the day of their calamity;"

2 Chronicles 34:12 - "And the men did the work faithfully: and the overseers of them were Jahath and Obadiah, the Levites, of the sons of Merari; and Zechariah and Meshullam, of the sons of the Kohathites, to set it forward; and other of the Levites, all that could skill of instruments of musick."

2 Chronicles 34:12 - "And the men did the work faithfully: and the overseers of them were Jahath and Obadiah, the Levites, of the sons of Merari; and Zechariah and Meshullam, of the sons of the Kohathites, to set it forward; and other of the Levites, all that could skill of instruments of musick."

1 Kings 18:5 - "And Ahab said unto Obadiah, Go into the land, unto all fountains of water, and unto all brooks: peradventure we may find grass to save the horses and mules alive, that we lose not all the beasts."

1 Kings 18:5 - "And Ahab said unto Obadiah, Go into the land, unto all fountains of water, and unto all brooks: peradventure we may find grass to save the horses and mules alive, that we lose not all the beasts."

Obadiah 1:7 - "All the men of thy confederacy have brought thee even to the border: the men that were at peace with thee have deceived thee, and prevailed against thee; they that eat thy bread have laid a wound under thee: there is none understanding in him." A dramatic scene drawn from the biblical book Obadiah 1:7. Depict a group of men who were once allies, betraying the main figure. The image portrays layers of deceit and betrayal - men who were at peace now prevailing against their comrade; allies who shared meals together setting a trap. The main figure appears to be taken aback as he's near a border, symbolizing the brink of despair. The scene lacks understanding, indicating confusion and chaos. Please use the style of the early European Renaissance era, focusing on intricate detail and emotional depth, rendered in digital form.

Obadiah 1:7 - "All the men of thy confederacy have brought thee even to the border: the men that were at peace with thee have deceived thee, and prevailed against thee; they that eat thy bread have laid a wound under thee: there is none understanding in him."

2 Chronicles 34:9-13 - "Then they went to Hilkiah the high priest and gave him the money that had been brought into the temple of God, which the Levites who were the gatekeepers had collected from the people of Manasseh, Ephraim and the entire remnant of Israel and from all the people of Judah and Benjamin and the inhabitants of Jerusalem. They handed it over to the men appointed to supervise the work on the Lord’s temple. These men paid the workers who repaired and restored the temple. They also gave money to the carpenters and builders to purchase dressed stone, and timber for joists and beams for the buildings that the kings of Judah had allowed to fall into ruin. The workers labored faithfully. Over them to direct them were Jahath and Obadiah, Levites descended from Merari, and Zechariah and Meshullam, descendants of Kohath. The Levites—all who were skilled in playing musical instruments— had charge of the laborers and supervised all the workers from job to job. Some of the Levites were secretaries, scribes and gatekeepers." Visualize a scene of religious significance: Devoted Levites collecting funds from the diverse masses of Israel, represented by Caucasian, Black, Hispanic, Middle-Eastern, and South Asian people. They hand over these funds to men who supervise the ambitious restoration of a grand temple, using the money to pay hardworking laborers and to procure materials like dressed stone and timber. Scene includes diligent carpenters, builders and Levites—all skilled in playing musical instruments— supervising and directing workers skilfully. Additional elements depicting some Levites performing roles as secretaries, scribes, and gatekeepers. All this should be conveyed in a style reminiscent of digital art.

2 Chronicles 34:9-13 - "Then they went to Hilkiah the high priest and gave him the money that had been brought into the temple of God, which the Levites who were the gatekeepers had collected from the people of Manasseh, Ephraim and the entire remnant of Israel and from all the people of Judah and Benjamin and the inhabitants of Jerusalem. They handed it over to the men appointed to supervise the work on the Lord’s temple. These men paid the workers who repaired and restored the temple. They also gave money to the carpenters and builders to purchase dressed stone, and timber for joists and beams for the buildings that the kings of Judah had allowed to fall into ruin. The workers labored faithfully. Over them to direct them were Jahath and Obadiah, Levites descended from Merari, and Zechariah and Meshullam, descendants of Kohath. The Levites—all who were skilled in playing musical instruments— had charge of the laborers and supervised all the workers from job to job. Some of the Levites were secretaries, scribes and gatekeepers."