Peter’s Denial Artwork

Explore Peter’s Denial through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Luke 22:54-71 - "Then seizing him, they led him away and took him into the house of the high priest. Peter followed at a distance. And when some there had kindled a fire in the middle of the courtyard and had sat down together, Peter sat down with them. A servant girl saw him seated there in the firelight. She looked closely at him and said, “This man was with him.” But he denied it. “Woman, I don’t know him,” he said. A little later someone else saw him and said, “You also are one of them.” “Man, I am not!” Peter replied. About an hour later another asserted, “Certainly this fellow was with him, for he is a Galilean.” Peter replied, “Man, I don’t know what you’re talking about!” Just as he was speaking, the rooster crowed. The Lord turned and looked at Peter. Then Peter remembered the word the Lord had spoken to him: “Before the rooster crows today, you will disown me three times.” And he went outside and wept bitterly. The men who were guarding Jesus began mocking and beating him. They blindfolded him and demanded, “Prophesy! Who hit you?” And they said many other insulting things to him. At daybreak the council of the elders of the people, both the chief priests and the teachers of the law, met together, and Jesus was led before them. “If you are the Messiah,” they said, “tell us.” Jesus answered, “If I tell you, you will not believe me, and if I asked you, you would not answer. But from now on, the Son of Man will be seated at the right hand of the mighty God.” They all asked, “Are you then the Son of God?” He replied, “You say that I am.” Then they said, “Why do we need any more testimony? We have heard it from his own lips.”" Create an emotional scene showing the interaction between Jesus and his disciples during biblical times. Various key moments should be included, such as Peter's denial of Jesus thrice as foretold, the crowing of the rooster which prompts Peter's remembrance and bitter remorse, Jesus being mocked and beaten by the guards, and the confrontation before the elders where Jesus makes his affirmation. The scene should be set in and around the house of the high priest, with a fire in the courtyard highlighting the faces of the characters. The art should be conveyed in a digital format.

Luke 22:54-71 - "Then seizing him, they led him away and took him into the house of the high priest. Peter followed at a distance. And when some there had kindled a fire in the middle of the courtyard and had sat down together, Peter sat down with them. A servant girl saw him seated there in the firelight. She looked closely at him and said, “This man was with him.” But he denied it. “Woman, I don’t know him,” he said. A little later someone else saw him and said, “You also are one of them.” “Man, I am not!” Peter replied. About an hour later another asserted, “Certainly this fellow was with him, for he is a Galilean.” Peter replied, “Man, I don’t know what you’re talking about!” Just as he was speaking, the rooster crowed. The Lord turned and looked at Peter. Then Peter remembered the word the Lord had spoken to him: “Before the rooster crows today, you will disown me three times.” And he went outside and wept bitterly. The men who were guarding Jesus began mocking and beating him. They blindfolded him and demanded, “Prophesy! Who hit you?” And they said many other insulting things to him. At daybreak the council of the elders of the people, both the chief priests and the teachers of the law, met together, and Jesus was led before them. “If you are the Messiah,” they said, “tell us.” Jesus answered, “If I tell you, you will not believe me, and if I asked you, you would not answer. But from now on, the Son of Man will be seated at the right hand of the mighty God.” They all asked, “Are you then the Son of God?” He replied, “You say that I am.” Then they said, “Why do we need any more testimony? We have heard it from his own lips.”"

Matthew 26:57-75 - "And those who had arrested Jesus took him to Caiaphas the high priest, where the teachers of the law and the elders had assembled. But Peter followed him at a distance, right up to the courtyard of the high priest. He entered and sat down with the guards to see the outcome. The chief priests and the whole Sanhedrin were looking for false evidence against Jesus so that they could put him to death. But they did not find any, though many false witnesses came forward. Finally two came forward and declared, “This fellow said, ‘I am able to destroy the temple of God and rebuild it in three days.’” Then the high priest stood up and said to Jesus, "Are you not going to answer? What is this testimony that these men are bringing against you?" But Jesus remained silent. The high priest said to him, “I charge you under oath by the living God: Tell us if you are the Messiah, the Son of God.” “You have said so,” Jesus replied. “But I say to all of you: From now on you will see the Son of Man sitting at the right hand of the Mighty One and coming on the clouds of heaven." Then the high priest tore his clothes and said, “He has spoken blasphemy! Why do we need any more witnesses? Look, now you have heard the blasphemy. What do you think?” “He is worthy of death,” they answered. Then they spit in his face and struck him with their fists. Others slapped him and said, “Prophesy to us, Messiah. Who hit you?” Now Peter was sitting out in the courtyard, and a servant girl came to him. "You also were with Jesus of Galilee," she said. But he denied it before them all. "I don't know what you're talking about," he said. Then he went out to the gateway, where another servant girl saw him and said to the people there, "This fellow was with Jesus of Nazareth." He denied it again, with an oath: "I don't know the man!" After a little while, those standing there went up to Peter and said, "Surely you are one of them; your accent gives you away." Then he began to call down curses, and he swore to them, "I don't know the man!" Immediately a rooster crowed. Then Peter remembered the word Jesus had spoken: "Before the rooster crows, you will disown me three times." And he went outside and wept bitterly." Create a digital art representation of a biblical setting from Matthew 26:57-75. The scene should depict a courtyard where Jesus has been brought before Caiaphas, the High Priest. Other characters include the teachers of the law, elders, guards, and Peter, who is observing from a distance. Elements to include are: the tense discourse, Jesus' calm demeanor amidst false accusations, the High Priest's outrage, the crowd's reactions, and a rooster signifying Peter's realization of his denial. The atmosphere should reflect a night setting, an intense, hushed discussion, and Peter's denial leading to bitter remorse.

Matthew 26:57-75 - "And those who had arrested Jesus took him to Caiaphas the high priest, where the teachers of the law and the elders had assembled. But Peter followed him at a distance, right up to the courtyard of the high priest. He entered and sat down with the guards to see the outcome. The chief priests and the whole Sanhedrin were looking for false evidence against Jesus so that they could put him to death. But they did not find any, though many false witnesses came forward. Finally two came forward and declared, “This fellow said, ‘I am able to destroy the temple of God and rebuild it in three days.’” Then the high priest stood up and said to Jesus, "Are you not going to answer? What is this testimony that these men are bringing against you?" But Jesus remained silent. The high priest said to him, “I charge you under oath by the living God: Tell us if you are the Messiah, the Son of God.” “You have said so,” Jesus replied. “But I say to all of you: From now on you will see the Son of Man sitting at the right hand of the Mighty One and coming on the clouds of heaven." Then the high priest tore his clothes and said, “He has spoken blasphemy! Why do we need any more witnesses? Look, now you have heard the blasphemy. What do you think?” “He is worthy of death,” they answered. Then they spit in his face and struck him with their fists. Others slapped him and said, “Prophesy to us, Messiah. Who hit you?” Now Peter was sitting out in the courtyard, and a servant girl came to him. "You also were with Jesus of Galilee," she said. But he denied it before them all. "I don't know what you're talking about," he said. Then he went out to the gateway, where another servant girl saw him and said to the people there, "This fellow was with Jesus of Nazareth." He denied it again, with an oath: "I don't know the man!" After a little while, those standing there went up to Peter and said, "Surely you are one of them; your accent gives you away." Then he began to call down curses, and he swore to them, "I don't know the man!" Immediately a rooster crowed. Then Peter remembered the word Jesus had spoken: "Before the rooster crows, you will disown me three times." And he went outside and wept bitterly."

Matthew 8:14 - "¶ And when Jesus was come into Peter's house, he saw his wife's mother laid, and sick of a fever." Recreate a scene from the Bible's Matthew 8:14 where Jesus enters Peter's house and sees Peter's mother-in-law ill with a fever. The style should be interpreted in a modern context, and the image composed as if it were created with digital art mediums.

Matthew 8:14 - "¶ And when Jesus was come into Peter's house, he saw his wife's mother laid, and sick of a fever."

John 6:8 - "One of his disciples, Andrew, Simon Peter's brother, saith unto him,"

John 6:8 - "One of his disciples, Andrew, Simon Peter's brother, saith unto him,"

John 1:40 - "One of the two which heard John speak, and followed him, was Andrew, Simon Peter's brother." Illustrate the scene from biblical verse, John 1:40: 'One of the two which heard John speak, and followed him, was Andrew, Simon Peter's brother.' Render this scene with a clear focus on the figures of John, speaking passionately, and Andrew, attentively listening and following him. Highlight the ancient setting of the biblical era with elements like traditional robes, architecture, and muted, earthy colors, employing digital art techniques for clean lines and smooth shading.

John 1:40 - "One of the two which heard John speak, and followed him, was Andrew, Simon Peter's brother."

Luke 9:23 - "¶ And he said to them all, If any man will come after me, let him deny himself, and take up his cross daily, and follow me." Create an intricate digital art interpretation of the biblical passage Luke 9:23. The image should depict a man of undetermined descent showing an act of self-denial and visibly carrying a symbolic cross daily, while following a figure representing a spiritual leader, highlighting the essence of discipleship.

Luke 9:23 - "¶ And he said to them all, If any man will come after me, let him deny himself, and take up his cross daily, and follow me."

1 John 2:22 - "Who is a liar but he that denieth that Jesus is the Christ? He is antichrist, that denieth the Father and the Son." A digital art depiction of a powerful scripture passage from 1 John 2:22 - 'Who is a liar but he that denieth that Jesus is the Christ? He is antichrist, that denieth the Father and the Son.' The image should convey the profound question about truth and denial with appropriate symbols and symbolic colors.

1 John 2:22 - "Who is a liar but he that denieth that Jesus is the Christ? He is antichrist, that denieth the Father and the Son."

Acts 12:14 - "And when she knew Peter's voice, she opened not the gate for gladness, but ran in, and told how Peter stood before the gate."

Acts 12:14 - "And when she knew Peter's voice, she opened not the gate for gladness, but ran in, and told how Peter stood before the gate."

Psalms 78:56 - "Yet they tempted and provoked the most high God, and kept not his testimonies:" A representation of Psalms 78:56 - 'Yet they tempted and provoked the most high God, and kept not his testimonies:' portrayed using techniques commonly associated with digital art. The visual interpretation will include a symbolic representation of temptation and provocation directed towards a higher power, along with the denial of faith symbolically represented by ignored testimonies.

Psalms 78:56 - "Yet they tempted and provoked the most high God, and kept not his testimonies:"

Luke 13:25 - "When once the master of the house is risen up, and hath shut to the door, and ye begin to stand without, and to knock at the door, saying, Lord, Lord, open unto us; and he shall answer and say unto you, I know you not whence ye are:" Envision a biblical scene inspired by Luke 13:25. Picture a large, grand house; the master of the house has arisen and closed the door. There are people standing outside, knocking and pleading for him to open the door. Despite their pleas, his response is an aloof denial of recognition, creating strong, emotional tension. Render this scene as a digital art, capturing the profound emotion and depth of the scenario.

Luke 13:25 - "When once the master of the house is risen up, and hath shut to the door, and ye begin to stand without, and to knock at the door, saying, Lord, Lord, open unto us; and he shall answer and say unto you, I know you not whence ye are:"

Luke 22:61 - "And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice." Illustrate Luke 22:61, which describes a poignant moment when the Lord turns and looks at Peter. Peter then is reminded of the Lord's prediction that Peter would deny him thrice before the crowing of a rooster. The image should echo this profound emotional exchange, with the Lord facing Peter and an undercurrent of profound regret in Peter's expression. Make the art mimic the characteristics common in digital art, such as vibrant colours, clean lines, and a polished final impact.

Luke 22:61 - "And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice."

Acts 3:6-7 A scene from Acts 3:6-7 of the Bible rendered in the medium of watercolor. The scene includes the apostle Peter standing in front of a man who is lame from birth. Peter is extending his right hand towards the man, and their surroundings indicate a historical city street. Peter's facial expressions show determination and faith, while the man on the ground, surprised, starts to realize he can stand. The entire scene is filled with a sense of magic and wonder.

Acts 3:6-7

Luke 22:57 - "And he denied him, saying, Woman, I know him not." Create a digital art representation of a scene from Luke 22:57. The scene includes two main figures: a man with Middle-Eastern descent and a woman with South Asian descent. The man is denying knowledge of someone, expressing his denial with an earnest look on his face. The woman listens to the man's proclamation, with an expression of query and uncertainty. The atmosphere proxies an ancient Middle-Eastern background.

Luke 22:57 - "And he denied him, saying, Woman, I know him not."

Acts 10:25 - "And as Peter was coming in, Cornelius met him, and fell down at his feet, and worshipped him." A Biblical scene inspired by Acts 10:25 - 'And as Peter was coming in, Cornelius met him, and fell down at his feet, and worshipped him.' Depict Peter with a dark beard and involving, humble appearance, with clothing typical of the period. Cornelius is portrayed as a Caucasian Roman soldier, his armor gleaming, kneeling in a worshipful stance at Peter's feet. Render the environment to convey a historic religious atmosphere with Roman architecture around. The style should be modern, using vivid digital color palettes and digital brush strokes.

Acts 10:25 - "And as Peter was coming in, Cornelius met him, and fell down at his feet, and worshipped him."

Acts 12:11 - "And when Peter was come to himself, he said, Now I know of a surety, that the Lord hath sent his angel, and hath delivered me out of the hand of Herod, and from all the expectation of the people of the Jews." An allegorical digitally illustrated scene showing a moment of spiritual revelation based on Acts 12:11. Portray Peter, an elderly man with a thoughtful expression, sitting down, eyes wide in awe. A divine and luminous angel figure is showing pointing to the exit, indicating rescue from danger, as if delivering Peter from an unseen threat. Also illustrate the darker figures standing in the distant shadows, representing the expectations of the people. Let the scene be filled with soft light contrasting with the dark corners, embodying the moment of divine intervention in Peter's life.

Acts 12:11 - "And when Peter was come to himself, he said, Now I know of a surety, that the Lord hath sent his angel, and hath delivered me out of the hand of Herod, and from all the expectation of the people of the Jews."

Mark 14:72 - "And the second time the cock crew. And Peter called to mind the word that Jesus said unto him, Before the cock crow twice, thou shalt deny me thrice. And when he thought thereon, he wept." A dramatic digital artwork portraying a scene from the Bible: Mark 14:72. Peter, a Middle-Eastern man with a thick beard, is shown in the center of the scene. It's dawn, and a rooster in the background crows for the second time. Peter recalls the prophecy Jesus had told him - 'Before the cock crow twice, thou shalt deny me thrice.' The realization of his denial brings tears to his eyes. The color palette used is bold and expressive, matching the intensity of the portrayed emotions, and the digital style adds a modern touch to this classic story.

Mark 14:72 - "And the second time the cock crew. And Peter called to mind the word that Jesus said unto him, Before the cock crow twice, thou shalt deny me thrice. And when he thought thereon, he wept."

Psalms 78:22 - "Because they believed not in God, and trusted not in his salvation:" Visualize an artistic rendition of Psalms 78:22, which states, 'Because they believed not in God, and trusted not in his salvation.' This should be an interpretation in a style similar to the descriptive, precise, and vibrant nature of digital art. The scene should convey the skepticism of some individuals about divine beliefs and the concept of salvation, imbuing the overall image with a sense of questioning or denial. It should use bright and contrasting colors to create visual interest, emphasizing the modern medium of digital art. Please explore these themes deeply, but keep it respectful.

Psalms 78:22 - "Because they believed not in God, and trusted not in his salvation:"

Jude 1:4 - "For there are certain men crept in unawares, who were before of old ordained to this condemnation, ungodly men, turning the grace of our God into lasciviousness, and denying the only Lord God, and our Lord Jesus Christ." An abstract representation of the biblical verse Jude 1:4. Focus on depicting 'certain men' who have deceitfully infiltrated a group, and in their ungodliness, have manipulated divine grace into inappropriate indulgence, while denying the existence of a singular divinity and a revered spiritual figure. The men could appear grotesquely twisted, signifying their perversion of grace, with a desaturation of color to hint at their denial of divinity. Let the background hint at a divine presence with golden hues, disrupted by the 'ungodly men'. Interpret and complete this in a digital art medium.

Jude 1:4 - "For there are certain men crept in unawares, who were before of old ordained to this condemnation, ungodly men, turning the grace of our God into lasciviousness, and denying the only Lord God, and our Lord Jesus Christ."

Acts 5:1-10 - "But a man named Ananias, with his wife Sapphira, sold a piece of property, and with his wife's knowledge he kept back for himself some of the proceeds and brought only a part of it and laid it at the apostles' feet. But Peter said, "Ananias, why has Satan filled your heart to lie to the Holy Spirit and to keep back for yourself part of the proceeds of the land? While it remained unsold, did it not remain your own? And after it was sold, was it not at your disposal? Why is it that you have contrived this deed in your heart? You have not lied to man but to God." When Ananias heard these words, he fell down and breathed his last. And great fear came upon all who heard of it. The young men rose and wrapped him up and carried him out and buried him. After an interval of about three hours his wife came in, not knowing what had happened. And Peter said to her, "Tell me whether you sold the land for so much." And she said, "Yes, for so much." But Peter said to her, "How is it that you have agreed together to test the Spirit of the Lord? Behold, the feet of those who have buried your husband are at the door, and they will carry you out." Immediately she fell down at his feet and breathed her last. When the young men came in they found her dead, and they carried her out and buried her beside her husband." An intense scene from ancient times: A Middle-Eastern man named Ananias and his wife, Sapphira, sell a piece of property but keep part of the proceeds. They lay the rest at the feet of the apostles. Another man, Peter, confronts them about their lie. Upon hearing Peter's words, Ananias falls to the ground and dies. Later, his wife comes in, and after a similar confrontation with Peter, she too falls and breathes her last. Young men find her and carry her out to be buried next to her husband. The scene carries an air of great fear and awe. The style is akin to digital art.

Acts 5:1-10 - "But a man named Ananias, with his wife Sapphira, sold a piece of property, and with his wife's knowledge he kept back for himself some of the proceeds and brought only a part of it and laid it at the apostles' feet. But Peter said, "Ananias, why has Satan filled your heart to lie to the Holy Spirit and to keep back for yourself part of the proceeds of the land? While it remained unsold, did it not remain your own? And after it was sold, was it not at your disposal? Why is it that you have contrived this deed in your heart? You have not lied to man but to God." When Ananias heard these words, he fell down and breathed his last. And great fear came upon all who heard of it. The young men rose and wrapped him up and carried him out and buried him. After an interval of about three hours his wife came in, not knowing what had happened. And Peter said to her, "Tell me whether you sold the land for so much." And she said, "Yes, for so much." But Peter said to her, "How is it that you have agreed together to test the Spirit of the Lord? Behold, the feet of those who have buried your husband are at the door, and they will carry you out." Immediately she fell down at his feet and breathed her last. When the young men came in they found her dead, and they carried her out and buried her beside her husband."

Acts 3:13 - "The God of Abraham, and of Isaac, and of Jacob, the God of our fathers, hath glorified his Son Jesus; whom ye delivered up, and denied him in the presence of Pilate, when he was determined to let him go." An illustrative, digital art interpretation of a scene inspired by Acts 3:13 from the Bible. In this scene, there are key characters such as the god of Abraham, Isaac, and Jacob, along with his glorified son, all depicted as ethereal, sublime entities. They are seen in a moment of divine glorification, with a celestial light capturing their profound energy. Also in the image's foreground, anonymous crowd members are captured in the act of denial, their faces turned away. In the background, an indistinct figure, representative of authority, who embodies a moment of decision making inaction to let go of the son.

Acts 3:13 - "The God of Abraham, and of Isaac, and of Jacob, the God of our fathers, hath glorified his Son Jesus; whom ye delivered up, and denied him in the presence of Pilate, when he was determined to let him go."

Matthew 26:72 - "And again he denied with an oath, I do not know the man." Matthew 26:72 - 'And again he denied with an oath, I do not know the man.' Render this biblical scene in a modern digital art style, incorporating vivid colors, sharp lines, and high contrast. The scene should have a dramatic feel, highlighting the emotion and tension of the denial. The visual narrative should ideally center on a figure in the process of making an oath, with a confused and unknowing expression directed towards an unknown man. The spectacle should capture both the physical and emotional distance between the two figures.

Matthew 26:72 - "And again he denied with an oath, I do not know the man."

Matthew 14:29-31 - "He said, "Come." So Peter got out of the boat and walked on the water and came to Jesus. But when he saw the wind, he was afraid, and beginning to sink he cried out, "Lord, save me." Jesus immediately reached out his hand and took hold of him, saying to him, "O you of little faith, why did you doubt?"" Generate an image in a digital art style that matches the narration in Matthew 14:29-31 from the Bible. Picture this: a man, presumably Peter, with Middle-Eastern descent, stepping out of a small boat onto a turbulent sea, as if walking on water. His face expresses a mixture of fear and awe, reflecting his intentions as he steps towards Jesus. At a distance, representing Jesus, is another Middle-Eastern man with outstretched arms, ready to rescue Peter. The sea around them grows turbulent, symbolizing Peter's rising fear as he begins to doubt his faith. The sky above them is dark and stormy, but the figure of Jesus remains a beacon of light and hope amidst the chaos.

Matthew 14:29-31 - "He said, "Come." So Peter got out of the boat and walked on the water and came to Jesus. But when he saw the wind, he was afraid, and beginning to sink he cried out, "Lord, save me." Jesus immediately reached out his hand and took hold of him, saying to him, "O you of little faith, why did you doubt?""

Luke 11:11 - "If a son shall ask bread of any of you that is a father, will he give him a stone? or if he ask a fish, will he for a fish give him a serpent?" Visualize a biblical scene inspired by Luke 11:11 - 'If a son shall ask bread of any of you that is a father, will he give him a stone? or if he ask a fish, will he for a fish give him a serpent?'. The scene portrays a father and son in a rustic setting, the son looking earnestly towards his father with a loaf of bread and a fish in each of his small hands. The father, standing across from him, hands outstretched, presents a stone and a serpent, symbols of denial and danger respectively. The surrounding environment is calm, with pastoral features such as rolling fields or a calm sea. Create this vision in a modern, digital art form.

Luke 11:11 - "If a son shall ask bread of any of you that is a father, will he give him a stone? or if he ask a fish, will he for a fish give him a serpent?"

John 18:17 - "Then saith the damsel that kept the door unto Peter, Art not thou also one of this man's disciples? He saith, I am not." A dramatic scene based on a biblical narrative from John 18:17. A doorway stands as the central focus of the composition, bathed in soft yet mysterious light. A young woman, perhaps with olive skin and dark hair, is depicted interacting with a man, Peter, who could be visualized as a Middle Eastern, robust, bearded individual. The lady, the keeper of the door, questions him, a sense of intrigue and uncertainty on her face. Peter, on his part, denies being a disciple, his facial expression portraying denial and fear. Render this scene with high contrast, emphasizing on light and shadow, reminiscent the chiaroscuro technique used during the Baroque period. The style of the art should emulate the feel of a digital painting.

John 18:17 - "Then saith the damsel that kept the door unto Peter, Art not thou also one of this man's disciples? He saith, I am not."

Luke 9:23-24 - "Then he said to them all: “Whoever wants to be my disciple must deny themselves and take up their cross daily and follow me. For whoever wants to save their life will lose it, but whoever loses their life for me will save it." Create a digital art representation of a motif inspired by Luke 9:23-24 - 'Then he said to them all: “Whoever wants to be my disciple must deny themselves and take up their cross daily and follow me. For whoever wants to save their life will lose it, but whoever loses their life for me will save it.' Set the scene in a serene landscape at dawn, with figures of diverse descents and genders carrying symbolic crosses representing their self-denials and willingness to follow a great cause. The figures move towards a bright light, symbolizing the mentioned salvation.

Luke 9:23-24 - "Then he said to them all: “Whoever wants to be my disciple must deny themselves and take up their cross daily and follow me. For whoever wants to save their life will lose it, but whoever loses their life for me will save it."

John 21:1-14 - "After these things Jesus showed Himself again to the disciples at the Sea of Tiberias, and in this way He showed Himself: Simon Peter, Thomas called the Twin, Nathanael of Cana in Galilee, the sons of Zebedee, and two others of His disciples were together. Simon Peter said to them, “I am going fishing.” They said to him, “We are going with you also.” They went out and immediately got into the boat, and that night they caught nothing. But when the morning had now come, Jesus stood on the shore; yet the disciples did not know that it was Jesus. Then Jesus said to them, “Children, have you any food?” They answered Him, “No.” And He said to them, “Cast the net on the right side of the boat, and you will find some.” So they cast, and now they were not able to draw it in because of the multitude of fish. Therefore that disciple whom Jesus loved said to Peter, “It is the Lord!” Now when Simon Peter heard that it was the Lord, he put on his outer garment (for he had removed it), and plunged into the sea. But the other disciples came in the little boat (for they were not far from land, but about two hundred cubits), dragging the net with fish. Then, as soon as they had come to land, they saw a fire of coals there, and fish laid on it, and bread. Jesus said to them, “Bring some of the fish which you have just caught.” Simon Peter went up and dragged the net to land, full of large fish, one hundred and fifty-three; and although there were so many, the net was not broken. Jesus said to them, “Come and eat breakfast.” Yet none of the disciples dared ask Him, “Who are You?”—knowing that it was the Lord. Jesus then came and took the bread and gave it to them, and likewise the fish. This is now the third time Jesus showed Himself to His disciples after He was raised from the dead." Depict a digital art style scene based on John 21:1-14 from the Bible. Feature the disciples on a boat in the Sea of Tiberias, Simon Peter, Thomas called the Twin, Nathanael of Cana in Galilee, the sons of Zebedee, and other disciples. Capture their unsuccessful night of fishing and the morning arrival of an unrecognized figure on the shore. Show the moment they cast their nets on the right side of the boat, leading to an abundance of fish. Highlight Simon Peter's perfect plunge into the sea on realizing it is the Lord. Include the little boat dragging the fish-filled net to land. Around a fire of coals, depict fish and bread ready to be served and the figure, known to be Lord, offering them bread and fish. Finally, represent the touching silence marked by their awareness of the Lord's presence despite their lack of direct inquiry.

John 21:1-14 - "After these things Jesus showed Himself again to the disciples at the Sea of Tiberias, and in this way He showed Himself: Simon Peter, Thomas called the Twin, Nathanael of Cana in Galilee, the sons of Zebedee, and two others of His disciples were together. Simon Peter said to them, “I am going fishing.” They said to him, “We are going with you also.” They went out and immediately got into the boat, and that night they caught nothing. But when the morning had now come, Jesus stood on the shore; yet the disciples did not know that it was Jesus. Then Jesus said to them, “Children, have you any food?” They answered Him, “No.” And He said to them, “Cast the net on the right side of the boat, and you will find some.” So they cast, and now they were not able to draw it in because of the multitude of fish. Therefore that disciple whom Jesus loved said to Peter, “It is the Lord!” Now when Simon Peter heard that it was the Lord, he put on his outer garment (for he had removed it), and plunged into the sea. But the other disciples came in the little boat (for they were not far from land, but about two hundred cubits), dragging the net with fish. Then, as soon as they had come to land, they saw a fire of coals there, and fish laid on it, and bread. Jesus said to them, “Bring some of the fish which you have just caught.” Simon Peter went up and dragged the net to land, full of large fish, one hundred and fifty-three; and although there were so many, the net was not broken. Jesus said to them, “Come and eat breakfast.” Yet none of the disciples dared ask Him, “Who are You?”—knowing that it was the Lord. Jesus then came and took the bread and gave it to them, and likewise the fish. This is now the third time Jesus showed Himself to His disciples after He was raised from the dead."

Acts 9:36-39 - "In Joppa there was a disciple named Tabitha (in Greek her name is Dorcas); she was always doing good and helping the poor. About that time she became sick and died, and her body was washed and placed in an upstairs room. Lydda was near Joppa; so when the disciples heard that Peter was in Lydda, they sent two men to him and urged him, “Please come at once!” Peter went with them, and when he arrived he was taken upstairs to the room. All the widows stood around him, crying and showing him the robes and other clothing that Dorcas had made while she was still with them." Visualize a scene inspired by Acts 9:36-39. Show a city setting called Joppa with two distinct areas - one illustrating a room where a woman named Tabitha, also known as Dorcas, resided. Convey her goodness and her actions of helping the poor by depicting items like robes or other clothing she had crafted. Symbolize her passing with her body placed in the room. Nearby this, include the city of Lydda. Highlight the urgency of the disciples who sent two individuals to a man named Peter, who was in Lydda. Illustrate Peter's journey and his arrival to the room where Tabitha resided. Surround him with a group of crying widows, holding the clothes crafted by Dorcas. Convey this narrative in a digital art form.

Acts 9:36-39 - "In Joppa there was a disciple named Tabitha (in Greek her name is Dorcas); she was always doing good and helping the poor. About that time she became sick and died, and her body was washed and placed in an upstairs room. Lydda was near Joppa; so when the disciples heard that Peter was in Lydda, they sent two men to him and urged him, “Please come at once!” Peter went with them, and when he arrived he was taken upstairs to the room. All the widows stood around him, crying and showing him the robes and other clothing that Dorcas had made while she was still with them."

1 Peter‬ ‭5‬:‭6‬ Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time. A watercolor painting showcasing a scene of devout worship in the Christian faith. Across the scene, individuals are portrayed embodying humility before a divine, mighty hand that hovers in the sky, sending an unspoken promise of lifting them when the time is right. The painting should exude an atmosphere of devotion and respect to Christianity, symbolic of 1 Peter 5:6, without the use of any text or words.

1 Peter‬ ‭5‬:‭6‬ Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time.

1 Peter‬ ‭5‬:‭6‬ Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time. A respectful and devotional Christian scene, represented in watercolor style: a humble person with mixed Middle-Eastern and Caucasian descent is beneath a powerful, large hand signifying God. The person shows signs of humility, perhaps by kneeling or bowing their head, while the mighty hand appears supportive, ready to lift the person when the time is right. The setting for this moment could be an abstract or symbolic environment, perhaps with soft, spiritual light pouring down, alluding to the divine presence. No text or words present in the image.

1 Peter‬ ‭5‬:‭6‬ Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time.

1 Peter‬ ‭5‬:‭6‬ Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time. An image that symbolizes the verse from '1 Peter 5:6' in the Holy Bible: 'Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time.' The scene should represent the humility of humanity represented by diverse individuals (Caucasian woman, Black man, Hispanic child, etc.), underneath the representation of God's hand reaching down from the heavens. They should be depicted in a hopeful posture as if they are about to be lifted up. The artwork should be in the style of watercolor, embodying the aesthetic of respect and devotion to Christianity.

1 Peter‬ ‭5‬:‭6‬ Humble yourselves, therefore, under God’s mighty hand, that he may lift you up in due time.