Patriarch Abraham looking up at the night sky knowing his seed will be a numerous as the stars in the sky.

10 He found him in a desert land, and in the waste howling wilderness; he led him about, he instructed him, he kept him as the apple of his eye. 11 As an eagle stirreth up her nest, fluttereth over her young, spreadeth abroad her wings, taketh them, beareth them on her wings

2 Kings 2:11

2 Kings 2:11

2 Kings 2:11

Jesus is walking down a street and a woman reaches out to touch the tzit-tzit on the hem of his garment

draw a woman reaching for the tassels on Jesus's garment

Elijah ascended into heaven in a whirlwind of Fire

Elijah ascended into heaven in a whirlwind of Fire

Elijah ascended into heaven in a whirlwind of Fire

Elijah ascended into heaven in a whirlwind of Fire

Ancient of Days

Prophet Hosea standing and looking down a long seashore where children of Israel appear as the sands of the sea and sands seem to be twinkling like stars.

Prophet Hosea standing and looking down a long seashore where children of Israel appear as the sands of the sea and sands seem to be twinkling like stars.

Prophet Hosea standing and looking down a long seashore where children of Israel appear as the sands of the sea and sands seem to be twinkling like stars.

Patriarch Abraham looking up at the night sky knowing his seed will be a numerous as the stars in the sky.

Patriarch Abraham looking up at the night sky knowing his seed will be a numerous as the stars in the sky.

A realistic digital painting depicts a first-century Jewish man walking away from the camera. He wears a traditional robe with four tzitzit (Jewish fringes) made of approximately 8 strands of string each, knotted and wound in the traditional style. The tzitzit are about 12" long and are attached directly to the bottom hem of his garment, swaying gently as he walks. He is wearing a simple scarf. The setting is an ancient Jerusalem street, characterized by narrow, stone-paved roads with weathered, beige limestone buildings lining both sides. The walls are textured and cracked, with wooden shutters and small arched windows. The sunlight casts soft, golden shadows that create a warm, dusty atmosphere. The narrow street is bustling, with a crowd of people in traditional first-century Middle Eastern attire all walking with the man, some in front of him and some behind him. They too are wearing simple robes with tzit-tzit attached to them. Among the crowd, a woman in a modest robe and headscarf is prominently visible. She is behind the man, reaching out with determination, her fingers extended toward one of the tzitzit on the man’s robe. Her outstretched hand adds a sense of movement and emotion to the scene. The composition uses a slightly low camera angle, zooming in on the woman reaching for the tzit-tzit. The textures of the fabric, the intricate knotting of the tzitzit, and the fine details of the ancient architecture are highlighted with a hyper-realistic quality. Dust rises from the stone pavement, further enhancing the sense of realism.

A realistic digital painting depicts a first-century Jewish man walking away from the camera. He wears a traditional robe with four tzitzit (Jewish fringes) made of approximately 8 strands of string each, knotted and wound in the traditional style. The tzitzit are about 12" long and are attached directly to the bottom hem of his garment, swaying gently as he walks. He is wearing a simple scarf. The setting is an ancient Jerusalem street, characterized by narrow, stone-paved roads with weathered, beige limestone buildings lining both sides. The walls are textured and cracked, with wooden shutters and small arched windows. The sunlight casts soft, golden shadows that create a warm, dusty atmosphere. The narrow street is bustling, with a crowd of people in traditional first-century Middle Eastern attire all walking with the man, some in front of him and some behind him. They too are wearing simple robes with tzit-tzit attached to them. Among the crowd, a woman in a modest robe and headscarf is prominently visible. She is behind the man, reaching out with determination, her fingers extended toward one of the tzitzit on the man’s robe. Her outstretched hand adds a sense of movement and emotion to the scene. The composition uses a slightly low camera angle, emphasizing the perspective of the woman reaching for the tzitzit. The textures of the fabric, the intricate knotting of the tzitzit, and the fine details of the ancient architecture are highlighted with a hyper-realistic quality. Dust rises from the stone pavement, further enhancing the sense of realism.

A realistic digital painting depicts a first-century Jewish man walking away from the camera. He wears a traditional robe with four tzitzit (Jewish fringes) made of approximately 8 strands of string each, knotted and wound in the traditional style. The tzitzit are about 12" long and are attached directly to the bottom hem of his garment, swaying gently as he walks. His head is covered with a traditional Jewish head dress, made of linen or wool, indicative of the time period. The setting is an ancient Jerusalem street, characterized by narrow, stone-paved roads with weathered, beige limestone buildings lining both sides. The walls are textured and cracked, with wooden shutters and small arched windows. The sunlight casts soft, golden shadows that create a warm, dusty atmosphere. The narrow street is bustling, with a crowd of people in traditional first-century Middle Eastern attire all walking with the man, some in front of him and some behind him. They too are wearing simple robes with tzit-tzit attached to them. Among the crowd, a woman in a modest robe and headscarf is prominently visible. She is behind the man, reaching out with determination, her fingers extended toward one of the tzitzit on the man’s robe. Her outstretched hand adds a sense of movement and emotion to the scene. The composition uses a slightly low camera angle, emphasizing the perspective of the woman reaching for the tzitzit. The textures of the fabric, the intricate knotting of the tzitzit, and the fine details of the ancient architecture are highlighted with a hyper-realistic quality. Dust rises from the stone pavement, further enhancing the sense of realism.

Betlehemi gyermek gyilkosságok

A realistic digital painting depicts a first-century Jewish man walking away from the camera. He wears a traditional robe with four tzitzit (Jewish fringes) made of approximately 8 strands of string each, knotted and wound in the traditional style. The tzitzit are about 12" long and are attached directly to the bottom hem of his garment, swaying gently as he walks. His head is covered with a traditional Jewish head dress, made of linen or wool, indicative of the time period. The setting is an ancient Jerusalem street, characterized by narrow, stone-paved roads with weathered, beige limestone buildings lining both sides. The walls are textured and cracked, with wooden shutters and small arched windows. The sunlight casts soft, golden shadows that create a warm, dusty atmosphere. The narrow street is bustling, with a crowd of people in traditional first-century Middle Eastern attire all walking with the man, some in front of him and some behind him. They too are wearing simple robes with tzit-tzit attached to them. Among the crowd, a woman in a modest robe and headscarf is prominently visible. She is behind the man, reaching out with determination, her fingers extended toward one of the tzitzit on the man’s robe. Her outstretched hand adds a sense of movement and emotion to the scene. The composition uses a slightly low camera angle, emphasizing the perspective of the woman reaching for the tzitzit. The textures of the fabric, the intricate knotting of the tzitzit, and the fine details of the ancient architecture are highlighted with a hyper-realistic quality. Dust rises from the stone pavement, further enhancing the sense of realism.

John 1:33

Patriarch Abraham looking up at the night sky knowing his seed will be a numerous as the stars in the sky.

Ezekiel 19:5 (KJVA) 5 Now when she saw that she had waited, and her hope was lost, then she took another of her whelps, and made him a young lion.

Prodigal son coming back

Prodigal son returning

Revelation 3:20

young Solomon receiving wisdom from God

walking by faith Peter on water

1 John 4:13