What does Habakkuk 2:15 mean?

"¶ Woe unto him that giveth his neighbour drink, that puttest thy bottle to him, and makest him drunken also, that thou mayest look on their nakedness!" - Habakkuk 2:15

Habakkuk 2:15 - "¶ Woe unto him that giveth his neighbour drink, that puttest thy bottle to him, and makest him drunken also, that thou mayest look on their nakedness!" A biblical scene inspired by Habakkuk 2:15 in the Book of Habakkuk. It depicts an ambiguous figure offering a bottle of drink to their neighbor, gradually succumbing to the effects of the drink. This interpretation remains true to the verse without showing any explicit nudity. The scene is not literally representative, but evokes the dynamics and emotions in a loosely metaphorical fashion. The style used is reminiscent of general digital art standards, with crisp, defined lines and vibrant color gradients.

Habakkuk 2:15 - "¶ Woe unto him that giveth his neighbour drink, that puttest thy bottle to him, and makest him drunken also, that thou mayest look on their nakedness!"

A biblical scene inspired by Habakkuk 2:15 in the Book of Habakkuk. It depicts an ambiguous figure offering a bottle of drink to their neighbor, gradually succumbing to the effects of the drink. This interpretation remains true to the verse without showing any explicit nudity. The scene is not literally representative, but evokes the dynamics and emotions in a loosely metaphorical fashion. The style used is reminiscent of general digital art standards, with crisp, defined lines and vibrant color gradients.

In Habakkuk 2:15, the King James Version of the Bible states:

"Woe unto him that giveth his neighbour drink, that puttest thy bottle to him, and makest him drunken also, that thou mayest look on their nakedness!"

This verse comes from the book of Habakkuk in the Old Testament, which is a collection of prophecies and messages from the prophet Habakkuk to the people of Judah. In this particular verse, Habakkuk is pronouncing a woe or judgment upon those who engage in the sinful act of getting their neighbor drunk in order to take advantage of them.

To truly understand this verse, it is important to examine it within the context of the entire book of Habakkuk and the historical and cultural context in which it was written. The prophet Habakkuk lived during a time of great moral and spiritual decay in Judah. The people had turned away from God and were engaging in idolatry, injustice, and immorality. In response to this, God revealed to Habakkuk that He would bring judgment upon the people through the rise of the Babylonian Empire. The book of Habakkuk serves as a dialogue between the prophet and God, as Habakkuk questions the ways of God and seeks understanding of His plans.

In Habakkuk 2:15, the prophet is speaking out against the sins of drunkenness and exploitation. The act of giving one's neighbor drink to the point of drunkenness in order to take advantage of them is condemned as a great evil. It reflects a lack of concern for the welfare and dignity of others and a willingness to exploit them for personal gain. This verse serves as a warning against the moral corruption and degradation that can result from the abuse of alcohol and the mistreatment of others.

The imagery of "putting thy bottle to him" and "looking on their nakedness" conveys the idea of using alcohol as a tool for manipulation and exploitation. The act of getting someone drunk in order to take advantage of them sexually or financially is a grave offense in the eyes of God. It is a violation of the commandment to love one's neighbor as oneself and to treat others with respect and dignity.

Symbolically, the verse speaks to the broader themes of justice, righteousness, and the consequences of sin. Throughout the book of Habakkuk, there is a recurring theme of God's justice and judgment. The prophet grapples with the question of why the wicked prosper and the righteous suffer. In this context, the woe pronounced in verse 15 serves as a reminder that God will ultimately judge the actions of the wicked and hold them accountable for their sins.

Furthermore, the verse can also be seen as a commentary on the abuse of power and the exploitation of the vulnerable. The act of getting someone drunk in order to take advantage of them reflects a misuse of power and a disregard for the well-being of others. It serves as a warning against the dangers of using one's position or influence to harm or exploit others.

In conclusion, Habakkuk 2:15 from the King James Version of the Bible is a powerful condemnation of the sinful act of getting one's neighbor drunk in order to exploit them. It carries significant moral, ethical, and spiritual implications, and serves as a warning against the abuse of power and the mistreatment of others. It is a reminder of the importance of justice, righteousness, and respect for the dignity of all people. As with all scripture, it is a timeless message that continues to hold relevance and meaning for contemporary readers.

Habakkuk 2:15 Artwork

Habakkuk 2:15 - "¶ Woe unto him that giveth his neighbour drink, that puttest thy bottle to him, and makest him drunken also, that thou mayest look on their nakedness!" A biblical scene inspired by Habakkuk 2:15 in the Book of Habakkuk. It depicts an ambiguous figure offering a bottle of drink to their neighbor, gradually succumbing to the effects of the drink. This interpretation remains true to the verse without showing any explicit nudity. The scene is not literally representative, but evokes the dynamics and emotions in a loosely metaphorical fashion. The style used is reminiscent of general digital art standards, with crisp, defined lines and vibrant color gradients.

Habakkuk 2:15 - "¶ Woe unto him that giveth his neighbour drink, that puttest thy bottle to him, and makest him drunken also, that thou mayest look on their nakedness!"

Habakkuk 3:15 - "Thou didst walk through the sea with thine horses, through the heap of great waters." Create an image of a biblical scene, inspired by Habakkuk 3:15. 'Thou didst walk through the sea with thine horses, through the heap of great waters.' The scene should portray horses walking through a vast body of water, illustrating a sense of miraculous intervention. Use the style often seen in pre-1912 art using the primary medium commonly used in those times: oil on canvas. However, integrate a modern perspective to the scene, incorporating the vibrant colors, smooth gradients, and sharp contrasts often seen in digital art.

Habakkuk 3:15 - "Thou didst walk through the sea with thine horses, through the heap of great waters."

Habakkuk 2:12 - "¶ Woe to him that buildeth a town with blood, and stablisheth a city by iniquity!"

Habakkuk 2:12 - "¶ Woe to him that buildeth a town with blood, and stablisheth a city by iniquity!"

Habakkuk 2:14 - "For the earth shall be filled with the knowledge of the glory of the LORD, as the waters cover the sea."

Habakkuk 2:14 - "For the earth shall be filled with the knowledge of the glory of the LORD, as the waters cover the sea."

Habakkuk 2:11 - "For the stone shall cry out of the wall, and the beam out of the timber shall answer it."

Habakkuk 2:11 - "For the stone shall cry out of the wall, and the beam out of the timber shall answer it."

Habakkuk 1:15 - "They take up all of them with the angle, they catch them in their net, and gather them in their drag: therefore they rejoice and are glad." Captivate your senses with an artistic interpretation of the biblical verse Habakkuk 1:15 - "They take up all of them with the angle, they catch them in their net, and gather them in their drag: therefore they rejoice and are glad." This scene depicts a group of people pulling out a large net filled with their catch from the water. Their faces radiate with joy and excitement. To give the scene a nostalgic and evocative feel, embody the aesthetic style of pointillism - known for its unique dotting technique. Here, we explore those stylistic elements in a new medium, amplifying pixels to serve as the dots, harking back to the style of artists such as Georges Seurat, whose work is synonymous with pointillism. This analog-digital crossover creates a blend of traditional and modern visual representation.

Habakkuk 1:15 - "They take up all of them with the angle, they catch them in their net, and gather them in their drag: therefore they rejoice and are glad."

Habakkuk 2:2 - "And the LORD answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it."

Habakkuk 2:2 - "And the LORD answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it."

Habakkuk 2:20 - "But the LORD is in his holy temple: let all the earth keep silence before him."

Habakkuk 2:20 - "But the LORD is in his holy temple: let all the earth keep silence before him."

Habakkuk 2:13 - "Behold, is it not of the LORD of hosts that the people shall labour in the very fire, and the people shall weary themselves for very vanity?" An image representation inspired by a biblical quote, Habakkuk 2:13 - 'Behold, is it not of the LORD of hosts that the people shall labour in the very fire, and the people shall weary themselves for very vanity?'. The scene should embody this deep passage, with people working hard amidst the fiery flames signifying their tireless labor and struggle. The atmosphere is filled with solemnity, reflecting their weariness, yet they persist. The scene should be symmetrical, with a robust color palette full of reds and oranges representing the fire, contrasted with softer blues and greys representing human weariness. The art style is digital, with clean lines and smooth transitions.

Habakkuk 2:13 - "Behold, is it not of the LORD of hosts that the people shall labour in the very fire, and the people shall weary themselves for very vanity?"

Habakkuk 2:3 - "For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry." A detailed scene inspired by Habakkuk 2:3 - 'For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry.' The scene can be composed in a digital art style. Picture a timeline with symbolic representations of patience, persistence, and faith. The 'waiting period' could be displayed as a path filled with trials, while the 'appointed time' could be symbolized by a grand, radiant sunrise, signifying the revealing of a long-awaited truth.

Habakkuk 2:3 - "For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry."

Habakkuk 2:7 - "Shall they not rise up suddenly that shall bite thee, and awake that shall vex thee, and thou shalt be for booties unto them?" A dramatic scene illustrating the biblical verse Habakkuk 2:7 - 'Shall they not rise up suddenly that shall bite thee, and awake that shall vex thee, and thou shalt be for booties unto them?' This image should appear in a modern digital art style, evoking a sense of sudden uprising, awakening, and restless vexation.

Habakkuk 2:7 - "Shall they not rise up suddenly that shall bite thee, and awake that shall vex thee, and thou shalt be for booties unto them?"

Habakkuk 2:4 - "Behold, his soul which is lifted up is not upright in him: but the just shall live by his faith."

Habakkuk 2:4 - "Behold, his soul which is lifted up is not upright in him: but the just shall live by his faith."

Habakkuk 2:10 - "Thou hast consulted shame to thy house by cutting off many people, and hast sinned against thy soul."

Habakkuk 2:10 - "Thou hast consulted shame to thy house by cutting off many people, and hast sinned against thy soul."

Habakkuk 2:9 - "¶ Woe to him that coveteth an evil covetousness to his house, that he may set his nest on high, that he may be delivered from the power of evil!" Create a digital age interpretation of a biblical scene from Habakkuk 2:9, depicting the greed of a figure intent on building his abode high up, yearning for deliverance from evil. The man desires 'evil covetousness' for his household. Accentuate the idea of power and greed represented by an ostentatiously lavish house erected on a lofty peak, symbolizing the figure's lofty and unscrupulous ambitions. Yet, he yearns for redemption from the very evil he covets. Convey this complex interplay of desire, sin, and salvation in your artwork.

Habakkuk 2:9 - "¶ Woe to him that coveteth an evil covetousness to his house, that he may set his nest on high, that he may be delivered from the power of evil!"

Habakkuk 1:2 - "O LORD, how long shall I cry, and thou wilt not hear! even cry out unto thee of violence, and thou wilt not save!" An artistic depiction of the biblical verse Habakkuk 1:2 - 'O LORD, how long shall I cry, and thou wilt not hear! even cry out unto thee of violence, and thou wilt not save!'. Imagine a scene of a human crying out in desperation to a silent sky, reflecting the feeling of abandonment and plea for salvation. The art should encapsulate the raw emotional content within the verse, and all should be in the form of digital art, with rich color and depth, and the style may recall the visual language of the digital era.

Habakkuk 1:2 - "O LORD, how long shall I cry, and thou wilt not hear! even cry out unto thee of violence, and thou wilt not save!"

Habakkuk 2:19 - "Woe unto him that saith to the wood, Awake; to the dumb stone, Arise, it shall teach! Behold, it is laid over with gold and silver, and there is no breath at all in the midst of it."

Habakkuk 2:19 - "Woe unto him that saith to the wood, Awake; to the dumb stone, Arise, it shall teach! Behold, it is laid over with gold and silver, and there is no breath at all in the midst of it."

Habakkuk 2:17 - "For the violence of Lebanon shall cover thee, and the spoil of beasts, which made them afraid, because of men's blood, and for the violence of the land, of the city, and of all that dwell therein."

Habakkuk 2:17 - "For the violence of Lebanon shall cover thee, and the spoil of beasts, which made them afraid, because of men's blood, and for the violence of the land, of the city, and of all that dwell therein."

Habakkuk 2:18 - "¶ What profiteth the graven image that the maker thereof hath graven it; the molten image, and a teacher of lies, that the maker of his work trusteth therein, to make dumb idols?"

Habakkuk 2:18 - "¶ What profiteth the graven image that the maker thereof hath graven it; the molten image, and a teacher of lies, that the maker of his work trusteth therein, to make dumb idols?"

Habakkuk 2:1 - "I will stand upon my watch, and set me upon the tower, and will watch to see what he will say unto me, and what I shall answer when I am reproved."

Habakkuk 2:1 - "I will stand upon my watch, and set me upon the tower, and will watch to see what he will say unto me, and what I shall answer when I am reproved."

Habakkuk 2:5 - "¶ Yea also, because he transgresseth by wine, he is a proud man, neither keepeth at home, who enlargeth his desire as hell, and is as death, and cannot be satisfied, but gathereth unto him all nations, and heapeth unto him all people:" Picture an allegorical image inspired by the verse Habakkuk 2:5 from Bible. Imagine a man struck with pride, deviating from his path due to the intoxication of wine. He is not restrained by boundaries of his home, his desires are enflamed, reaching as far as the depths of hell and as cold as death. His greed is insatiable, thriving to gather nations and accumulate people. Gather this vast scene, rich in symbolism and portraying human flaws, all drawn digitally.

Habakkuk 2:5 - "¶ Yea also, because he transgresseth by wine, he is a proud man, neither keepeth at home, who enlargeth his desire as hell, and is as death, and cannot be satisfied, but gathereth unto him all nations, and heapeth unto him all people:"

Habakkuk 2:2-3 - "And the Lord answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it. For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry." Portray a scene inspired by Habakkuk 2:2-3. A person, portraying a biblical figure, sits at a table in an old stone room with a pen and parchment. The figure is writing down a vision revealed to them. The writings are in an ancient script and there's an aura of divine revelation surrounding the table. A runner stands nearby anxious yet patient, ready to disseminate this vision when the time arrives. Note, the artwork should be comprehensible even to someone unfamiliar with the text. The digital style should incorporate elements of historical text and divine inspiration.

Habakkuk 2:2-3 - "And the Lord answered me, and said, Write the vision, and make it plain upon tables, that he may run that readeth it. For the vision is yet for an appointed time, but at the end it shall speak, and not lie: though it tarry, wait for it; because it will surely come, it will not tarry."

Habakkuk 2:8 - "Because thou hast spoiled many nations, all the remnant of the people shall spoil thee; because of men's blood, and for the violence of the land, of the city, and of all that dwell therein."

Habakkuk 2:8 - "Because thou hast spoiled many nations, all the remnant of the people shall spoil thee; because of men's blood, and for the violence of the land, of the city, and of all that dwell therein."

Habakkuk 3:2 - "O LORD, I have heard thy speech, and was afraid: O LORD, revive thy work in the midst of the years, in the midst of the years make known; in wrath remember mercy."

Habakkuk 3:2 - "O LORD, I have heard thy speech, and was afraid: O LORD, revive thy work in the midst of the years, in the midst of the years make known; in wrath remember mercy."

Habakkuk 2:6 - "Shall not all these take up a parable against him, and a taunting proverb against him, and say, Woe to him that increaseth that which is not his! how long? and to him that ladeth himself with thick clay!" Illustration of a scene based on the biblical verse Habakkuk 2:6 - 'Shall not all these take up a parable against him, and a taunting proverb against him, and say, Woe to him that increaseth that which is not his! how long? and to him that ladeth himself with thick clay!' The scene includes multiple people unified in addressing an individual. The individual is burdened by the representation of 'thick clay', perhaps as a metaphorical heavy clay sphere he's carrying on his back. The atmosphere is one of admonishment. This illustration follows a modern digital art style.

Habakkuk 2:6 - "Shall not all these take up a parable against him, and a taunting proverb against him, and say, Woe to him that increaseth that which is not his! how long? and to him that ladeth himself with thick clay!"

Habakkuk 2:16 - "Thou art filled with shame for glory: drink thou also, and let thy foreskin be uncovered: the cup of the LORD'S right hand shall be turned unto thee, and shameful spewing shall be on thy glory."

Habakkuk 2:16 - "Thou art filled with shame for glory: drink thou also, and let thy foreskin be uncovered: the cup of the LORD'S right hand shall be turned unto thee, and shameful spewing shall be on thy glory."

Habakkuk 1:2-4 - "O Lord, how long shall I cry for help, and you will not hear? Or cry to you “Violence!” and you will not save? Why do you make me see iniquity, and why do you idly look at wrong? Destruction and violence are before me; strife and contention arise. So the law is paralyzed, and justice never goes forth. For the wicked surround the righteous; so justice goes forth perverted." A depiction of the biblical passage Habakkuk 1:2-4 where a lone figure is seen crying out to the heavens pleading for help, seemingly unheard. The environment around this figure is filled with symbolic imagery crafted from swirling hues, illustrating violence, destruction, strife, and contention to highlight the chaotic state of events. Paradoxically, gentle elements of the celestial and ethereal are hinted at in the form of occasional light beams, symbolizing divine indifference. This scene unfolds in a digital art aesthetic with a balance of darkness and faint elements of light piercing through.

Habakkuk 1:2-4 - "O Lord, how long shall I cry for help, and you will not hear? Or cry to you “Violence!” and you will not save? Why do you make me see iniquity, and why do you idly look at wrong? Destruction and violence are before me; strife and contention arise. So the law is paralyzed, and justice never goes forth. For the wicked surround the righteous; so justice goes forth perverted."

Proverbs 2:15 - "Whose ways are crooked, and they froward in their paths:"

Proverbs 2:15 - "Whose ways are crooked, and they froward in their paths:"

1 Chronicles 2:15 - "Ozem the sixth, David the seventh:" A digital art representation of a symbolic scene inspired by the Bible verse 1 Chronicles 2:15. The scene features two distinct figures standing side by side, each one highly individualized and representing 'Ozem' and 'David'. The label 'sixth' can be displayed below the figure of Ozem, and 'seventh' underneath David, referencing their respective positions in the biblical lineage.

1 Chronicles 2:15 - "Ozem the sixth, David the seventh:"

2 Chronicles 4:15 - "One sea, and twelve oxen under it." A scene depicting an element from the holy scripture, specifically 2 Chronicles 4:15, visualized in a digital art style. The verse translates to 'One sea, and twelve oxen under it.' Illuminating this scene would be a vast, deep blue sea, mysterious and expansive in its grandeur. Beneath the water's surface, a surreal depiction of twelve stout oxen huddled together, supporting the huge, unseen weight of the sea above them. The oxen are featured in different positions, with some standing facing straight, while others appear in profile. An image symbolic of strength, unity, and faith.

2 Chronicles 4:15 - "One sea, and twelve oxen under it."

Galatians 2:15 - "We who are Jews by nature, and not sinners of the Gentiles,"

Galatians 2:15 - "We who are Jews by nature, and not sinners of the Gentiles,"