The Woman With The Issue Of Blood Artwork

Explore The Woman With The Issue Of Blood through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Jesus healing the woman with the issue of blood, a scene of faith and healing. A biblical scene showcasing the powerful moment when the character of sacred scripts commonly believed to possess miraculous healing abilities, reaches out to a woman plagued by persistent ailments. In this creation, these characters and their incident are depicted in a manner reminiscent of Art Deco, a style characterized by its bold geometric forms, vibrant colors, and lavish ornamentation. The essence of faith and healing is potently portrayed. Please include relevant biblical art symbols and visual language for appropriateness and context

Jesus healing the woman with the issue of blood, a scene of faith and healing.

Jesus healing the woman with the issue of blood, a scene of faith and healing. Visualize a scene from a biblical setting where a Middle-Eastern male figure, who exemplifies compassion and healing, is curing a woman with a long-term ailment. The setting should embody the characteristics of faith and healing. Present this scene in the distinctive style of Art Deco, a movement known for its lavish ornamentation, bold geometric shapes, and rich colours. Familiar biblical symbols and imagery should be integrated into the composition. Emphasize the spiritual connection between the two figures, fostering an atmosphere of serenity and hope.

Jesus healing the woman with the issue of blood, a scene of faith and healing.

Jesus healing the woman with the issue of blood, a scene of faith and healing. An illustration portrays a transformative Biblical scene of faith and healing: Jesus offering his healing touch to a woman plagued by prolonged illness. Jesus is depicted as a benevolent figure radiating an aura of compassion, his eyes filled with divine understanding. The woman, representing the enduring human spirit, is shown kneeling before him with hope and reverence. The style used to portray the scene incorporates geometric patterns, streamlined forms, and rich colors, reminiscent of Art Nouveau, a popular artistic movement that was prominent at the turn of the 20th century.

Jesus healing the woman with the issue of blood, a scene of faith and healing.

Luke 8:43 - "¶ And a woman having an issue of blood twelve years, which had spent all her living upon physicians, neither could be healed of any," Visualize a scene based on Luke 8:43 of the bible - 'And a woman having an issue of blood twelve years, which had spent all her living upon physicians, neither could be healed of any,' This woman is depicted as Middle-Eastern, standing in the foreground, with a look of hope and desperation in her eyes for a cure. The image is set in a historical context featuring the attire and environment of that period. The physicians, an Asian man and a Hispanic woman, are in the background. The style should reflect the sharp and bright colors, distinct lines, and flat shapes typical of digital art.

Luke 8:43 - "¶ And a woman having an issue of blood twelve years, which had spent all her living upon physicians, neither could be healed of any,"

The woman with an issue with bleeding An image capturing a biblical scene conveyed through the medium of watercolor. The scene features Jesus Christ and a woman who suffers from an issue of bleeding. Utilizing the tradition of pre-1912 biblical artistry, highlight the profound humility and faith of the woman, as well as the compassion and divine healing power of Jesus. The color palette should borrow from the subdued and earthy tones typically found in biblical artworks.

The woman with an issue with bleeding

The woman with an issue with bleeding Generate an image that portrays a biblical narrative, specifically referencing the encounter between Jesus Christ and the woman with an issue of bleeding. The scene should be depicted in a detailed, respectful manner and envisioned through the medium of watercolor. The scene could incorporate elements of biblical art, rich in symbolism and allegory, capturing the compassion and mercy of the moment. Note: the visual style should be reminiscent of the pre-1912 art movements.

The woman with an issue with bleeding

Mark 5:25 - "And a certain woman, which had an issue of blood twelve years," Depict a scene inspired by Mark 5:25 from the bible, 'And a certain woman, which had an issue of blood twelve years'. Create a digital art style image depicting a woman of Middle-Eastern descent, dressed in period-appropriate clothing suggestive of biblical times. She appears distressed and weak, subtly implying that she has been struggling with a health issue for a long time. In the background, illustrate a timeless Middle-Eastern landscape, maintaining a digital aesthetic throughout the scene.

Mark 5:25 - "And a certain woman, which had an issue of blood twelve years,"

Leviticus 15:19 - "¶ And if a woman have an issue, and her issue in her flesh be blood, she shall be put apart seven days: and whosoever toucheth her shall be unclean until the even." A visual interpretation of a biblical verse, Leviticus 15:19. The image shows an ancient scene where a woman, depicted with somber tones and expression, is standing in isolation, a symbol of the seven days mentioned in the verse. To her side, floating texts representing the verse itself both in English and perhaps in an ancient script. It also features a metaphorical representation of someone being marked unclean, perhaps a man stepping back from her in a gesture of distancing. The overall style is modern, characterized by clean lines, flat color planes, and a thoughtful use of symbolism, mimicking the aesthetics of digital art.

Leviticus 15:19 - "¶ And if a woman have an issue, and her issue in her flesh be blood, she shall be put apart seven days: and whosoever toucheth her shall be unclean until the even."

The woman with an issue with bleeding A biblical scene conveyed in watercolor style, showcasing an anonymous woman from biblical times, who has been enduring health issues. Emphasize on the respectful depiction of the woman reaching out in faith and hope. The setting is surrounded by soft light and the environment should embody Middle-Eastern architecture and natural elements from the period, including sandstone structures and an arid landscape.

The woman with an issue with bleeding

Luke 8:44 - "Came behind him, and touched the border of his garment: and immediately her issue of blood stanched." Visualize a scene based on the biblical verse Luke 8:44 - 'Came behind him, and touched the border of his garment: and immediately her issue of blood stanched.' This should be interpreted in a modern visual style with digital aesthetics. The scene features a woman, possibly of Middle-Eastern descent, approaching a robed figure from behind. She extends her hand to just brush the hem of his garment. The look on her face mixes hope and fear. The moment she touches the garment, there's a subtle visual cue, perhaps a slight glow, indicating that something miraculous has happened.

Luke 8:44 - "Came behind him, and touched the border of his garment: and immediately her issue of blood stanched."

Leviticus 15:25 - "And if a woman have an issue of her blood many days out of the time of her separation, or if it run beyond the time of her separation; all the days of the issue of her uncleanness shall be as the days of her separation: she shall be unclean."

Leviticus 15:25 - "And if a woman have an issue of her blood many days out of the time of her separation, or if it run beyond the time of her separation; all the days of the issue of her uncleanness shall be as the days of her separation: she shall be unclean."

Matthew 9:20 - "¶ And, behold, a woman, which was diseased with an issue of blood twelve years, came behind him, and touched the hem of his garment:" The image should not depict explicit or offensive content but be symbolic. A representation of a biblical scene from Matthew 9:20. A Caucasian woman, depicted in an aged state with signs of a long-term illness, approaches from behind a middle-Eastern man of historical appearance, reaching out towards the lower edge of his garment. The scene is intended to symbolize hope, faith, and healing. Please generate this scenario in an abstract symbolic fashion, using a style akin to digital art. However, it should be ensured that the image does not contain any explicit or offensive content.

Matthew 9:20 - "¶ And, behold, a woman, which was diseased with an issue of blood twelve years, came behind him, and touched the hem of his garment:" The image should not depict explicit or offensive content but be symbolic.

Leviticus 15:2 - "Speak unto the children of Israel, and say unto them, When any man hath a running issue out of his flesh, because of his issue he is unclean." Create a digital art representation of the biblical scene from Leviticus 15:2, where the phrase 'Speak unto the children of Israel, and say unto them, When any man hath a running issue out of his flesh, because of his issue he is unclean.' is being conveyed. Visualize a crowd of people from diverse descents, men, women and children attentively listening to a speaker delivering the message. The speaker has an aura of importance, seriousness and authority. As part of the crowd, illustrate individuals of diverse descents; a Black woman, an Asian man, a Caucasian child, a Hispanic elder, a Middle-Eastern teenager, and a South Asian woman, all engaging in the shared experience of listening to the biblical message. Due to the seriousness of the message, the crowd displays varying reactions, ranging from contemplation to concern.

Leviticus 15:2 - "Speak unto the children of Israel, and say unto them, When any man hath a running issue out of his flesh, because of his issue he is unclean."

Leviticus 15:33 - "And of her that is sick of her flowers, and of him that hath an issue, of the man, and of the woman, and of him that lieth with her that is unclean." A visualization of an ancient biblical verse, Leviticus 15:33: 'And of her that is sick of her flowers, and of him that hath an issue, of the man, and of the woman, and of him that lieth with her that is unclean.' The scene takes place in an environment that evokes the biblical era, with figures representing the man and the woman, both of ambiguous descent, illustrating the themes mentioned in the verse. Rendered in a digital art style, the image should contain the use of contemporary techniques to infuse the ancient setting with a modern aesthetic.

Leviticus 15:33 - "And of her that is sick of her flowers, and of him that hath an issue, of the man, and of the woman, and of him that lieth with her that is unclean."

Leviticus 15:30 - "And the priest shall offer the one for a sin offering, and the other for a burnt offering; and the priest shall make an atonement for her before the LORD for the issue of her uncleanness." Capture a scene from a historic metaphorical context. Depict a priest, dressed in elaborate ceremonial robes, ready to make an offering. He holds an item to symbolize a sin offering in one hand, and another item to represent a burnt offering in the other. The setting is evocative of a place of worship: an altar, religious symbols, ornate architectural designs. A sense of solemnity and reverence pervades the atmosphere. The priest is about to perform this delicate ritual, an act of atonement. His actions are carried out with the intent to cleanse and absolve. This image should be in a contemporary digital art style.

Leviticus 15:30 - "And the priest shall offer the one for a sin offering, and the other for a burnt offering; and the priest shall make an atonement for her before the LORD for the issue of her uncleanness."

Leviticus 12:7 - "Who shall offer it before the LORD, and make an atonement for her; and she shall be cleansed from the issue of her blood. This is the law for her that hath born a male or a female."

Leviticus 12:7 - "Who shall offer it before the LORD, and make an atonement for her; and she shall be cleansed from the issue of her blood. This is the law for her that hath born a male or a female."

Revelation 17:6 - "And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration." A veritably apocalyptic scene, illustrating a passage from the Bible, Revelation 17:6. The scenario portrays a woman intoxicated on the blood of the saints and the martyrs of Jesus, instilling a sense of awe and dread. It takes immense care to emphasize the woman's inebriated state and her eerie presence amidst the saintly figures. This profound spectacle is set in an evocative backdrop, complete with esoteric elements and mysterious symbolism. The artistic inspiration for this image comes from decades before the 20th century, and it is envisioned in the digital medium.

Revelation 17:6 - "And I saw the woman drunken with the blood of the saints, and with the blood of the martyrs of Jesus: and when I saw her, I wondered with great admiration."

John 20:2 - "Then she runneth, and cometh to Simon Peter, and to the other disciple, whom Jesus loved, and saith unto them, They have taken away the Lord out of the sepulchre, and we know not where they have laid him." Visualize a woman, with a distressed look, sprinting towards two male figures. One of the men is Simon Peter, illustrated as a balding Caucasian man with a full beard, in simple, period-appropriate garb. The other disciple is depicted as a youthful Middle-Eastern male, also in period clothing, representing the disciple whom Jesus loved. The woman conveys urgent news to them that the sepulchre is now empty, and the location of the body of Jesus is unknown. Style this scene to resonate with the aesthetics of digital art.

John 20:2 - "Then she runneth, and cometh to Simon Peter, and to the other disciple, whom Jesus loved, and saith unto them, They have taken away the Lord out of the sepulchre, and we know not where they have laid him."

Leviticus 20:10-12 - "Leviticus 20:10-12 If a man commits adultery with another man's wife—with the wife of his neighbor—both the adulterer and the adulteress are to be put to death. If a man has sexual relations with his father’s wife, he has dishonored his father. Both the man and the woman are to be put to death; their blood will be on their own heads. If a man has sexual relations with his daughter-in-law, both of them are to be put to death. What they have done is a perversion; their blood will be on their own heads." A digital art scene depicting the Bible verse of Leviticus 20:10-12. Show three distinct panels - each panel for each situation described. First, show an abstract representation of a man and a woman, displaying emotions of guilt and sadness, conceptualising adultery. The second panel, illustrates a man disrespecting an elder female figure, symbolising dishonour. The last panel portrays a man and younger woman in distress, denoting perversion. All panels must highlight a sense of grave injustice being committed, and implying the severe consequences. Don't show any explicit or violent content. The overall atmosphere should convey severe moral disapproval and the gravitas of law in ancient times.

Leviticus 20:10-12 - "Leviticus 20:10-12 If a man commits adultery with another man's wife—with the wife of his neighbor—both the adulterer and the adulteress are to be put to death. If a man has sexual relations with his father’s wife, he has dishonored his father. Both the man and the woman are to be put to death; their blood will be on their own heads. If a man has sexual relations with his daughter-in-law, both of them are to be put to death. What they have done is a perversion; their blood will be on their own heads."

Leviticus 20:13 - "If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: they shall surely be put to death; their blood shall be upon them."

Leviticus 20:13 - "If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: they shall surely be put to death; their blood shall be upon them."

Mark 5:29 - "And straightway the fountain of her blood was dried up; and she felt in her body that she was healed of that plague." Illustrate a poignant spiritual scene based on the biblical narrative of Mark 5:29 - 'And immediately the source of her bleeding stopped; and she felt in her body that she was healed of her affliction.' The scene should portray a woman experiencing relief and healing, with an ethereal light to symbolize her healing. This image should be done in the style of digital art, with sharp contrasts and vibrant colors. An important feature should be the woman's expression that vividly represents her newfound health and happiness.

Mark 5:29 - "And straightway the fountain of her blood was dried up; and she felt in her body that she was healed of that plague."

Leviticus 20:18 - "And if a man shall lie with a woman having her sickness, and shall uncover her nakedness; he hath discovered her fountain, and she hath uncovered the fountain of her blood: and both of them shall be cut off from among their people." Visualize an abstract interpretation of a Biblical passage, specifically Leviticus 20:18. The digital art style should highlight the emotional gravitas of the text without showing explicit or offensive content. The image could represent the critical aspects of the verse like the conflict, the consequence, and the cultural context, using respective symbols rather than literal depiction. Color palette could be majestically dark and rich, potentially adding to the dramatic effect.

Leviticus 20:18 - "And if a man shall lie with a woman having her sickness, and shall uncover her nakedness; he hath discovered her fountain, and she hath uncovered the fountain of her blood: and both of them shall be cut off from among their people."

Leviticus 12:4 - "And she shall then continue in the blood of her purifying three and thirty days; she shall touch no hallowed thing, nor come into the sanctuary, until the days of her purifying be fulfilled." A visual representation of Leviticus 12:4: 'And she shall then continue in the blood of her purifying three and thirty days; she shall touch no hallowed thing, nor come into the sanctuary, until the days of her purifying be fulfilled.' The scene is depicted in a detailed digital art style. The art features a non-descript woman engaged in a period of self-imposed isolation and purification, surrounded by a peaceful and spacious environment. The surrounding is filled with a sense of calm and tranquillity, amplified by nature's elements. Objects considered as sacred or hallowed are carefully placed out of her reach, and a sanctuary in the distance that she cannot enter until her purification is complete.

Leviticus 12:4 - "And she shall then continue in the blood of her purifying three and thirty days; she shall touch no hallowed thing, nor come into the sanctuary, until the days of her purifying be fulfilled."

Revelation 19:1-2 - "After this I heard what sounded like the roar of a great multitude in heaven shouting: "Hallelujah! Salvation and glory and power belong to our God, for true and just are his judgments. He has condemned the adulterous woman who corrupted the earth with her adulteries. He has avenged on her the blood of his servants."" A vivid and detailed depiction of a scene inspired by Revelation 19:1-2. Sounds reverberate through an endless expanse signifying the roar of a great multitude in heaven, which can be depicted as thousands of ethereal figures in pleasance rejoicing. Voices intertwining to exclaim 'Hallelujah!', proclaiming the glory, power, and salvation of the divine entity they adorn. This entity symbolizes justice and truth, punishing the woman who has sullied the earth with her wrongdoings, ensuring her transgressions do not go unanswered. The design emulates somewhat a digitally rendered art style with smooth gradients and sharp contours.

Revelation 19:1-2 - "After this I heard what sounded like the roar of a great multitude in heaven shouting: "Hallelujah! Salvation and glory and power belong to our God, for true and just are his judgments. He has condemned the adulterous woman who corrupted the earth with her adulteries. He has avenged on her the blood of his servants.""

Luke 22:14-20 - "When the hour came, Jesus and his apostles reclined at the table. And he said to them, “I have eagerly desired to eat this Passover with you before I suffer. For I tell you, I will not eat it again until it finds fulfillment in the kingdom of God.” After taking the cup, he gave thanks and said, “Take this and divide it among you. For I tell you I will not drink again from the fruit of the vine until the kingdom of God comes.” And he took bread, gave thanks and broke it, and gave it to them, saying, “This is my body given for you; do this in remembrance of me.” In the same way, after the supper he took the cup, saying, “This cup is the new covenant in my blood, which is poured out for you." Depict a tranquil scene in the era of 0-33 CE based on the context from Luke 22:14-20. 12 individuals, a mix of Middle-Eastern men, are seated around an elongated table, where a variety of traditional Passover foods are neatly placed. There is a calm man at the center who has just lifted a cup into the air, issuing a toast for everyone to share it. Next, he picks up a piece of bread from the table, enveloping everyone's attention as he expresses his profound thought. After the supper, he lifts another cup, expressing it as a new covenant. The illustration should be in the style of digital art.

Luke 22:14-20 - "When the hour came, Jesus and his apostles reclined at the table. And he said to them, “I have eagerly desired to eat this Passover with you before I suffer. For I tell you, I will not eat it again until it finds fulfillment in the kingdom of God.” After taking the cup, he gave thanks and said, “Take this and divide it among you. For I tell you I will not drink again from the fruit of the vine until the kingdom of God comes.” And he took bread, gave thanks and broke it, and gave it to them, saying, “This is my body given for you; do this in remembrance of me.” In the same way, after the supper he took the cup, saying, “This cup is the new covenant in my blood, which is poured out for you."

Isaiah 58:6-7 - "Is not this the kind of fasting I have chosen: to loose the chains of injustice and untie the cords of the yoke, to set the oppressed free and break every yoke? Is it not to share your food with the hungry and to provide the poor wanderer with shelter— when you see the naked, to clothe them, and not to turn away from your own flesh and blood?" Create a digital art representation of the verses Isaiah 58:6-7. Depict the scene of breaking loose the chains of injustice and untying the oppressive yoke, freedom dawning on the oppressed. Show the sharing of food with the hungry, possibly a South Asian woman handing a loaf of bread to a Hispanic child. Illustrate a Middle-Eastern individual providing shelter to a poor Caucasian wanderer. In another part of the image, portray a Black man offering clothes to a naked individual, highlighting human empathy and charity.

Isaiah 58:6-7 - "Is not this the kind of fasting I have chosen: to loose the chains of injustice and untie the cords of the yoke, to set the oppressed free and break every yoke? Is it not to share your food with the hungry and to provide the poor wanderer with shelter— when you see the naked, to clothe them, and not to turn away from your own flesh and blood?"

1 Samuel 25:31 - "That this shall be no grief unto thee, nor offence of heart unto my lord, either that thou hast shed blood causeless, or that my lord hath avenged himself: but when the LORD shall have dealt well with my lord, then remember thine handmaid." Visualize a scene inspired by 1 Samuel 25:31 from the Bible. The scene should communicate a theme of forgiveness, hinting at the potential for avenging oneself but deciding against this course of action. The sentiment should reflect no grievances or offenses taken. At the heart of this image, there should be a sense of future goodwill and hope for abundant blessings. Include a woman symbolizing the 'handmaid' respectfully asking to be remembered with kind regard. Express this scene using an aesthetic that corresponds to the era prior to 1912, and capture the essence of digital art while using traditional art aesthetics.

1 Samuel 25:31 - "That this shall be no grief unto thee, nor offence of heart unto my lord, either that thou hast shed blood causeless, or that my lord hath avenged himself: but when the LORD shall have dealt well with my lord, then remember thine handmaid."

Revelation 17:1-18 - "Then one of the seven angels who had the seven bowls came and talked with me, saying to me, “Come, I will show you the judgment of the great harlot who sits on many waters, with whom the kings of the earth committed fornication, and the inhabitants of the earth were made drunk with the wine of her fornication.” So he carried me away in the Spirit into the wilderness. And I saw a woman sitting on a scarlet beast which was full of names of blasphemy, having seven heads and ten horns. The woman was arrayed in purple and scarlet, and adorned with gold and precious stones and pearls, having in her hand a golden cup full of abominations and the filthiness of her fornication. And on her forehead a name was written: MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH. I saw the woman, drunk with the blood of the saints and with the blood of the martyrs of Jesus. And when I saw her, I marveled with great amazement. But the angel said to me, “Why did you marvel? I will tell you the mystery of the woman and of the beast that carries her, which has the seven heads and the ten horns. The beast that you saw was, and is not, and will ascend out of the bottomless pit and go to perdition. And those who dwell on the earth will marvel, whose names are not written in the Book of Life from the foundation of the world, when they see the beast that was, and is not, and yet is. “Here is the mind which has wisdom: The seven heads are seven mountains on which the woman sits. There are also seven kings. Five have fallen, one is, and the other has not yet come. And when he comes, he must continue a short time. The beast that was, and is not, is himself also the eighth, and is of the seven, and is going to perdition. “The ten horns which you saw are ten kings who have received no kingdom as yet, but they receive authority for one hour as kings with the beast. These are of one mind, and they will give their power and authority to the beast. These will make war with the Lamb, and the Lamb will overcome them, for He is Lord of lords and King of kings; and those who are with Him are called, chosen, and faithful.” Then he said to me, “The waters which you saw, where the harlot sits, are peoples, multitudes, nations, and tongues. And the ten horns which you saw on the beast, these will hate the harlot, make her desolate and naked, eat her flesh and burn her with fire. For God has put it into their hearts to fulfill His purpose, to be of one mind, and to give their kingdom to the beast, until the words of God are fulfilled. And the woman whom you saw is that great city which reigns over the kings of the earth.”" An angel is having a discussion with a person, guiding them through a vision. They're in a barren wilderness. The vision showcases a woman, radiating decadence in her attire of purple and scarlet, richly adorned with gold, precious stones, and pearls. In her hand, she holds a golden cup filled with abominations and filth. Emblazoned on her forehead is a name: 'MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH.’ She's sitting on a scarlet beast covered in blasphemous names, featuring seven heads and ten horns. Viewers are awestruck by the sight of the beast that once was, is not, and yet will ascend. Underneath it all, there's an air of conflict forthcoming between the beast and the Lamb. This scene is underscored by the revelation that the waters where the woman sits represent vast populaces and languages, while the ten horns of the beast symbolize ten kings with upcoming authority. Render this vision in digital art.

Revelation 17:1-18 - "Then one of the seven angels who had the seven bowls came and talked with me, saying to me, “Come, I will show you the judgment of the great harlot who sits on many waters, with whom the kings of the earth committed fornication, and the inhabitants of the earth were made drunk with the wine of her fornication.” So he carried me away in the Spirit into the wilderness. And I saw a woman sitting on a scarlet beast which was full of names of blasphemy, having seven heads and ten horns. The woman was arrayed in purple and scarlet, and adorned with gold and precious stones and pearls, having in her hand a golden cup full of abominations and the filthiness of her fornication. And on her forehead a name was written: MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH. I saw the woman, drunk with the blood of the saints and with the blood of the martyrs of Jesus. And when I saw her, I marveled with great amazement. But the angel said to me, “Why did you marvel? I will tell you the mystery of the woman and of the beast that carries her, which has the seven heads and the ten horns. The beast that you saw was, and is not, and will ascend out of the bottomless pit and go to perdition. And those who dwell on the earth will marvel, whose names are not written in the Book of Life from the foundation of the world, when they see the beast that was, and is not, and yet is. “Here is the mind which has wisdom: The seven heads are seven mountains on which the woman sits. There are also seven kings. Five have fallen, one is, and the other has not yet come. And when he comes, he must continue a short time. The beast that was, and is not, is himself also the eighth, and is of the seven, and is going to perdition. “The ten horns which you saw are ten kings who have received no kingdom as yet, but they receive authority for one hour as kings with the beast. These are of one mind, and they will give their power and authority to the beast. These will make war with the Lamb, and the Lamb will overcome them, for He is Lord of lords and King of kings; and those who are with Him are called, chosen, and faithful.” Then he said to me, “The waters which you saw, where the harlot sits, are peoples, multitudes, nations, and tongues. And the ten horns which you saw on the beast, these will hate the harlot, make her desolate and naked, eat her flesh and burn her with fire. For God has put it into their hearts to fulfill His purpose, to be of one mind, and to give their kingdom to the beast, until the words of God are fulfilled. And the woman whom you saw is that great city which reigns over the kings of the earth.”"

Revelation 12:1-17 - "A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth. Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on its heads. Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who “will rule all the nations with an iron scepter.”And her child was snatched up to God and to his throne. The woman fled into the wilderness to a place prepared for her by God, where she might be taken care of for 1,260 days. Then war broke out in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. But he was not strong enough, and they lost their place in heaven. The great dragon was hurled down—that ancient serpent called the devil, or Satan, who leads the whole world astray. He was hurled to the earth, and his angels with him. Then I heard a loud voice in heaven say: “Now have come the salvation and the power and the kingdom of our God, and the authority of his Messiah. For the accuser of our brothers and sisters, who accuses them before our God day and night, has been hurled down. They triumphed over him by the blood of the Lamb and by the word of their testimony; they did not love their lives so much as to shrink from death. Therefore rejoice, you heavens and you who dwell in them! But woe to the earth and the sea, because the devil has gone down to you! He is filled with fury, because he knows that his time is short.” When the dragon saw that he had been hurled to the earth, he pursued the woman who had given birth to the male child. The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent’s reach. Then from his mouth the serpent spewed water like a river, to overtake the woman and sweep her away with the torrent. But the earth helped the woman by opening its mouth and swallowing the river that the dragon had spewed out of his mouth. Then the dragon was enraged at the woman and went off to wage war against the rest of her offspring—those who keep God’s commands and hold fast their testimony about Jesus." A vivid, abstract representation inspired by the passage Revelation 12:1-17. It comprises a woman adorned with sun, standing on the moon, with a wreath of twelve stars on her head while on the cusp of motherhood. Providing tension, a formidable red dragon possessing seven heads, ten horns, and seven crowns enters the scene. This frightful creature with its tail sweeps a third of the stars to Earth. A celestial clash occurs, wherein an angelic figure and his heavenly army combat the dragon. The narrating voice claims the fall of the beast and heralds the salvation. In retreat, the woman is granted eagle wings, soaring towards a sanctuary in the wilderness, with the dragon in pursuit, spewing a river from its mouth. Despite its fury, the Earth aids the woman by consuming the water, while the dragon's wrath turns upon her children who follow divine commands and maintain their testimony of faith.

Revelation 12:1-17 - "A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth. Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on its heads. Its tail swept a third of the stars out of the sky and flung them to the earth. The dragon stood in front of the woman who was about to give birth, so that it might devour her child the moment he was born. She gave birth to a son, a male child, who “will rule all the nations with an iron scepter.”And her child was snatched up to God and to his throne. The woman fled into the wilderness to a place prepared for her by God, where she might be taken care of for 1,260 days. Then war broke out in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. But he was not strong enough, and they lost their place in heaven. The great dragon was hurled down—that ancient serpent called the devil, or Satan, who leads the whole world astray. He was hurled to the earth, and his angels with him. Then I heard a loud voice in heaven say: “Now have come the salvation and the power and the kingdom of our God, and the authority of his Messiah. For the accuser of our brothers and sisters, who accuses them before our God day and night, has been hurled down. They triumphed over him by the blood of the Lamb and by the word of their testimony; they did not love their lives so much as to shrink from death. Therefore rejoice, you heavens and you who dwell in them! But woe to the earth and the sea, because the devil has gone down to you! He is filled with fury, because he knows that his time is short.” When the dragon saw that he had been hurled to the earth, he pursued the woman who had given birth to the male child. The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent’s reach. Then from his mouth the serpent spewed water like a river, to overtake the woman and sweep her away with the torrent. But the earth helped the woman by opening its mouth and swallowing the river that the dragon had spewed out of his mouth. Then the dragon was enraged at the woman and went off to wage war against the rest of her offspring—those who keep God’s commands and hold fast their testimony about Jesus."

Ezekiel 16:38 - "And I will judge thee, as women that break wedlock and shed blood are judged; and I will give thee blood in fury and jealousy." Visual representation of the biblical verse Ezekiel 16:38 - 'And I will judge thee, as women that break wedlock and shed blood are judged; and I will give thee blood in fury and jealousy.' Please portray the feeling of intense judgement and the fury and jealousy, in a style that captures the vividness, high contrast and detailed textures typical in digital art.

Ezekiel 16:38 - "And I will judge thee, as women that break wedlock and shed blood are judged; and I will give thee blood in fury and jealousy."