What does Ezra 8:9 mean?

"Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males." - Ezra 8:9

Ezra 8:9 - "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males." An interpretation of the biblical verse, Ezra 8:9. Depict a scene featuring Obadiah, a Middle-Eastern male, recognizing him as the son of Jehiel. He should be surrounded by two hundred and eighteen males of a mixed range of descents including Caucasian, Hispanic, Black, South Asian, and others. The artistry should convey a modern touch to the ancient setting. Use a vibrant palette, play with the contrast of light and shadows, and use broad and clear lines to create the digital art effect.

Ezra 8:9 - "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males."

An interpretation of the biblical verse, Ezra 8:9. Depict a scene featuring Obadiah, a Middle-Eastern male, recognizing him as the son of Jehiel. He should be surrounded by two hundred and eighteen males of a mixed range of descents including Caucasian, Hispanic, Black, South Asian, and others. The artistry should convey a modern touch to the ancient setting. Use a vibrant palette, play with the contrast of light and shadows, and use broad and clear lines to create the digital art effect.

Ezra 8:9 in the King James Version reads, "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males." This verse is part of a longer list of names in the book of Ezra, which records the genealogy and account of those who returned from exile in Babylon to Jerusalem. The book of Ezra is a historical account of the return of the exiles to Jerusalem and the rebuilding of the temple, detailing the challenges and triumphs of the Jewish people as they sought to reestablish their homeland and religious practices.

The verse in question may seem insignificant at first glance, but it is part of a larger narrative that is integral to the overall themes of the book of Ezra. One of the main themes in Ezra is the importance of keeping genealogical records and maintaining the identity and lineage of the Jewish people. This emphasis on genealogy serves to establish the legitimacy and continuity of the Jewish people, reinforcing their connection to the land of Israel and their religious heritage. The meticulous enumeration of the sons of Joab, including Obadiah and the 218 males who returned from exile, underscores the significance of each individual in the grander narrative of the Jewish community.

Furthermore, the verse highlights the concept of collective responsibility and communal identity within the Jewish community. The inclusion of the 218 males alongside Obadiah emphasizes the unity and solidarity of the exiles as they returned to their homeland. Each individual was essential to the preservation and continuation of the Jewish people, and their collective return symbolized the strength and resilience of the community as a whole.

Symbolically, the verse also represents the idea of remembrance and continuity. By meticulously recording the names and numbers of those who returned from exile, the book of Ezra emphasizes the importance of remembering and honoring the past. This serves as a reminder to the Jewish people of their history and heritage, ensuring that their journey from exile to return is not forgotten. The verse also underscores the continuity of the Jewish people, as the return from exile represents a pivotal moment in their history that laid the groundwork for future generations.

In a broader context, the inclusion of this verse within the book of Ezra aligns with the larger biblical theme of redemption and restoration. The return from exile to Jerusalem symbolizes a new beginning for the Jewish people, as they sought to rebuild their lives and reestablish their religious practices. This narrative of redemption and restoration is a recurring theme throughout the Bible, and the book of Ezra serves as a testament to the enduring faith and perseverance of the Jewish people in the face of adversity.

In conclusion, Ezra 8:9 may seem like a simple enumeration of names and numbers, but it carries deep thematic and symbolic significance within the larger context of the book of Ezra and the Bible as a whole. This verse underscores the importance of genealogy, collective responsibility, and communal identity within the Jewish community, while also symbolizing remembrance, continuity, and the themes of redemption and restoration. As part of the larger narrative of the return from exile, this verse serves as a powerful reminder of the resilience and faith of the Jewish people, and their enduring connection to the land of Israel and their religious heritage.

Ezra 8:9 Artwork

Ezra 8:9 - "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males." An interpretation of the biblical verse, Ezra 8:9. Depict a scene featuring Obadiah, a Middle-Eastern male, recognizing him as the son of Jehiel. He should be surrounded by two hundred and eighteen males of a mixed range of descents including Caucasian, Hispanic, Black, South Asian, and others. The artistry should convey a modern touch to the ancient setting. Use a vibrant palette, play with the contrast of light and shadows, and use broad and clear lines to create the digital art effect.

Ezra 8:9 - "Of the sons of Joab; Obadiah the son of Jehiel, and with him two hundred and eighteen males."

Ezra 8:8 - "And of the sons of Shephatiah; Zebadiah the son of Michael, and with him fourscore males."

Ezra 8:8 - "And of the sons of Shephatiah; Zebadiah the son of Michael, and with him fourscore males."

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 2:9 - "The children of Zaccai, seven hundred and threescore."

Ezra 8:32 - "And we came to Jerusalem, and abode there three days." Illustrate the scene from the biblical passage Ezra 8:32 - 'And we came to Jerusalem, and abode there three days.' The scene is set in the ancient city of Jerusalem, with its characteristic architecture, such as stone buildings and city walls. There are a group of people, diverse in gender and descent, representing the travelers who have arrived in the city. They are showing expressions of awe, relief, and anticipation. The image should have the detail and precision typical of digital art, including clean lines, crisp colors, and defined shapes.

Ezra 8:32 - "And we came to Jerusalem, and abode there three days."

Ezra 2:8 - "The children of Zattu, nine hundred forty and five."

Ezra 2:8 - "The children of Zattu, nine hundred forty and five."

Ezra 8:7 - "And of the sons of Elam; Jeshaiah the son of Athaliah, and with him seventy males." Create an image illustration of the biblical verse from Ezra 8:7 - 'And of the sons of Elam; Jeshaiah the son of Athaliah, and with him seventy males.' This image should be crafted carefully to reflect the antiquity and history associated with the Bible. Paint it like a medieval manuscript illumination with rich, vibrant tones and gold leaf detailing. Show Jeshaiah, a middle eastern male, surrounded by seventy other Middle Eastern males, dressed in ancient attires, to depict the sense of unity and assemblage.

Ezra 8:7 - "And of the sons of Elam; Jeshaiah the son of Athaliah, and with him seventy males."

Ezra 8:6 - "Of the sons also of Adin; Ebed the son of Jonathan, and with him fifty males." An image illustrating a bible verse, Ezra 8:6 - 'Of the sons also of Adin; Ebed the son of Jonathan, and with him fifty males.' A group of fifty males standing together, invoking a sense of unity and bonding. In the center stands a character, presumably Ebed, who appears to be the leader of the group. The art style should be reminiscent of a time before 1912, for example, the romantic era. Please use the medium of oil on canvas to translate this.

Ezra 8:6 - "Of the sons also of Adin; Ebed the son of Jonathan, and with him fifty males."

Ezra 8:12 - "And of the sons of Azgad; Johanan the son of Hakkatan, and with him an hundred and ten males."

Ezra 8:12 - "And of the sons of Azgad; Johanan the son of Hakkatan, and with him an hundred and ten males."

Ezra 8:19 - "And Hashabiah, and with him Jeshaiah of the sons of Merari, his brethren and their sons, twenty;"

Ezra 8:19 - "And Hashabiah, and with him Jeshaiah of the sons of Merari, his brethren and their sons, twenty;"

Ezra 8:23 - "So we fasted and besought our God for this: and he was intreated of us."

Ezra 8:23 - "So we fasted and besought our God for this: and he was intreated of us."

Ezra 7:8 - "And he came to Jerusalem in the fifth month, which was in the seventh year of the king." Imagine a beautiful ancient scene depicting the translation of the Biblical quote, Ezra 7:8 - 'And he came to Jerusalem in the fifth month, which was in the seventh year of the king.' The scene highlights Jerusalem as it might have appeared during biblical times, with towering stone walls, sunlight reflecting off of emblematic buildings, a busy marketplace, and numerous citizens going about their daily life. The style draws inspiration from traditional oil paintings, with vivid colors and meticulous details providing depth and realism to the scene.

Ezra 7:8 - "And he came to Jerusalem in the fifth month, which was in the seventh year of the king."

Ezra 8:14 - "Of the sons also of Bigvai; Uthai, and Zabbud, and with them seventy males."

Ezra 8:14 - "Of the sons also of Bigvai; Uthai, and Zabbud, and with them seventy males."

Ezra 8:34 - "By number and by weight of every one: and all the weight was written at that time." Create a visualization of Ezra 8:34 - 'By number and by weight of every one: and all the weight was written at that time.' The interpretative imagery incorporates the theme of numbers and weights. The setting is a symbolic ancient script room where gigantic scales are balanced with numbers and weighty objects, while a scribe is penning down the weights diligently. The style isn't digital, but portrays a hand-drawn quality using line art techniques prevalent in traditional monochrome woodblock prints.

Ezra 8:34 - "By number and by weight of every one: and all the weight was written at that time."

Ezra 8:10 - "And of the sons of Shelomith; the son of Josiphiah, and with him an hundred and threescore males." Depict a biblical scene inspired by Ezra 8:10, 'And of the sons of Shelomith; the son of Josiphiah, and with him an hundred and threescore males.' Let the image present a gathering of numerous men, presumably in a setting relevant to the biblical time period. Emphasize the historical context with elements such as ancient clothing and environment. The scene should evoke a sense of community and brotherhood. Attempt to capture the image with digitally-inspired nuances like pixelation or flat color blocks, mimicking the aesthetic of digital art but without copying a specific modern digital artist style.

Ezra 8:10 - "And of the sons of Shelomith; the son of Josiphiah, and with him an hundred and threescore males."

Ezra 8:5 - "Of the sons of Shechaniah; the son of Jahaziel, and with him three hundred males." Depict an artistic visual representation of the biblical scripture Ezra 8:5 - 'Of the sons of Shechaniah; the son of Jahaziel, and with him three hundred males.' The scene should be in a style akin to the digital medium, showcasing a crowd of three hundred males gathered in an ancient Middle Eastern context, perhaps in traditional garb, expressing a sense of unity and strength.

Ezra 8:5 - "Of the sons of Shechaniah; the son of Jahaziel, and with him three hundred males."

Ezra 8:4 - "Of the sons of Pahath-moab; Elihoenai the son of Zerahiah, and with him two hundred males." An ancient scene depicting a biblical event. From the sons of Pahath-moab, Elihoenai, the son of Zerahiah stands at the forefront. He is a strong and authoritative figure, rendered in vibrant colours. Accompanying him are two hundred males, each uniquely illustrated and distinct, scattered across the expansive background. Incorporated are elements of digital art in the image, with pixels and artificial, evocative lighting creating a stark contrast against the historical and spiritual elements of the scene.

Ezra 8:4 - "Of the sons of Pahath-moab; Elihoenai the son of Zerahiah, and with him two hundred males."

Ezra 8:11 - "And of the sons of Bebai; Zechariah the son of Bebai, and with him twenty and eight males."

Ezra 8:11 - "And of the sons of Bebai; Zechariah the son of Bebai, and with him twenty and eight males."

Ezra 8:2 - "Of the sons of Phinehas; Gershom: of the sons of Ithamar; Daniel: of the sons of David; Hattush."

Ezra 8:2 - "Of the sons of Phinehas; Gershom: of the sons of Ithamar; Daniel: of the sons of David; Hattush."

Ezra 8:13 - "And of the last sons of Adonikam, whose names are these, Eliphelet, Jeiel, and Shemaiah, and with them threescore males." A creative interpretation of the biblical scene from Ezra 8:13. It depicts the last sons of Adonikam, Eliphelet, Jeiel, and Shemaiah, accompanied by sixty males. Think of a rich, embellished manuscript with intricate calligraphy and gilded margins. The names of Eliphelet, Jeiel, and Shemaiah are subtly woven into the design, with symbols that show their identity and character. The 'threescore males' are assembled, each individual distinct yet part of a cohesive group, illustrating a unity despite their multitude. Render this scene in a digital art style with rich, vivid colors and a high level of detail that captures the historical essence of the text as well as the spirit of medieval manuscript illumination.

Ezra 8:13 - "And of the last sons of Adonikam, whose names are these, Eliphelet, Jeiel, and Shemaiah, and with them threescore males."

Ezra 8:24 - "¶ Then I separated twelve of the chief of the priests, Sherebiah, Hashabiah, and ten of their brethren with them,"

Ezra 8:24 - "¶ Then I separated twelve of the chief of the priests, Sherebiah, Hashabiah, and ten of their brethren with them,"

Nehemiah 8:9 - "¶ And Nehemiah, which is the Tirshatha, and Ezra the priest the scribe, and the Levites that taught the people, said unto all the people, This day is holy unto the LORD your God; mourn not, nor weep. For all the people wept, when they heard the words of the law." Create a digital art representation of a scene from a biblical moment. It features a group of religious figures standing and addressing a crowd of people. The religious figures should appear composed and dedicated, explaining a divine declaration and advising the crowd to not grieve. The crowd, on hearing the divine declaration, seems moved to tears. Show the emotion on their faces, their hands lifted in prayer, some clutching wads of cloth to their eyes. The setting is intense and ought to evoke a sense of reverence and solemnity. Create a vibrant yet comforting color palette to reflect the sacredness of the event.

Nehemiah 8:9 - "¶ And Nehemiah, which is the Tirshatha, and Ezra the priest the scribe, and the Levites that taught the people, said unto all the people, This day is holy unto the LORD your God; mourn not, nor weep. For all the people wept, when they heard the words of the law."

Ezra 8:3 - "Of the sons of Shechaniah, of the sons of Pharosh; Zechariah: and with him were reckoned by genealogy of the males an hundred and fifty." Visualize the scene from the biblical verse, Ezra 8:3 - 'Of the sons of Shechaniah, of the sons of Pharosh; Zechariah: and with him were reckoned by genealogy of the males an hundred and fifty.' Emulate ancient biblical scrolls using techniques similar to ancient calligraphy and illustrative methods, all rendered using digital means.

Ezra 8:3 - "Of the sons of Shechaniah, of the sons of Pharosh; Zechariah: and with him were reckoned by genealogy of the males an hundred and fifty."

Ezra 9:8 - "And now for a little space grace hath been shewed from the LORD our God, to leave us a remnant to escape, and to give us a nail in his holy place, that our God may lighten our eyes, and give us a little reviving in our bondage." A detailed and symbolic representation of Ezra 9:8 from the Bible. The scene shows a remnant of people finding solace in a holy place, marked by a symbol of a nail. It's a small space filled with grace and divine light brightening people's eyes, suggesting the idea of revival amidst their adversity. The style emulates the visual elements found in the late 19th-century Art Nouveau movement, with its highly stylized, intricate patterns, and strong colors. The medium is akin to the textures and techniques found in early 20th-century oil paintings.

Ezra 9:8 - "And now for a little space grace hath been shewed from the LORD our God, to leave us a remnant to escape, and to give us a nail in his holy place, that our God may lighten our eyes, and give us a little reviving in our bondage."

Ezra 1:9 - "And this is the number of them: thirty chargers of gold, a thousand chargers of silver, nine and twenty knives,"

Ezra 1:9 - "And this is the number of them: thirty chargers of gold, a thousand chargers of silver, nine and twenty knives,"

Ezra 4:8 - "Rehum the chancellor and Shimshai the scribe wrote a letter against Jerusalem to Artaxerxes the king in this sort:" A highly detailed image depicting the historical scene in the text 'Rehum the public figure and Shimshai the scribe writing a letter against Jerusalem, directed to Artaxerxes the public figure in this regard:' with keen attention to accurate clothing and architectural styles of the era. This should be created using modern digital artistic techniques.

Ezra 4:8 - "Rehum the chancellor and Shimshai the scribe wrote a letter against Jerusalem to Artaxerxes the king in this sort:"

Ezra 8:1 - "These are now the chief of their fathers, and this is the genealogy of them that went up with me from Babylon, in the reign of Artaxerxes the king." Illustrate the biblical verse Ezra 8:1 - 'These are now the chief of their fathers, and this is the genealogy of them that went up with me from Babylon, in the reign of Artaxerxes the king.' Visualize a group of distinguished individuals making a journey from a historic city, during the reign of a king. In the background, immerse a stylized representation of a genealogical tree showing their lineage. All this represented in a vintage pixelated art style frequently used in early digital video games.

Ezra 8:1 - "These are now the chief of their fathers, and this is the genealogy of them that went up with me from Babylon, in the reign of Artaxerxes the king."

Ezra 8:27 - "Also twenty basons of gold, of a thousand drams; and two vessels of fine copper, precious as gold."

Ezra 8:27 - "Also twenty basons of gold, of a thousand drams; and two vessels of fine copper, precious as gold."

Ezra 8:36 - "¶ And they delivered the king's commissions unto the king's lieutenants, and to the governors on this side the river: and they furthered the people, and the house of God." A medieval scene illustrating the biblical verse 'Ezra 8:36' where the commissioners are delivering the king's orders to the lieutenants and governors beside a river. They are seen assisting the common people and a house of worship is shown in the background. This image is realized in a detailed and vibrant format of digital art.

Ezra 8:36 - "¶ And they delivered the king's commissions unto the king's lieutenants, and to the governors on this side the river: and they furthered the people, and the house of God."

Ezra 9:10 - "And now, O our God, what shall we say after this? for we have forsaken thy commandments,"

Ezra 9:10 - "And now, O our God, what shall we say after this? for we have forsaken thy commandments,"

Ezra 5:9 - "Then asked we those elders, and said unto them thus, Who commanded you to build this house, and to make up these walls?"

Ezra 5:9 - "Then asked we those elders, and said unto them thus, Who commanded you to build this house, and to make up these walls?"