The Triumphal Entry Artwork

Explore The Triumphal Entry through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

The entry of Jesus into Jerusalem on Palm Sunday. A biblical scene depicting the moment Jesus, depicted as a Middle Eastern man with a serene countenance riding a donkey, enters Jerusalem on Palm Sunday, as described in the scriptures. The city of Jerusalem is filled with a diverse crowd of men, women, and children of various ages and attire appropriate to the period. They appear joyous and awed, waving palm branches in a gesture of welcome. The style that the piece is rendered in is reminiscent of the Renaissance era, with a focus on detailed realism, atmospheric perspective, and balanced composition, capturing the subtle interplay of light and shadow.

The entry of Jesus into Jerusalem on Palm Sunday.

Deuteronomy 29:12-13 - "That you may enter into the covenant with the Lord your God, and into His oath, which the Lord your God makes with you today, that He may establish you today as a people for Himself, and that He may be God to you, just as He has spoken to you, and just as He has sworn to your fathers, to Abraham, Isaac, and Jacob." Digitally illustrated scene representing the biblical passage from Deuteronomy 29:12-13. The image should highlight the entry into a covenant, signifying a sacred agreement. Visual metaphors such as a pathway or a gateway could depict this symbolic entry. It should also convey God's promise of guidance and protection, perhaps visualized as some form of divine light or protective shield. As a nod to the Abrahamic lineage mentioned, the presence of three symbolic items, one each for Abraham, Isaac, and Jacob, would add depth. The design should pay homage to the essence of digital art, symbolizing present day.

Deuteronomy 29:12-13 - "That you may enter into the covenant with the Lord your God, and into His oath, which the Lord your God makes with you today, that He may establish you today as a people for Himself, and that He may be God to you, just as He has spoken to you, and just as He has sworn to your fathers, to Abraham, Isaac, and Jacob."

Ezekiel 40:11 - "And he measured the breadth of the entry of the gate, ten cubits; and the length of the gate, thirteen cubits." A highly detailed biblical scene depicting Ezekiel 40:11. The focus is on the magnificent gate with its breadth and length characteristically measuring ten and thirteen cubits respectively. This gate is rich with intricate designs and is the standout element in the image. Adhering strictly to the scripture, the entry of the gate is broad, striking, and imposing, dwarfing the surrounding architecture with its monumental size. True to the verse, the surroundings are ancient, feature historic architecture and are reminiscent of settings from the biblical era. This image is vivid, in the style of digital art, with bright colors and sharp lines.

Ezekiel 40:11 - "And he measured the breadth of the entry of the gate, ten cubits; and the length of the gate, thirteen cubits."

Ezekiel 42:9 - "And from under these chambers was the entry on the east side, as one goeth into them from the utter court." Create a biblical scene illustrating the verse Ezekiel 42:9. Depict the scene as an ancient Middle Eastern cityscape with stone chambers and an eastern entrance. Show it from a vantage point as if one is entering from the outer court. Although the context is historically past, reinterpret this using a digital, pixel art style to bring a modern touch to the ancient scriptural scene. Use saturated and vibrant colors, and pixel components to create depth and a 3D effect, just like in digital art.

Ezekiel 42:9 - "And from under these chambers was the entry on the east side, as one goeth into them from the utter court."

Proverbs 8:3 - "She crieth at the gates, at the entry of the city, at the coming in at the doors."

Proverbs 8:3 - "She crieth at the gates, at the entry of the city, at the coming in at the doors."

Ezekiel 40:38 - "And the chambers and the entries thereof were by the posts of the gates, where they washed the burnt offering." Illustrate an interpretation of a biblical scene based on Ezekiel 40:38 - 'And the chambers and the entries thereof were by the posts of the gates, where they washed the burnt offering.' The image should feel like it could belong to a digital art medium, cosmically radiant with bold colors and sharp contrasts. It should depict the intricately designed chambers, gate posts and the process of washing the burnt offering, capturing the solemnity and sacred atmosphere of the scene.

Ezekiel 40:38 - "And the chambers and the entries thereof were by the posts of the gates, where they washed the burnt offering."

Jeremiah 38:14 - "¶ Then Zedekiah the king sent, and took Jeremiah the prophet unto him into the third entry that is in the house of the LORD: and the king said unto Jeremiah, I will ask thee a thing; hide nothing from me." An old parchment depicting a crucial scene from history: Zedekiah, the king in ancient royal garments, holding an audience with Jeremiah, a prophet dressed in simple, aged attire. This meeting takes place in the house of the LORD, more specifically in the third entry, surrounded by ornate ancient architectural elements and religious symbols. Zedekiah, a Middle-Eastern man, is taking the initiative and signaling that he has a question. Jeremiah, a Caucasian man, appears contemplative, ready to answer without hiding anything. The style of the artwork is modern, utilizing vibrant colors and sharp lines, akin to digital art.

Jeremiah 38:14 - "¶ Then Zedekiah the king sent, and took Jeremiah the prophet unto him into the third entry that is in the house of the LORD: and the king said unto Jeremiah, I will ask thee a thing; hide nothing from me."

Jeremiah 19:2 - "And go forth unto the valley of the son of Hinnom, which is by the entry of the east gate, and proclaim there the words that I shall tell thee,"

Jeremiah 19:2 - "And go forth unto the valley of the son of Hinnom, which is by the entry of the east gate, and proclaim there the words that I shall tell thee,"

2 Kings 16:18 - "And the covert for the sabbath that they had built in the house, and the king's entry without, turned he from the house of the LORD for the king of Assyria." Depict a scene influenced by 2 Kings 16:18 from the Bible. The scene should show a covert, a special place for the Sabbath, that was built in the house. Also include a visual representation of the king's entry outside, separated from the main structure. All of these components should appear as if they have been turned away from a symbolic representation of 'the house of the LORD', towards another symbol representative of 'the king of Assyria'. Please portray this scene in a style inspired by the medium of digital art, with vivid colors and smooth gradients.

2 Kings 16:18 - "And the covert for the sabbath that they had built in the house, and the king's entry without, turned he from the house of the LORD for the king of Assyria."

Jeremiah 43:9 - "Take great stones in thine hand, and hide them in the clay in the brickkiln, which is at the entry of Pharaoh's house in Tahpanhes, in the sight of the men of Judah;" Depict a historical scene inspired by the verse Jeremiah 43:9 in the Bible: an individual carries large stones, and hides them in the clay within a brickkiln. The brickkiln is located at the entrance of a majestic house, reminiscent of ancient Egyptian architecture, in a place named Tahpanhes. This act is being observed by some men, who enact the role of the men of Judah. The art style should evoke early 20th century digital art.

Jeremiah 43:9 - "Take great stones in thine hand, and hide them in the clay in the brickkiln, which is at the entry of Pharaoh's house in Tahpanhes, in the sight of the men of Judah;"

Ezekiel 27:3 - "And say unto Tyrus, O thou that art situate at the entry of the sea, which art a merchant of the people for many isles, Thus saith the Lord GOD; O Tyrus, thou hast said, I am of perfect beauty." Visualize a biblical scene described as follows: An ancient city named Tyrus located at the entry of the sea. The city is identified as a merchant for people from many islands, delicately hinting at its reputation of a bustling trade hub. The city's beauty is perfect, as proclaimed by the Lord GOD. Interpret this verse from Ezekiel 27:3 in a vivid, faithful, and imaginative way.

Ezekiel 27:3 - "And say unto Tyrus, O thou that art situate at the entry of the sea, which art a merchant of the people for many isles, Thus saith the Lord GOD; O Tyrus, thou hast said, I am of perfect beauty."

1 Thessalonians 2:1 - "For yourselves, brethren, know our entrance in unto you, that it was not in vain:" A visualization of 1 Thessalonians 2:1 - "For yourselves, brethren, know our entrance in unto you, that it was not in vain:". The scene depicts the moment of a symbolic entrance, with brethren in historical Middle-Eastern attire. A paved path leading towards a grand, ancient city gate serves as the indicator of entry. Overarching the scene, the sky grows darker as it extends upwards, representing uncertainty. The brethren's faces show resolution and determination, indicating that their journey unto the city was not in vain. The artwork should be executed in highly vibrant, sharp colors and pixels to simulate the look of digital art.

1 Thessalonians 2:1 - "For yourselves, brethren, know our entrance in unto you, that it was not in vain:"

Ezekiel 40:40 - "And at the side without, as one goeth up to the entry of the north gate, were two tables; and on the other side, which was at the porch of the gate, were two tables." Create a digital illustration inspired by the biblical verse Ezekiel 40:40. It's a scene depicting an entryway to the north gate and on each side, there are two tables. The tables could represent places for offerings, rituals or feasts. The gateway is the main focus, hinting towards a spiritual journey or purpose. The style should be crisp with vibrant colors to highlight a sense of modernity while keeping the biblical aspect intact.

Ezekiel 40:40 - "And at the side without, as one goeth up to the entry of the north gate, were two tables; and on the other side, which was at the porch of the gate, were two tables."

2 Chronicles 4:22 - "And the snuffers, and the basons, and the spoons, and the censers, of pure gold: and the entry of the house, the inner doors thereof for the most holy place, and the doors of the house of the temple, were of gold." An artistic digital rendering of the vivid scene described in 2 Chronicles 4:22. This scripture speaks of snuffers, basons, spoons, and censers, all made from pure gold. Equally notable is a grand entryway to a holy place, with exalted, regal doors that are also covered in gold.

2 Chronicles 4:22 - "And the snuffers, and the basons, and the spoons, and the censers, of pure gold: and the entry of the house, the inner doors thereof for the most holy place, and the doors of the house of the temple, were of gold."

Jeremiah 26:10 - "¶ When the princes of Judah heard these things, then they came up from the king's house unto the house of the LORD, and sat down in the entry of the new gate of the LORD'S house." A scene taken from the Bible, Jeremiah 26:10. It features princes of Judah, dressed in antiquated robes, with features indicative of Middle-Eastern descent. They have departed the royal residence with a sense of urgency to arrive at the house of the LORD. Display the house of the LORD, distinguished by its grandeur yet humble design, reflecting its divine essence. Illustrate these individuals sitting at the entrance of the new gate of this holy establishment, indication of reverence in their posture. Render this in bright, vibrant hues for a 'digital art' feel, employing modern techniques but without mimicking any specific artist post-1912.

Jeremiah 26:10 - "¶ When the princes of Judah heard these things, then they came up from the king's house unto the house of the LORD, and sat down in the entry of the new gate of the LORD'S house."

Ezekiel 46:19 - "¶ After he brought me through the entry, which was at the side of the gate, into the holy chambers of the priests, which looked toward the north: and, behold, there was a place on the two sides westward."

Ezekiel 46:19 - "¶ After he brought me through the entry, which was at the side of the gate, into the holy chambers of the priests, which looked toward the north: and, behold, there was a place on the two sides westward."

Hosea 9:4 - "They shall not offer wine offerings to the LORD, neither shall they be pleasing unto him: their sacrifices shall be unto them as the bread of mourners; all that eat thereof shall be polluted: for their bread for their soul shall not come into the house of the LORD." Generate an image illustrating the Bible verse Hosea 9:4. Visualize a scene where individuals are not making wine offerings, which fails to please a higher power. Their sacrificial offerings are presented as mournful bread; whose consumers are symbolically tainted. The 'bread for their souls' is denied entry into a divine house. Capture this using a digital style reminiscent of vivid colors, sharp forms, blended textures, smooth gradients and intricate details.

Hosea 9:4 - "They shall not offer wine offerings to the LORD, neither shall they be pleasing unto him: their sacrifices shall be unto them as the bread of mourners; all that eat thereof shall be polluted: for their bread for their soul shall not come into the house of the LORD."

Jeremiah 36:10 - "Then read Baruch in the book the words of Jeremiah in the house of the LORD, in the chamber of Gemariah the son of Shaphan the scribe, in the higher court, at the entry of the new gate of the LORD'S house, in the ears of all the people."

Jeremiah 36:10 - "Then read Baruch in the book the words of Jeremiah in the house of the LORD, in the chamber of Gemariah the son of Shaphan the scribe, in the higher court, at the entry of the new gate of the LORD'S house, in the ears of all the people."

2 Chronicles 7:2 - "And the priests could not enter into the house of the LORD, because the glory of the LORD had filled the LORD'S house." Render a digital art representation of a scene from 2 Chronicles 7:2, where the temple is so filled with a radiant, awe-inspiring light that it prohibits entry. Features to emphasize: a majestic, ancient temple with grandiose architecture, and a consuming, ethereal illumination emanating from within that saturates the entire frame, creating a divine, otherworldly ambiance. Details such as the priests standing at the threshold, overpowered by the glory within their sacred place, will lend depth to the scene.

2 Chronicles 7:2 - "And the priests could not enter into the house of the LORD, because the glory of the LORD had filled the LORD'S house."

2 Chronicles 33:14 - "Now after this he built a wall without the city of David, on the west side of Gihon, in the valley, even to the entering in at the fish gate, and compassed about Ophel, and raised it up a very great height, and put captains of war in all the fenced cities of Judah." Create a digital art interpretation of a scene depicted in 2 Chronicles 33:14 from the Bible. Show a grandiose wall being built outside a city, situated on the west side of a river in a valley. The wall extends all the way to an entry point decorated with marine motifs, known as the fish gate. Illustrate the wall encircling a hill called Ophel, raising it to a remarkable height. Finally, also depict commanders prepared for battle dispersed throughout the strategically fortified cities of a region referred to as Judah.

2 Chronicles 33:14 - "Now after this he built a wall without the city of David, on the west side of Gihon, in the valley, even to the entering in at the fish gate, and compassed about Ophel, and raised it up a very great height, and put captains of war in all the fenced cities of Judah."

Revelation 21:27 - "And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb's book of life." Visualize a digital art interpretation of Revelation 21:27: 'And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb's book of life.' This portrays a gate or entrance, symbolizing the 'it', where impure elements are barred from entry. In contrast, individuals whose names are documented in the 'Lamb's book of life', possibly represented as a radiant, majestic tome, are welcomed in. The ambiance can echo that of celestial paradise, a place of purity and truth.

Revelation 21:27 - "And there shall in no wise enter into it any thing that defileth, neither whatsoever worketh abomination, or maketh a lie: but they which are written in the Lamb's book of life."

Mark 9:45 - "And if thy foot offend thee, cut it off: it is better for thee to enter halt into life, than having two feet to be cast into hell, into the fire that never shall be quenched:" A dramatic, intense scene based on Mark 9:45 from the Bible. This is to be rendered in the digital art style. The focus is on a symbolic representation of a foot, instigating a sense of offense or wrongdoing. Nearby, there's an image of a sharp object, hinting at the hard decision to 'cut it off'. Create the dichotomy between two paths: one, the 'entry into life', pictured as a peaceful, inviting path full of light; the other being a ferocious, everlasting fire, representing 'hell'. Express the agony of choice and the consequences of it.

Mark 9:45 - "And if thy foot offend thee, cut it off: it is better for thee to enter halt into life, than having two feet to be cast into hell, into the fire that never shall be quenched:"

2 Chronicles 34:13 - "Also they were over the bearers of burdens, and were overseers of all that wrought the work in any manner of service: and of the Levites there were scribes, and officers, and porters." Depict an ancient scene inspired by the quote from 2 Chronicles 34:13: 'Also they were over the bearers of burdens, and were overseers of all that wrought the work in any manner of service: and of the Levites there were scribes, and officers, and porters.' Show an array of people performing various tasks - some carrying heavy loads, others supervising, writing, or guarding entries. This scene should reflect the ancient Middle-Eastern cultural backdrop of the Levites. Render this scene as an example of digital art.

2 Chronicles 34:13 - "Also they were over the bearers of burdens, and were overseers of all that wrought the work in any manner of service: and of the Levites there were scribes, and officers, and porters."

1 Chronicles 9:19 - "And Shallum the son of Kore, the son of Ebiasaph, the son of Korah, and his brethren, of the house of his father, the Korahites, were over the work of the service, keepers of the gates of the tabernacle: and their fathers, being over the host of the LORD, were keepers of the entry."

1 Chronicles 9:19 - "And Shallum the son of Kore, the son of Ebiasaph, the son of Korah, and his brethren, of the house of his father, the Korahites, were over the work of the service, keepers of the gates of the tabernacle: and their fathers, being over the host of the LORD, were keepers of the entry."

Ezekiel 8:5 - "¶ Then said he unto me, Son of man, lift up thine eyes now the way toward the north. So I lifted up mine eyes the way toward the north, and behold northward at the gate of the altar this image of jealousy in the entry." Create an image based on the biblical reference Ezekiel 8:5. A man is directed to turn his gaze towards the north. As he obliges, he sees a shocking image at the gate of the altar in the doorway. This image incites jealousy and sits in the northern entryway of the altar. It is a sight that could only be described as divine providence or divine punishment, a clear message delivered from a higher power. The artistic style should lean more towards a traditional approach, capturing the vivid details of the scene in the manner typical of pre-1912 artwork, with the essence of modern advancements reflected in the digital medium used to bring it to life.

Ezekiel 8:5 - "¶ Then said he unto me, Son of man, lift up thine eyes now the way toward the north. So I lifted up mine eyes the way toward the north, and behold northward at the gate of the altar this image of jealousy in the entry."

2 Corinthians 2:14-17 - "But thanks be to God, who always leads us as captives in Christ’s triumphal procession and uses us to spread the aroma of the knowledge of him everywhere. For we are to God the pleasing aroma of Christ among those who are being saved and those who are perishing. To the one we are an aroma that brings death; to the other, an aroma that brings life. And who is equal to such a task? Unlike so many, we do not peddle the word of God for profit. On the contrary, in Christ we speak before God with sincerity, as those sent from God." Create a digital art representation of a passage from 2 Corinthians 2:14-17. Illustrate a grand march of diverse individuals, emanating vibrant aromas symbolizing knowledge, life and death. Show the difference between those who appreciate the aroma, portraying it as life giving and those who detest it, reflecting it as a symbol of death. Include some individuals refusing to capitalize on the powerful word of God; these people should be depicted speaking before a divine figure with sincerity and honesty, as if they have been specifically chosen for their noble task.

2 Corinthians 2:14-17 - "But thanks be to God, who always leads us as captives in Christ’s triumphal procession and uses us to spread the aroma of the knowledge of him everywhere. For we are to God the pleasing aroma of Christ among those who are being saved and those who are perishing. To the one we are an aroma that brings death; to the other, an aroma that brings life. And who is equal to such a task? Unlike so many, we do not peddle the word of God for profit. On the contrary, in Christ we speak before God with sincerity, as those sent from God."

Job 20:5 - "That the triumphing of the wicked is short, and the joy of the hypocrite but for a moment?"

Job 20:5 - "That the triumphing of the wicked is short, and the joy of the hypocrite but for a moment?"

Psalms 94:3 - "LORD, how long shall the wicked, how long shall the wicked triumph?"

Psalms 94:3 - "LORD, how long shall the wicked, how long shall the wicked triumph?"

Psalms 41:11 - "By this I know that thou favourest me, because mine enemy doth not triumph over me."

Psalms 41:11 - "By this I know that thou favourest me, because mine enemy doth not triumph over me."

Psalms 47:1 - "O clap your hands, all ye people; shout unto God with the voice of triumph."

Psalms 47:1 - "O clap your hands, all ye people; shout unto God with the voice of triumph."