Ecclesiastes 4 Artwork

"So I returned, and considered all the oppressions that are done under the sun: and behold the tears of such as were oppressed, and they had no comforter; and on the side of their oppressors there was power; but they had no comforter." - Ecclesiastes 4:1

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Meaning & Commentary
EcclesiastesEcclesiastes 4Ecclesiastes 4:1
Ecclesiastes 4:7 - "Then I returned, and I saw vanity under the sun." Visualize the biblical verse 'Then I returned, and I saw vanity under the sun.' as a scene. Create a vast landscape with the sun soaring high in the sky giving off a resplendent glow. Underneath, illustrate a symbolic representation of vanity, such as a mirror reflecting the viewer's own image back at them or a peacock with its feathers fanned out in full display. Think along the lines of a vivid, colorful presentation using the primary medium used by digital artists.

Ecclesiastes 4:7 - "Then I returned, and I saw vanity under the sun."

Ecclesiastes 7:4 - "The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth." A thought-provoking image taking inspiration from Ecclesiastes 7:4, 'The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth.' Visualize a house filled with solemnity and reflection on one side, symbolizing the heart of the wise in mourning. On the other side, depict a house filled with laughter and festivity, representing the heart of fools in mirth. The style should resemble digital art with vibrant, contrasting color schemes to differentiate the two houses.

Ecclesiastes 7:4 - "The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth."

Ecclesiastes 3:4 - "A time to weep, and a time to laugh; a time to mourn, and a time to dance;"

Ecclesiastes 3:4 - "A time to weep, and a time to laugh; a time to mourn, and a time to dance;"

Ecclesiastes 4:9 - "¶ Two are better than one; because they have a good reward for their labour."

Ecclesiastes 4:9 - "¶ Two are better than one; because they have a good reward for their labour."

Ecclesiastes 4:5 - "The fool foldeth his hands together, and eateth his own flesh." Create a digital art representation that captures the essence of Ecclesiastes 4:5 quote - 'The fool foldeth his hands together, and eateth his own flesh.' This piece can employ modern mediums and techniques. The scene should contain a man, looking misguided and foolhardy, sitting lazily with folded arms. Visual metaphors and symbolisms can be used to portray him 'eating his own flesh' – portraying self-destruction and irrationality, but avoid any explicit violence. Colors and style should be rich in complexity, utilizing elements that convey depth of meaning and conceptual understanding.

Ecclesiastes 4:5 - "The fool foldeth his hands together, and eateth his own flesh."

Ecclesiastes 4:6 - "Better is an handful with quietness, than both the hands full with travail and vexation of spirit."

Ecclesiastes 4:6 - "Better is an handful with quietness, than both the hands full with travail and vexation of spirit."

Ecclesiastes 11:4 - "He that observeth the wind shall not sow; and he that regardeth the clouds shall not reap."

Ecclesiastes 11:4 - "He that observeth the wind shall not sow; and he that regardeth the clouds shall not reap."

Ecclesiastes 6:4 - "For he cometh in with vanity, and departeth in darkness, and his name shall be covered with darkness."

Ecclesiastes 6:4 - "For he cometh in with vanity, and departeth in darkness, and his name shall be covered with darkness."

Ecclesiastes 1:4 - "One generation passeth away, and another generation cometh: but the earth abideth for ever."

Ecclesiastes 1:4 - "One generation passeth away, and another generation cometh: but the earth abideth for ever."

Ecclesiastes 4:11 - "Again, if two lie together, then they have heat: but how can one be warm alone?" An illustration inspired by the biblical verse, Ecclesiastes 4:11 - 'Again, if two lie together, they have heat: but how can one be warm alone?'. The scene is set on a cold, winter night. Two figures are shown huddled together under a thick blanket, a soft glow surrounding them signifying warmth. In contrast is a lone figure, distant to the other two and covered with a slim blanket, shivering under the cold moonlight. The artwork uses the medium of digital brush-strokes, with a heavy emphasis on contrasts between the warm light around the two figures and the cold, dark atmosphere surrounding the lone one.

Ecclesiastes 4:11 - "Again, if two lie together, then they have heat: but how can one be warm alone?"

Ecclesiastes 4:13 - "¶ Better is a poor and a wise child than an old and foolish king, who will no more be admonished."

Ecclesiastes 4:13 - "¶ Better is a poor and a wise child than an old and foolish king, who will no more be admonished."

Ecclesiastes 4:4 - "¶ Again, I considered all travail, and every right work, that for this a man is envied of his neighbour. This is also vanity and vexation of spirit." An artistic representation of Ecclesiastes 4:4, 'Again, I considered all travail, and every right work, that for this a man is envied of his neighbour. This is also vanity and vexation of spirit.' Utilize a traditional art form resembling a late 19th-century style which is captured through an oil painting medium. However, to give a touch of modernity, replicate the aesthetics digitally. Incorporate symbols such as a working man looking weary, a neighbor looking envious, and objects symbolizing vanity or vexation of spirit. Ensure the overall tone evokes reflections of struggle, jealousy, vanity, and frustration.

Ecclesiastes 4:4 - "¶ Again, I considered all travail, and every right work, that for this a man is envied of his neighbour. This is also vanity and vexation of spirit."

Ecclesiastes 9:4 - "¶ For to him that is joined to all the living there is hope: for a living dog is better than a dead lion."

Ecclesiastes 9:4 - "¶ For to him that is joined to all the living there is hope: for a living dog is better than a dead lion."

Ecclesiastes 4:12 - "And if one prevail against him, two shall withstand him; and a threefold cord is not quickly broken."

Ecclesiastes 4:12 - "And if one prevail against him, two shall withstand him; and a threefold cord is not quickly broken."

Ecclesiastes 8:4 - "Where the word of a king is, there is power: and who may say unto him, What doest thou?"

Ecclesiastes 8:4 - "Where the word of a king is, there is power: and who may say unto him, What doest thou?"

Ecclesiastes 10:4 - "If the spirit of the ruler rise up against thee, leave not thy place; for yielding pacifieth great offences." An image inspired by the scripture Ecclesiastes 10:4 - 'If the spirit of the ruler rise up against thee, leave not thy place; for yielding pacifieth great offences.' The image illustrates the scene of a regal ruler in a moment of passionate disagreement with a humble individual. The individual stands their ground, echoing the sentiment of patience and endurance. This scene carries on in a digital artistic style, focusing on modern aesthetics and vibrant colors.

Ecclesiastes 10:4 - "If the spirit of the ruler rise up against thee, leave not thy place; for yielding pacifieth great offences."

Ecclesiastes 4:14 - "For out of prison he cometh to reign; whereas also he that is born in his kingdom becometh poor."

Ecclesiastes 4:14 - "For out of prison he cometh to reign; whereas also he that is born in his kingdom becometh poor."

Ecclesiastes 4:2 - "Wherefore I praised the dead which are already dead more than the living which are yet alive."

Ecclesiastes 4:2 - "Wherefore I praised the dead which are already dead more than the living which are yet alive."

Ecclesiastes 2:4 - "I made me great works; I builded me houses; I planted me vineyards:" Picture a premodern scene capturing the spirit of Ecclesiastes 2:4 - 'I made me great works; I built me houses; I planted me vineyards.' The scene should depict an expansive landscape where large, impressive architectural works are visible in the background. One can see a range of houses, from simple stone cottages to ornate mansions, all expertly crafted. The foreground should be dominated by lush vineyards. The rows of vines, heavy with grapes, stretch towards the horizon, embodying abundance and productivity. Render the scene with the visual characteristics of pre-1912 artwork, such as bold colors and intricate details, to replicate the feel of digital art.

Ecclesiastes 2:4 - "I made me great works; I builded me houses; I planted me vineyards:"

Ecclesiastes 4:15 - "I considered all the living which walk under the sun, with the second child that shall stand up in his stead." A representation of Ecclesiastes 4:15 - 'I considered all the living which walk under the sun, with the second child that shall stand up in his stead.' The image should embody a modern interpretation of traditional themes, focusing on the juxtaposition of life and leadership. Set in a scenic environment where characters of various ages and races are shown walking under a vibrant sun. In the middle of the crowd, a South Asian boy stands bravely, gesturing towards the sky, symbolizing the future leadership. Use vibrant, digital brushstrokes to give the picture a contemporary feeling.

Ecclesiastes 4:15 - "I considered all the living which walk under the sun, with the second child that shall stand up in his stead."

Ecclesiastes 5:4 - "When thou vowest a vow unto God, defer not to pay it; for he hath no pleasure in fools: pay that which thou hast vowed."

Ecclesiastes 5:4 - "When thou vowest a vow unto God, defer not to pay it; for he hath no pleasure in fools: pay that which thou hast vowed."

Ecclesiastes 4:3 - "Yea, better is he than both they, which hath not yet been, who hath not seen the evil work that is done under the sun."

Ecclesiastes 4:3 - "Yea, better is he than both they, which hath not yet been, who hath not seen the evil work that is done under the sun."

Ecclesiastes 4:10 - "For if they fall, the one will lift up his fellow: but woe to him that is alone when he falleth; for he hath not another to help him up." Depict a scene illustrating the biblical quote from Ecclesiastes 4:10 - 'For if they fall, the one will lift up his fellow: but woe to him that is alone when he falleth; for he hath not another to help him up.' Imagine this scene as a digitally-rendered image. Two individuals are in the scene. One has fallen, possibly from stumbling on a rock and the other one is extending a helping hand to him. Around them is a barren landscape, conveying the sense of despair and loneliness that comes alone. The style is not of any specific artist, but rather a modern digital aesthetic with high contrast and vibrant colors. Note: All human depictions are of fictional characters.

Ecclesiastes 4:10 - "For if they fall, the one will lift up his fellow: but woe to him that is alone when he falleth; for he hath not another to help him up."

Ecclesiastes 4:16 - "There is no end of all the people, even of all that have been before them: they also that come after shall not rejoice in him. Surely this also is vanity and vexation of spirit."

Ecclesiastes 4:16 - "There is no end of all the people, even of all that have been before them: they also that come after shall not rejoice in him. Surely this also is vanity and vexation of spirit."

Ecclesiastes 4:1 - "So I returned, and considered all the oppressions that are done under the sun: and behold the tears of such as were oppressed, and they had no comforter; and on the side of their oppressors there was power; but they had no comforter." Create a digital art-inspired image that portrays the biblical verse Ecclesiastes 4:1. In this scene, feature the contrast between the oppressed, who are tearful and without comfort, and their oppressors, who possess power. Show the oppressive acts performed under the sun, with the distressed individuals lacking any form of consolation. On the other hand, their oppressors should be depicted with visible power but void of any comforting presence.

Ecclesiastes 4:1 - "So I returned, and considered all the oppressions that are done under the sun: and behold the tears of such as were oppressed, and they had no comforter; and on the side of their oppressors there was power; but they had no comforter."

Ecclesiastes 12:4 - "And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of musick shall be brought low;" Visualize Ecclesiastes 12:4 - 'And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of musick shall be brought low;'. Imagine this as a medieval-era scene, well known for its focus on religious themes. The scene should feature closed doors in a cobblestone street, the quiet ambience punctuated by the faint sound of grinding and the early morning chirping of birds. Further elements to include could be women, referring to 'the daughters of music', looking downcast. The color palette should include earthy and muted tones typically seen in medieval art. Interpret this in a digital medium.

Ecclesiastes 12:4 - "And the doors shall be shut in the streets, when the sound of the grinding is low, and he shall rise up at the voice of the bird, and all the daughters of musick shall be brought low;"

Ecclesiastes 1:1 - "The words of the Preacher, the son of David, king in Jerusalem."

Ecclesiastes 1:1 - "The words of the Preacher, the son of David, king in Jerusalem."

Ecclesiastes 4:9-10 - "Two are better than one, because they have a good return for their labor: If either of them falls down, one can help the other up. But pity anyone who falls and has no one to help them up." An image interpreting the Biblical quote from Ecclesiastes, 4:9-10. It shows two people working together in harmony. They are engaged in a task that shows clear cooperation and shared labor. Nearby, one worker has tripped and fallen. The other worker, rather than carrying on alone, reaches out a helping hand to lift their fallen companion up. In the background, there's a lonely figure fallen with nobody around to help them up. The scene is saturated with symbolic elements, depicting vividly the verse's message. It is in a modern, digital art style.

Ecclesiastes 4:9-10 - "Two are better than one, because they have a good return for their labor: If either of them falls down, one can help the other up. But pity anyone who falls and has no one to help them up."

Ecclesiastes 12:8 - "¶ Vanity of vanities, saith the preacher; all is vanity." Illustration of Ecclesiastes 12:8 - 'Vanity of vanities, saith the preacher; all is vanity.' The scene should be infused with symbolic elements to capture the essence of the quote. Use a blend of archaic and abstract elements, highlighting contrasts and paradoxes. Incorporate a vast, endless landscape suggestive of the infinite yet futile nature of vanity. Include the figure of a preacher, alone, amidst these symbols of vanity. Render the image in a digital art style with rich colors and detailed textures.

Ecclesiastes 12:8 - "¶ Vanity of vanities, saith the preacher; all is vanity."

Ecclesiastes 1:12 - "¶ I the Preacher was king over Israel in Jerusalem." Render an illuminated manuscript style depiction of a scene inspired by Ecclesiastes 1:12, which reads, 'I the Preacher was king over Israel in Jerusalem.' It should evoke the traditional aesthetics of medieval religious texts, with elaborate borders, lettering, and hand-drawn miniature illustrations. Please take inspiration from the artistry of the time, without venturing into the style of any particular artist or creative professional whose latest work was created after 1912. Use vibrant colors, intricate details and symbolic imagery common in this kind of historic religious manuscript.

Ecclesiastes 1:12 - "¶ I the Preacher was king over Israel in Jerusalem."