Shadrach, Meshach, And Abednego Artwork

Explore Shadrach, Meshach, And Abednego through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Daniel 3:30 - "Then the king promoted Shadrach, Meshach, and Abed-nego, in the province of Babylon." A historical scene based on Daniel 3:30 from the Bible. Depict the figures of Shadrach, Meshach, and Abed-nego amidst ancient Babylonian architecture. They appear elevated, symbolizing their promotion by the king. The image should present fine details, vivid contrasting colors and a blend of reality and abstract representation, capturing the momentous event in a dramatic fashion, akin to the stylings of digital art.

Daniel 3:30 - "Then the king promoted Shadrach, Meshach, and Abed-nego, in the province of Babylon."

Daniel 3:26 - "¶ Then Nebuchadnezzar came near to the mouth of the burning fiery furnace, and spake, and said, Shadrach, Meshach, and Abed-nego, ye servants of the most high God, come forth, and come hither. Then Shadrach, Meshach, and Abed-nego, came forth of the midst of the fire."

Daniel 3:26 - "¶ Then Nebuchadnezzar came near to the mouth of the burning fiery furnace, and spake, and said, Shadrach, Meshach, and Abed-nego, ye servants of the most high God, come forth, and come hither. Then Shadrach, Meshach, and Abed-nego, came forth of the midst of the fire."

Daniel 3:16 - "Shadrach, Meshach, and Abed-nego, answered and said to the king, O Nebuchadnezzar, we are not careful to answer thee in this matter."

Daniel 3:16 - "Shadrach, Meshach, and Abed-nego, answered and said to the king, O Nebuchadnezzar, we are not careful to answer thee in this matter."

Daniel 3:23 - "And these three men, Shadrach, Meshach, and Abed-nego, fell down bound into the midst of the burning fiery furnace."

Daniel 3:23 - "And these three men, Shadrach, Meshach, and Abed-nego, fell down bound into the midst of the burning fiery furnace."

Daniel 3:12 - "There are certain Jews whom thou hast set over the affairs of the province of Babylon, Shadrach, Meshach, and Abed-nego; these men, O king, have not regarded thee: they serve not thy gods, nor worship the golden image which thou hast set up." Illustrate a biblical scene inspired by Daniel 3:12. Showcase three Jewish men, namely Shadrach, Meshach, and Abed-nego, who are shown as officials in the province of Babylon. They are facing a golden idol, defying the king's orders to worship it. Please generate the image with characteristics common in digital art, such as sharp lines, vibrant colors, and detailed textures.

Daniel 3:12 - "There are certain Jews whom thou hast set over the affairs of the province of Babylon, Shadrach, Meshach, and Abed-nego; these men, O king, have not regarded thee: they serve not thy gods, nor worship the golden image which thou hast set up."

Daniel 3:13 - "¶ Then Nebuchadnezzar in his rage and fury commanded to bring Shadrach, Meshach, and Abed-nego. Then they brought these men before the king." Create an image illustrating a scene from the biblical narrative - Daniel chapter 3, verse 13. It features an ancient Mesopotamian king in a state of anger and fury, ordering Shadrach, Meshach, and Abed-nego to be brought before him. Recreate this intense and gripping moment with sharp contrasts and vibrant colors that are often seen in digital art.

Daniel 3:13 - "¶ Then Nebuchadnezzar in his rage and fury commanded to bring Shadrach, Meshach, and Abed-nego. Then they brought these men before the king."

Daniel 3:22 - "Therefore because the king's commandment was urgent, and the furnace exceeding hot, the flame of the fire slew those men that took up Shadrach, Meshach, and Abed-nego." Render a dramatic scene based on the biblical passage Daniel 3:22. Visualize a circumstance where urgent royal orders lead to an intensely heated furnace. This fiery blaze is so immense that it ends the lives of the men tasked with placing Shadrach, Meshach, and Abed-nego inside it. The characters in the scene should be cloaked in attire fitting of the period. Convey the raw power of these elements in a stark, contemporary digital art style.

Daniel 3:22 - "Therefore because the king's commandment was urgent, and the furnace exceeding hot, the flame of the fire slew those men that took up Shadrach, Meshach, and Abed-nego."

Daniel 3:14 - "Nebuchadnezzar spake and said unto them, Is it true, O Shadrach, Meshach, and Abed-nego, do not ye serve my gods, nor worship the golden image which I have set up?" A visually engaging scene from the biblical tale in the book of Daniel 3:14. The narrative captures King Nebuchadnezzar in dialogue with Shadrach, Meshach, and Abed-nego. The monarch passionately addresses the biblical figures, questioning their faith. He stands near an emblematic symbol - a majestic golden statue that the king set up for worship. The interpretation should be in a digital art style, infused with vibrant colors and clear outlines. The composition is to give importance to the facial expressions and emotions displayed by each character.

Daniel 3:14 - "Nebuchadnezzar spake and said unto them, Is it true, O Shadrach, Meshach, and Abed-nego, do not ye serve my gods, nor worship the golden image which I have set up?"

Daniel 3:20 - "And he commanded the most mighty men that were in his army to bind Shadrach, Meshach, and Abed-nego, and to cast them into the burning fiery furnace." Illustrate an ancient biblical scene inspired by the book of Daniel 3:20. Depict the most mighty warriors in the army, binding three figures referred to as Shadrach, Meshach, and Abed-nego. These three figures are to be thrown into a roaring, fiery furnace. Render this scene with vivid detail and strong contrast, capturing the drama and intensity of the moment. Use a digital art style with smooth lines, blocks of solid color, and strategic use of light and shadows.

Daniel 3:20 - "And he commanded the most mighty men that were in his army to bind Shadrach, Meshach, and Abed-nego, and to cast them into the burning fiery furnace."

Daniel 2:49 - "Then Daniel requested of the king, and he set Shadrach, Meshach, and Abed-nego, over the affairs of the province of Babylon: but Daniel sat in the gate of the king."

Daniel 2:49 - "Then Daniel requested of the king, and he set Shadrach, Meshach, and Abed-nego, over the affairs of the province of Babylon: but Daniel sat in the gate of the king."

Daniel 3:28 - "Then Nebuchadnezzar spake, and said, Blessed be the God of Shadrach, Meshach, and Abed-nego, who hath sent his angel, and delivered his servants that trusted in him, and have changed the king's word, and yielded their bodies, that they might not serve nor worship any god, except their own God." Illustrate a scene from Daniel 3:28 reflecting the biblical narrative, where Nebuchadnezzar praises the God of Shadrach, Meshach, and Abed-nego. The deity has intervened through an angel to save His loyal servants, who have defied the king's orders in favor of their faith. They stand resilient and faithful, refusing to serve or worship any god but their own. Use bold lines and soft shading, mimicking the style of digital art.

Daniel 3:28 - "Then Nebuchadnezzar spake, and said, Blessed be the God of Shadrach, Meshach, and Abed-nego, who hath sent his angel, and delivered his servants that trusted in him, and have changed the king's word, and yielded their bodies, that they might not serve nor worship any god, except their own God."

Daniel 1:7 - "Unto whom the prince of the eunuchs gave names: for he gave unto Daniel the name of Belteshazzar; and to Hananiah, of Shadrach; and to Mishael, of Meshach; and to Azariah, of Abed-nego." Please create a digital art interpretation of a significant scene from the Book of Daniel 1:7. It comprises of the prince of the eunuchs giving new names to four men, specifically, Daniel, who receives the name of Belteshazzar, Hananiah named as Shadrach, Mishael becoming Meshach, and Azariah referred to as Abed-nego. The scene takes place in an ancient setting, with these individuals being dressed in Babylonian attire. However, their identities remain strikingly distinct.

Daniel 1:7 - "Unto whom the prince of the eunuchs gave names: for he gave unto Daniel the name of Belteshazzar; and to Hananiah, of Shadrach; and to Mishael, of Meshach; and to Azariah, of Abed-nego."

Daniel 3:19 - "¶ Then was Nebuchadnezzar full of fury, and the form of his visage was changed against Shadrach, Meshach, and Abed-nego: therefore he spake, and commanded that they should heat the furnace one seven times more than it was wont to be heated."

Daniel 3:19 - "¶ Then was Nebuchadnezzar full of fury, and the form of his visage was changed against Shadrach, Meshach, and Abed-nego: therefore he spake, and commanded that they should heat the furnace one seven times more than it was wont to be heated."

Daniel 3:29 - "Therefore I make a decree, That every people, nation, and language, which speak any thing amiss against the God of Shadrach, Meshach, and Abed-nego, shall be cut in pieces, and their houses shall be made a dunghill: because there is no other God that can deliver after this sort." A medieval parchment depicting a scene inspired by Daniel 3:29 from the Bible. The scene captures various peoples, nations, and languages standing before a decree being read. Persons are visibly respectful, intrigued, and reverential. The decree refers to the God of Shadrach, Meshach, and Abed-nego, warning against speaking amiss about these figures. The dire consequences are hinted at with overlaid illustrations of fragmented homes and dunghills. A sense of awe and divine intervention permeates the image, pointing to a higher power that can deliver from despair. The scene is portrayed in rich detail and lifelike rendering, akin to a digital art style.

Daniel 3:29 - "Therefore I make a decree, That every people, nation, and language, which speak any thing amiss against the God of Shadrach, Meshach, and Abed-nego, shall be cut in pieces, and their houses shall be made a dunghill: because there is no other God that can deliver after this sort."

Jesus and Mary Create a biblical scene depicting a Middle Eastern man, representing a revered religious figure, alongside a Middle Eastern woman. Channel an aesthetic reminiscent of digital art, using traditional biblical art and imagery for reference. Include characteristic elements such as robes, pastoral settings and symbolic metaphors common in religious narratives. Generate a sense of reverence and peacefulness in the composition.

Jesus and Mary

Jesus and Mary Create a digital artwork respectful to biblical art and imagery, featuring a male figure, known for his divine teachings and a female figure recognized for her compassion and nurturing nature, typically seen in salvation history. They are depicted in an ethereal environment, embodying peace and spiritual serenity. The style should reflect the characteristics of Renaissance Art, known for its development of perspective, inclusion of light and shadow, and realistic portraiture, while incorporating a modern digital twist.

Jesus and Mary

Mary and Jesus A respectful depiction of Mary and Jesus, reminiscent of biblical art and imagery, with a soft, luminous, and dreamlike aesthetic, typical of the Renaissance period. The primary medium used should embody the qualities of watercolour painting, with its delicate washes, subtle hues, and fluid texture.

Mary and Jesus

Mary and Jesus Generate a respectful image portraying a Middle-Eastern woman and man, presumably representing mother and son, drawn in the sensitive, fluid and delicate manner of pre-1912 watercolor paintings. The woman is tenderly holding the man, evoking the emotional depth found in biblical art. The scene might include traditional symbols from the Bible like olive branches or doves, but it keeps a universal religious spirit without depicting specific figures.

Mary and Jesus

Jesus and Mary Generate a respectful artwork showcasing a Middle-Eastern man and woman, depicting figures from biblical times, using imagery and styles reminiscent of mosaics, frescos, and other forms of early Christian art, but rendered and represented in a digital art style. The man should have long hair, a beard, and be dressed in simple, humble clothing reminiscent of those worn in the first century. The woman should also be wearing traditional attire from the same time period, covering her hair with a veil.

Jesus and Mary

Mary and Jesus A biblical scene interpreted in watercolor style, featuring Mary, depicted as a Middle-Eastern woman, and Jesus, a Middle-Eastern man, in an environment reflecting the historical period. Fill the image with rich symbolism and elements often found in biblical art, such as olive trees, ancient buildings, and religious artifacts.

Mary and Jesus

Mary and Jesus An image representing a biblical scene in watercolor style, featuring Mary and a figure representing Jesus. They should be portrayed in a respectful and traditional manner, utilizing conventional colors and forms typically associated with religious art of the medieval or renaissance period prior to 1912. Features like halos, robes dress, and a peaceful serene environment should be included.

Mary and Jesus

Jesus and Mary Generate a respectful image symbolizing biblically inspired figures, exhibiting features reminiscent of a wise, long-haired, Middle-Eastern man and a compassionate, Middle-Eastern woman. They are engaging in peaceful discourse in an environment rich with biblical symbols. Render this image in a modern digital art style, paying homage to the intricate mosaics and illuminations found in religious texts from antiquity.

Jesus and Mary

a priest and king An image depicting a religious figure, dressed in traditional garments, engaging in a conversation with a public figure adorned in regal attire. The scene strongly carries the aesthetic and techniques of the Renaissance era, demonstrating a high level of respect and devotion to Christianity. The figures are framed in a church or a cathedral, surrounded by Gothic architecture and stained glass windows that luminously portray Biblical stories. No text is included in the image. The art is distinctly detailed and respectful, radiating a sense of serenity and the spiritual connection between the two figures.

a priest and king

David and Goliath Create a respectful and devotional image showing a Middle-Eastern young boy, easily identifiable as David, ready to face a giant, Goliath, who can be designed as a Caucasian tall and burly figure. The image should be set outdoors, perhaps in a rugged battlefield. Capture the pivotal biblical clash between David and Goliath without any text or words in the image. Render this scene in vibrant colors with sharp details, giving the painting an air of enhanced realism, brightness, and depth, capturing the essence of a grand visual narrative.

David and Goliath

David and Goliath An illustrative depiction showing the biblical scene of David, a young Hebrew shepherd and Goliath, a Philistine giant engaged in a duel. Their clothing, weapons, and the surrounding scenery should closely resemble the ancient Middle Eastern settings. Ensure the image intensifies the spirit of Christianity, highlighting faith and courage. Maintain a balance of soft and bold colors to bring out a profound devotional sentiment. Avoid using any text or words in this image. Reference the artistic techniques seen in pre-1912 religious works to maintain respect and devotion in the artwork.

David and Goliath

Jesus and a lost lamp Create a respectful image inspired by Renaissance art, featuring a figure representing a religious icon revered in Christianity. The central figure is shown with typical features such as a halo around his head, a beard, and long hair. He is seen searching for a lost lamp, implying a hidden symbolic meaning. The scene is rich with biblical undertones and styled like art from the Renaissance era.

Jesus and a lost lamp

Job 3:2 - "And Job spake, and said," A detailed digital art representation of a biblical scene where the character Job is speaking and indicating his lines, 'And Job spake, and said,' using classic, text-based narrative style. Use harmonious colors and visually represent the emotions evoked by the quote.

Job 3:2 - "And Job spake, and said,"

Get a ladder and get over it A realistic scene showcasing a ladder leaning against a towering obstacle. The ladder signifies a way to overcome the problem, signaling the phrase 'Get a ladder and get over it'. The scene is rendered in a watercolor style, with soft edges and vibrant tones.

Get a ladder and get over it

Get a ladder and get over it Create an image of a highly detailed ladder leaning against a metaphorical barrier symbolising a challenge or obstacle. The entire illustration should be rendered in a soft watercolor style, suggesting fluidity and gentleness. The color palette should be serene and calming, featuring hues of blue, green, and brown.

Get a ladder and get over it

Job 12:1 - "And Job answered and said,"

Job 12:1 - "And Job answered and said,"