Song Of Solomon 1 Artwork

"The song of songs, which is Solomon’s." - Song of Songs 1:1

Explore Song Of Solomon 1 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
Song of SongsSong of Songs 1Song of Songs 1:1
Song of Solomon 1:1 - "The song of songs, which is Solomon's." Create a digital art representation of a biblical scene based on Song of Solomon 1:1 - 'The song of songs, which is Solomon's.' The scene should be vivid and evoke emotions, showcasing musical elements, ancient architectural structures, and possibly a parchment with the verse written in an ancient script.

Song of Solomon 1:1 - "The song of songs, which is Solomon's."

Song of Solomon 1:11 - "We will make thee borders of gold with studs of silver."

Song of Solomon 1:11 - "We will make thee borders of gold with studs of silver."

Song of Solomon 1:17 - "The beams of our house are cedar, and our rafters of fir."

Song of Solomon 1:17 - "The beams of our house are cedar, and our rafters of fir."

Song of Solomon 1:9 - "I have compared thee, O my love, to a company of horses in Pharaoh's chariots." A digital art interpretation of a verse from the Song of Solomon 1:9 - 'I have compared thee, O my love, to a company of horses in Pharaoh's chariots.' Depict an elegant scene of Pharaoh's chariots, drawn by majestic horses. Aim for an atmosphere of ancient grandeur and raw power, combined with a touch of love and comparison, as suggested in the verse.

Song of Solomon 1:9 - "I have compared thee, O my love, to a company of horses in Pharaoh's chariots."

Song of Solomon 1:14 - "My beloved is unto me as a cluster of camphire in the vineyards of En-gedi." Visual interpretation of the biblical verse Song of Solomon 1:14, 'My beloved is unto me as a cluster of camphire in the vineyards of En-gedi.' Style inspiration draws from the early 1900s Art Nouveau movement, focusing on flowing forms, organic shapes and the emphasis on intense colour. Medium: digital art. The image should portray a lush vineyard with the central point being a cluster of camphire, symbolizing the beloved.

Song of Solomon 1:14 - "My beloved is unto me as a cluster of camphire in the vineyards of En-gedi."

Song of Solomon 1:10 - "Thy cheeks are comely with rows of jewels, thy neck with chains of gold." An image inspired by the passage from Song of Solomon 1:10, where the scene captures the beauty of 'thy cheeks are comely with rows of jewels, thy neck with chains of gold'. Envision an enchanting depiction of this, with cheeks adorned with resplendent rows of gemstones and a neck embellished with glittering gold chains. The style to be adopted should be akin to digital art, with glossy 3D representation of the jewels and gold chains, soft gradient layers for the skin texture and high-contrast lighting to bring out the metallic shimmer of the gold.

Song of Solomon 1:10 - "Thy cheeks are comely with rows of jewels, thy neck with chains of gold."

Song of Solomon 1:12 - "¶ While the king sitteth at his table, my spikenard sendeth forth the smell thereof."

Song of Solomon 1:12 - "¶ While the king sitteth at his table, my spikenard sendeth forth the smell thereof."

Song of Solomon 1:16 - "Behold, thou art fair, my beloved, yea, pleasant: also our bed is green." An interpretation of the biblical verse Song of Solomon 1:16, "Behold, thou art fair, my beloved, yea, pleasant: also our bed is green." Visualize a poignant scene with a loving couple sharing a moment of tender intimacy. The woman is a fair-skinned South Asian while the man is a middle-Eastern. They are surrounded by a verdant lush setting indicative of the 'green bed' mentioned in the verse. The art style should lean towards the digital medium, utilizing smooth transitions of color and sharp detailed outlines.

Song of Solomon 1:16 - "Behold, thou art fair, my beloved, yea, pleasant: also our bed is green."

Song of Solomon 1:5 - "I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon."

Song of Solomon 1:5 - "I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon."

Song of Solomon 1:2 - "Let him kiss me with the kisses of his mouth: for thy love is better than wine." A digital art interpretation of a scene inspired by the verse Song of Solomon 1:2, 'Let him kiss me with the kisses of his mouth: for thy love is better than wine.' Imagine it displaying a romantic moment between two figures in a lush and vibrant setting, perhaps a vineyard, symbolizing the reference to 'wine'. The two figures lean in for a heartfelt kiss, their faces full of love and passion. The background, while rich with wine-colored and green hues, is somewhat blurred, focusing the attention on the couple and their shared moment of affection.

Song of Solomon 1:2 - "Let him kiss me with the kisses of his mouth: for thy love is better than wine."

Song of Solomon 1:15 - "Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes."

Song of Solomon 1:15 - "Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes."

Song of Solomon 1:3 - "Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee." A digital art representation of Song of Solomon 1:3, one of the verses from the Bible. The image should depict the essence of the verse, which can be expressed as follows: a beautifully crafted bottle of ointment is in the process of being poured, the fluid appears as if it's glistening and its fragrance can be sensed radiating from it. A group of virgins, dressed in modest attire mirroring the Biblical era, are drawn towards the bottle, their faces expressing a sense of peace, purity, and admiration.

Song of Solomon 1:3 - "Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee."

Song of Solomon 1:13 - "A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts."

Song of Solomon 1:13 - "A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts."

Song of Solomon 1:7 - "Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions?" Create a digital art image that represents the verse Song of Solomon 1:7, which reads 'Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions?'. Let the imagery depict a pastoral scene at noon with a person expressing love and seeking to rest amid their companion's flock. Use symbolic elements to depict the deep emotions and questions posed by the verse.

Song of Solomon 1:7 - "Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions?"

Song of Solomon 1:8 - "¶ If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents."

Song of Solomon 1:8 - "¶ If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds' tents."

Song of Solomon 1:4 - "Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee."

Song of Solomon 1:4 - "Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee."

Song of Solomon 1:6 - "Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept." A Bible scene inspired by Song of Solomon 1:6, 'Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept.' Visualize it as a digital art piece where a Black woman stands in the midst of sprawling vineyards with the sun beating down on her. In one part of the scene, she's diligently tending to a rich and flourishing vineyard; in another corner, another vineyard is left untended and abandoned, signifying her own neglected vineyard. The sun in the sky should be intensely shining at her, depicting the reason behind her dark complexion. This artwork should reflect the emotional weight of the passage from the Bible.

Song of Solomon 1:6 - "Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept."

Song of Solomon 2:1 - "I am the rose of Sharon, and the lily of the valleys."

Song of Solomon 2:1 - "I am the rose of Sharon, and the lily of the valleys."

Song of Solomon 2:1 – "I am a rose of Sharon, a lily of the valleys." An artistic representation inspired by Renaissance art traditions featuring key elements from the biblical verse 'Song of Solomon 2:1'. There should be a rose of Sharon, depicted in lush tones of red, radiating life and love, and a lily of the valleys, standing tall and pure in snowy white among the verdant valley. The predominance of both flora should create a sense of harmony and balance. Please exclude any text or words in the image. The art style should be reminiscent of techniques used in the Renaissance period, highlighting fine details, naturalistic proportions and balanced compositions.

Song of Solomon 2:1 – "I am a rose of Sharon, a lily of the valleys."

Song of Solomon 3:9 - "King Solomon made himself a chariot of the wood of Lebanon."

Song of Solomon 3:9 - "King Solomon made himself a chariot of the wood of Lebanon."

Song of Solomon 2:11 - "For, lo, the winter is past, the rain is over and gone;"

Song of Solomon 2:11 - "For, lo, the winter is past, the rain is over and gone;"

Song of Solomon 6:8 - "There are threescore queens, and fourscore concubines, and virgins without number." Depict a regal scene inspired by Song of Solomon 6:8, where the multitude of female figures is signified. There are 60 queens in splendid attire, standing tall and proud. Next, express the presence of 80 concubines, their slightly lesser but still richly adorned clothing differentiating them from the queens. Then, portray an uncountable number of virgins, innocent and pure in their simpler dresses. Have this scene embody an undulating continuity, representative of their sheer number. The overall style should correlate with digital art, accentuating the sharpness and vibrancy of colors, under a clear, bright sky.

Song of Solomon 6:8 - "There are threescore queens, and fourscore concubines, and virgins without number."

Song of Solomon 6:7 - "As a piece of a pomegranate are thy temples within thy locks." Visually interpret the biblical quote from Song of Solomon 6:7, 'As a piece of a pomegranate are thy temples within thy locks.' Consider the rich, deep colors of the pomegranate to emphasize the textured, vibrant qualities of the referenced elements. Picture tall, grand temples nestled within lustrous, interweaving locks of hair. The setting is serene, peaceful, and enchanting, with the pomegranate’s luscious qualities further enhancing this tranquility. The overall design should carry the feel of digital art, comprising of pixelated graphics or vector strokes, to express the modern medium.

Song of Solomon 6:7 - "As a piece of a pomegranate are thy temples within thy locks."

Song of Solomon 5:10 - "My beloved is white and ruddy, the chiefest among ten thousand."

Song of Solomon 5:10 - "My beloved is white and ruddy, the chiefest among ten thousand."

Song of Solomon 4:13 - "Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikenard," Imagine a visual interpretation of a verse from Song of Solomon 4:13 - "Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikenard,". The scene is depicted in a modern digital art style. Picture an orchard brimming with pomegranate trees. The trees are laden with ripe, glowing red fruits that contrast strikingly against the rich, vibrant green leaves. Towards the periphery of the orchard, one can discern camphire shrubs growing in clusters, their bright, citron-yellow flowers attracting pollinators. Last but not least, spikenard plants are scattered sporadically among the greenery, their distinctive pink, bell-shaped flowers adding a pleasant pop of color against the natural palette.

Song of Solomon 4:13 - "Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikenard,"

Song of Solomon 2:2 - "As the lily among thorns, so is my love among the daughters." A scene derived from Song of Solomon 2:2 - 'As the lily among thorns, so is my love among the daughters.' Depict a bright and radiant lily in a field of sharp thorns, symbolizing love amidst hardship. Accompany this with a group of diverse women representing the 'daughters' – perhaps a Caucasian woman, a Hispanic woman, a Black woman, a Middle-Eastern woman, and a South Asian woman. Each of them adorned with their respective cultural attributes. Render this scene in a style akin to digital art with precise lines, high clarity, and vibrant colours.

Song of Solomon 2:2 - "As the lily among thorns, so is my love among the daughters."

Song of Solomon 7:10 - "¶ I am my beloved's, and his desire is toward me." Depict an interpretation of Song of Solomon 7:10, 'I am my beloved's, and his desire is toward me.' The scene should reflect a sense of romance and mutual affection. Use a medium that gives the effect of digital art with vibrant colors, smooth lines, and a use of light and dark shades. This should not be replicated as any modern digital artists' style, but rather convey the same advanced technique and sophistication of digital artistry.

Song of Solomon 7:10 - "¶ I am my beloved's, and his desire is toward me."

Song of Solomon 4:15 - "A fountain of gardens, a well of living waters, and streams from Lebanon." Visualize the verse 'Song of Solomon 4:15 - A fountain of gardens, a well of living waters, and streams from Lebanon.' The image should embody a digital art style. The scene should include vibrant gardens with a prominent fountain, a well flowing with water that seems alive, and streams that flow from distant mountains that imply Lebanon. These elements should represent a peaceful scene with tranquil nature, filled with bright colors and sharp lines, characteristic of digital art.

Song of Solomon 4:15 - "A fountain of gardens, a well of living waters, and streams from Lebanon."

Song of Solomon 7:3 - "Thy two breasts are like two young roes that are twins." An interpretation of an ancient poetic verse from 'Song of Solomon 7:3' in digital art. The image should depict a symbolized representation of the verse: two young roes (small deer) who are siblings, posing side by side, their symmetry suggesting the beauty and harmony found in nature. Importantly, this scene should be devoid of explicit sexual content, maintaining a respectful, aesthetic focus on the natural world and its creatures. The digital painting style should show a fine balance between detail and simplicity, employing a pleasing color palette, soft textures, and graceful digital brushstrokes.

Song of Solomon 7:3 - "Thy two breasts are like two young roes that are twins."

Song of Solomon 4:7 - "Thou art all fair, my love; there is no spot in thee." A digital art interpretation of a biblical scene inspired by the verse 'Thou art all fair, my love; there is no spot in thee' from Song of Solomon 4:7. Imagine a scene of pure tranquility and love: a figure, glowing with ethereal grace, standing amidst a pristine background. The figure evokes a sense of perfect beauty and purity, as indicated by the quote, and the background represents an idyllic, spotless environment, reinforcing the theme of faultlessness.

Song of Solomon 4:7 - "Thou art all fair, my love; there is no spot in thee."