Exodus 34 Artwork

"And the LORD said unto Moses, Hew thee two tables of stone like unto the first: and I will write upon these tables the words that were in the first tables, which thou brakest." - Exodus 34:1

Explore Exodus 34 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Exodus 34:17 - "Thou shalt make thee no molten gods."

Exodus 34:17 - "Thou shalt make thee no molten gods."

Exodus 34:5 - "And the LORD descended in the cloud, and stood with him there, and proclaimed the name of the LORD."

Visualize a scene inspired by Exodus 34:5 - "And the LORD descended in the cloud, and stood with him there, and proclaimed the name of the LORD.". Create the image using bright and stark contrasts commonly found in digital art. The scene captures the LORD descending enveloped in cloudy mists, standing by a lone figure on the ground. On the atmospheric backdrop, an ethereal glow suggests the proclamation of the name of the LORD. Worldly features should remain ambiguous, letting divine elements dominate the visual narrative.

Exodus 34:5 - "And the LORD descended in the cloud, and stood with him there, and proclaimed the name of the LORD."

Exodus 40:34 - "¶ Then a cloud covered the tent of the congregation, and the glory of the LORD filled the tabernacle."

Visualize the scene from Exodus 40:34, where a mystical cloud engulfs the sacred outdoor meeting area, symbolizing the presence of a divine entity. The divine glory fills the tabernacle echoing a sense of surreal tranquility and majesty. The style should reflect the visionary ideals of the digital medium - sharp, high-contrast color ranges, intricate detail, and 3-D modeling.

Exodus 40:34 - "¶ Then a cloud covered the tent of the congregation, and the glory of the LORD filled the tabernacle."

Exodus 34:8 - "And Moses made haste, and bowed his head toward the earth, and worshipped."

Exodus 34:8 - "And Moses made haste, and bowed his head toward the earth, and worshipped."

Exodus 34:13 - "But ye shall destroy their altars, break their images, and cut down their groves:"

Exodus 34:13 - "But ye shall destroy their altars, break their images, and cut down their groves:"

Exodus 25:34 - "And in the candlestick shall be four bowls made like unto almonds, with their knops and their flowers."

Create an image illustrating the biblical verse Exodus 25:34 - 'And in the candlestick shall be four bowls made like unto almonds, with their knops and their flowers.' This scene should be represented in a digital art style comprising sharp structures, colourful palette, and skilful light effects.

Exodus 25:34 - "And in the candlestick shall be four bowls made like unto almonds, with their knops and their flowers."

Exodus 39:34 - "And the covering of rams' skins dyed red, and the covering of badgers' skins, and the vail of the covering,"

Visual representation of the verse from Exodus 39:34, involving the covering of rams' skins dyed in deep red, as well as the covering of badger skins, both exhibited next to a vail of the covering. The image should be created with inspirations from the era of digital art, focusing on sharp lines, vibrant colors, and high contrast.

Exodus 39:34 - "And the covering of rams' skins dyed red, and the covering of badgers' skins, and the vail of the covering,"

Exodus 16:34 - "As the LORD commanded Moses, so Aaron laid it up before the Testimony, to be kept."

Narrate a biblical scene from the Exodus 16:34 - 'As the LORD commanded Moses, so Aaron laid it up before the Testimony, to be kept.' The scene opens with Moses, a middle-eastern man with a grayish-white beard, clad in ancient Hebrew attire. He is positioned on the left, receiving divine commandments. On the right, stands Aaron, another middle-eastern man in similar attire, laying the commandments before the 'Testimony'. The background is filled with the harsh wilderness of Sinai. The image should resemble a digitally created artwork showcasing vivid colors and precise details.

Exodus 16:34 - "As the LORD commanded Moses, so Aaron laid it up before the Testimony, to be kept."

Exodus 26:34 - "And thou shalt put the mercy seat upon the ark of the testimony in the most holy place."

Render a scene inspired by Exodus 26:34, showing a mercy seat being placed on the ark of testimony, located in the most sacred part of the temple. The scene has an intangible spiritual aura, with architectural features that are grand and awe-inspiring. Note that the style for this image should be modern digital art, showcasing sharp lines, vibrant colors, and complex details.

Exodus 26:34 - "And thou shalt put the mercy seat upon the ark of the testimony in the most holy place."

Exodus 34:14 - "For thou shalt worship no other god: for the LORD, whose name is Jealous, is a jealous God:"

Exodus 34:14 - "For thou shalt worship no other god: for the LORD, whose name is Jealous, is a jealous God:"

Exodus 34:33 - "And till Moses had done speaking with them, he put a vail on his face."

A digital art representation of an ancient biblical scene inspired by the verse Exodus 34:33. 'And till Moses had done speaking with them, he put a veil on his face.' The scene takes place at the base of a mountain, with an aged man, identifiable as Moses, conversing with a diverse group of people from various descents including Caucasian, Hispanic, Black, Middle-Eastern, and South Asian. Moses, a Middle-Eastern man, is the central figure, standing with authority and wisdom. He is in the process of placing a veil over his face, a mark of reverence and mystery. The onlookers appear captivated, their faces reflecting a mixture of awe and respect.

Exodus 34:33 - "And till Moses had done speaking with them, he put a vail on his face."

Exodus 28:34 - "A golden bell and a pomegranate, a golden bell and a pomegranate, upon the hem of the robe round about."

An intricately designed robe dappled with golden bells and ripe pomegranates, woven in an alternating pattern along the hem. The robe carries an aura of antiquity, fitting for an artifact described in the ancient biblical text, Exodus 28:34. The golden bells emit a soft glow, while the pomegranates add rich, vibrant colors to the scene. This vision should be brought to life using the advanced techniques of digital artistry with a focus on precision and realism.

Exodus 28:34 - "A golden bell and a pomegranate, a golden bell and a pomegranate, upon the hem of the robe round about."

Exodus 34:22 - "¶ And thou shalt observe the feast of weeks, of the firstfruits of wheat harvest, and the feast of ingathering at the year's end."

An interpretation of Exodus 34:22 showing the observance of the feast of weeks, featuring firstfruits of wheat harvest and a year-end feast of ingathering. The image should reflect the sense of gathering and communal celebration. Imagine lush fields of ripe golden wheat ready to be harvested, and an array of bounty gathered from the year displayed in the feast. The scene is joyous, filled with people of diverse descents, all participating in the annual celebration. They are engaged in various activities like gathering wheat, preparing the feast, and celebrating together. The overall ambience is vibrant and festive in the style of digital art.

Exodus 34:22 - "¶ And thou shalt observe the feast of weeks, of the firstfruits of wheat harvest, and the feast of ingathering at the year's end."

Exodus 36:34 - "And he overlaid the boards with gold, and made their rings of gold to be places for the bars, and overlaid the bars with gold."

An image capturing the essence of Exodus 36:34 - 'And he overlaid the boards with gold, and made their rings of gold to be places for the bars, and overlaid the bars with gold.' Picture this scene as modern digital art: a collection of ornate boards, each surface gleaming with a rich layer of gold. The boards are adorned with rings, also made of gold, serving as holders for golden bars. These bars are equally resplendent, having been expertly overlaid with gold, casting glorious reflections and enhancing the overall richness of the scene.

Exodus 36:34 - "And he overlaid the boards with gold, and made their rings of gold to be places for the bars, and overlaid the bars with gold."

Exodus 12:34 - "And the people took their dough before it was leavened, their kneadingtroughs being bound up in their clothes upon their shoulders."

Imagine a biblical-inspired, hand-drawn illustration, capturing the scenario from Exodus 12:34: 'And the people took their dough before it was leavened, their kneading troughs being bound up in their clothes upon their shoulders.'. Envision individuals of various genders and descents, Middle Eastern, Caucasian, South Asian, Black, and Hispanic, all carrying their dough in kneading troughs wrapped in cloths on their shoulders, embodying a sense of movement and urgency. The style should be reminiscent of early 19th-century etchings or woodcuts, using monochromatic shades to give an impression of simplicity and antiquity.

Exodus 12:34 - "And the people took their dough before it was leavened, their kneadingtroughs being bound up in their clothes upon their shoulders."

Exodus 34:34 - "But when Moses went in before the LORD to speak with him, he took the vail off, until he came out. And he came out, and spake unto the children of Israel that which he was commanded."

Exodus 34:34 - "But when Moses went in before the LORD to speak with him, he took the vail off, until he came out. And he came out, and spake unto the children of Israel that which he was commanded."

Exodus 34:2 - "And be ready in the morning, and come up in the morning unto mount Sinai, and present thyself there to me in the top of the mount."

Exodus 34:2 - "And be ready in the morning, and come up in the morning unto mount Sinai, and present thyself there to me in the top of the mount."

Exodus 34:23 - "¶ Thrice in the year shall all your men children appear before the Lord GOD, the God of Israel."

Exodus 34:23 - "¶ Thrice in the year shall all your men children appear before the Lord GOD, the God of Israel."

Exodus 34:19 - "All that openeth the matrix is mine; and every firstling among thy cattle, whether ox or sheep, that is male."

A biblical scene illustrating Exodus 34:19 - 'All that openeth the matrix is mine; and every firstling among thy cattle, whether ox or sheep, that is male.' The image portrays the firstborns of cattle, both oxen and sheep, appearing from a geometric, matrix-like structure. The art style is digital, with strong contrast, sharp geometric shapes, and vivid colors demonstrating the resplendent spirituality of the scene.

Exodus 34:19 - "All that openeth the matrix is mine; and every firstling among thy cattle, whether ox or sheep, that is male."

Exodus 34:31 - "And Moses called unto them; and Aaron and all the rulers of the congregation returned unto him: and Moses talked with them."

Exodus 34:31 - "And Moses called unto them; and Aaron and all the rulers of the congregation returned unto him: and Moses talked with them."

Exodus 21:34 - "The owner of the pit shall make it good, and give money unto the owner of them; and the dead beast shall be his."

Exodus 21:34 - "The owner of the pit shall make it good, and give money unto the owner of them; and the dead beast shall be his."

Numbers 33:34 - "And they removed from Jotbathah, and encamped at Ebronah."

An atmospheric digital art scene illustrating Numbers 33:34 from the Bible: 'And they removed from Jotbathah, and encamped at Ebronah.' Show a group of diverse people packing up their belongings from the city of Jotbathah, a city glimpsed in the background. Showcase elements like camels, tents, and artifact-filled carts under the heated desert sun to display their exodus. In the distance, the city of Ebronah can be faintly seen, perhaps atop a hill or beyond a stretch of desert, indicating the group's next destination.

Numbers 33:34 - "And they removed from Jotbathah, and encamped at Ebronah."

Exodus 34:6 - "And the LORD passed by before him, and proclaimed, The LORD, The LORD God, merciful and gracious, longsuffering, and abundant in goodness and truth,"

Exodus 34:6 - "And the LORD passed by before him, and proclaimed, The LORD, The LORD God, merciful and gracious, longsuffering, and abundant in goodness and truth,"

Exodus 34:25 - "Thou shalt not offer the blood of my sacrifice with leaven; neither shall the sacrifice of the feast of the passover be left unto the morning."

Create an image that conceptualizes Exodus 34:25 - 'Thou shalt not offer the blood of my sacrifice with leaven; neither shall the sacrifice of the feast of the passover be left unto the morning.' The image should have elements symbolizing the ancient scripture, like an altar with sacrifices, along with an implication of the morning, such as sunrise or morning light, in a highly vivid, modern and abstract representation, reminiscent of pre-1912 art movements like Art Nouveau.

Exodus 34:25 - "Thou shalt not offer the blood of my sacrifice with leaven; neither shall the sacrifice of the feast of the passover be left unto the morning."

Exodus 34:12 - "Take heed to thyself, lest thou make a covenant with the inhabitants of the land whither thou goest, lest it be for a snare in the midst of thee:"

Visualize a biblical scene that captures the essence of Exodus 34:12. Depict an individual pondering the decision of making a pact with the inhabitants of a new, foreign land. Emphasize that this agreement could potentially turn into a trap. Please echo traditional biblical art while integrating elements of digitization for a modern touch.

Exodus 34:12 - "Take heed to thyself, lest thou make a covenant with the inhabitants of the land whither thou goest, lest it be for a snare in the midst of thee:"

Exodus 35:34 - "And he hath put in his heart that he may teach, both he, and Aholiab, the son of Ahisamach, of the tribe of Dan."

Illustrate a scene from the biblical verse, Exodus 35:34 - 'And he hath put in his heart that he may teach, both he, and Aholiab, the son of Ahisamach, of the tribe of Dan'. The image should embody the spirit of imparting knowledge and wisdom, encompassing two figures in a mentoring scene, probably in an ancient Middle Eastern setting. The style of the image should draw inspiration from the aesthetics of pre-1912 artistic movements and mediums such as Renaissance oil paintings, while capturing the modern essence of digital art.

Exodus 35:34 - "And he hath put in his heart that he may teach, both he, and Aholiab, the son of Ahisamach, of the tribe of Dan."

Exodus 34:21 - "¶ Six days thou shalt work, but on the seventh day thou shalt rest: in earing time and in harvest thou shalt rest."

Illustrate the biblical verse Exodus 34:21 - 'Six days thou shalt work, but on the seventh day thou shalt rest: in earing time and in harvest thou shalt rest.' Visualize this as a dichotomy between days of toil and a day of serenity. Depict fields, tools of labor for six days, and a peaceful scene for the seventh day. Do this in a modern digital art style, with vibrant colors and bold lines to emphasize the contrast between work and rest.

Exodus 34:21 - "¶ Six days thou shalt work, but on the seventh day thou shalt rest: in earing time and in harvest thou shalt rest."

Exodus 34:18 - "¶ The feast of unleavened bread shalt thou keep. Seven days thou shalt eat unleavened bread, as I commanded thee, in the time of the month Abib: for in the month Abib thou camest out from Egypt."

Create a digital art inspired image of the verse of Exodus 34:18. The image consists of unleavened bread around a table suggesting a feast for seven continuous days, with a subtle background showcasing the era of Exodus, the time when people migrated out of Egypt. The art should incorporate elements significant to the month of Abib. The image should not resemble any specific real individuals or infringe on any copyrighted materials.

Exodus 34:18 - "¶ The feast of unleavened bread shalt thou keep. Seven days thou shalt eat unleavened bread, as I commanded thee, in the time of the month Abib: for in the month Abib thou camest out from Egypt."

Exodus 34:27 - "And the LORD said unto Moses, Write thou these words: for after the tenor of these words I have made a covenant with thee and with Israel."

Exodus 34:27 - "And the LORD said unto Moses, Write thou these words: for after the tenor of these words I have made a covenant with thee and with Israel."

Exodus 34:30 - "And when Aaron and all the children of Israel saw Moses, behold, the skin of his face shone; and they were afraid to come nigh him."

Render a digital illustration of a biblical scene from Exodus 34:30. The pivotal moment depicts Aaron and the children of Israel, representing a diverse range of descents like Caucasian, Hispanic, Black, Middle-Eastern, and South Asian, overlooking Moses whose skin on his face is radiating light, instilling a sensation of awe and fear amongst the observers. Capture the complex emotions of the scene in the detailing.

Exodus 34:30 - "And when Aaron and all the children of Israel saw Moses, behold, the skin of his face shone; and they were afraid to come nigh him."