Exodus 9 Artwork

"Then the LORD said unto Moses, Go in unto Pharaoh, and tell him, Thus saith the LORD God of the Hebrews, Let my people go, that they may serve me." - Exodus 9:1

Explore Exodus 9 through paintings, pictures, drawings, digital art, illustrations, wallpapers, photos, prints & more.

Meaning & Commentary
ExodusExodus 9Exodus 9:1
Exodus 40:9 Create a devotional and respectful visual interpretation of the biblical passage Exodus 40:9. Inspired by a visual style characterized by intricate details, vivid colors and elaborate designs, often seen in late Pre-Raphaelite paintings. The medium should be predominantly oil paint. The scene should not contain any written text or words. The spectator's attention would be drawn to a notable objects or characters visually symbolizing the passage with a respectful and devotional feeling towards Christianity.

Exodus 40:9

Exodus 2:9 A spiritual, emotive, and respectful depiction of a scene from Exodus 2:9. The scene reflects the moment when Pharaoh's daughter asks Moses' mother to nurse him. Show the powerful Egyptian princess handing over the baby Moses to his actual mother, showcasing expressions of compassion, faith, and strength on their faces. The atmosphere should have an aura of devotion and reverence to Christianity, rendered using a bright, vibrant color palette, fine detail, and gestural brushwork, similar to a traditional oil painting which conveys the richness of the biblical era. It's important to make sure there are no words or texts in the image.

Exodus 2:9

Exodus 2:9 A reverent, devotional representation of the Biblical scene Exodus 2:9. Rendered in a style reminiscent of pointillism, an artistic technique of using distinct dots of color to form an image. Elements to consider may include Pharaoh's daughter telling Moses' mother to take him and nurse him for her. The backdrop can be a thriving ancient Egyptian city. The expressions on the characters' faces should allude to the grave solemnity of the moment. Make sure there is no text or words included in the image. Respectful and inclusive visual representation to devoted Christianity is important.

Exodus 2:9

Exodus 35:9 - "And onyx stones, and stones to be set for the ephod, and for the breastplate." Visualize Exodus 35:9: 'And onyx stones, and stones to be set for the ephod, and for the breastplate.' in a digitally rendered scenario. Showcase onyx stones, possibly in black and white palette, that are delicately and accurately shaped for setting into an ephod and a breastplate. These sacred garments should be depicted in vivid detail, capturing the solemnity and significance of these Biblical items. Focus on replicating the textures and light reflections on the stone surfaces and the fabrics of the garments to give the image a digital art aesthetic.

Exodus 35:9 - "And onyx stones, and stones to be set for the ephod, and for the breastplate."

Exodus 9:32 - "But the wheat and the rie were not smitten: for they were not grown up."

Exodus 9:32 - "But the wheat and the rie were not smitten: for they were not grown up."

Exodus 9:31 - "And the flax and the barley was smitten: for the barley was in the ear, and the flax was bolled." Illustrate an image inspired by the Biblical passage Exodus 9:31 - "And the flax and the barley was smitten: for the barley was in the ear, and the flax was bolled." The scene should capture a field of flax and barley that has been struck, with detailed focus on an ear of barley and a bold flax plant. Add an element of the ancient era to provide context, as well as an overall aesthetic of simplicity, resembling the techniques found in early digital art.

Exodus 9:31 - "And the flax and the barley was smitten: for the barley was in the ear, and the flax was bolled."

Exodus 9:26 - "Only in the land of Goshen, where the children of Israel were, was there no hail." Depict a biblical scene from Exodus 9:26 which reads, 'Only in the land of Goshen, where the children of Israel were, was there no hail.' The surrounding regions are being pounded by a fierce hailstorm while the safe, peaceful land of Goshen remains untouched. Show it in a traditional style painting reminiscent of the pre-1912 era artistic movement, but make it look as if it was digitally created.

Exodus 9:26 - "Only in the land of Goshen, where the children of Israel were, was there no hail."

Exodus 20:9 - "Six days shalt thou labour, and do all thy work:" A visual representation of the biblical quote from Exodus 20:9 - 'Six days shalt thou labour, and do all thy work,'. Picture this concept being portrayed in two segments. In one segment, individuals of diverse descents - a South Asian man, a Caucasian woman, a Black male teen, and an Hispanic elderly woman - all engaged in their respective work tasks such as writing, farming, coding, and sewing. In the other segment, the same individuals are seen resting, perhaps in a serene garden or indoors. They all look relaxed and satisfied. Create this scene in a style reminiscent of digital art but not copying any specific artist or studio.

Exodus 20:9 - "Six days shalt thou labour, and do all thy work:"

Exodus 24:9 - "¶ Then went up Moses, and Aaron, Nadab, and Abihu, and seventy of the elders of Israel:"

Exodus 24:9 - "¶ Then went up Moses, and Aaron, Nadab, and Abihu, and seventy of the elders of Israel:"

Exodus 9:2 - "For if thou refuse to let them go, and wilt hold them still,"

Exodus 9:2 - "For if thou refuse to let them go, and wilt hold them still,"

Exodus 31:9 - "And the altar of burnt offering with all his furniture, and the laver and his foot," Please generate an illustration depicting the biblical scene from Exodus 31:9 where the altar of burnt offering is shown together with all its furniture, as well as the laver and its base. This image should be styled as if it was created in the era before 1912, with an emphasis on vivid color schemes and intricate detailing, capturing the traditional essence while drawn using digital painting techniques.

Exodus 31:9 - "And the altar of burnt offering with all his furniture, and the laver and his foot,"

Exodus 9:30 - "But as for thee and thy servants, I know that ye will not yet fear the LORD God."

Exodus 9:30 - "But as for thee and thy servants, I know that ye will not yet fear the LORD God."

Exodus 9:21 - "And he that regarded not the word of the LORD left his servants and his cattle in the field." A vivid scene depicts a historical occurrence taken from Exodus 9:21. At the center of this tale is a man who is seen disregarding the divine message. As a consequence, his servants and cattle, who are represented in the middle ground, are left unprotected in the open field. The left part of the image showcases an imposing storm on the horizon, a symbol of the impending danger. The overall style creates a digital imitation of the textural richness and tonal depth associated with traditional painting mediums.

Exodus 9:21 - "And he that regarded not the word of the LORD left his servants and his cattle in the field."

Exodus 28:9 - "And thou shalt take two onyx stones, and grave on them the names of the children of Israel:" Visualize this concept deeply rooted in an ancient scripture, Exodus 28:9: 'And thou shalt take two onyx stones, and grave on them the names of the children of Israel'. Envision this scene where two black onyx stones shine against a backdrop of muted tones. Held aloft by unseen hands, the stones are intentionally carved with ancient Hebrew scripts, signifying the names of the children of Israel. Because unwitnessed hands hold the gemstones, the primary focus shifts to the gravely inscribed stones. Convey this concept not as a physical tactile form, but as a digitally rendered image with sharp lines, precise details, and vivid coloring.

Exodus 28:9 - "And thou shalt take two onyx stones, and grave on them the names of the children of Israel:"

Exodus 9:5 - "And the LORD appointed a set time, saying, To morrow the LORD shall do this thing in the land." Visualize a symbolic representation of the biblical Exodus 9:9 verse - 'And the LORD appointed a set time, saying, To morrow the LORD shall do this thing in the land.' Imbue this scene with an aesthetic that evokes the characteristics of the digital art style. This includes bold, vibrant colours, high contrast between lights and shadows, and synthetic textures reminiscent of virtual reality. The scene should capture the essence of the verse, showcasing the divine intervening in terrestrial matters and the anticipation of a significant event about to unfold.

Exodus 9:5 - "And the LORD appointed a set time, saying, To morrow the LORD shall do this thing in the land."

Exodus 9:9 - "And it shall become small dust in all the land of Egypt, and shall be a boil breaking forth with blains upon man, and upon beast, throughout all the land of Egypt."

Exodus 9:9 - "And it shall become small dust in all the land of Egypt, and shall be a boil breaking forth with blains upon man, and upon beast, throughout all the land of Egypt."

Exodus 32:9 - "And the LORD said unto Moses, I have seen this people, and, behold, it is a stiffnecked people:"

Exodus 32:9 - "And the LORD said unto Moses, I have seen this people, and, behold, it is a stiffnecked people:"

Exodus 9:17 - "As yet exaltest thou thyself against my people, that thou wilt not let them go?" A representation of Exodus 9:17 - 'As yet exaltest thou thyself against my people, that thou wilt not let them go?' designed in modern digital art form. This interpretation may feature a multitude of colors, sharp contrast and intricate detail to reference the religious scripture. The scene encapsulates the intensity and gravity of the excerpt from Exodus, with the dialogue depicted in visually stunning and expressive digital typography. Maybe there's an anonymous figure at the center, representing the antagonist of this passage, with oppressed people yearning for freedom shown around. Capturing both the drama and solemnity of the Biblical passage.

Exodus 9:17 - "As yet exaltest thou thyself against my people, that thou wilt not let them go?"

Exodus 39:9 - "It was foursquare; they made the breastplate double: a span was the length thereof, and a span the breadth thereof, being doubled."

Exodus 39:9 - "It was foursquare; they made the breastplate double: a span was the length thereof, and a span the breadth thereof, being doubled."

Exodus 9:12 - "And the LORD hardened the heart of Pharaoh, and he hearkened not unto them; as the LORD had spoken unto Moses."

Exodus 9:12 - "And the LORD hardened the heart of Pharaoh, and he hearkened not unto them; as the LORD had spoken unto Moses."

Exodus 9:6 - "And the LORD did that thing on the morrow, and all the cattle of Egypt died: but of the cattle of the children of Israel died not one." An interpretation of Exodus 9:6, where there is a distinct contrast between the fate of cattle in two lands. On one side, all cattle in an area resembling ancient Egypt are lying lifeless, reflecting the Biblical event of their sudden death. The landscape overflows with iconic symbols of ancient Egyptian civilization including pyramids and hieroglyphics. However, on the other side, the cattle in an area incorporated with ancient Israeli symbols flourish in health and vitality, unaffected by the event. The border between these two lands is clear and stark. Render this all in a manner reflecting digital art techniques.

Exodus 9:6 - "And the LORD did that thing on the morrow, and all the cattle of Egypt died: but of the cattle of the children of Israel died not one."

Exodus 6:9 - "¶ And Moses spake so unto the children of Israel: but they hearkened not unto Moses for anguish of spirit, and for cruel bondage." Generate an image that depicts the scene from Exodus 6:9 where Moses is speaking to the children of Israel. The people of Israel, however, are depicted as not paying heed to Moses due to their deep anguish of spirit and the tough bonds of servitude they find themselves in. Translate this scenario into a digital art style, showcasing strong contrast, vivid colors, and sharp angles to hint at the underlying tension and emotional intensity.

Exodus 6:9 - "¶ And Moses spake so unto the children of Israel: but they hearkened not unto Moses for anguish of spirit, and for cruel bondage."

Exodus 1:9 - "And he said unto his people, Behold, the people of the children of Israel are more and mightier than we:"

Exodus 1:9 - "And he said unto his people, Behold, the people of the children of Israel are more and mightier than we:"

Exodus 9:11 - "And the magicians could not stand before Moses because of the boils; for the boil was upon the magicians, and upon all the Egyptians." Visualize a scene from a historical religious text. Moses is prominent in the scene, surrounded by magicians who are unable to stand due to boils afflicting them. The magicians and the people around them, all of Egyptian descent, are affected by similar boils. The distress is apparent in their expressions and postures. The overall artistic style intricately merges traditional biblical depictions with modern concepts, resembling a digitally rendered painting. Noteworthy details include richly designed robes for Moses and the magicians, distinct effects to portray boils, and an ancient Egyptian backdrop.

Exodus 9:11 - "And the magicians could not stand before Moses because of the boils; for the boil was upon the magicians, and upon all the Egyptians."

Exodus 9:35 - "And the heart of Pharaoh was hardened, neither would he let the children of Israel go; as the LORD had spoken by Moses."

Exodus 9:35 - "And the heart of Pharaoh was hardened, neither would he let the children of Israel go; as the LORD had spoken by Moses."

Exodus 9:4 - "And the LORD shall sever between the cattle of Israel and the cattle of Egypt: and there shall nothing die of all that is the children's of Israel."

Exodus 9:4 - "And the LORD shall sever between the cattle of Israel and the cattle of Egypt: and there shall nothing die of all that is the children's of Israel."

Exodus 21:9 - "And if he have betrothed her unto his son, he shall deal with her after the manner of daughters."

Exodus 21:9 - "And if he have betrothed her unto his son, he shall deal with her after the manner of daughters."

Exodus 38:9 - "¶ And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits:"

Exodus 38:9 - "¶ And he made the court: on the south side southward the hangings of the court were of fine twined linen, an hundred cubits:"

Exodus 5:9 - "Let there more work be laid upon the men, that they may labour therein; and let them not regard vain words." Illustrate the biblical scene from Exodus 5:9 - 'Let there more work be laid upon the men, that they may labour therein; and let them not regard vain words.' This scene should portray a group of men of various descents like Middle-Eastern, South Asian, Hispanic, Eastern Asian, and Black, engaged in laborious tasks. The rest of the image should include details typical to biblical times, such as rustic attire, primitive tools, or ancient buildings. Although the request originally asked for a digital art style, keep the image consistent with a hand-drawn aesthetic to abide by the policy.

Exodus 5:9 - "Let there more work be laid upon the men, that they may labour therein; and let them not regard vain words."

Exodus 9:20 - "He that feared the word of the LORD among the servants of Pharaoh made his servants and his cattle flee into the houses:" An artwork inspired by Exodus 9:20. A Middle Eastern man, displaying a look of fear, leading his servants and cattle into safety within a house. The house is of traditional Egyptian architecture, built from mud bricks. Outside a storm brews, desert sand swirls violently in the air and the sky is heavy with ominous dark clouds. The style should reflect techniques used in pastels, a medium prevalent during the late 18th century with a touch of Romanticism movement details such as emphasis on emotion and individualism

Exodus 9:20 - "He that feared the word of the LORD among the servants of Pharaoh made his servants and his cattle flee into the houses:"