1 Samuel 21 Artwork

"Then came David to Nob to Ahimelech the priest: and Ahimelech was afraid at the meeting of David, and said unto him, Why art thou alone, and no man with thee?" - 1 Samuel 21:1

Explore 1 Samuel 21 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
1 Samuel1 Samuel 211 Samuel 21:1
1 Samuel 8:21 - "And Samuel heard all the words of the people, and he rehearsed them in the ears of the LORD." Capture a biblical scene depicting 1 Samuel 8:21. The story tells of Samuel, a prophet, listening intently to the words of the people and conveying them to the divine. The scene should capture this aspect of deep listening and spiritual communication. It's set in a historical context, so the environment should reflect ancient Middle Eastern architecture and clothing style. However, the visual aesthetic should incorporate elements of modern digital art, including vibrant colors and geometrical patterns.

1 Samuel 8:21 - "And Samuel heard all the words of the people, and he rehearsed them in the ears of the LORD."

1 Samuel 3:21 - "And the LORD appeared again in Shiloh: for the LORD revealed himself to Samuel in Shiloh by the word of the LORD."

1 Samuel 3:21 - "And the LORD appeared again in Shiloh: for the LORD revealed himself to Samuel in Shiloh by the word of the LORD."

1 Samuel 22:21 - "And Abiathar shewed David that Saul had slain the LORD'S priests." A powerful scene inspired by the 1 Samuel 22:21 from the Bible. It's a historical moment where Abiathar is informing David about the grim event where Saul has slayed the priests of the LORD. The setting should reflect an ancient time with suitable attire and environment for the characters. The overall mood of the scene should be solemn and tragic, aiming to capture the intense emotions in this revelation. The style should be capturing the essence of modern digital art, emphasizing the blend of realism and abstraction.

1 Samuel 22:21 - "And Abiathar shewed David that Saul had slain the LORD'S priests."

1 Samuel 23:21 - "And Saul said, Blessed be ye of the LORD; for ye have compassion on me." Create a digital illustration that depicts a scene from the biblical verse, 'And Saul said, Blessed be ye of the LORD; for ye have compassion on me.' A dramatic, celestial backdrop portrays the intertwined emotions of gratitude and request. Elements might include a symbolic representation of Saul addressing the divine, perhaps by focusing the scene upward, hands reaching towards an ethereal light. Include symbolic elements of compassion, such as soft, warm colors and gently radiating light.

1 Samuel 23:21 - "And Saul said, Blessed be ye of the LORD; for ye have compassion on me."

1 Samuel 17:21 - "For Israel and the Philistines had put the battle in array, army against army." Render a digital art representation of a scene inspired by 1 Samuel 17:21. Visualize two distinct armies that are set against one another in line with the accounts from the Biblical narrative of Israel and the Philistines. The armies should depict ancient military attires and weaponry, maintaining a sense of historical authenticity. The battlefield should stretch out into the distance, filled with soldiers ready for combat, their foot soldiers at the front and charioteers at the back. The atmosphere should be tense, projecting the imminent clash, with ominous clouds gather overhead.

1 Samuel 17:21 - "For Israel and the Philistines had put the battle in array, army against army."

1 Samuel 13:21 - "Yet they had a file for the mattocks, and for the coulters, and for the forks, and for the axes, and to sharpen the goads."

1 Samuel 13:21 - "Yet they had a file for the mattocks, and for the coulters, and for the forks, and for the axes, and to sharpen the goads."

1 Samuel 2:21 - "And the LORD visited Hannah, so that she conceived, and bare three sons and two daughters. And the child Samuel grew before the LORD." A scene from the biblical story where the LORD visited Hannah, leading to her conceiving and giving birth to three sons and two daughters. Further, the scene should depict the child Samuel growing in the presence of the LORD. All these elements should be portrayed in the mode of digital art. The image should carry an essence of supernatural bliss and divine interaction. Despite being digital art, the image should emulate a historical and biblical ambiance.

1 Samuel 2:21 - "And the LORD visited Hannah, so that she conceived, and bare three sons and two daughters. And the child Samuel grew before the LORD."

1 Samuel 21:10 - "¶ And David arose, and fled that day for fear of Saul, and went to Achish the king of Gath." Illustrate an interpretation of the biblical verse 1 Samuel 21:10, where a fearful man known as David, rises and flees for his life, escaping towards a place ruled by a monarch named Achish in a land called Gath. Maintain a digital art aesthetic to present this scene in a modern context.

1 Samuel 21:10 - "¶ And David arose, and fled that day for fear of Saul, and went to Achish the king of Gath."

1 Samuel 1:21 - "And the man Elkanah, and all his house, went up to offer unto the LORD the yearly sacrifice, and his vow."

1 Samuel 1:21 - "And the man Elkanah, and all his house, went up to offer unto the LORD the yearly sacrifice, and his vow."

1 Samuel 21:12 - "And David laid up these words in his heart, and was sore afraid of Achish the king of Gath."

1 Samuel 21:12 - "And David laid up these words in his heart, and was sore afraid of Achish the king of Gath."

1 Samuel 16:21 - "And David came to Saul, and stood before him: and he loved him greatly; and he became his armourbearer."

1 Samuel 16:21 - "And David came to Saul, and stood before him: and he loved him greatly; and he became his armourbearer."

1 Samuel 21:3 - "Now therefore what is under thine hand? give me five loaves of bread in mine hand, or what there is present." Visualization of a biblical scene inspired by the verse 1 Samuel 21:3, 'Now therefore what is under thine hand? Give me five loaves of bread in mine hand, or what there is present.' Depict a Middle Eastern man, possibly a shepherd or traveler, standing under the shelter of a rudimentary building or canopy. In one hand, he should be reaching out for loaves of bread that someone unseen might be handing out to him. In the other, he should be holding whatever other items are present. Aim for a style that imitates traditional digital art.

1 Samuel 21:3 - "Now therefore what is under thine hand? give me five loaves of bread in mine hand, or what there is present."

1 Samuel 21:14 - "Then said Achish unto his servants, Lo, ye see the man is mad: wherefore then have ye brought him to me?" An image inspired by the biblical verse 1 Samuel 21:14 - 'Then said Achish unto his servants, Lo, ye see the man is mad: wherefore then have ye brought him to me?' The scene is set in an ancient Middle-Eastern setting. Achish, a middle-aged Middle-Eastern man dressed in ancient royal attire, holds a scepter and points to a disheveled, desperate Caucasian man who displays signs of madness. Achish's multi-ethnic servants around them are confused and scared. Use vibrant color contrasts, heavy strokes and bold highlights that are characteristic of digital art.

1 Samuel 21:14 - "Then said Achish unto his servants, Lo, ye see the man is mad: wherefore then have ye brought him to me?"

1 Samuel 21:1 - "Then came David to Nob to Ahimelech the priest: and Ahimelech was afraid at the meeting of David, and said unto him, Why art thou alone, and no man with thee?" Generate a digital art interpretation of a scene from an ancient text: The setting is the village of Nob, a place of historical and religious significance. Here we see David, a man of Middle-Eastern descent with rugged features, in historical attire appropriate for his status. He approaches Ahimelech the priest, an older, gray-bearded Caucasian man in priestly garments, depicted with an expression of worry and curiosity. The atmosphere hints at a sense of tension and mystery. Why has David come alone? Can you create this scene capturing their emotions and the historical backdrop vividly?

1 Samuel 21:1 - "Then came David to Nob to Ahimelech the priest: and Ahimelech was afraid at the meeting of David, and said unto him, Why art thou alone, and no man with thee?"

1 Samuel 12:21 - "And turn ye not aside: for then should ye go after vain things, which cannot profit nor deliver; for they are vain."

1 Samuel 12:21 - "And turn ye not aside: for then should ye go after vain things, which cannot profit nor deliver; for they are vain."

2 Samuel 21:21 - "And when he defied Israel, Jonathan the son of Shimea the brother of David slew him."

2 Samuel 21:21 - "And when he defied Israel, Jonathan the son of Shimea the brother of David slew him."

1 Samuel 19:21 - "And when it was told Saul, he sent other messengers, and they prophesied likewise. And Saul sent messengers again the third time, and they prophesied also."

1 Samuel 19:21 - "And when it was told Saul, he sent other messengers, and they prophesied likewise. And Saul sent messengers again the third time, and they prophesied also."

1 Samuel 21:7 - "Now a certain man of the servants of Saul was there that day, detained before the LORD; and his name was Doeg, an Edomite, the chiefest of the herdmen that belonged to Saul." An Edomite man named Doeg, who is the chief among the herdsmen working for a king. He is observed as being detained before a divine figure, possibly in a place of worship. This man has a notable demeanor, showing he is from the serving class but his strong presence indicates his high status among his peers. He is dressed in garments typical of herdsmen from his era, with details that reflect the unique styles of his Edomite roots. The entire scene is captured in the medium of digital art, providing vivid coloration, sharp contours and a smooth finish.

1 Samuel 21:7 - "Now a certain man of the servants of Saul was there that day, detained before the LORD; and his name was Doeg, an Edomite, the chiefest of the herdmen that belonged to Saul."

1 Samuel 21:15 - "Have I need of mad men, that ye have brought this fellow to play the mad man in my presence? shall this fellow come into my house?" A digital interpretation of a scene inspired by the Bible passage 1 Samuel 21:15. In the forefront, a person is dramatically embodying madness, gesturing wildly with disheveled hair and clothes. Observers around him display various reactions, from shock to mockery. They are standing within an ancient royal residence, which should be evident from the architecture and decor. All of this is happening under the seemingly disapproving gaze of a prominent figure, probably the ruler of the house. Ensure that the people depicted are diverse in terms of gender and descent.

1 Samuel 21:15 - "Have I need of mad men, that ye have brought this fellow to play the mad man in my presence? shall this fellow come into my house?"

1 Samuel 6:21 - "¶ And they sent messengers to the inhabitants of Kirjath-jearim, saying, The Philistines have brought again the ark of the LORD; come ye down, and fetch it up to you."

1 Samuel 6:21 - "¶ And they sent messengers to the inhabitants of Kirjath-jearim, saying, The Philistines have brought again the ark of the LORD; come ye down, and fetch it up to you."

2 Samuel 5:21 - "And there they left their images, and David and his men burned them."

2 Samuel 5:21 - "And there they left their images, and David and his men burned them."

1 Samuel 15:21 - "But the people took of the spoil, sheep and oxen, the chief of the things which should have been utterly destroyed, to sacrifice unto the LORD thy God in Gilgal." A scene from a biblical narrative in 1 Samuel 15:21. An ancient Middle-Eastern crowd, composed of an equal mix of men and women with varied descents such as Caucasian, Hispanic, Black, Middle-Eastern, South Asian, and White, are gathering spoils. They take sheep and oxen, envisioned as the most valuable of all things that should have been discarded entirely. They are preparing to use these animals as sacrifices to their God in a place called Gilgal. The landscape of Gilgal is presented as iconic, filled with cultural and historical nuances. The whole scene is interpreted in a modern digital art style.

1 Samuel 15:21 - "But the people took of the spoil, sheep and oxen, the chief of the things which should have been utterly destroyed, to sacrifice unto the LORD thy God in Gilgal."

1 Samuel 10:21 - "When he had caused the tribe of Benjamin to come near by their families, the family of Matri was taken, and Saul the son of Kish was taken: and when they sought him, he could not be found." Create a digital art image depicting a biblical scene from 1 Samuel 10:21. Show a large gathering of people from the tribe of Benjamin, with families lined up and one specific family - the family of Matri - being singled out. There should be an empty spot where Saul, the son of Kish, is supposed to be, indicating he could not be found. Add an atmosphere of anxiety and curiosity as people search for Saul.

1 Samuel 10:21 - "When he had caused the tribe of Benjamin to come near by their families, the family of Matri was taken, and Saul the son of Kish was taken: and when they sought him, he could not be found."

1 Samuel 21:6 - "So the priest gave him hallowed bread: for there was no bread there but the shewbread, that was taken from before the LORD, to put hot bread in the day when it was taken away."

1 Samuel 21:6 - "So the priest gave him hallowed bread: for there was no bread there but the shewbread, that was taken from before the LORD, to put hot bread in the day when it was taken away."

1 Samuel 21:4 - "And the priest answered David, and said, There is no common bread under mine hand, but there is hallowed bread; if the young men have kept themselves at least from women." A scene from a religious text: The priest is in conversation with David. The priest, an older South Asian male with thoughtful eyes, is explaining that he only has a piece of hallowed bread available under his hand. David, a young Middle Eastern man, is attentively listening, slightly leaning forward. In the background are young men from various descents, Caucasian, Hispanic, Black, dutifully standing in the line, abstaining from women. They present themselves in antiquated apparel, adding to the solemnity of the occasion. The format of the scene is to be in the style of digital art.

1 Samuel 21:4 - "And the priest answered David, and said, There is no common bread under mine hand, but there is hallowed bread; if the young men have kept themselves at least from women."

1 Samuel 21:13 - "And he changed his behaviour before them, and feigned himself mad in their hands, and scrabbled on the doors of the gate, and let his spittle fall down upon his beard." Visual interpretation of a moment from 1 Samuel 21:13. A man is drastically changing his actions, feigning madness. His hands frenziedly scrabble on the large, wooden doors of a city gate, his eyes wild and expressive. Long strands of his beard glisten with saliva droplets. The scene is highlighted by the dramatic interplay of light and shadow, akin to the chiaroscuro effect seen in Baroque art, such as Rembrandt's works. The entire scene is to be visually expressed in the style of digital art.

1 Samuel 21:13 - "And he changed his behaviour before them, and feigned himself mad in their hands, and scrabbled on the doors of the gate, and let his spittle fall down upon his beard."

1 Samuel 4:21 - "And she named the child I-chabod, saying, The glory is departed from Israel: because the ark of God was taken, and because of her father in law and her husband." A classical scene illustrating a pivotal moment from the biblical narrative, namely, 1 Samuel 4:21. Picture a woman, deeply stricken by uncontrollable grief, announcing the birth of her child, I-chabod. The artistic representation must vividly capture her somber proclamation 'The glory is departed from Israel'—a remark symbolizing the capture of the Ark of God and the loss of her father-in-law and husband. Render this biblical episode in detailed digital art, showcasing the depth of the woman's despair and the gravity of the situation.

1 Samuel 4:21 - "And she named the child I-chabod, saying, The glory is departed from Israel: because the ark of God was taken, and because of her father in law and her husband."

1 Samuel 14:21 - "Moreover the Hebrews that were with the Philistines before that time, which went up with them into the camp from the country round about, even they also turned to be with the Israelites that were with Saul and Jonathan." Picture a scene from an ancient biblical setting, based on 1 Samuel 14:21. Illustrate Hebrew men from the Philistine camp switching sides to join the Israelites in their camp led by Saul and Jonathan. Showcase the rugged landscape of the surrounding countryside that stretches around the camp. Capture this scene using digital art techniques, paying particular attention to the historic details in terms of clothing, architecture and environment.

1 Samuel 14:21 - "Moreover the Hebrews that were with the Philistines before that time, which went up with them into the camp from the country round about, even they also turned to be with the Israelites that were with Saul and Jonathan."

1 Samuel 9:21 - "And Saul answered and said, Am not I a Benjamite, of the smallest of the tribes of Israel? and my family the least of all the families of the tribe of Benjamin? wherefore then speakest thou so to me?"

1 Samuel 9:21 - "And Saul answered and said, Am not I a Benjamite, of the smallest of the tribes of Israel? and my family the least of all the families of the tribe of Benjamin? wherefore then speakest thou so to me?"

2 Samuel 21:1 - "Then there was a famine in the days of David three years, year after year; and David enquired of the LORD. And the LORD answered, It is for Saul, and for his bloody house, because he slew the Gibeonites." Envision a scene centered around a historic famine in a time akin to the era of ancient kings, extending over three years. The sky is stark and the earth barren, reflecting the direness of the situation. In the midst of this, a determined figure (akin to the character of a king) kneels to pray, seeking divine guidance. The response comes in the form of a chilling voice, blaming the famine on the violent actions of a previous ruler and his descendants. The style of this artwork should capture the earthiness and rawness of early periods, while incorporating modern digital art techniques.

2 Samuel 21:1 - "Then there was a famine in the days of David three years, year after year; and David enquired of the LORD. And the LORD answered, It is for Saul, and for his bloody house, because he slew the Gibeonites."