The Alabaster Jar Artwork

Explore The Alabaster Jar through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

2 Corinthians 4:7-9 - "But we have this treasure in jars of clay to show that this all-surpassing power is from God and not from us. We are hard pressed on every side, but not crushed; perplexed, but not in despair; persecuted, but not abandoned; struck down, but not destroyed." A symbolic representation of 2 Corinthians 4:7-9: Capture the essence of 'But we have this treasure in jars of clay to show that this all-surpassing power is from God and not from us. We are hard pressed on every side, but not crushed; perplexed, but not in despair; persecuted, but not abandoned; struck down, but not destroyed.' Highlight the idea of treasure within fragile clay jars, surrounded by intense pressure from all directions. Show the jars to be in a state of tension, but not broken, indicative of divine strength within imperfection. The art should be produced in a digitized format.

2 Corinthians 4:7-9 - "But we have this treasure in jars of clay to show that this all-surpassing power is from God and not from us. We are hard pressed on every side, but not crushed; perplexed, but not in despair; persecuted, but not abandoned; struck down, but not destroyed."

Genesis 5:15 - "¶ And Mahalaleel lived sixty and five years, and begat Jared:"

Genesis 5:15 - "¶ And Mahalaleel lived sixty and five years, and begat Jared:"

Genesis 5:18 - "¶ And Jared lived an hundred sixty and two years, and he begat Enoch:"

Genesis 5:18 - "¶ And Jared lived an hundred sixty and two years, and he begat Enoch:"

Mark 14:4 - "And there were some that had indignation within themselves, and said, Why was this waste of the ointment made?" A conceptual image representing the verse Mark 14:4 - 'And there were some that had indignation within themselves, and said, Why was this waste of the ointment made?' The scene features a group of people in an ancient setting, showing a range of emotions, predominantly indignation. In the center, a jar of ointment spilled over, representing the waste mentioned. Use traditional methods associated with digital art in crafting this image.

Mark 14:4 - "And there were some that had indignation within themselves, and said, Why was this waste of the ointment made?"

Matthew 26:7 - "There came unto him a woman having an alabaster box of very precious ointment, and poured it on his head, as he sat at meat." A biblical scene inspired by Matthew 26:7, where a woman holds an alabaster box filled with precious ointment. She is depicted in the motion of pouring the ointment onto the head of a man who is seated at a meal. Both characters are clothed in garments depicting the times, and the ambience of the room reflects humble opulence. The scene is vibrant, and the interaction between the two characters is poignant. This is envisioned in a digital art style, with crisp lines and modern color palettes.

Matthew 26:7 - "There came unto him a woman having an alabaster box of very precious ointment, and poured it on his head, as he sat at meat."

Genesis 5:20 - "And all the days of Jared were nine hundred sixty and two years: and he died."

Genesis 5:20 - "And all the days of Jared were nine hundred sixty and two years: and he died."

Luke 7:37 - "And, behold, a woman in the city, which was a sinner, when she knew that Jesus sat at meat in the Pharisee's house, brought an alabaster box of ointment,"

Luke 7:37 - "And, behold, a woman in the city, which was a sinner, when she knew that Jesus sat at meat in the Pharisee's house, brought an alabaster box of ointment,"

Genesis 5:19 - "And Jared lived after he begat Enoch eight hundred years, and begat sons and daughters:" A digital artwork of an aged, Middle-Eastern man named Jared, with a long white beard and wise eyes. He's joyfully surrounded by his great multitude of children (both sons and daughters), indicating eight centuries of life. The setting can be an ancient desert filled with tents and pasturing animals to reflect the time period.

Genesis 5:19 - "And Jared lived after he begat Enoch eight hundred years, and begat sons and daughters:"

Proverbs 25:27 - "It is not good to eat much honey: so for men to search their own glory is not glory." Develop an image inspired by the quote 'It is not good to eat much honey: so for men to search their own glory is not glory' from Proverbs 25:27. Picture this sentiment being visually represented as a person refusing a large jar of honey, symbolizing self-restraint and humility. To evoke the modernity of digital art, use crisp lines, vibrant colors, and a sense of depth.

Proverbs 25:27 - "It is not good to eat much honey: so for men to search their own glory is not glory."

Genesis 5:16 - "And Mahalaleel lived after he begat Jared eight hundred and thirty years, and begat sons and daughters:"

Genesis 5:16 - "And Mahalaleel lived after he begat Jared eight hundred and thirty years, and begat sons and daughters:"

Luke 3:37 - "Which was the son of Mathusala, which was the son of Enoch, which was the son of Jared, which was the son of Maleleel, which was the son of Cainan," Create a representation of a biblical family tree, beginning with Cainan and tracing his lineage through Maleleel, Jared, Enoch, to Mathusala. Each figure is designated by ethereal light and inscribed script indicating their name. The art style is modern digital with a touch of ancient mystique, resonating a sense of the sacred and timeless. The background is a vast cosmic scene, symbolizing eternity and the divine aspect. This should invoke a sense of universal connection.

Luke 3:37 - "Which was the son of Mathusala, which was the son of Enoch, which was the son of Jared, which was the son of Maleleel, which was the son of Cainan,"

Mark 14:13 - "And he sendeth forth two of his disciples, and saith unto them, Go ye into the city, and there shall meet you a man bearing a pitcher of water: follow him." Visualize the scene from Mark 14:13 where one Asian man disciple and one Black woman disciple are sent to the town. They encounter a Middle-Eastern man carrying a jar of water. Depict this inspiring biblical scenario in the form of digital art with emphasis on vibrant colors, detailed characters, and a picturesque urban setting. Remember, the style should be futuristic and highly digitalized, using an amalgamation of geometrical patterns and futuristic architecture.

Mark 14:13 - "And he sendeth forth two of his disciples, and saith unto them, Go ye into the city, and there shall meet you a man bearing a pitcher of water: follow him."

Mark 14:3 - "¶ And being in Bethany in the house of Simon the leper, as he sat at meat, there came a woman having an alabaster box of ointment of spikenard very precious; and she brake the box, and poured it on his head." An illustration of a scene from ancient times, set in Bethany, at the abode of a man named Simon. The environment is accentuated by traditional Middle-Eastern style architecture and decor. In this room, a man seats at a meal, his posture relaxed yet dignified. A woman enters the scene, her hands delicately holding an alabaster box full of precious ointment of spikenard. In a moment of reverence and generosity, she breaks the box and commences to pour the ointment over the man's head. The style of the depiction should be reminiscent of contemporary digital art, focusing on bright, bold colors and distinct lines and shapes.

Mark 14:3 - "¶ And being in Bethany in the house of Simon the leper, as he sat at meat, there came a woman having an alabaster box of ointment of spikenard very precious; and she brake the box, and poured it on his head."

John 12:5 - "Why was not this ointment sold for three hundred pence, and given to the poor?" A depiction of the biblical verse John 12:5 - "Why was not this ointment sold for three hundred pence, and given to the poor?". Visualize a scene where a figure is questioning the value of an ornate jar of ointment, suggesting its worth could have been used to aid the poor. Focus on the emotions in the scene, the richness of the ointment container, and the potential relief that it's worth could provide to those in need. Render this in the medium of digital art, ensuring the image's sharpness, vibrance and precision.

John 12:5 - "Why was not this ointment sold for three hundred pence, and given to the poor?"

Numbers 18:12 - "All the best of the oil, and all the best of the wine, and of the wheat, the firstfruits of them which they shall offer unto the LORD, them have I given thee." Imagine a visual depiction of verse Numbers 18:12, featuring an abundant brim with the best of oil, wine, and wheat. The foreground details the firstfruits offered - ripe grains of wheat, deep red wine in an ornate cup, and golden oil glimmering in a jar. These offerings are set in a serene natural environment, perhaps a happy harvest field or a verdant vineyard, subtly hinting at divine presence. Design it in the vibrant, crisp, and detailed form typical of the medium of digital art.

Numbers 18:12 - "All the best of the oil, and all the best of the wine, and of the wheat, the firstfruits of them which they shall offer unto the LORD, them have I given thee."

John 19:28-37 - "After this, Jesus, knowing that all was now finished, said (to fulfill the Scripture), “I thirst.” A jar full of sour wine stood there, so they put a sponge full of the sour wine on a hyssop branch and held it to his mouth. When Jesus had received the sour wine, he said, “It is finished,” and he bowed his head and gave up his spirit. Since it was the day of Preparation, and so that the bodies would not remain on the cross on the Sabbath (for that Sabbath was a high day), the Jews asked Pilate that their legs might be broken and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him. But when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he is telling the truth—that you also may believe. For these things took place that the Scripture might be fulfilled: “Not one of his bones will be broken.” And again another Scripture says, “They will look on him whom they have pierced.”" Reimagine a biblical scene where a central figure speaks the words, 'I thirst' and 'It is finished' before succumbing to his fate. Nearby is a jar of sour wine, and a sponge soaked in the wine is presented to the figure using a hyssop branch. Following this, soldiers arrive with the intention of breaking the legs of the crucified individuals. A specific individual, already lifeless by this point, has his side pierced by a soldier, ushering forth a mixture of blood and water. These events take place on the day of Preparation. The art should be in a digital format, with an emphasis on the dramatic and poignant aspects of the scene.

John 19:28-37 - "After this, Jesus, knowing that all was now finished, said (to fulfill the Scripture), “I thirst.” A jar full of sour wine stood there, so they put a sponge full of the sour wine on a hyssop branch and held it to his mouth. When Jesus had received the sour wine, he said, “It is finished,” and he bowed his head and gave up his spirit. Since it was the day of Preparation, and so that the bodies would not remain on the cross on the Sabbath (for that Sabbath was a high day), the Jews asked Pilate that their legs might be broken and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him. But when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he is telling the truth—that you also may believe. For these things took place that the Scripture might be fulfilled: “Not one of his bones will be broken.” And again another Scripture says, “They will look on him whom they have pierced.”"

2 Kings 4:6 - "And it came to pass, when the vessels were full, that she said unto her son, Bring me yet a vessel. And he said unto her, There is not a vessel more. And the oil stayed." A depiction of a biblical scene inspired by 2 Kings 4:6 - a woman, who could be South Asian, with her son, who could be Middle-Eastern. They are surrounded by filled vessels of various shapes and sizes in a room. The woman reaches out, asking her son for another vessel. He, with an expression of surprise and awe, indicates that there are no more vessels left. There is a jar of oil in the scene as well. The art style should be akin to digital painting, with sharp, vivid colors and a dynamic play of light and shadow.

2 Kings 4:6 - "And it came to pass, when the vessels were full, that she said unto her son, Bring me yet a vessel. And he said unto her, There is not a vessel more. And the oil stayed."

Luke 7:37-38 - "And behold, a woman in the city who was a sinner, when she knew that Jesus was sitting at the table in the Pharisee's house, brought an alabaster flask of fragrant oil, and stood at His feet behind Him weeping; and she began to wash His feet with her tears, and wiped them with the hair of her head; and she kissed His feet and anointed them with the fragrant oil." Visualize a scene from a Biblical passage, Luke 7:37-38. Show a remorseful Middle-Eastern woman, standing behind a South Asian male, who's seated at a table inside an ancient home. The woman carefully holds an alabaster flask, filled with fragrant oil. She's in the midst of weeping, with her tears falling onto the man's feet. She gently wipes his feet with her hair, kisses them, and begins to anoint them with the fragrant oil in her flask. Present imagery in the medium of digital art.

Luke 7:37-38 - "And behold, a woman in the city who was a sinner, when she knew that Jesus was sitting at the table in the Pharisee's house, brought an alabaster flask of fragrant oil, and stood at His feet behind Him weeping; and she began to wash His feet with her tears, and wiped them with the hair of her head; and she kissed His feet and anointed them with the fragrant oil."

Matthew 26:9 - "For this ointment might have been sold for much, and given to the poor." An illustrative representation of Matthew 26:9 - 'For this ointment might have been sold for much, and given to the poor.' This digital art composition captures a scene of a hand holding up a jar of ointment, a look of realization or thoughtfulness on the face of the subject who is thinking about the value of the ointment and how it might have been used to help those in need. The scene is infused with the details of an old biblical setting integrated with modern digital art techniques. No specific artistic style is referenced, but the overall mood is earnest, thoughtful and intriguing.

Matthew 26:9 - "For this ointment might have been sold for much, and given to the poor."

Luke 8:16-18 - "No one lights a lamp and hides it in a clay jar or puts it under a bed. Instead, they put it on a stand, so that those who come in can see the light. For there is nothing hidden that will not be disclosed, and nothing concealed that will not be known or brought out into the open. Therefore consider carefully how you listen. Whoever has will be given more; whoever does not have, even what they think they have will be taken from them." Create a digital art representation of a bible scene. A lit lamp is prominently placed on a stand, brightening the environment. It should not be hidden in a clay jar or placed under a bed, as per the reference to Luke 8:16-18. Alongside, include the illusion of things that were previously hidden slowly revealing themselves under the lamp's light. Integrate subtle symbols or visuals that represent the act of listening attentively and the concept of loss and gain. The effect should evoke a sense of disclosure, knowledge, caution, and wisdom as per the given scripture passage.

Luke 8:16-18 - "No one lights a lamp and hides it in a clay jar or puts it under a bed. Instead, they put it on a stand, so that those who come in can see the light. For there is nothing hidden that will not be disclosed, and nothing concealed that will not be known or brought out into the open. Therefore consider carefully how you listen. Whoever has will be given more; whoever does not have, even what they think they have will be taken from them."

Luke 22:7-23 - "Then came the day of Unleavened Bread on which the Passover lamb had to be sacrificed. Jesus sent Peter and John, saying, “Go and make preparations for us to eat the Passover.” “Where do you want us to prepare for it?” they asked. He replied, “As you enter the city, a man carrying a jar of water will meet you. Follow him to the house that he enters, and say to the owner of the house, ‘The Teacher asks: Where is the guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, all furnished. Make preparations there.” They left and found things just as Jesus had told them. So they prepared the Passover. When the hour came, Jesus and his apostles reclined at the table. And he said to them, “I have eagerly desired to eat this Passover with you before I suffer. For I tell you, I will not eat it again until it finds fulfillment in the kingdom of God.” After taking the cup, he gave thanks and said, “Take this and divide it among you. For I tell you I will not drink again from the fruit of the vine until the kingdom of God comes.” And he took bread, gave thanks and broke it, and gave it to them, saying, “This is my body given for you; do this in remembrance of me.” In the same way, after the supper he took the cup, saying, “This cup is the new covenant in my blood, which is poured out for you. But the hand of him who is going to betray me is with mine on the table. The Son of Man will go as it has been decreed. But woe to that man who betrays him!” They began to question among themselves which of them it might be who would do this." A detailed digital art interpretation of a historical scene from Luke 22:7-23. Capture the day of Unleavened Bread in Jerusalem, where preparations for the Passover meal are underway. Show two men, disciples Peter and John, looking for a man carrying a jar of water in the city, as instructed by their Teacher. Capture their discovery of a furnished upstairs room in a local house. At a later time, illustrate them all reclining at a table, including twelve men who represent the apostles. Capture the moment of sharing bread and a cup of wine, symbols of body and blood respectively. Convey a sense of anticipation, intrigue and solemnity in the atmosphere, hinting at an imminent betrayal.

Luke 22:7-23 - "Then came the day of Unleavened Bread on which the Passover lamb had to be sacrificed. Jesus sent Peter and John, saying, “Go and make preparations for us to eat the Passover.” “Where do you want us to prepare for it?” they asked. He replied, “As you enter the city, a man carrying a jar of water will meet you. Follow him to the house that he enters, and say to the owner of the house, ‘The Teacher asks: Where is the guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, all furnished. Make preparations there.” They left and found things just as Jesus had told them. So they prepared the Passover. When the hour came, Jesus and his apostles reclined at the table. And he said to them, “I have eagerly desired to eat this Passover with you before I suffer. For I tell you, I will not eat it again until it finds fulfillment in the kingdom of God.” After taking the cup, he gave thanks and said, “Take this and divide it among you. For I tell you I will not drink again from the fruit of the vine until the kingdom of God comes.” And he took bread, gave thanks and broke it, and gave it to them, saying, “This is my body given for you; do this in remembrance of me.” In the same way, after the supper he took the cup, saying, “This cup is the new covenant in my blood, which is poured out for you. But the hand of him who is going to betray me is with mine on the table. The Son of Man will go as it has been decreed. But woe to that man who betrays him!” They began to question among themselves which of them it might be who would do this."

Mark 14:3-9 - "And while he was at Bethany in the house of Simon the leper, as he was reclining at table, a woman came with an alabaster flask of ointment of pure nard, very costly, and she broke the flask and poured it over his head. There were some who said to themselves indignantly, “Why was the ointment wasted like that? For this ointment could have been sold for more than three hundred denarii and given to the poor.” And they scolded her. But Jesus said, “Leave her alone. Why do you trouble her? She has done a beautiful thing to me. For you always have the poor with you, and whenever you want, you can do good for them. But you will not always have me. She has done what she could; she has anointed my body beforehand for burial. And truly, I say to you, wherever the gospel is proclaimed in the whole world, what she has done will be told in memory of her." Create a digital art interpretation of a biblical scene set in Bethany, in the house of Simon. The image captures the moment a woman breaks an alabaster flask of expensive ointment and pours it over the head of a central male figure. Surrounding spectators react indignantly, questioning the wastage of such costly ointment that could have been utilized for the less fortunate. The central figure, however, defends the woman's actions and praises her deeds, imparting lessons about the transient nature of life and the enduring presence of the impoverished. The art should carry the weight of the religious and moral significance of the scene.

Mark 14:3-9 - "And while he was at Bethany in the house of Simon the leper, as he was reclining at table, a woman came with an alabaster flask of ointment of pure nard, very costly, and she broke the flask and poured it over his head. There were some who said to themselves indignantly, “Why was the ointment wasted like that? For this ointment could have been sold for more than three hundred denarii and given to the poor.” And they scolded her. But Jesus said, “Leave her alone. Why do you trouble her? She has done a beautiful thing to me. For you always have the poor with you, and whenever you want, you can do good for them. But you will not always have me. She has done what she could; she has anointed my body beforehand for burial. And truly, I say to you, wherever the gospel is proclaimed in the whole world, what she has done will be told in memory of her."

2 Chronicles 11:11 - "And he fortified the strong holds, and put captains in them, and store of victual, and of oil and wine." Depict a scene from 2 Chronicles 11:11. Show fortified strongholds with rugged stone walls and towering turrets, each stronghold overseen by a captain in traditional ancient attire. Include stores of victual: barrels of grain, jars of oil, and jugs of wine, all kept in reserve. Make everything appear stoic and prepared for a siege. Let the scene convey the feeling of preparedness, strength, and fortitude. Bring this scene to life in a style that replicates the aesthetic of digital art.

2 Chronicles 11:11 - "And he fortified the strong holds, and put captains in them, and store of victual, and of oil and wine."

Luke 23:56 - "And they returned, and prepared spices and ointments; and rested the sabbath day according to the commandment." An illustration of a Biblical scene from the book of Luke 23:56. The image features a group of individuals from varying descents, including Caucasian, Hispanic, Black, Middle-Eastern, Asian, and so forth, returning to a modest, ancient settlement. They are busy preparing fragrant spices and healing ointments in clay jars and dishes. The atmosphere is peaceful, reflecting their observance of the Sabbath day rest, in line with their religious commandments. The setting sun in the distance bathes everything in a warm hue. Render this scene in the style of digital artwork.

Luke 23:56 - "And they returned, and prepared spices and ointments; and rested the sabbath day according to the commandment."

Exodus 22:29 - "¶ Thou shalt not delay to offer the first of thy ripe fruits, and of thy liquors: the firstborn of thy sons shalt thou give unto me." An interpretation of the biblical verse Exodus 22:29: 'Thou shalt not delay to offer the first of thy ripe fruits, and of thy liquors: the firstborn of thy sons shalt thou give unto me.' This scene should depict a figure humbly presenting an assortment of lush, ripe fruits and jars of rich liquors. A young man, the firstborn, stands by his side with a look of dedication and faith. The image emulates a modern digital art style with vibrant colors, defined outlines, and smooth textures, while maintaining the sacred, ancient context of the source material.

Exodus 22:29 - "¶ Thou shalt not delay to offer the first of thy ripe fruits, and of thy liquors: the firstborn of thy sons shalt thou give unto me."

Mark 14:12-26 - "On the first day of the Festival of Unleavened Bread, when it was customary to sacrifice the Passover lamb, Jesus’ disciples asked him, “Where do you want us to go and make preparations for you to eat the Passover?” So he sent two of his disciples, telling them, “Go into the city, and a man carrying a jar of water will meet you. Follow him. Say to the owner of the house he enters, ‘The Teacher asks: Where is my guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, furnished and ready. Make preparations for us there.” The disciples left, went into the city and found things just as Jesus had told them. So they prepared the Passover. When evening came, Jesus arrived with the Twelve. While they were reclining at the table eating, he said, “Truly I tell you, one of you will betray me—one who is eating with me.” They were saddened, and one by one they said to him, “Surely you don’t mean me?” “It is one of the Twelve,” he replied, “one who dips bread into the bowl with me. The Son of Man will go just as it is written about him. But woe to that man who betrays the Son of Man! It would be better for him if he had not been born.” While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, “Take it; this is my body.” Then he took a cup, and when he had given thanks, he gave it to them, and they all drank from it. “This is my blood of the covenant, which is poured out for many,” he said to them. “Truly I tell you, I will not drink again from the fruit of the vine until that day when I drink it new in the kingdom of God.” When they had sung a hymn, they went out to the Mount of Olives." Create a digital art interpretation of a biblical scene. Envision the first day of the Festival of Unleavened Bread, as per the tale from Mark 14:12-26. The scene is bustling with preparations of Passover; disciples are entering the city following a man carrying a jar of water, their anticipation for the coming feast is palpable. Later, as dusk settles, twelve individuals recline at a broad, well-prepared table, partaking in their meal under the watchful gaze of their teacher. Amidst their unity, tension emerges as a prophecy of betrayal is foretold. A moment of sanctity follows as bread is broken and a cup of wine is passed around symbolizing unity and deep spiritual meanings. In the end, in quiet reverence, they all sing a hymn before making their way to the Mount of Olives.

Mark 14:12-26 - "On the first day of the Festival of Unleavened Bread, when it was customary to sacrifice the Passover lamb, Jesus’ disciples asked him, “Where do you want us to go and make preparations for you to eat the Passover?” So he sent two of his disciples, telling them, “Go into the city, and a man carrying a jar of water will meet you. Follow him. Say to the owner of the house he enters, ‘The Teacher asks: Where is my guest room, where I may eat the Passover with my disciples?’ He will show you a large room upstairs, furnished and ready. Make preparations for us there.” The disciples left, went into the city and found things just as Jesus had told them. So they prepared the Passover. When evening came, Jesus arrived with the Twelve. While they were reclining at the table eating, he said, “Truly I tell you, one of you will betray me—one who is eating with me.” They were saddened, and one by one they said to him, “Surely you don’t mean me?” “It is one of the Twelve,” he replied, “one who dips bread into the bowl with me. The Son of Man will go just as it is written about him. But woe to that man who betrays the Son of Man! It would be better for him if he had not been born.” While they were eating, Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, “Take it; this is my body.” Then he took a cup, and when he had given thanks, he gave it to them, and they all drank from it. “This is my blood of the covenant, which is poured out for many,” he said to them. “Truly I tell you, I will not drink again from the fruit of the vine until that day when I drink it new in the kingdom of God.” When they had sung a hymn, they went out to the Mount of Olives."

Proverbs 15:1-2 - "1 A gentle answer turns away wrath, but a harsh word stirs up anger. 2 The tongue of the wise adorns knowledge, but the mouth of the fool gushes folly." A visual representation of a scripture from Proverbs 15:1-2. The image shows two scenarios. On one side, a person speaking with gentle words, symbolized by soft, pleasant imagery; cool hues like blues, whites, and greens. This scene hints at dissipating anger, perhaps showing the wrath as a storm cloud fading away under the influence of the gentle words. On the other side, a contrasting scene displaying a person speaking harshly, symbolized by harsh, jarring elements and warm colors; red, orange, yellow. Show a tumultuous swirl, indicating stirring up of anger. In the middle, the saying is inscribed in an elegant, classic script. Render this whole scenario digitally.

Proverbs 15:1-2 - "1 A gentle answer turns away wrath, but a harsh word stirs up anger. 2 The tongue of the wise adorns knowledge, but the mouth of the fool gushes folly."

Jeremiah 27:18 - "But if they be prophets, and if the word of the LORD be with them, let them now make intercession to the LORD of hosts, that the vessels which are left in the house of the LORD, and in the house of the king of Judah, and at Jerusalem, go not to Babylon." A scene inspired by the verse from Jeremiah 27:18 - In the foreground, a group of prophets show a deep feeling of devotion with their hands clasped in prayer, their pious faces turned towards the heavens. They seem to be making an intercession on behalf of the precious vessels, signified by golden cups, plates, and jars, scattered around an ancient, stone-built house. This house symbolizes the house of the LORD, characterized by elaborate, sacred architectural elements. Not far off, another house, representing the house of the king of Judah, stands with similar vessels. In the distant background, the city of Jerusalem is depicted under a somber, cloudy sky with Babylon in the farthest distance, signifying a looming threat. All of this is visualized with profound detail and a thoughtful color palette that brings out the emotions the verse evokes, creating a digital art representation of this biblical passage.

Jeremiah 27:18 - "But if they be prophets, and if the word of the LORD be with them, let them now make intercession to the LORD of hosts, that the vessels which are left in the house of the LORD, and in the house of the king of Judah, and at Jerusalem, go not to Babylon."

Joshua 12:11 - "The king of Jarmuth, one; the king of Lachish, one;" Create a digital art representation of a scene inspired by the biblical verse Joshua 12:11 - 'The king of Jarmuth, one; the king of Lachish, one;'. Two kings from ancient places called Jarmuth and Lachish are to be depicted, each proudly standing in their own dominion. The kings should be wearing royal attire typical of their era with crowns on their heads. The environment should reflect the period and area, filled with ancient architecture and natural landscape. The art style should be rich with digital textures and color palettes.

Joshua 12:11 - "The king of Jarmuth, one; the king of Lachish, one;"

Joshua 15:35 - "Jarmuth, and Adullam, Socoh, and Azekah," Visual depiction of the biblical places mentioned in Joshua 15:35 - Jarmuth, Adullam, Socoh, and Azekah, rendered in the contemporary digital artwork. Each location could be illustrated according to historical representation, featuring specific geographical features and architectural remnants, if any, adhering to an approach that blends historical accuracy with creative interpretation.

Joshua 15:35 - "Jarmuth, and Adullam, Socoh, and Azekah,"