What does Ecclesiastes 6:1 mean?

"There is an evil which I have seen under the sun, and it is common among men:" - Ecclesiastes 6:1

Ecclesiastes 6:1 - "There is an evil which I have seen under the sun, and it is common among men:"

Ecclesiastes 6:1 - "There is an evil which I have seen under the sun, and it is common among men:"

Ecclesiastes 6:1 in the King James Version (KJV) of the Bible reads, "There is an evil which I have seen under the sun, and it is common among men."

The book of Ecclesiastes, attributed to King Solomon, is a collection of reflections on the meaning of life and the pursuit of wisdom. In this particular verse, the speaker observes an evil that is widespread among humanity. The phrase "under the sun" is a recurring motif in Ecclesiastes, indicating the concerns and experiences of mortal life on earth.

The evil that is being referred to in this verse can be understood in a variety of ways. It could be interpreted as the prevalence of sin and moral corruption in the world. Throughout Ecclesiastes, the author grapples with the existence of evil and the suffering it causes, ultimately questioning the fairness and purpose of life. This verse serves as a reflection on the universal nature of human frailty and the tendency towards moral failings.

The phrase "common among men" underscores the idea that this evil is not limited to a specific group or individual, but rather affects all people. This observation speaks to the universality of human sin and the fallen nature of humanity. It reflects the biblical understanding of the inherent sinful nature of mankind, as articulated in passages such as Romans 3:23, which states, "For all have sinned and fall short of the glory of God."

The book of Ecclesiastes as a whole is characterized by its exploration of the complexities and contradictions of life. It grapples with existential questions, the pursuit of pleasure and wealth, and the inevitability of death. The presence of evil in the world is one of the central themes in this philosophical reflection on the human experience, and this verse serves as a poignant reminder of the pervasive nature of sin and moral failing.

In a broader context, Ecclesiastes 6:1 can also be seen as a reflection on the limitations of human existence. The phrase "under the sun" suggests a perspective that is confined to earthly realities, devoid of transcendent meaning or purpose. This verse reflects the author's disillusionment with the pursuit of worldly pleasures and the emptiness of human endeavors apart from God. Throughout Ecclesiastes, there is a recurring emphasis on the fleeting nature of human life and the futility of human efforts apart from a relationship with the divine.

Symbolically, the "evil" mentioned in this verse can be seen as a representation of the brokenness and fallen state of the world. It serves as a reminder of the consequences of human sin and the need for redemption. The acknowledgment of this evil underlines the author's recognition of the brokenness of the world and the universal need for restoration and healing.

In conclusion, Ecclesiastes 6:1 in the King James Version of the Bible offers a profound reflection on the pervasive nature of evil and the universal human condition. It serves as a reminder of the fallen state of humanity and the need for redemption. This verse is emblematic of the themes of the book of Ecclesiastes, which delves into the complexities of human existence and the pursuit of meaning and wisdom. It is an invitation to reflect on the limitations of human efforts and the ultimate need for a transcendent source of hope and purpose.

Ecclesiastes 6:1 Artwork

Ecclesiastes 6:1 - "There is an evil which I have seen under the sun, and it is common among men:"

Ecclesiastes 6:1 - "There is an evil which I have seen under the sun, and it is common among men:"

Ecclesiastes 6:11 - "¶ Seeing there be many things that increase vanity, what is man the better?"

Ecclesiastes 6:11 - "¶ Seeing there be many things that increase vanity, what is man the better?"

Ecclesiastes 1:6 - "The wind goeth toward the south, and turneth about unto the north; it whirleth about continually, and the wind returneth again according to his circuits."

Ecclesiastes 1:6 - "The wind goeth toward the south, and turneth about unto the north; it whirleth about continually, and the wind returneth again according to his circuits."

Ecclesiastes 10:6 - "Folly is set in great dignity, and the rich sit in low place."

Ecclesiastes 10:6 - "Folly is set in great dignity, and the rich sit in low place."

Ecclesiastes 6:7 - "All the labour of man is for his mouth, and yet the appetite is not filled." A digital artwork that visualizes Ecclesiastes 6:7, 'All the labour of man is for his mouth, and yet the appetite is not filled.' This scene includes individuals from diverse ethnic backgrounds, each engaged in different forms of labour. Their work is metaphorically represented as producing food, which is directed towards an oversized mouth symbolizing human appetite. Despite the enormous amount of food generated, the mouth remains open, encapsulating the insatiability of human desire. The style should incorporate modern interpretations of classical artistic elements.

Ecclesiastes 6:7 - "All the labour of man is for his mouth, and yet the appetite is not filled."

Ecclesiastes 1:1 - "The words of the Preacher, the son of David, king in Jerusalem."

Ecclesiastes 1:1 - "The words of the Preacher, the son of David, king in Jerusalem."

Ecclesiastes 7:6 - "For as the crackling of thorns under a pot, so is the laughter of the fool: this also is vanity." Visualize a detailed scene interpretation of Ecclesiastes 7:6 – 'For as the crackling of thorns under a pot, so is the laughter of the fool: this also is vanity'. Include an imagery of thorns crackling under a pot in an open fire and a fool, symbolized as a jester, laughing maniacally. This image should project a sense of vanity and futility resonating from the verse. Craft this artwork as if done in a digital medium.

Ecclesiastes 7:6 - "For as the crackling of thorns under a pot, so is the laughter of the fool: this also is vanity."

Ecclesiastes 3:6 - "A time to get, and a time to lose; a time to keep, and a time to cast away;"

Ecclesiastes 3:6 - "A time to get, and a time to lose; a time to keep, and a time to cast away;"

Ecclesiastes 4:6 - "Better is an handful with quietness, than both the hands full with travail and vexation of spirit."

Ecclesiastes 4:6 - "Better is an handful with quietness, than both the hands full with travail and vexation of spirit."

Ecclesiastes 6:4 - "For he cometh in with vanity, and departeth in darkness, and his name shall be covered with darkness."

Ecclesiastes 6:4 - "For he cometh in with vanity, and departeth in darkness, and his name shall be covered with darkness."

Ecclesiastes 6:9 - "¶ Better is the sight of the eyes than the wandering of the desire: this is also vanity and vexation of spirit." An image capturing the essence of the Ecclesiastes 6:9 verse, 'Better is the sight of the eyes than the wandering of the desire: this is also vanity and vexation of spirit.' It should be a visual interpretation of the verse, however, processed with the look and feel of digital art. The scene could perhaps comprise a pair of focused eyes looking straight, contrasted against a background of wavy, wanderlust-filled paths, alluding to desires. The aspects of 'vanity' and 'vexation of spirit' could be symbolically represented with appropriate digital elements and color tones.

Ecclesiastes 6:9 - "¶ Better is the sight of the eyes than the wandering of the desire: this is also vanity and vexation of spirit."

Ecclesiastes 2:6 - "I made me pools of water, to water therewith the wood that bringeth forth trees:" Visualise a scene inspired by the biblical quote from Ecclesiastes 2:6 - 'I made me pools of water, to water therewith the wood that bringeth forth trees:'. The image depicts a tranquil and serene environment with pools of water designed for watering the surrounding woods. Trees are sprouting, demonstrating a sense of growth and life. The style of the artwork leans towards the aesthetics of digital art, with clean lines and bold colors.

Ecclesiastes 2:6 - "I made me pools of water, to water therewith the wood that bringeth forth trees:"

Ecclesiastes 6:6 - "¶ Yea, though he live a thousand years twice told, yet hath he seen no good: do not all go to one place?" Create a digital representation of Ecclesiastes 6:6 - 'Yea, though he live a thousand years twice told, yet hath he seen no good: do not all go to one place?'. Visualize this verse as an abstract scene, perhaps with ethereal elements as symbols - time ticking away with an hourglass, a figure surrounded by images or simulations of varied experiences, but with a consistent look of disappointment or dissatisfaction. The 'one place' can be portrayed as a convergence point, a singular destination all elements in the scene are subtly directed towards. The overall composition should convey a somber or contemplative tone.

Ecclesiastes 6:6 - "¶ Yea, though he live a thousand years twice told, yet hath he seen no good: do not all go to one place?"

Ecclesiastes 8:6 - "¶ Because to every purpose there is time and judgment, therefore the misery of man is great upon him." Create a digital art interpretation of the biblical verse Ecclesiastes 8:6 - '¶ Because to every purpose there is time and judgment, therefore the misery of man is great upon him.' The scene should consist of the symbolic representation of time with an hourglass, a scale that represents judgment, and a man reflecting on his existence, perhaps sitting under a large tree. Capture an emotional tone that conveys reverence and melancholy. Integrate a dramatic contrast in colors to emphasize the weight of the concepts involved.

Ecclesiastes 8:6 - "¶ Because to every purpose there is time and judgment, therefore the misery of man is great upon him."

Ecclesiastes 1:12 - "¶ I the Preacher was king over Israel in Jerusalem." Render an illuminated manuscript style depiction of a scene inspired by Ecclesiastes 1:12, which reads, 'I the Preacher was king over Israel in Jerusalem.' It should evoke the traditional aesthetics of medieval religious texts, with elaborate borders, lettering, and hand-drawn miniature illustrations. Please take inspiration from the artistry of the time, without venturing into the style of any particular artist or creative professional whose latest work was created after 1912. Use vibrant colors, intricate details and symbolic imagery common in this kind of historic religious manuscript.

Ecclesiastes 1:12 - "¶ I the Preacher was king over Israel in Jerusalem."

Ecclesiastes 12:6 - "Or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern."

Ecclesiastes 12:6 - "Or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern."

Ecclesiastes 6:8 - "For what hath the wise more than the fool? what hath the poor, that knoweth to walk before the living?"

Ecclesiastes 6:8 - "For what hath the wise more than the fool? what hath the poor, that knoweth to walk before the living?"

Ecclesiastes 3:1 – "There is a time for everything, and a season for every activity under the heavens." A visual representation of the quote from Ecclesiastes 3:1, 'There is a time for everything, and a season for every activity under the heavens.' The scene should be captured using the stylistic elements of the Renaissance era, with intricate details, a focus on realism, and the use of perspective techniques. The scene can showcase a range of activities representative of different seasons and times, all occurring under a vast sky. To encapsify the humanistic spirit of the Renaissance, the activities could be depicted with a broad range of human engagement.

Ecclesiastes 3:1 – "There is a time for everything, and a season for every activity under the heavens."

Ecclesiastes 3:1 – "There is a time for everything, and a season for every activity under the heavens." r Visual depiction of the philosophical concept from Ecclesiastes 3:1 - 'There is a time for everything, and a season for every activity under the heavens.' Render this scene in the style of the Renaissance with elements like classical themes, balanced composition, and a sense of realistic depth. Do not include any text or inscriptions within the image.

Ecclesiastes 3:1 – "There is a time for everything, and a season for every activity under the heavens." r

Ecclesiastes 6:5 - "Moreover he hath not seen the sun, nor known any thing: this hath more rest than the other."

Ecclesiastes 6:5 - "Moreover he hath not seen the sun, nor known any thing: this hath more rest than the other."

Ecclesiastes 1:2 - "Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity." Render a conceptual representation of the biblical verse from Ecclesiastes 1:2 - 'Vanity of vanities, says the Preacher, vanity of vanities; all is vanity.' The theme should be conveyed in a digital art style that showcases abstract and symbolic elements. The image should reflect the profound and philosophical nature of the quotation.

Ecclesiastes 1:2 - "Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity."

Ecclesiastes 3:1 - "To every thing there is a season, and a time to every purpose under the heaven:"

Ecclesiastes 3:1 - "To every thing there is a season, and a time to every purpose under the heaven:"

Ecclesiastes 6:10 - "That which hath been is named already, and it is known that it is man: neither may he contend with him that is mightier than he." An artistic interpretation of the biblical passage Ecclesiastes 6:10 - 'That which hath been is named already, and it is known that it is man: neither may he contend with him that is mightier than he.' Please depict a symbolic representation of the text, possibly using human figures in the act of contending with a greater force. The style should be reminiscent of pre-1912 artistic movements, perhaps like late 19th century impressionism, with a blend of color details and intricate brushstrokes, but transformed into a digital format.

Ecclesiastes 6:10 - "That which hath been is named already, and it is known that it is man: neither may he contend with him that is mightier than he."

Ecclesiastes 1:18 - "For in much wisdom is much grief: and he that increaseth knowledge increaseth sorrow."

Ecclesiastes 1:18 - "For in much wisdom is much grief: and he that increaseth knowledge increaseth sorrow."

Ecclesiastes 1:15 - "That which is crooked cannot be made straight: and that which is wanting cannot be numbered."

Ecclesiastes 1:15 - "That which is crooked cannot be made straight: and that which is wanting cannot be numbered."

Ecclesiastes 9:6 - "Also their love, and their hatred, and their envy, is now perished; neither have they any more a portion for ever in any thing that is done under the sun."

Ecclesiastes 9:6 - "Also their love, and their hatred, and their envy, is now perished; neither have they any more a portion for ever in any thing that is done under the sun."

Ecclesiastes 1:4 - "One generation passeth away, and another generation cometh: but the earth abideth for ever."

Ecclesiastes 1:4 - "One generation passeth away, and another generation cometh: but the earth abideth for ever."

Ecclesiastes 11:1 - "Cast thy bread upon the waters: for thou shalt find it after many days."

Ecclesiastes 11:1 - "Cast thy bread upon the waters: for thou shalt find it after many days."

Ecclesiastes 1:5 - "The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose." Visual interpretation of Ecclesiastes 1:5 - 'The sun also rises, and the sun goes down, and hurries to his place where he arose.' Create this setting in a distinct, digital art style. The scene should portray a transition from sunrise to sunset, with the sun energetically hurrying across the skies, highlighting its cyclic path from east to west.

Ecclesiastes 1:5 - "The sun also ariseth, and the sun goeth down, and hasteth to his place where he arose."

Ecclesiastes 11:6 - "In the morning sow thy seed, and in the evening withhold not thine hand: for thou knowest not whether shall prosper, either this or that, or whether they both shall be alike good." Illustrate a scene depicting the verse 'Ecclesiastes 11:6', showing a person sowing seeds in the glowing light of dawn, demonstrating hard work, faith, and anticipation of growth. In contrast, the same person is shown persisting labor into the twilight evening, relentlessly tending the soil, characterizing an air of patience and diligence. The uncertainty of outcome is beautifully captured in the unequally divided yet connected halves of the canvas. This scene brings to life the essence of unpredictability and hope, expressing the biblical quotation visually. The visual style can emulate pre-1912 artistic movements like pointillism, with use of digital techniques for modern interpretation.

Ecclesiastes 11:6 - "In the morning sow thy seed, and in the evening withhold not thine hand: for thou knowest not whether shall prosper, either this or that, or whether they both shall be alike good."