The Widow’s Mite Artwork

Explore The Widow’s Mite through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Jesus and the widow's mite, highlighting humility and generosity. An image capturing a poignant biblical scene from a renaissance perspective: a Middle Eastern man, represented as Jesus Christ, with long, dark hair, a beard, and traditionally depicted robe, is humbly receiving a small coin, a mite, from a woman communicating aged wisdom through her expressions. She is dressed in humble attire, her head covered partially with a cloth. There's an aura of soft, radiant light surrounding them. The setting is simple, reflective of their humble backgrounds. Various elements of biblical art are present throughout the image, depicting the virtues of humility and generosity.

Jesus and the widow's mite, highlighting humility and generosity.

Jesus and the widow's mite, highlighting humility and generosity. Create a painting reminiscent of the skill and elegance found in Renaissance art, showcasing a significant biblical event: Jesus and the widow's mite. The scene should evoke the themes of humility and generosity. There should be an emphasis on showcasing a wide range of emotions on the faces of the diverse group of people present. The painting's central figure should be a Middle-Eastern man, Jesus, portraying an air of wisdom and kindness. A widow, also Middle-Eastern, is seen offering a small coin, known as the widow's mite, showcasing her immense generosity despite her limited means.

Jesus and the widow's mite, highlighting humility and generosity.

Jesus and the widow's mite, highlighting humility and generosity. Create an image displaying a scene inspired by the biblical story 'Jesus and the widow's mite', portraying symbols of humility and generosity. Emphasize on showcasing a tall man, with long wavy brown hair, in a loose light coloured robe, alongside a seemingly poor older woman, dropping two small copper coins into a treasury, all set in an archaic urban scenery with large stone architecture. To capture the aesthetics, represent it with the characteristics of Renaissance art – balanced proportions, realistic expressions and depth in the visual perspective, primarily done in oil paints.

Jesus and the widow's mite, highlighting humility and generosity.

Mark 12:41-44 - "And Jesus sat over against the treasury, and beheld how the people cast money into the treasury: and many that were rich cast in much. And there came a certain poor widow, and she threw in two mites, which make a farthing. And he called unto him his disciples, and saith unto them, Verily I say unto you, That this poor widow hath cast more in, than all they which have cast into the treasury: For all they did cast in of their abundance; but she of her want did cast in all that she had, even all her living." Visualize a biblical scene based on Mark 12:41-44. Depict a Middle Eastern man, dressed in traditional garments of the time, sitting across a treasury watching various people. Include a portrayal of wealthy individuals, each with different descents casting money into the treasury. Highlight one key individual in the scene - a poor widow, who appears modest and humble, casting in two small coins. Gender diversify the disciples, having them of various descents, who are called to the side by the man. The scene should convey disparity in wealth and the profound value of the widow's gesture. This should be represented in a digital art style.

Mark 12:41-44 - "And Jesus sat over against the treasury, and beheld how the people cast money into the treasury: and many that were rich cast in much. And there came a certain poor widow, and she threw in two mites, which make a farthing. And he called unto him his disciples, and saith unto them, Verily I say unto you, That this poor widow hath cast more in, than all they which have cast into the treasury: For all they did cast in of their abundance; but she of her want did cast in all that she had, even all her living."

Job 24:3 - "They drive away the ass of the fatherless, they take the widow's ox for a pledge."

Job 24:3 - "They drive away the ass of the fatherless, they take the widow's ox for a pledge."

Mark 12:42 - "And there came a certain poor widow, and she threw in two mites, which make a farthing."

Mark 12:42 - "And there came a certain poor widow, and she threw in two mites, which make a farthing."

Deuteronomy 24:17 - "¶ Thou shalt not pervert the judgment of the stranger, nor of the fatherless; nor take a widow's raiment to pledge:" Render a scene depicting a highly detailed stone tablet carved with the words of Deuteronomy 24:17: '¶ Thou shalt not pervert the judgment of the stranger, nor of the fatherless; nor take a widow's raiment to pledge:'. The style should be reminiscent of digital art. The tablet stands against a lush, serene backdrop with moss blanketing the ground below and towering ancient trees. A subtle golden light filters through the foliage, illuminating the words on the stone tablet and creating a sacred atmosphere.

Deuteronomy 24:17 - "¶ Thou shalt not pervert the judgment of the stranger, nor of the fatherless; nor take a widow's raiment to pledge:"

Luke 21:2 - "And he saw also a certain poor widow casting in thither two mites."

Luke 21:2 - "And he saw also a certain poor widow casting in thither two mites."

Job 29:13 - "The blessing of him that was ready to perish came upon me: and I caused the widow's heart to sing for joy."

Job 29:13 - "The blessing of him that was ready to perish came upon me: and I caused the widow's heart to sing for joy."

Luke 12:59 - "I tell thee, thou shalt not depart thence, till thou hast paid the very last mite."

Luke 12:59 - "I tell thee, thou shalt not depart thence, till thou hast paid the very last mite."

Deuteronomy 14:29 - "And the Levite, (because he hath no part nor inheritance with thee,) and the stranger, and the fatherless, and the widow, which are within thy gates, shall come, and shall eat and be satisfied; that the LORD thy God may bless thee in all the work of thine hand which thou doest." A detailed scene set in a biblical context: A Levite with no material possessions, an outlander, a parentless child, and a woman in widow's attire, all within town gates. They approach a feast, their eyes reflecting anticipation and gratitude. They eat to their content, the meal symbolizing divine providence and blessing. The backdrop features an emblem of divinity showering blessings on everything crafted by human hands. This should be represented in a style reminiscent of the digital art format.

Deuteronomy 14:29 - "And the Levite, (because he hath no part nor inheritance with thee,) and the stranger, and the fatherless, and the widow, which are within thy gates, shall come, and shall eat and be satisfied; that the LORD thy God may bless thee in all the work of thine hand which thou doest."

Isaiah 1:16-18 - "Wash and make yourselves clean. Take your evil deeds out of my sight; stop doing wrong. Learn to do right; seek justice. Defend the oppressed. Take up the cause of the fatherless; plead the case of the widow. Come now, let us settle the matter, says the Lord. Though your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool." Create a digital artwork that illustrates a passage from Isaiah 1:16-18. The scene should symbolize the transition from wrongdoings to righteousness. Visualize the acts of washing and cleaning oneself, defending the oppressed, taking up the cause of the fatherless, and pleading the widow's case. Add elements representing scarlet sins turning white as snow, and crimson transgressions becoming like wool. The image should heavily incorporate metaphor and symbolism.

Isaiah 1:16-18 - "Wash and make yourselves clean. Take your evil deeds out of my sight; stop doing wrong. Learn to do right; seek justice. Defend the oppressed. Take up the cause of the fatherless; plead the case of the widow. Come now, let us settle the matter, says the Lord. Though your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool."

Genesis 38:14 - "And she put her widow's garments off from her, and covered her with a vail, and wrapped herself, and sat in an open place, which is by the way to Timnath; for she saw that Shelah was grown, and she was not given unto him to wife."

Genesis 38:14 - "And she put her widow's garments off from her, and covered her with a vail, and wrapped herself, and sat in an open place, which is by the way to Timnath; for she saw that Shelah was grown, and she was not given unto him to wife."

1 Kings 7:14 - "He was a widow's son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and cunning to work all works in brass. And he came to king Solomon, and wrought all his work."

1 Kings 7:14 - "He was a widow's son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and cunning to work all works in brass. And he came to king Solomon, and wrought all his work."

Deuteronomy 14:28-29 - "At the end of every three years, bring all the tithes of that year’s produce and store it in your towns, so that the Levites (who have no allotment or inheritance of their own) and the foreigners, the fatherless and the widows who live in your towns may come and eat and be satisfied, and so that the LORD your God may bless you in all the work of your hands." Create a digital art inspired visual of the scene described in Deuteronomy 14:28-29 from the Bible. It represents the end of a three-year period, with abundant food brought from a year's produce, stored painstakingly in towns. Portray diverse groups of people - the Levites, foreigners, orphans, and widows - coming to feast and satiate their hunger. Note that the Levites have no land or prosperity of their own. Add elements that symbolize the blessings from a higher power upon all the work accomplished by human hands. The scene should articulate generosity, communal harmony, and divine blessing.

Deuteronomy 14:28-29 - "At the end of every three years, bring all the tithes of that year’s produce and store it in your towns, so that the Levites (who have no allotment or inheritance of their own) and the foreigners, the fatherless and the widows who live in your towns may come and eat and be satisfied, and so that the LORD your God may bless you in all the work of your hands."

1 Timothy 5:3 - "Honour widows that are widows indeed."

1 Timothy 5:3 - "Honour widows that are widows indeed."

Deuteronomy 14:22-29 - "Be sure to set aside a tenth of all that your fields produce each year. Eat the tithe of your grain, new wine and olive oil, and the firstborn of your herds and flocks in the presence of the Lord your God at the place he will choose as a dwelling for his Name, so that you may learn to revere the Lord your God always. But if that place is too distant and you have been blessed by the Lord your God and cannot carry your tithe (because the place where the Lord will choose to put his Name is so far away), then exchange your tithe for silver, and take the silver with you and go to the place the Lord your God will choose. Use the silver to buy whatever you like: cattle, sheep, wine or other fermented drink, or anything you wish. Then you and your household shall eat there in the presence of the Lord your God and rejoice. And do not neglect the Levites living in your towns, for they have no allotment or inheritance of their own. At the end of every three years, bring all the tithes of that year’s produce and store it in your towns, so that the Levites (who have no allotment or inheritance of their own) and the foreigners, the fatherless and the widows who live in your towns may come and eat and be satisfied, and so that the Lord your God may bless you in all the work of your hands." A scene capturing the essence of a Biblical era, in particular Deuteronomy 14:22-29. In the foreground, visualize a field full of grain, vines laden with new wine, and olive trees. Scattered around are the firstborn of herds and flocks, signifying the year's produce. A Middle-eastern man, who symbolizes the farmer, is setting aside a tenth of the produce. Next, a journey to a sacred place, where this man, his household including male and female members of diverse descents, and Levites portrayed by men and women from different descents are joyfully feasting. They rejoice in the presence of an abstract representation of their God. On the side, depict silver coins being exchanged for various goods: cattle, sheep, and jugs of wine. Finally, portray the village scene where locals including foreigners of different descents, the fatherless, and widows gather near a storage to partake in the year's produce. This scene should be portrayed in a digital art style.

Deuteronomy 14:22-29 - "Be sure to set aside a tenth of all that your fields produce each year. Eat the tithe of your grain, new wine and olive oil, and the firstborn of your herds and flocks in the presence of the Lord your God at the place he will choose as a dwelling for his Name, so that you may learn to revere the Lord your God always. But if that place is too distant and you have been blessed by the Lord your God and cannot carry your tithe (because the place where the Lord will choose to put his Name is so far away), then exchange your tithe for silver, and take the silver with you and go to the place the Lord your God will choose. Use the silver to buy whatever you like: cattle, sheep, wine or other fermented drink, or anything you wish. Then you and your household shall eat there in the presence of the Lord your God and rejoice. And do not neglect the Levites living in your towns, for they have no allotment or inheritance of their own. At the end of every three years, bring all the tithes of that year’s produce and store it in your towns, so that the Levites (who have no allotment or inheritance of their own) and the foreigners, the fatherless and the widows who live in your towns may come and eat and be satisfied, and so that the Lord your God may bless you in all the work of your hands."

The parable of the Persistent Widow, emphasizing persistence in prayer. Generate a respectful image of Jesus Christ teaching the Parable of the Persistent Widow, emphasizing the theme of persistence in prayer. The setting is a serene biblical landscape, with a group of people gathered around Jesus. Jesus in mid-speech, his hand gestures indicating his teachings. The Persistent Widow is depicted listening intently to his words. All characters are dressed in traditional biblical attire. The overall scene reminiscent of the Renaissance era with its focus on human emotion and spatial depth. The primary medium emulates oil on canvas.

The parable of the Persistent Widow, emphasizing persistence in prayer.

The parable of the Persistent Widow, emphasizing persistence in prayer. Generate an image illustrating the biblical parable of the Persistent Widow, emphasizing the themes of persistence in prayer. The artistic elements should be inspired by the warm color palettes, balanced compositions, and heightened realism typical of the Renaissance era. The figure of Jesus Christ should be central to the composition, guiding the narrative of the scene. The reference for these elements should be biblical art and imagery seen during the time of the Renaissance, with special attention paid to the details of biblical garments, religious symbolism, and archetypal scenery.

The parable of the Persistent Widow, emphasizing persistence in prayer.

1 Timothy 5:16 - "If any man or woman that believeth have widows, let them relieve them, and let not the church be charged; that it may relieve them that are widows indeed."

1 Timothy 5:16 - "If any man or woman that believeth have widows, let them relieve them, and let not the church be charged; that it may relieve them that are widows indeed."

Ezekiel 44:22 - "Neither shall they take for their wives a widow, nor her that is put away: but they shall take maidens of the seed of the house of Israel, or a widow that had a priest before."

Ezekiel 44:22 - "Neither shall they take for their wives a widow, nor her that is put away: but they shall take maidens of the seed of the house of Israel, or a widow that had a priest before."

Psalms 94:6 - "They slay the widow and the stranger, and murder the fatherless."

Psalms 94:6 - "They slay the widow and the stranger, and murder the fatherless."

Psalms 78:64 - "Their priests fell by the sword; and their widows made no lamentation."

Psalms 78:64 - "Their priests fell by the sword; and their widows made no lamentation."

Job 24:21 - "He evil entreateth the barren that beareth not: and doeth not good to the widow." Generate a scene depicting the essence of the biblical verse Job 24:21 - 'He evil entreateth the barren that beareth not: and doeth not good to the widow.' The image should capture the emotional depth of the verse, visualizing a stern figure showing a lack of empathy towards a barren woman and a widow. Render the scene with modern digital art techniques, achieving a degree of realism while using expressive color choices and thoughtful compositing.

Job 24:21 - "He evil entreateth the barren that beareth not: and doeth not good to the widow."

Isaiah 1:17 - "Learn to do well; seek judgment, relieve the oppressed, judge the fatherless, plead for the widow." A digital artwork that visually interprets and represents the biblical verse Isaiah 1:17 - 'Learn to do well; seek judgment, relieve the oppressed, judge the fatherless, plead for the widow.' This could include symbolic elements like a scale representing judgment, an individual aiding another showing relief to the oppressed, a child without a father symbolizing the fatherless, and a woman standing alone symbolizing a widow.

Isaiah 1:17 - "Learn to do well; seek judgment, relieve the oppressed, judge the fatherless, plead for the widow."

Luke 18:3 - "And there was a widow in that city; and she came unto him, saying, Avenge me of mine adversary." A digital art representation capturing a scene from Luke 18:3. An elderly lady stands in the setting of an old city. She is alone, perhaps a widow, as her clothing and demeanor suggest solitude. She is approaching an undefined person, her face etched with resolve, her hands clasped together. She seems to be requesting justice from this person, a scene symbolizing her confrontation with an adversary.

Luke 18:3 - "And there was a widow in that city; and she came unto him, saying, Avenge me of mine adversary."

Lamentations 5:3 - "We are orphans and fatherless, our mothers are as widows." A solemn scene interpreting Lamentations 5:3 - 'We are orphans and fatherless, our mothers are as widows.' The scene shows three figures: two children and a woman. The children stand alone, looking forlorn and in need of care, to elicit the feeling of being orphans. The woman sits away from them, her face full of sorrow and solitude to symbolize her widowhood. It's a poignant, emotional display with contrasting colors and digital effects coming together to create an evocative artwork.

Lamentations 5:3 - "We are orphans and fatherless, our mothers are as widows."

Exodus 22:22 - "¶ Ye shall not afflict any widow, or fatherless child."

Exodus 22:22 - "¶ Ye shall not afflict any widow, or fatherless child."

Psalms 109:9 - "Let his children be fatherless, and his wife a widow."

Psalms 109:9 - "Let his children be fatherless, and his wife a widow."

Numbers 30:9 - "But every vow of a widow, and of her that is divorced, wherewith they have bound their souls, shall stand against her." Create a digital art-style depiction of Numbers 30:9, which states, 'But every vow of a widow, and of her that is divorced, wherewith they have bound their souls, shall stand against her.' Focus on portraying a solemn, resilient widow and a woman who is recently divorced, each binding their souls with a powerful vow. Remember to use vibrant colors and digital textures to evoke the style and intricate details of contemporary digital art, while maintaining the gravity of the verse's message.

Numbers 30:9 - "But every vow of a widow, and of her that is divorced, wherewith they have bound their souls, shall stand against her."